This lesson includes three resources designed to teach Tatamkhulu Afrika’s harrowing apartheid poem ‘Nothing’s Changed’. Included is a PowerPoint with some background on Afrika’s life and Apartheid, and questions on the poem; a copy of the poem with contextual notes (as per Section A of the AQA exam); and a top-band exemplar response to a Section A question. This final resource is a detailed and sophisticated essay analysing Afrika’s poem. These resources are perfect for those studying POLITICAL AND SOCIAL PROTEST WRITING at A level with AQA, but could be adapted to teach the poem in a broader context.

This resource contains detailed and academically challenging PowerPoints for all five acts of Shakespeare’s ‘Twelfth Night’. Each PowerPoint goes through an act scene-by-scene, analysing language, theme, character and context, combining scholarly notes from a range of sources. These PowerPoints work well when accompanying the reading of the text in class. Students find them useful for revision of the play too. These five PowerPoints have the potential to cover several weeks of lessons. These resources are aimed at A level students (particularly those studying comedy as a genre), but could be used for the study of the play with any high attaining group.

A top-grade essay analysing aspects of comedy in Act I Scene I of Shakespeare’s ‘Twelfth Night’. This resource is aimed at those studying the Aspects of Comedy paper for AQA English Literature at A level.

Based on AQA’s English Literature exam, this resource features an example question and TOP-BAND essay on violence and crime in Stevenson’s ‘Jekyll and Hyde’. Perfect for HA pupils studying the text at GCSE.

This is a thorough and comprehensive 30-slide lesson on Robert Browning’s poem ‘Porphyria’s Lover’, which is studied as part of AQA’s GCSE Literature anthology on ‘Love & Relationships’. This lesson unpicks key themes of obsession, possessiveness, delusion, control and violence with close analysis of language, form and structure. Students are also encouraged to consider Browning’s use of the dramatic monologue form and how the poem’s gender dynamics might act as a mode of satirising masculinity. Also included are many small questions, tasks and discussion points for students, as well as a ‘mock’ essay question in which students must compare ‘Porphyria’s Lover’ to another poem, just like in the real AQA exam. The lesson is aimed at GCSE students but could be adapted for KS3. PowerPoint saved as PDF.

This 47-slide lesson explores Charlotte Mew’s poem, ‘The Farmer’s Bride’. The poem is studied as part of AQA’s ‘Love & Relationships’ anthology. This lesson explains Mew’s life and context against the backdrop of the Suffragette movement, before exploring the poem’s language, themes, imagery, structure, and form in comprehensive detail. Questions, discussion points and tasks for students are included throughout. Extended essay questions are set at the end of the lesson, and an exemplar essay introduction is provided for one of the questions. PowerPoint saved as PDF.

This 40-slide lesson is a thorough and comprehensive study of Daljit Nagra’s poem, ‘Singh Song!’, included in AQA’s GCSE English Literature ‘Love and Relationships’ poetry anthology. The lesson unpicks key themes of excitement, passion, rebellion, identity, duty, romance, and infatuation. Also included are small questions for students and a ‘mock’ essay question in which students must compare ‘Singh Song!’ to another poem, just like in the real AQA exam. PowerPoint is saved as PDF.

This is a thorough and comprehensive 30-slide lesson on Owen Sheers’ poem ‘Winter Swans’, which is studied as part of AQA’s GCSE Literature anthology on ‘Love & Relationships’. This PowerPoint unpicks key themes of romantic love, separation and reconciliation with close analysis of language, form and structure. Also included are questions/tasks for students and a ‘mock’ essay question in which students must compare ‘Winter Swans’ to another poem, just like in the real AQA exam. Also included is a table for students to complete on the poem to help compartmentalise their notes. PowerPoint saved as PDF.

This 24-slide lesson explores the character of Lady Bracknell from Oscar Wilde’s ‘The Importance of Being Earnest’. Wilde’s presentation of Lady Bracknell is thoroughly deconstructed, with students asked to consider her theatrical heritage via Greek stock characters and the Comedy of Manners. We debate to what extent Lady Bracknell can be called the play’s ‘antagonist’, and how Wilde uses her to catalyse key events or provide comical obstacles in the play. Wilde’s structural use of Lady Bracknell is analysed, and important quotations from her and relating to her are dissected. We think about what we can learn from the stage directions about Lady Bracknell, and discuss how Wilde uses the offstage character of Lord Bracknell to inform Lady Bracknell’s character. We consider Lady Bracknell in the context of the ‘New Woman’ and students are provided with key vocabulary that might be used to analyse Lady Bracknell. Modern theatrical interpretations (including gender inversions) of Lady Bracknell are discussed. Students are also encouraged to think critically about how Lady Bracknell interacts with props and how Wilde positions her at the end of the play. Questions and discussion points are provided for students throughout the lesson. An exam-style essay question is featured at the end. Exemplar sentences and sentence openers are provided for students to enable sophisticated analysis, including purposeful introductions to extended essays. This lesson is ideal for high-level analysis of Lady Bracknell. PowerPoint saved as PDF.

