Winter Assembly for Key Stage One Cast of 30 - easily adaptable up or down Duration: Around 10 - 15 minutes. This length can be extended by the addition of suggested poems. Brrrr! .... surely there's a bit more to be said about winter than this?! Well, if left to our cast it would just be the sound of snoring - any excuse to follow the lead of that hibernating hedgehog. Fortunately, you can always rely on a bit of Disney to revive flagging spirits - plus some snowball fights and a few words from our rockin robin! This is one of a set of plays on The Seasons - all available as separate purchases. Sample Text (Enter group of children all dressed in winter clothes) Child 23 – 27: (Together) We’re all warm! Narrator: And how is that? Child 23: I have a warm woolly hat! Child 24: I have a warm woolly scarf! Child 25: I have warm woolly gloves! Child 26: I have warm woolly socks and welly boots! Child 27: And we all have Child 23 – 27: Warm woolly coats to keep us warm! (Exit group of children) Narrator: Hmm! Warm and woolly seems to work! Music 5 Rockin Robin – Michael Jackson (Enter Robin/Child 28 dancing to song that is sung by rest of the cast) Narrator: (Applauding) Well, that was very upbeat! (To robin) You don’t seem to have any problems with the cold weather! Robin: Well, it’s not always easy, you know! And I am always grateful to those kind people that leave me food out in their gardens! Narrator: Well, you are our favourite national bird Robin: And those Christmas cards just wouldn’t be the same without me, right? Narrator: Right! (Exit Robin) (Sound of loud snoring, from the cast) Narrator: Hey! What’s going on? Music 6 All I have to do is dream – Everly Brothers (Optional excerpt – first couple of bars) (Enter very sleepy hedgehog/Child 29) Hedgehog: (Rubbing eyes) Oh! Where’s my bed? I must have sleepwalked off, by mistake!

Autumn Assembly for Key Stage I One of a set of assemblies on the Seasons. Cast of 30 - easily adjustable up or down. It is suggested that the class teacher takes the role of narrator. Duration - around 10 minutes but can be extended with inclusion of list of suggested poems Swallows, squirrels, deer, bats, .... children! Our narrator certainly has his work cut out keeping this assembly under control! Ever tried keeping a hibernating hedgehog or two sleepy dormice awake? Or silencing a flock of Brent Geese? Just two of the tasks facing our, as always, seriously challenged narrator! Sample Text: (Dormice curl up together and drop off to sleep) Narrator: Hey you two! Not yet! Wake up! (Both dormice yawn and stretch sleepily) Dormouse 1: Is it April yet? Dormouse 2: I think I’ll leave it to May this year! Dormice: (Together) Yeah! Let’s have a lie in! Narrator: You most certainly will not! Do I look like a Dormouse babysitter? Be off with you! (Exit Bats and Dormice) (Enter Hedgehog, making loud snuffling noises; he collects up some of the leaves left behind by the children, makes a nest of them and lies down in the middle) Narrator: Aha! And who do we have here? Our first hibernating hedgehog! Hedgehog: (Huffily getting out ‘Do Not Disturb’ sign and placing it next to his nest) Can’t you read? Narrator: You’re a bit early! It’s not November yet! Hedgehog: So? (Putting on night cap) (Rubbing tummy) I’ve done enough eating! I’m ready for sleep!

Spring Assembly This is the first of a series of Seasons Assemblies written for Key Stage I. This first one covers 20 plus 'first signs of spring' and includes a reference to the first chapter of Wind in the Willows, with Mole and Rat extolling the joys of the riverbank! Cast of 30 (easily adaptable up or down) It is suggested that the class teacher takes the role of narrator. Duration: Around 10 – 15 minutes including poems and music suggestions Sample Text: (Young animals ‘run rings around’ Narrator who gets increasingly exasperated) Narrator: (Sighing) Huh! I was forgetting those young animals! (Narrator jumping out of their way) Narrator: Oh dear! Is it just me or does it suddenly seem a bit crowded around here? Mother Rabbit: But didn’t you say, you loved Spring? Narrator: Oh yes! But .. (Bunnies and lambs keep jumping up at Narrator) Narrator: (To Mother Rabbit and Mother Sheep) Could you not keep your offspring under slightly better control? (Mother Rabbit and Mother Sheep ‘round up’ their offspring and return to their seats, scowling) Narrator: Oh dear! And there I was saying how much I loved Spring! But it’s not just about baby animals, you know! (Enter Child 6 dressed as Mole and Child 7 as Rat) Narrator: Ah! Two of my favourite characters from The Wind in the Willows! Mole: (Bowing) I’m Mole! Very pleased to meet you! Rat: And I’m Rat! Known as Ratty to my friends

