GREAT 10-MINUTE STARTER TO CEMENT THE FOLLOWING KEY TERMS AND THEIR DEFINITIONS: Accent Adjacency pairs Back-channel features Blend word Contraction Deixis / deictics Dialect Discourse markers Elision Ellipsis False start Fillers Hedge Idiolect Interactional talk Initialism Jargon Micropause Non-fluency features Overt prestige Paralinguistic features Phatic talk Prosodic features Received Pronunciation Repairs Slang Sociolect Standard English Tag question Transactional talk Transcript Turn taking Utterance Vague language INSTRUCTIONS FOR ACTIVITY: Cut out these dominoes and laminate them (optional). Give individuals or pairs one domino, including you, the teacher. You begin by reading out the definition on the yellow side of your card. The student who has the term on the blue side of their card that matches with your definition then puts up their hand and says their term out loud. They then read aloud the definition on the yellow side of their card. All class members will have to listen carefully to see if their term matches with the definition they’ve just heard, and so the game continues until it goes full circle, every student has spoken, and you eventually hear the definition that matches with the term on the blue side of your card. Essentially, you’re playing a large game of dominoes, where students have to match key terms with definitions they hear. Depending on your group’s knowledge/ability, you may work altogether to match up the terms with definitions, or, alternatively, you may decide to play this as an actual dominoes game on the floor. This is a great 10-minute starter that really helps students to remember key terms and their definitions.

This 23 slide PowerPoint (for teachers) contains 50+ FUN activities for students to do when reading novels as a class. These tasks really do engage, enthuse and excite, and they can be used with any age group. Look at the 'previews' to see the kind of activities on offer. These activities really do jazz up 'reading' up students and gives them an active task when reading as a class.

'Pass the Buck' Students explore Belfast Confetti in a fun and engaging way by working in small groups and answering questions about the poem. The questions encourage students to analyse the poem from a different angle and consider small details in the poem. Divide students into six groups. Give each group a question on a piece of sugar paper. They will have 2 minutes with each question. They are to jot down as many ideas as possible in response to the question, but they can’t repeat what has already been written. Allow 8 minutes at the end of the task for students to present their sugar paper. Other groups must annotate their poem with the key ideas they hear. Explain that they don’t have to write everything down, but they should write down relevant points that help their own understanding.

This lesson takes students through how to respond to an exam question. The question is: Starting with this speech, explain how far you think Shakespeare presents Lady Macbeth as a powerful woman. Write about: • how Shakespeare presents Lady Macbeth in this speech • how Shakespeare presents Lady Macbeth in the play as a whole Students explore the play where Lady Macbeth is featured. They highlight/annotate the exam question and speech. They then read through other parts of the play and pick out important quotations for their 'quotations' bank. Students also complete a PEE-based essay plan throughout the lesson in preparation for writing a whole response. Students also consider the assessment objectives. On the PowerPoint there are 'notes' at the bottom of each slide for guidance on how to conduct the lesson.

This resource contains a PPT and a selection of poems for students to practise approaching unseen poetry. The PPT guides students through the following: 1. Title 2. Shape/form 3. Personal response 4. Voice 5. Vocabulary 6. Imagery 7. Structure 8. Interpretation Encouraging students to look at these aspects of a poem will enable them to engage and understand the unseen poem.

Students I've taught struggle to remember key quotations. I wracked my brains to try and find a way to help them remember without just learning by rote and repetition. This activity was particularly successful with my students. Print the carefully selected quotations with their short explanation and issue to students. You may wish to print 2-3 times to give students 3 quotations each. Ask each student on a sticky note to illustrate the quotation. Albeit simple, this activity really helps students to recall quotations as they remember the illustration they do. Allow students to use colour as it makes the activity for memorable. An alternative activity may be to give each student one quotation each and an A4 piece of paper. Ask them to illustrate the quotation on a larger scale, using colour, and then make a class display which the whole class can refer to.