This 20-slide lesson explores Carol Ann Duffy’s poem, ‘War Photographer’. The lesson begins by considering the role of news and news media, before discussing our relationship with news coverage. Students are encouraged to think critically about how they interact with various news platforms and whether the globalisation of news coverage has lessened or deepened our understanding of the world. Duffy’s life and work is considered, including her friendship with prominent photojournalists. Students look at some of the work of notable real-life ‘war photographers’, considering the unique and challenging role of a photojournalist, and the ethics behind it. We read the poem and explore its language, form, structure, and rhythm. Key vocabulary is presented to students to facilitate top-grade analysis, and the poem’s main themes are discussed. A variety of discursive and formal questions are featured for students, and an exam-style essay question is included at the end. Teachers can use various stimuli to discuss the complex questions that Duffy asks about the role of photojournalism. This lesson is ideal for students ages 13+. PowerPoint saved as PDF.

This 20-slide lesson explores Fleur Adcock’s poem, ‘The Telephone Call’. Starter activities probe students to think about their attitude to the lottery and its anthropological implications. We then learn about the life and work of Fleur Adcock before reading the poem. Students are prompted to think about the two juxtaposing characters in the poem before delving into Adcock’s use of language, imagery, form, structure and rhyme. The significance of the poem’s 1980s context is also considered. Key themes and sophisticated vocabulary are listed to enable students to conduct precise analysis. We also ask what the poem’s true message may be, posing a variety of interpretations. This resource is ideal for those studying the poem as part of Cambridge IGCSE’s ‘Songs of Ourselves’, but is useful for anyone looking at the poem. Two versions of the lesson are attached: one is a PDF to save the best aesthetics and formatting; the other is a standard PowerPoint where fonts and formatting may be lost but can easily be edited.

This 23-slide lesson explores the character function of Jacob Marley in ‘A Christmas Carol’. Paying close attention to Dickens’s language, imagery, themes and context, this thorough presentation considers how Marley’s Ghost is used to convey the author’s message and how the character functions as a catalyst for Scrooge’s metaphorphosis. Questions, tasks, and discussion points are included for pupils. An extended essay question is included at the end. This lesson is ideal for those studying the text for GCSE, but could be easily adapted to suit KS3 pupils. PowerPoint saved as PDF.

This 40-slide lesson explores the context and background of Shakespeare’s ‘King Lear’. Designed as both an introduction to the play and a revision resource for students to use when recapping the play’s context, this is a comprehensive and detailed exploration of Shakespeare’s sources and influences, as well as the play’s key themes, ideas and critical debates. Students are also equipped with important and precise vocabulary for analysing the play with sophistication. Among other key ideas, students are introduced to elements of tragedy, Jacobean ideas of kingship, Shakespearean staging and stagecraft, Christianity vs. Paganism, and the play’s preoccupation with absurdity and meaninglessness. The anonymous ‘King Leir’ is referenced along with other points about the play’s textual history, and contemporary debates around succession and the unification of Britain are discussed in detail. Images from various productions of ‘King Lear’ are included for discussion, and questions for students are included throughout the resource. The file is included here both as a PDF and PowerPoint. The latter file will not retain precise font choices and formatting.

This 25-slide resource explores Percy Shelley’s iconic poem, ‘Ozymandias’. Students are encouraged to think critically about the function and purpose of statues, making way for discussions about myth-making and deification. They then learn about Shelley’s life and work, before delving into the context behind why he wrote the poem following the British Museum’s landmark acquisition. The resource explores ideas about the speakers and use of frame narrative, the poem’s heavy use of irony, and tensions between art and the artist. Form, structure, and language are analysed, and lists of key themes and vocabulary are provided to equip students with sophisticated tools for analysing the poem. Questions and discussion points are provided throughout the resource. ‘Quick-fire’ questions are given at the end, followed by an essay question. This resource can be used as a lesson or revision resource. It is ideal for ambitious GCSE or KS3 classes. Both a PDF and PowerPoint version of the resource are included.