David and Goliath Assembly, Class Play or Guided Reading Script Cast of 10 Duration: 5 - 10 minutes reading time (not including music suggestions) This play may be used as an assembly for performance, or a play or guided reading script within the classroom. Along with delivering the story of David and Goliath, there are brief notes at the end to facilitate further discussion - on the themes of bullying, self-belief and self-strength. There are numerous other scripts on these themes in the PSHE section of the website including one on bullying which could be combined with this script to produce a longer play. Sample Text Goliath: Well, let’s see if he can work the same magic (pauses) on the battlefield! David: Against you? I’m more than up for it! King Saul: But that’s insane! Servant: Yes, begging your pardon, but how can you possibly hope to win (pauses, pointing at Goliath) against that? David: (Shrugging his shoulders, casually) What’s to prove? He’s just (pauses) Servant: (Interrupting) Big? Philistine Soldier 1: (Clapping) Bravo! Philistine Soldier 2: (Clapping) So you noticed? David: Huh! Size isn’t everything! (Goliath strides over to David, towering above him) Goliath: Oh really? (David stands his ground, unflinching) David: Yes, really! You don’t frighten me, you great bully! There’s more to winning a battle than sheer brawn, you know. Narrator: No, I rather fear he doesn’t know. I’m not even sure he understands what you’re saying! Goliath: (Furiously) Understand what you’re saying? What’s to understand, that’s what I want to know! Narrator: Quite! My point exactly! (David starts to walk away) Goliath: Huh! I knew he wouldn’t stick around! A coward, like the rest of you! King Saul: Oh, don’t be so ridiculous! Look at you! All ready in your battle gear! Does my lad David look ready to you? Goliath: Well, now you come to mention it King Saul: So. If you don’t mind, we’ll just take a short time to get David into my armour and David: (Interrupting) Oh don’t worry! That won’t be necessary! I’m pretty much good to go! King Saul: But what about some protection? A body shield at least? David: No, no. That won’t be necessary, either. I know what I need and I’ll be back in a minute. (Exit David) Goliath: Bah! Just an excuse to do a runner! You wait! There’s no way that wee boy is coming back to take on me!

The Good Samaritan Assembly or Class Play Cast of 30 NB: The other play, with a cast of 10, available as a separate purchase, is a re-telling of the parable with complementary discussion notes on the bystander effect. This full-length assembly with a cast of 30 starts with this same cast of 10 but has an additional 20 speakers dealing with ‘the bystander effect’ with reference to today’s society, delivered via five different scenarios. Duration - around 15 to 20 minutes Sample Text Scenario 1 - A young boy/teenager being beaten up by a group of other teenage boys (Enter 5 boys and 5 bystanders) (Bystanders in two groups, chatting amongst themselves; group of five boys chatting/messing around) (Suddenly four boys ‘fall out’ with the fifth boy and set upon him, ‘beating him to the ground’) (Bystanders look on bewildered before walking off hurriedly) (Four boys do a ‘high five’ and walk off, leaving the fifth boy, sprawled on the ground, moaning) (Enter Good Samaritan, who helps boy to his feet and helps him back to his seat) Narrator: (Jumping out of his seat) Bravo! You’ve done it again! Good Samaritan to the rescue! Good Samaritan: So, what about those other people who were there and witnessed what happened? Where did they go? Let’s call them back. (Good Samaritan gestures to five bystanders to come and join him) Good Samaritan: So. What was going on there? Explain yourselves, please. Bystander 1: Oh, you know how it is. Bystander 2: Boys will be boys! Bystander 3: Just thought we’d let them get on with it. Bystander 4: Nothing to do with us! Bystander 5: We didn’t want to get involved Good Samaritan: So. Let’s get this straight. You were happy to risk that young boy being severely injured. Perhaps worse. Bystander 1: (Laughing nervously) Oh let’s not exaggerate! (All bystanders nod in agreement) Good Samaritan: But you didn’t know he’d be all right, did you? (All bystanders shuffle their feet nervously and look to the ground) Good Samaritan: No, you didn’t! Shame on you for walking away! Bystander 2: But what could I have done? Bystander 3: I’m no fighter! Bystander 4: What if they’d turned on me? Bystander 5: I didn’t want to get hurt! Good Samaritan: So, it was OK to let someone else get hurt? Bystander 1: Well, Good Samaritan: (Exploding) No it wasn’t! And you all know it!