Two lessons based on Simon Armitage's poem November. The learning objective for both lessons is to understand the subject matter of November, and identify/interpret the feelings and attitudes. These two lessons contain varied and exciting activities including sequencing activities, labelling the poem with pictures and relating the subject matter of the poem to themselves. There's a strong focus on the language of the poem and the different metaphors used.

Using this sheet, students map the rise and fall of Macbeth. They look at phrases used to describe Macbeth in the play. They must find evidence for each phrase. Once finished, this worksheet will illustrate - using quotations - the tragic downfall of Macbeth throughout the play.

Students are asked the question: Is Macbeth Evil? Based on their simple 'yes' or 'no' response, they are split into two teams: prosecuting team and defence team. You - the teacher - are the judge. Teams are initially given their 'first piece of evidence' (an extract) to analyse and annotate with their agenda/argument in mind. They are then asked to look at the 'play as a whole' to find other pieces of evidence to support their argument. A mock court case is then held with Macbeth on trial. Both teams present their cases and debate whether or not Macbeth is evil. The teacher - playing the role of the judge - then weighs up the arguments and makes a decision. For homework, students are given the same question which has been formalized into an exam question. This is a fun and exciting way of exploring an exam question which allows students to really get their teeth into a question. All lesson guidance is in the 'notes' section on each slide on the PowerPoint. This lesson is about encouraging students to develop a 'critical, exploratory, well-structured argument' which is at the top of level 6.

Play ‘Halloween’ music as students walk in. Display ‘Urban Legends’ PowerPoint. Show students the definitions of ‘urban’ and ‘legend’. Students are to attempt to work out what an urban legend is with reference to the definitions. Pair-share. Introduce L.O. Ask students to write date, title and L.O. in their exercise books. Look at the conventions of an Urban Legend. Explain Def. – conventions - a rule, method or feature of a particular piece of writing) Establish what an urban legend is. Show students the short video of ‘Diet Coke and Mentos’. Switch off the lights and use torch to read the urban legend 'Killer on the Back Seat'. Students will find it pretty creepy! Split the class into groups. Distribute the Urban Legends and ask one member from each group to read an urban legend aloud. After groups have read an urban legend, request whole-class feedback. Ask students to state the common features of an urban legend. Display ‘How to write your own Urban Legend’ slide. Discuss the conventions of an urban legend in preparation for students to write their own. Ask students, in pairs, to discuss their initial ideas for two minutes. Using slide 6, students are to start writing their own Urban Legend. It should be no longer than 4 paragaphs and should take no longer than 3-4 minutes to read. Students to finish for homework.

This is a resource to coincide with a unit of worked based on teaching the history of the English language. It is a dictionary for Lincolnshire Dialect. There is a lot of scope with this resource, e.g students could find out different versions of the word in alternate dialect. Or, alternatively, students write a play script in Lincolnshire Dialect - often with hilarious consequences, and mostly including farmers. Students then perform their plays which could become a speaking and listening assessment.

Of Mice and Men Much of the plot in the novel is cyclical, as are the lives of the characters. The story opens and closes in the same place, the men’s lives are a routine of work - earn money - spend money in the flop-house - work, and many of the chapters begin and end in similar ways. There are lots of examples of foreshadowing in Of Mice and Men. Steinbeck uses this technique to suggest that the characters couldn’t have avoided their fates – their destinies are inevitable. The task this resource offers is for students to look below the surface of the text and interpret how Steinbeck is offering clues about what will happen later on in the novel. I am looking for some original responses.

