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I teach English across Key Stages 3-5, and I teach Film Studies at A Level. I try to create resources which are easy to use and which, for KS4 and 5 pupils, will aid their revision for exams. My resources tend to be word documents, so they can easily be adapted to suit your students' needs.

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I teach English across Key Stages 3-5, and I teach Film Studies at A Level. I try to create resources which are easy to use and which, for KS4 and 5 pupils, will aid their revision for exams. My resources tend to be word documents, so they can easily be adapted to suit your students' needs.
Hamlet Act1, Scene 1 unit of work for KS3
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Hamlet Act1, Scene 1 unit of work for KS3

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This is a short unit I use with Year 8 when doing ‘Hamlet’. We tend to focus on Act One, so I start by exploring the opening scene. Students: Read the scene aloud in groups (or as a whole class, if you like) Complete a cloze exercise about the scene Investigate how they would stage the ghost if they were producing the play in 1608 I usually show a YouTube clip of what the Globe Theatre would have been like at the time to help them visualise the scene.
12 Days of Christmas - fun writing task based on the song
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12 Days of Christmas - fun writing task based on the song

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Imagine your fiance decided to send you all the presents named in the song. How would you react? In this resource, a young woman called Emily writes letters to her fiance, George, after the first seven presents arrive. Naturally, the tone changes quite a bit, as her house fills up with birds, women and cows. Her family are none too pleased, either. Read the seven letters aloud with the class, and then get them, alone or in pairs, to write some or all of the remaining five. It’s lots of fun, but it also teaches them about tone and vocab at the end of a long term!
Guided Analysis of Scene 4 of A Streetcar Named Desire
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Guided Analysis of Scene 4 of A Streetcar Named Desire

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This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses. The tasks include: stating when this scene is set giving a brief synopsis of the scene 8 deep-dive questions into the characters and dialogue exploring the use of stagecraft and plastic theatre in the scene examining relevant contextual factors It is ideal for use with A Level English Literature students, but could be used in Drama lessons, too.
Guided Analysis of Scene 3 of 'A Streetcar Named Desire'
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Guided Analysis of Scene 3 of 'A Streetcar Named Desire'

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This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses. The tasks include: stating when this scene is set giving a brief synopsis of the scene 8 deep-dive questions into the characters and dialogue exploring the use of stagecraft and plastic theatre in the scene examining relevant contextual factors It is ideal for use with A Level English Literature students, but could be used in Drama lessons
Guided analysis of Scene Two of A Streetcar Named Desire
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Guided analysis of Scene Two of A Streetcar Named Desire

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This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses. The tasks include: stating when this scene is set giving a brief synopsis of the scene 8 deep-dive questions into the characters and dialogue exploring the use of stagecraft and plastic theatre in the scene examining relevant contextual factors It is ideal for use with A Level English Literature students, but could be used in Drama lessons, too.
Guided analysis of Scene 1 of 'A Streetcar Named Desire'
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Guided analysis of Scene 1 of 'A Streetcar Named Desire'

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This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses. The tasks include: stating when this scene is set giving a brief synopsis of the scene 8 deep-dive questions into the characters and dialogue exploring the use of stagecraft and plastic theatre in the scene examining relevant contextual factors It is ideal for use with A Level English Literature students, but could be used in Drama lessons, too.
H is for Hawk - full text with boxes for notes
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H is for Hawk - full text with boxes for notes

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This is the full extract for the Edexcel IGCSE Language specification with boxes at various points for the students to write in. The boxes contain questions, prompts and ideas to help focus their notes on language and structure. I find them very useful in the classromm, espcially with lower ability pupils. They would also work really well for pupils forced to learn at home because of Covid outbreaks, for example.
Danger of a Single Story - full text with boxes for notes
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Danger of a Single Story - full text with boxes for notes

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This is the full extract for the Edexcel IGCSE Language specification with boxes at various points for the students to write in. The boxes contain questions, prompts and ideas to help focus their notes on language and structure. I find them very useful in the classromm, espcially with lower ability pupils. They would also work really well for pupils forced to learn at home because of Covid outbreaks, for example.
Between a Rock and a Hard Place - full text with boxes for notes
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Between a Rock and a Hard Place - full text with boxes for notes

(0)
This is the full extract for the Edexcel IGCSE Language specification with boxes at various points for the students to write in. The boxes contain questions, prompts and ideas to help focus their notes on language and structure. I find them very useful in the classromm, espcially with lower ability pupils. They would also work really well for pupils forced to learn at home because of Covid outbreaks, for example.
Explorer's or Boys Messing About - full text with boxes for notes
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Explorer's or Boys Messing About - full text with boxes for notes

(0)
This is the full extract for the Edexcel IGCSE Language specification with boxes at various points for the students to write in. The boxes contain questions, prompts and ideas to help focus their notes on language and structure. I find them very useful in the classromm, espcially with lower ability pupils. They would also work really well for pupils forced to learn at home because of Covid outbreaks, for example.
The Explorer's Daughter - full text with boxes for notes
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The Explorer's Daughter - full text with boxes for notes

(0)
This is the full extract for the Edexcel IGCSE Language specification with boxes at various points for the students to write in. The boxes contain questions, prompts and ideas to help focus their notes on language and structure. I find them very useful in the classromm, espcially with lower ability pupils. They would also work really well for pupils forced to learn at home because of Covid outbreaks, for example.
World War One Soldier Slang
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World War One Soldier Slang

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A handout containing 36 examples of slang commonly used by soldiers in the trenches of WW1, plus their definitions. For example, ‘Barkers’ were sausages, because the the meat in them was thought to come from dogs. ‘Dead soldiers’ were empty beer bottles. I give these sheets to students who have just studied Journey’s End and ask them to write a short play set in the trenches in which the characters use some of the slang terms. It could also be useful when writing fiction or even non-fiction pieces about the war.
A unit which uses 'Kes' to develop students' knowledge of film form and their creative writing.
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A unit which uses 'Kes' to develop students' knowledge of film form and their creative writing.

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In my school, lower ability students only do Language at GCSE which leaves a little free time which we are starting to use to increase their media literacy, with the aim of increasing numbers for A Level Film Studies. This brief unit (which should only take a couple of weeks) builds on their existing knowledg of literary techniques, and uses extracts from ‘Kes’ to improve both their understanding of film and their creative writing. It involves: revising and using common literary devices; exploring the 5 elements of film form (as contained in the Eduqas spec); an analysis of how character and setting are established in the opening scene; narrative writing based on the scenes where Billy trains Kes; descriptive writing about an animal of their choice. It is written with Edexcel IGCSE Language students in mind, and is a great lead-in to the H is for Hawk Anthology extract. However, it could easily be adapted to suit any spec. It would also work well with bright Year 9s.