The Good Samaritan Assembly or Class Play - CAST OF 10 NB: This play, cast of 10, is a re-telling of the parable with complementary discussion notes on the bystander effect. (The full-length assembly with a cast of 30 (separate purchase) starts with this same cast of 10 but has an additional 20 speakers dealing with ‘the bystander effect’ with reference to today’s society, delivered via five different scenarios). This script with a cast of 10 can be read in around 10 minutes (not including music suggestions at beginning and end). It is, of course, one of the best-known parables from the Bible and so can be used in an R.E. lesson or for Church and Sunday School activities. It has particular relevance in our world today and can thus be used for PSHE and Citizenship classes - the play acting as an introduction to a lesson on The Bystander Effect with all its implications for us as a society. Sample Text (Enter Good Samaritan) Jewish Man: Oh hello! And who do we have this time? (Groaning) Oh! A Samaritan! Just my luck! There’s no way he’s going to stop! (Good Samaritan bends over Jewish Man and offers to help him up) Good Samaritan: Oh dear! Whatever happened to you? Here, let me help you up. Jewish Man: Well, that’s very kind. And very unexpected! Good Samaritan: Whatever do you mean? Jewish Man: Well. You being a Samaritan and me being a Jew. We’re not exactly ‘on the same team’ so to speak, are we? Good Samaritan: And since when did ‘being on the same team’ have anything to do with looking out for your fellow human beings? Oh dear, you’ve taken a real beating there. I’m so sorry. Here, let me put some bandaging on those sores. (Good Samaritan takes bandages from his bag, and pours oil and wine over them) This should make you feel better. Jewish Man: You are so kind! Thank you so much. Good Samaritan: (Laughing) It’s nothing! You didn’t really think I’d leave you here? Just walk on by? Jewish Man: I most certainly did! Good Samaritan: (Laughing) Ridiculous! You seem to have lost all faith in your fellow mankind! Jewish Man: Well, let’s just say you just restored it – my faith in mankind, that is. Thank you again.

Aesop Fables: The Lion and the Mouse Guided Reading Script plus lesson plan including teaching input, synopsis, guided reading script, discussion points and suggestions for further work. Cast of 6, around 10 minutes reading time Lesson: 20 – 30 minutes, depending on how much of the lesson plan is used. The material could, of course, be split over a series of sessions. The script can be used either as a guided reading script (6 readers) or as a mini performance (cast of 6); and could be used either in a Literacy or PSHE class (owing to the life lessons contained within the text) Sample Text Lion: Because sometimes you need to listen to someone else, take their advice Mouse: However small they are! And that’s exactly what he did! Lion: Yes, I listened Teacher: And then was ‘big’ enough to act on that advice! See, sometimes you can become big by the smallest actions! Pupil 2: (To Lion) So you let the mouse go? Lion: That’s right! Was I the champ? Or was I the champ? Mouse: (Coughing) Eh hem! Small matter of what I said to you? Lion: Ah yes! You mean, helping me out at some future event Mouse: When you, my large friend, might actually need me! Pupil 1: (To Lion) And did you? I mean, need your wee friend? Lion: Oh, I most certainly did! I wouldn’t be standing here talking to you today if I hadn’t let my rodent friend here go! Narrator: So, what happened? Lion: I got caught by hunters, is what happened! Soon after bidding farewell to Mouse here, I managed to fall into a trap and get all tied up in knots! Mouse: (Laughing) How very careless of you! Lion: No laughing matter, I can assure you! If you, Mouse, hadn’t come along and rescued me Pupil 2: (Gasping) What? You, a mighty lion, rescued by a mini mouse? Lion: Indeed. And I’m not ashamed to admit it. Teacher: Which makes you an even bigger, grander lion in my opinion! Pupil 1: And mine! Pupil 2: (Spluttering) But, but, wasn’t it just the tiniest bit humiliating – being rescued by a mere mouse? Mouse: (Sighing) Oh dear! I can see we might just have to spell this one out! Other available scripts: The Fox and the Stork, The Goose that Laid the Golden Eggs, The Jay and the Peacock and The Tortoise and the Hare - available separately or as a set.

