This Powerpoint is most suitable for IB Diploma (Language A) or A Level language and literature students looking to revise text types. The Powerpoint covers the features of the following text types, as well as things that students can look for/consider when analysing an unseen text of this type: News article Editorial Blog or diary entry Political cartoons Graphic novels Brochures and leaflets Forum posts Academic journal articles Reviews Speeches and talks Tweets Letters and emails Interviews Advertisements Infographics The resource also covers reminders of the purposes of writing, the differences between literary and linguistic features, and further tips to enhance performance in analytical tasks of this nature (e.g. commenting on context, planning skills). This is not intended to serve as a full lesson in itself but could potentially be developed by teachers to create one according to the needs of their class. It’s perhaps more appropriate as a revision resource to be distributed for students’ own independent learning.

These notes on The Sound of Waves list potentially useful quotations from each chapter through the themes of innocence and experience (I have taught this text once privately and my student’s essay was based on this idea, so I read and made notes on the text with a view to helping her with this). Using the prism of these universal themes enables connections to be made between other curriculum texts, such as the poetry of William Blake and the plays of William Shakespeare. The notes are aimed at teachers (rather than students) and do not constitute full lesson plans in themselves but serve to provide inspiration for lessons depending on what skills and topics you hope to teach when instructing students on the novel. They provide opportunities to help students understand the effects of techniques such as simile and metaphor, foreshadowing, personification, pathetic fallacy, and symbolism. The notes also make links to critical thinking courses such as TOK (Theory of Knowledge) so can also be used by IB teachers to facilitate links to the Diploma core. Obviously all ideas presented in the notes are interpretations which you may agree or disagree with. Nonetheless, I hope they help!

This PPT presentation/lesson encourages students to consider the differences between the way people speak in normal life vs how they speak on television documentaries. The starting question could be explored in a whole-class discussion or via various Kagan Strategies (e.g. Think-Pair-Share), and the resultant ideas revisited later on. An excerpt from a David Attenborough documentary (about the lyre bird) is transcribed onto the PPT for a student to read aloud in their normal voice. Students then watch the corresponding video clip (linked to in the PPT, or can be found on Youtube/supplied on request if there are problems with this). They should then compare how the student read it with how the text is spoken by Attenborough. They may wish to consider elements such as accent, pace and enunciation. Reference to the initial ideas generated by students is encouraged. The speech features terminology table (or a version of it adapted for your students) can be used optionally to help. I recommend using relevant exercises from the CGP GCSE English workbook as a plenary activity. This lesson was conceived of for students entering KS5 but is also suitable for KS4.

The questions in this file are replicated multiple times to ease printing, photocopying and distribution. They deal with affirmations made by Barabas and Ferneze in this scene and require students to justify their answers with evidence from Act 5 scene 1, as well as from elsewhere in the play where appropriate. Students could be given one or both questions either to respond to with short answers or to expand/develop into an essay.

This list of questions is intended for students studying Christopher Marlowe’s play “The Jew of Malta”. The questions can be given to students before or after watching the Grandfather Films production of the play, with the understanding either way that they make notes throughout their viewing of the film. The questions include topics such as possible cuts that could be made, the chronology of the film, and the casting. The questions could therefore be used by students of English, Drama, or Film Studies. There are three copies of the questions per page, for ease of printing, photocopying and distribution.

The statements and questions in this grid about Bao Ninh’s novel “The Sorrow of War” were provided by real sixth-form students, with development in the brackets being provided by me. The third column in the chart is left blank so that your students can fill in their own responses to the ideas. It may be prudent to print this on A3 paper so that students have sufficient space to write, and/or upload a copy to your school’s VLE so that students can download and type directly onto a digital copy. Excellent for revision.

This quotes quiz was created for students revising Bao Ninh’s novel “The Sorrow of War” for their final exams. No answers are provided as the emphasis is on the quality of student analysis. Techniques-wise it tests student knowledge of literary and linguistic devices including personification, simile and metaphor, and alliteration. Aimed at MA-HA sixth-formers.

This grid is intended to encourage sixth-formers studying the novel “The Sorrow of War” to consider the reliability of both its author (Bao Ninh) and protagonist (Kien), as well as areas where the two intersect. This is also a chance to develop their abilities in terms of supporting their ideas with evidence from the text. Aimed at MA-HA students. Examples could be filled in by the teacher (maybe one per box) along with possible sentence stems for explanation to support lower-ability students. The resource could also be adapted for use with any other text that has an unreliable narrator and/or author.

This resource consists of anonymised quotations from real sixth-form student essays about Bao Ninh’s language use in the opening pages of “The Sorrow of War”. By asking students to identify what is good about them and what could be improved, it is possible to not only develop their justifications/opinions of these aspects of the novel itself, but also to allow students to critique the quality of the analysis. This helps to develop metacognitive and essay-writing skills as well as knowledge of the text. As such, it can be used with students who have no experience of the novel, as well as with students who are studying the novel directly. It would make a great starter/plenary activity, especially in the context of revision of the novel or essay-writing classes.

