I am an A Level tutor who teaches Film Studies A Level & G.C.S.E., Sociology A Level, E.P.Q., English Language G.C.S.E.
*PLEASE REVIEW*
I complete schemes of work for each of my courses and aim to upload as many resources as I can in the near future. If you like my work and would like to request a resource, please let me know and I will produce what you need.
I produce video resources here:
https://www.youtube.com/channel/UC31WbZO2OQW3Ul108I0QUmw
I am an A Level tutor who teaches Film Studies A Level & G.C.S.E., Sociology A Level, E.P.Q., English Language G.C.S.E.
*PLEASE REVIEW*
I complete schemes of work for each of my courses and aim to upload as many resources as I can in the near future. If you like my work and would like to request a resource, please let me know and I will produce what you need.
I produce video resources here:
https://www.youtube.com/channel/UC31WbZO2OQW3Ul108I0QUmw
This pack can be used to introduce any DOCUMENATRY module for both Film and Media studies A Level courses.
This pack contains a 40-slide PowerPoint AND an accompanying YouTube video that covers the following topics/content
PART I -
What is a documentary - Student starter task: define ‘documentary’
Discussion of how uses of key elements may differ from narrative film
Student experiences with documentary
Types of Documenaty (task)
Technical conventions of Documentary (task)
True/false / discussion task
Introduction to Bill Nichols and ‘Documentary Modes’
Short research task - students given one ‘mode’ each and then asked to research for 10 mins - feedback to the class
Discussion for each of Nichols’ Modes
Polemic
Expository
Observational
Participatory
Reflexive
Performative
PART II -
John Grieson on what a documentary is
‘Edge of Reality’ - dealing with actuality; the real
Task - comparing the represenation of WWI in narrative film (Paths of Glory) with documentary film (They Shall Never Grow Old)
Slides are included that go through each clip and consolidate the key points
Fictional Actors / Social Actors
PLenary: this is to be added but suggest task is:
Research the documentary that you and your students will be studying for your course - note down:
Documentary mode
Conventions used etc
This pack contains a 31-slide PowerPoint Presentaiton and accompanying 29 page student booklet
The lesson covers:
Starter task: In pairs, students discuss and reflect upon the design aspects of the film, specifically the Nostromo, and the Alien
Introduce exemplar question that can be set as assingment
Aethetics of Alien
Introduce ‘Metal Hurlant’ magazine and its influence on Scott
Introduce two main designers and their different design philosophies: Ron Cobb (Ship), H.R. Giger (Alien)
Task - what is the function of ‘the monster’ in horror/sci fi films? - example provided, points consolidated
Quick Re-cap of context session task
Establish the aesthetic of Sci-Fi films in the 1970s and show how Alien broke away from establishes tropes
Analysis - The Nostromo
Link mise-en-scene of the ship to meaning/contextual issues
Detailed analysis of the ship
Doors - designed to evoke the Alien’s mouth
Analysis H.R. Giger
Introduction to him/his style
Biomechanical nature of the Alien - “fusion of man and machine”
Case study - the Xenomorth - 1 - phallic symbol, 2 - psycho-sexual imagery of the film - linked to meaning and response
Analysis - The Derelict ship
Vaginal imagery of the film
Analysis - The Chestburster scene
Link to meaning - fear of feminine power, fear and anxieities surrounding gender roles in society at the time
Analysis The Xenomorph -
discussion of *Vagina dentata*
Reading - article then reflection
SUmmary
Plenary -
Essay question set / essay plan included in PowerPoint/booklet
This pack contains THREE lessons. A break down of each session is listed below:
(in case you re returnign to this listing: it used tolist FOUR lessons - this was an error by myself that has been corrected)
All three lessons are fully animated, thoughtfully designed, engaging, and come with student booklets
The pack also includes a ‘screening notes’ handout - teacher’s screening notes whilst watching the film with students.
**Lesson 1- Introduction to Mogul Mowgli / production context
**
Bio of director Basam Tariq
Bio of writer/star Riz Ahmed
Ted Talk from Tariz " The Beauty & Diversity of Muslim Life"
Defining terms: MOGUL / MOWGLI
Produciton context slides - covers studios involved, intent of filmmakers, support from the UK Muslim Film organisation
Research task: research Ahmed and Tariq’s inspiration for the film / their reasons for creating the film / their perspectives of representaiton of ethnic minorities in cinema.