This 24-slide lesson explores Boey Kim Cheng’s poem, ‘The Planners’. The lesson introduces the life and work of Boey Kim Cheng before interrogating the philosophical relationship between construction and destruction. We consider the purpose of history and discuss the concept of cultural amnesia. Students are taught about the growth of Singapore since its independence from the British Empire. Students then read the poem and delve into its language and imagery. Analysis of extended metaphor leads to exploration of form, structure, and rhyme. We think about the tone and key themes of the poem, and Boey Kim Cheng’s message in view of ever-expanding urban environments and global industrialisation. Students are given ambitious vocabulary to help them to produce sophisticated and precise analysis of the poem. Questions and discussion points are included throughout for students. An exam-style question is also featured at the end of the lesson. PowerPoint saved as PDF.

This 21-slide lesson explores Maya Angelou’s classic poem, ‘Caged Bird’. The lesson introduces students to the key themes, ideas, and context behind the poem. Angelou’s life and work is discussed and the poem’s use of extended metaphor is deconstructed. Close analysis is conducted of language, form, structure, and rhyme, and students are encouraged to reflect on multiple readings of the poem. Key vocabulary is introduced to help students produce precise and sophisticated analysis when discussing racism, misogyny, and other forms of prejudice and marginalisation. Discussion points and questions are included throughout. An essay-style question is featured at the end of the lesson. This lesson is ideal for students approaching the poem either as part of a learned anthology or to develop their abilities analysing ‘unseen’ or isolated poetry. Owing to the universal nature of the poem, the lesson is suitable for a wide range of secondary-aged students, particularly those aged between 13-16. PowerPoint saved as PDF.

This 21-slide lesson explores John Keats’ poem, ‘La Belle Dame sans Merci’. Students begin by exploring popular depictions of Medieval culture, particularly gender dynamics and attitudes towards heroism in storytelling. Stereotypes surrounding knights and damsels are discussed, and we unpick the concept of ‘chivalry’ from both a Medieval and modern context. We talk about the life of John Keats before reading the poem. The ballad’s language, imagery, rhythm, and structure are discussed. Students are taught ambitious vocabulary to describe each of the characters, and we think about how Keats is subverting stereotypes regarding Medieval attitudes to gender within the poem. The notion of the ‘femme fatale’ is explored, and students are encouraged to conduct close linguistic analysis through a table of key quotations from the poem. Questions, discussion points, and tasks are included for students throughout. The lesson ends with a creative task (which could be set as homework or covered in a following lesson). A copy of the poem is included in this resource. This lesson is ideal for KS3 students, but could easily be used for GCSE students exploring poetry too. PowerPoint and Word Doc saved as PDFs.

This 33-slide lesson explores Patience Agbabi’s poem, ‘Eat Me’. Students begin by discussing key ideas around the relationship between sex and food and society’s beauty standards. We then learn about Agbabi’s work before delving into the poem and establishing its narrative. The lesson then guides students methodically through extensive key ideas related to the poem, including title analysis; intertextual allusions; analysis of language; and analysis of form, structure, rhythm and rhyme. The nature of the dramatic monologue as a form is also discussed, before looking closely at some of the poem’s key images and the use of repetition. Each character in the poem is then dissected, while also looking at key symbols in the poem (eg. the cake, the bed). We also discuss the poem’s colonial undertones. Students are given a list of key themes and key vocabulary to facilitate high-level analysis. There are then some important questions for students to answer once they have explored the whole poem, and a list of potential poems which could be used to compare to ‘Eat Me’ to strengthen comparative analytical skills. This resource is particularly useful for those studying ‘Poems of the Decade’ with Pearson, but could easily be used for any purpose. Two files are included: one has the PowerPoint saved as a PDF so that the fonts and layout are firmly in place; the other is saved as a normal PPT file so that you can edit it.

This 17-slide lesson explores Seamus Heaney’s famous poem, ‘Mid-Term Break’. The lesson begins by deconstructing the poem’s title, before thinking sensitively about funereal procedure and atmosphere. Heaney’s life and work is introduced to prepare students for the autobiographical nature of the poem. Key vocabulary is presented for students to produce precise and sophisticated analysis of the poem. The poem’s key themes, imagery, and symbols are deconstructed, and students are encouraged to think critically about the poem’s language, form, structure, and rhyme. The tone of the poem is considered, and multiple readings of the poem are introduced. Discussion points and questions are included throughout. A visual task invites students to identify key images associated with the poem, which works nicely as an individual or group activity. An exam-style question is included at the end of the lesson. PowerPoint saved as PDF.