This quiz was designed to be used in an English lesson to reinforce student knowledge of Irish history in relation to Brian Friel’s play “Translations”. However, it could of course also be used by history teachers! The quiz could be done traditionally, whereby students revise in advance and then sit the quiz on their own. However, I used it as a team game, whereby at around Easter time, the slips were cut up and hidden around the classroom treasure hunt-style. Students had to work in teams to find the slips and fill in the answers where they thought they went on the answer sheet. The first team to get a full sheet of correct answers - or the highest number of correct answers - by the end of the given time - won an Easter egg (I appreciate that edible prizes and/or the religious aspect won’t work in all schools so obviously feel free to substitute this with a reward of your choosing if needed). Ground rules worth setting include: no hoarding of slips in your team (they should be put back where you have found them so other teams can also find them…) and no using chairs/tables etc as weaponry to guard the slips you have found (yes, really!!).

This is a fact sheet about the IRA designed to be distributed to students, or for teachers to use to give them some background knowledge. It has been adapted/created based on Wikipedia so naturally is basic/has limitations, but is suitable for student use and for teachers who are not history specialists. It can be useful for English teachers who are teaching plays or novels where this history is relevant, such as Brian Friel’s “Translations” or Joan Lingard’s “Across The Barricades”.

This worksheet/activity is great for revision, and can be filled out as students encounter characters upon first reading/throughout their initial reading of the play, or completed retrospectively. It has been filled in with the names of characters from Brian Friel’s play “Translations” but could be easily adapted/used for other plays. Students are encouraged to make notes on multiple features including the characters’ attitudes, impact on them as readers, and how the characters speak. I usually print one copy of this out on A4 and then blow it up to A3 size to give students more space to write. It can also be uploaded to your school’s VLE so that students can download extra copies if they need it (or if they prefer to type onto a digital copy).

This worksheet/activity is designed for MA-HA A Level/IB English A students. It provides the references made in the play to characters from classical literature/mythology, in the order in which they are mentioned in the play, so is a great resource for revision. Students can work in class or at home to locate the quotation where the character is mentioned (if they put act/scene numbers this helps their essay-writing/referencing skills generally). Students are then encouraged to explain the significance of this being included (this column in the chart could be an extension task for those of higher ability, or all students could be asked to do it). Prompts are included to help students with the explanation/aid differentation.

This resource is designed to be printed and laminated so that students can match techniques and quotations from TS Eliot’s poem “Rhapsody on a Windy Night”. It was designed for IB Diploma Programme English Language & Literature students (so KS5) but could be used with able KS4 students too. After completing the activity students can be given a non-laminated version of the file to keep (all techniques are aligned with the correct answers). Techniques covered include anaphora, personification, themes, and iambic rhythm. Great as a starter or main activity.

These comprehension tasks in relation to Jhumpa Lahiri’s short story “The Third and Final Continent” were designed for MA-HA (I)GCSE students. They could be completed in class or alone as short-answer tasks, or used as revision or homework. Alternatively, different questions could be assigned to small groups and developed into a presentation; or, if you would prefer a longer/more detailed answer, individual questions can be set as essays. The questions require students to find evidence from the text to support their answers and focus mainly on cultural contexts and differences, and character development. Multiple copies of the questions fill the page for ease of printing, photocopying and distribution.

This worksheet covers techniques used in parts 1 and 2 of Stephen Crane’s short story “The Open Boat”. It was designed for MA-HA (I)GCSE students. Students are encouraged to match literary and linguistic techniques with their definitions before filling out a table that shows they can identify these techniques being used within the text, as well as finding quotations to support them. A third column is included in the table by way of extension, with students being asked to explain the effect this has if they can.

These comprehension questions were designed for use by MA-HA (I)GCSE students reading Edith Wharton’s short story “The Moving Finger”. These questions could be completed all in one go after reading the whole story (perhaps as homework) or could be completed after reading each part (maybe as a class activity). The questions encourage students to consider how characters are developed and evolve, as well as their overall significance to the story, using evidence from the text to support their ideas. As such these could also be used as stimuli for essays or presentations (as opposed to short answers). The final question could be done as an extension activity in writing and/or the quotation given to all students as a starter or plenary activity.

This worksheet was designed for use by MA-HA (I)GCSE students learning about Hopkins’ poem “The Caged Skylark”. The grid on the sheet encourages them to identify techniques and imagery used to compare the man and skylark, and to cite examples using line numbers. There is also room for students to expand upon their observations, which could be used as extension. This activity could be completed in groups or alone in class, used as homework, or completed for revision.

These comprehension questions were designed for MA-HA (I)GCSE students studying Elizabeth Barrett Browning’s poem “If Thou Must Love Me”. They could be used in groups or alone in class, or as homework. They would also be good as a revision activity or if you need cover work. The questions could also be split up and used in class using a carousel format. Extension questions are included, especially regarding the poem’s form, and contextual knowledge surrounding the poet’s husband, Robert Browning. Two copies of the questions are included per sheet of paper to ease printing, photocopying and distribution.

These comprehension questions on John Keats’ Bright Star sonnet were designed for (I)GCSE students studying the poem but could also be used for A Level/IB students. The 4-page pack includes a copy of the poem as well as a vocabulary matching activity, space for handwritten definitions of any other unfamiliar vocabulary, note-taking space, comprehension questions, and an optional extension task.