Lesson 2- Pre-Screning / Context / Post Colonial Theory
*** Context covered**:
History of Partition
British Empire’s role in India
Consequence of Partition (At the time and modern)
Ghost Trains - phenonemon associated with Partition, and one that is central to the narrative of MM.
Trauma
Generational Trauma
**
POst-Colonial Film Theory; Tony Gilroy**
Task: Indiana Jones analysis task - representation of formerly colonised groups in Western media
Overview of Post Colonial Theory (See screenshots for level of detail in slides)
Albonic Nostaliga vs. Post-Colonial Britain
‘Racial Otherness’
Ideological representation of Muslim people / Muslim way of life in cinema:
Task - analysis and student reflection
‘The Muslim Other’
Examples of ‘othering’ across different British media
Great interview of Riz Ahmed reacting to the othering of Muslim peoples
Lesson 3 - Post Screening response
This powerpoint includes all former questions for this module (up to 2022)
A history of TOBA-TEK-SINGH
Several guided tasks and activities that are designed to draw out student understanding of both NARRATIVE & IDEOLOIGICAL messaging within Mogul Mowgli.
Assessment included in this lesson.
This pack contains the following lessons:
1 - Introduction to Component 3
2 - How to Generate Ideas
3 - How to Develop a Protagonist
4 - People on the Move; cinematography and editing introduction/tutorial
Bonus lessons: Wallace & Gromit - short film analysis
1 - Introduction to Component 3
Run down of Component 3
Introduce the Briefs
Introduce Short Film Analysis
The GunFighter - genre research, genre discussion, analysis of The Gunfighter
Guide: How to analyse short films
2 - How to Generate Ideas
This lesson aims to help students get started. The lesson contains a variety of tasks that should help students generate their own ideas. These include:
Development of ‘Two-sentence’ stories
Development of existing news stories
Development of Genre films
Development of aesthetics; mood board tasks
**
3 - How to Develop a Protagonist**
Discussion of techniques used to introduce students’ favourite protagonist
Analysis of Raiders of the Lost Ark opening / Introduction to Indy.
Narration - define and look at different modes of narration
Task - analysis of Patrick Bateman’s introduction
Mise-en-scene task - how to develop a character visually and via mise-en-scene
**Lesson 4 - People on the Move
**
A fun and engaging lesson designed to help students learn how to frame a shot, construct a short film, and edit.
Students will have one lesson to plan a 60-second/10 shot film around the concept ‘People on the Move’
One lesson to film
One lesson to edit
Lesson 5- guided detailed analysis of The Wrong Trousers:
Note - this lesson will show students how to edit using Adobe Premier. All lessons are editable so you can modify the resources.
This pack contains one 31-slide PowerPoint lesson, 1 student booklet, 1 ‘notes and analysis’ handout
The lesson covers:
1 - Aesthetics of Pan’s Labyrinth
Cold/Blue fascist world
Orange/Red/Fantasy world
Aesthetic styles: Magical Realism
Magical Realism as a mode of exploring horrors of 20th Century fascism.
Analysis =- opening scenes: use of aesthetics to communicate social/political issues related to the film
Analysis of: Ofelia's introduction / Magical realism
Analysis of: The Captain; control, order, blue/black aesthetics
detailed feedback and notes provided for each 'textual analysis' task
Asthetic inspiration: Disturbing Art
Goya's Black Painting / Saturn Devouring his Son
Analysis - The Pale Man - links to Fascism, the Catholic Church, destruction of women and children
Fascist and Catholic imagery in the Pale Man scenes - detailed exploration of key elelemts of mise-en-scene:
Stations of the Cross
Stigmata
Forbidden Fruit
The Holocaust
Assessment task included to consolidate student learning.
This pack contains:
1 PowerPoint Quiz - 31 questions [and answers]
1 - picture round - 20 questions
1 - student handout to record answers/scores
**
All resources are editable**
This is a fun way to end the term!
This pack contains SEVEN lessons that cover DISTRICT 9.
All lessons have been planned using exam board past papers, guidance and additional materials. Each lesson focuses on a specific element of the course and builds towards an assessment based upon previous exam papers/questions.
The lessons included all come with accompanying handouts and additional resources:
Lesson 1 -Intro to Science Fiction Genre and Screening tasks
Lesson 2 - Character Types - The Hero’s Journey applied to Wikus
Lesson 3 - Cinematography of District 9
Lesson 4 - Representation & Context: Apartheid
Lesson 5 - Mise-en-scene of District 9
Lesson 6- Narrative of District 9
Lesson 7 - Sound of mise-en-scene