Robin Hood Assembly or Class Play Cast of 30 - easily adaptable up or down. Duration - around 15 minutes reading time. This does not include *music suggestions/dance routines which could potentially double the length of the performance. So, are those Merry Men about to have their smiles turned upside down? Never! Not even in the face of those brutish Guards? Double never! Not when you've got some neat tricks/moves up the sleeves of your tunic! See how good triumphs over evil without any blood being shed - it is a family show! *Sample Playlist • Bad – Michael Jackson • I Need a Hero – Bonnie Tyler • Everybody was Kung Fu Fighting – Carl Douglas • Happy – Pharrell Williams Sample Text Narrator: Hey! You might think you’re a hero! Peasant 1: But you haven’t done anything yet! Narrator: Right! All that dancing and prancing! Peasant 2: You need to demonstrate to us that you’re a hero! Narrator: No more theatrics! Peasant 3: Prove yourself! Narrator: Stop all this lovey dovey stuff – that can wait til later! Peasant 4: It’s our futures you need to change! Peasant 5: Show us you’re the man you say you are! Peasant 6: Take on those baddies! Peasant 7: Be our hero! Robin Hood: Hey! Steady on! I may be pretty good with this bow and arrow Maid Marion: (Sighing) The best, or so I’ve heard! Robin Hood: But taking on the whole of Prince John’s crowd? Whoa! That’s a tall order! (Enter Little John, squaring up to his great height) Little John: Well, I, Little John, am more than up to the challenge! (Enter rest of Merry Men) Friar Tuck: And you can count me, Friar Tuck, in! Alan-a-Dale: And me, Alan-a-Dale! Will Scarlet: And me, Will Scarlet! Much the Miller’s Son: And me, Much the Miller’s Son! Narrator: (Clutching head) Oh wow! That’s some fighting force you have there, Robin! An overweight man of the church, a minstrel, an ex-soldier and a miller’s son! Peasant 1: (Sarcastically) Wonderful! Peasant 2: More than enough to take on Prince John’s men! Peasant 3: They won’t know what’s hit them! Peasant 4: The friar’s belly Peasant 5: The minstrel’s lute Peasant 6: The ex-soldier’s rusting sword Peasant 7: Or the miller’s son’s bag of flour! Peasant 1: Some army! Come on, folks. Let’s leave this lot to their fantasies! (Exit Peasants, muttering sadly) (Enter Prince John, Sheriff of Nottingham and Sir Guy of Gisborne plus Guards) Sir Guy of Gisborne: (To Robin Hood) Aha! The villain himself! Seize him, guards! (Guards seize Robin Hood) Maid Marion: Why you cowards! Seven against one! I’d hardly say that was fair! Sheriff of Nottingham: (Laughing) But hadn’t you heard, sweet lady? Nothing is fair around here!

