First things first, let me just say that the mind that created the Escape from Kraznir SoW was not mine - wish it was though… You are not buying the SoW (though I do include it as part of the pack so you have a frame of reference), that is available freely elsewhere. What you are buying is the 7 lessons that I created from this SoW and taught to my students. Let me say this - I have never had such a reaction creatively. My gast was well and truly flabbered as to their engagement and the effort they put in. I’ve created a single power point that contains all of the other lessons too - just for those who like continuity. NOTE: I used some of the sound effects from Warcraft 2, but I couldn’t put this up here (Blizzard may have something to say about that). However, you can use your own sound effects and music as and where you see fit (I liked using the Death of Optimus Prime Music from the Transformers Movie (not the Bay versions, the original cartoon version with Unicron) over the top of the farewell aspect in Lesson 2). This is a lot of fun. I promise. Seriously… PS: If you enjoyed this scheme of work, you might be interested in the follow up unit: https://www.tes.com/teaching-resource/ks3-fantasy-creative-writing-the-return-to-kraznir-12373343

Attached is a spreadsheet that does an awful lot of work for you. To summarise, it does the following: Allows for easy collation of GCSE Literature marks on a paper by paper basis AND as a whole examination Allows for easy identification of various student demagraphics - EAL, PP and so on Allows you to measure progress against students best, average and last marks across both papers Works out "how many marks" until you hit target grades for individual students Colour codes grades and marks to allow for at a glance progress checks Once you buy this spreadsheet, you will not need to get another LITERATURE spreadsheet. The document contains instructions as to how to update the spreadsheet. Oh, and if you do get this, I suggest you LOCK the individual spreadsheets ASAP: the document is set up to allow you to do this and still enter the data, you just won't be able to accidentally delete any of the coding, thus removing any brain overloads that might ensue. Happy spread-sheeting!

A simple spreadsheet that is designed to track the progress of an entire KS3 cohort from Year 7 to the end of Year 9. I have LOCKED each of the TABS of the spreadsheet using the NAME OF THE TAB itself (minus the spaces and as it appears with capital letters and numbers). This will stop any of the codes being deleted accidentally. Hope this saves people some time.

I enjoy teaching this lesson in and around poetry units of work. Essentially, it demonstrates three different approaches to creating poetry, culminating in the students creating their own Shakespearean Sonnets (you'll struggle to get this done in a single lesson - I designed this for a double period). You'll need the following to complete this lesson: 2 different coloured paper types Glue Scissors The students to have prior knowledge of the Shakespearean Sonnet Form Enjoy.

This is quite possibly, the coolest thing I've ever tried out. The premise is as follows: a debate between two students (or teams) where four referees observe. The referees score what they see and a winner is announced at the end. Now add in entrance music a la pro-wrestlers (think the Rocky Theme, We Will Rock You etc.) and run it on an open evening and I promise you this - you will have EVERY parent in at some point to see what is going on. I've run this at SIX parents evenings now and the same thing happens every time - all of the kids rock up to watch. I set it last time round where the Deputy Head took on the winner of the students (a year 9 girl). They packed the place out to see who won . The debate topic "Batman vs Superman" (serious stuff this). Needless to say, she wiped the floor with him (in a totally professional way). You'll need to be the promoter/commentator/ring side referee - this can be exhilarating and exhausting! Try it.

3 Lessons taken from the old(er) version of the AQA English Language specification (the one where S&L counted towards the grades). I know it counts for nothing now, but it still needs to be done. These three lessons prepare a class to give a presentation OR take part in a discussion about a selected item they would save from the imaginatively named Room 202. Enjoy.

A useful little unit that we put together to fill a 2/3 week gap. It has the students explore pre-1914 material - poetry and prose - and ends with a controlled assessment in the vein of the old AQA English style questions for the Literature paper. Might fill some other gaps out there in shorter half terms.

Need a quick lesson? Look no further. A whole lesson based around Roger McGough's "The Lake" - I know it can be found online elsewhere, but I include it here for convenience's sake. Perfect for when you need to fill that irritating cover lesson with something meaningful.

A unit of work I did not design, but these are the lessons I created to teach it. The lessons focus on The Tempest and Othello. These lessons were designed to be taught to a bottom set Year 9 class with more interest in staring out of the window than exploring the linguistic delights of the Bard. However, once I started to Story Woosh the plays, the analytical lessons became much more productive.

A series of lessons that can easily be expanded out to around 12-13 lessons that do the following: Establish an understanding of the plot over 4 lessons Gets the students to act out the plot via story whooshes (you will need a summary of the play to do this - I use a copy of the play with summaries of each page and get the kids to read certain key parts of the dialogue out loud) Explore language and structure as methods Build on the ability to analyse extracts Develop a contextual understanding Rather pleased with these to be honest. Hopefully you guys will feel the same too. PS - I've chucked in a load more stuff too. Extract Analysis 3 was a lesson where I received "GOOD" for my observation. There is also a Creative Writing Lesson that may prove useful too.

A series of lessons that I taught to top set KS4 students. Please note, the gaps between the first and fourth lessons are intentional as I had the students act out the play and answer the comprehension questions in the AQA Study Guide book.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the start of Anil. As a pause for though, you may wish to consider renaming the character of Anil. Think about it...

I’ve found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the start of The Darkness Out There. The focus here is very much on the use of setting. UPDATE: I’ve included some rudimentary answers. You’ll still need a copy of the mark scheme.

I've had a lot of fun teaching these lessons. Essentially, the idea is you spend a lesson exploring a poem and then a creative angle has been drawn from the text to inform the creative writing lesson that follows. Each of the creative writing lessons assumes a two hour window. A simple scheme, but I've found it to be rather effective.