Show the PPT and discuss students' responses to the three questions. Discuss Roald Dahl's quotation, and the short story features on slide 3. Show slide 4 and issue Baby Shoes handout. Explain to students that this is a short story, just one sentence. Students are to read the ‘short story’ and think about the story behind it, e.g. Has a married couple lost a baby? Encourage students to think a little more left-field, like is 'Baby Shoes, Never Worn' the name of a painting? Students should jot down their ideas around the ‘short story’. They may discuss their ideas with a partner. Introduce Ernest Hemingway. Students are to copy down notes into their exercise book. Ask students to think of a collective name they would give to stories that are six words long, e.g. ‘sentence stories’. Encourage students to be inventive. They may discuss in pairs. Show slide 4; these are different names given to the shortest of short stories - are the ones students suggested up there? Split students into seven groups. Give each group one piece of Flash Fiction stuck to a piece of A4 paper. As a group, they must decide the ‘story’ behind each piece of flash fiction. Model activity. Rotate the flash fiction allowing different groups to make notes on the same sheet of paper. Encourage students to think outside the box and not to go straight for the obvious. After 10-15 minutes, make sure each group has one piece of flash fiction. Each group should read their flash fiction aloud and explain their story behind it. Students who are not presenting should listen, as they will be randomly selected to pick and explain their favourite piece of flash fiction. (Optional) Issue question cards. Ask students to see whether the 'short story features' discussed earlier apply to the six-word stories. As a final activity, students should have a go at writing their own 6-word short story. Share with the class. Issue Question Cards

This PPT looks at three different responses to: In Of Mice and Men explore the ways the writer presents relationships between characters. LENNIE AND CURLEY’S WIFE Focusing specifically on AO3: Read and understand texts, selecting material appropriate to purpose Develop and sustain interpretation of writers’ ideas and perspectives Explain and evaluate how writers use linguistic, grammatical, structural and presentational features to achieve effects and engage and influence the reader. There is a grade D/E response, a grade C response and a B/A response. Students are able to see how they can improve and develop their analysis to achieve higher grades. There's also a comprehensive and detailed essay plan to aid students' planning of a response to the exam question above.

Students get into pairs. One partner must face the board, the other partner must face the back wall. The partner facing the board must try to describe the poetic device without actually saying what it is. The partner must guess what that poetic device is before their facing partner can move onto the next word. Students then swap places to swap roles. This starter activity lasts approximately 10 minutes. Students, especially boys, enjoy the competitive element. I've also enclosed a poetic device glossary which you may wish to hand out to students before or after the activity, depending on your group's ability, to recap some of the poetic devices.

Here's a fun plurals starter with a competitive element - bound to engage the boys! In 'Who Wants to be a Millionaire?' style, this activity asks students to pluralise different words. As the monetary amount increases, the words get more and more difficult. For example, the £100 word is 'face', the £16,000 is 'goose', the £125,000 word is 'quiz' and the £1,000,000 is 'ox'. There are two versions of the game to play on two separate occasions; the second round takes students from 'house' (£100) to 'stimulus' (£1,000,000). This is a fun, competitive starter that engages students in plurals - incredible!

Issue 'Shakespeare Prologue' to pairs. Students work through the prologue as if they are detectives deciphering a piece of evidence. They must 'zoom in' on individual words, decipher their meaning and try piece together what the entire prologue actually means and what is going to happen in the play. Allow students 20 minutes to do this before discussing the prologue and finally handing them 'Prologue Explained' which is the prologue translated into modern English. Albeit simple, students love the detective element to this activity. It really helps to engage them.

This resource offers a fun way of researching WW1 context. Before the lesson print of the questions and put them into colour-coded piles. You'll need as many questions as you have groups of students. For example, if you have 6 groups, you must have 6 print-outs of the questions. You'll need 6 x yellow questions, 6 x green questions, 6 x blue questions etc. Put students in teams of 3-4 students. Students must have immediate access to a laptop or computer to be able to find the answers to the questions. You need to put the piles of questions on your desk. Issue Q1 to all groups and 1 piece of paper to all groups for them to write their answers on. Groups must find the answer to Q1, write it down on their answer sheet and then bring their answer sheet to you. If the answer is correct, you issue them with Q2, and so on until groups have found all the answers to all the questions. It is basically a race to the finish, but the answers must be of quality because you have to 'okay' them before they're issued with the next question. Students enjoy the competitive element of this task. You may wish to give the winning group a small prize as an added incentive. Discuss the contextual research once the task is over and discuss its links with the poems being studied.

Students are asked to analyse a short piece of dialogue between a teacher and student. They are to 'zoom' in on the language and focusing specifically on words, e.g. the difference between the words 'chat' and 'discussion'.