The Gorgons Head Lesson Plan and Guided Reading Script and Quiz Each 'package' consists of lesson plan plus guided reading script (6 speakers) plus quiz/reading comprehension. Lesson Plan (Around 20 – 30 minutes) The lesson time can be reduced to 20 minutes by e.g. omission of quiz/discussion. The script takes around 5 minutes reading time. The quiz takes around 5 – 10 minutes. These resources accommodate both small group and all class engagement. As explained in the lesson plan, whilst a group of six speakers read the script, the rest of the class (divided into teams) follows in order to answer questions that follow. There are also some ideas for follow up discussion, time permitting. Time allowance is flexible - from 20 to 30 minutes, depending on how much of the package is used. This script, along with four others (Theseus and the Minotaur, Odysseus and the Cyclops, Pandora's Box and The Tale of Two Spinners) is available as one product - The Ancient Greek Myths Guided Reading Scripts Sample Text Polydectus: Women! Nothing but trouble! Perseus: I’d be careful what you say, if I were you! I think we’re a bit out- numbered here today! Medusa: Correct! I, Medusa, am here today representing my two immortal Gorgon sisters, Stheno and Euryate. Shame I wasn’t! Athene: Well, don’t go expecting any sympathy from me! Messing around in my temple, with that Poseidon! You deserved what you got! Beauty is only for those who deserve it! You certainly didn’t! Medusa: And you made sure no one would look twice in our direction! Danae: What! With all those snakes for hair! I’d say not! Athene: Plus that other one small detail – that once someone did look in their direction, they didn’t make the same mistake again! They couldn’t! Quiz Sample 1. Who wanted to marry Danae? 2. Who was the son of Danae? 3. Why was Polydectes apparently so annoyed at his wedding? 4. What did Polydectes trick Perseus into saying? 5. What did he ask for? 6. Why did he want Perseus out of the way?

Odysseus and the Cyclops lesson plan, guided reading script & quiz Each 'package' consists of lesson plan plus guided reading script (6 speakers) plus quiz/reading comprehension. Lesson Plan (Around 20 - 30 minutes) The lesson time can be reduced to 20 minutes by e.g. omission of quiz/discussion. The script takes around 10 minutes reading time. The quiz takes around 5 – 10 minutes. These resources accommodate both small group and all class engagement. As explained in the lesson plan, whilst a group of six speakers read the script, the rest of the class (divided into teams) follows in order to answer questions that follow. There are also some ideas for follow up discussion, time permitting. Time allowance is flexible - from 20 to 30 minutes, depending on how much of the package is used. This script, along with four others (Theseus and the Minotaur, The Gorgon's Head, Pandora's Box and The Tale of Two Spinners) is available as one product - The Ancient Greek Myths Guided Reading Scripts Sample text: Greek warrior 2 (laughing): Yes, we’ve heard how being a blacksmith was just a little bit too taxing for you! Did being born with only one eye mean you were only born with half a brain? Cyclops 2: How rude! Though I guess it was a shame we forgot our old blacksmith skills. Polyphemus: Even though I would never have driven a red-hot stake into the eye of any creature. Greek warrior 1: Not even one that was holding you captive, and eating 2 men for breakfast and supper, every day? Odysseus: Real convenience food, we were! Polyphemus: Well, you did make a welcome change from lamb stew! Poseidon: Enough! Here I am, trying to defend you, Polyphemus, and all you can do is confirm their story! What are you? Stupid, or something? Sample Quiz/Reading Comprehension Questions • What animals did Cyclops look after? • What trade had Zeus originally trained the Cyclops for? • How did Polyphemus prevent Odysseus and his men from escaping from his cave? • Why did the Cyclops not help Polyphemus? • What did Odysseus use to dull Polyphemus’s senses ..even more?

Theseus and the Minotaur Lesson Plan, Guided Reading Script and Quiz Each 'package' consists of guided reading script (6 speakers) plus lesson plan and quiz/reading comprehension; and accommodates both small group and all class engagement. As explained in the lesson plan, whilst a group of six speakers read the script, the rest of the class (divided into teams) follows in order to answer questions that follow. There are also some ideas for follow up discussion, time permitting. Lesson Plan (Around 20 - 30 minutes) The lesson time can be reduced to 20 minutes by e.g. omission of quiz/discussion. The script takes around 10 minutes reading time. The quiz takes around 5 – 10 minutes. This script, along with four others (Odysseus and the Cyclops, The Gorgon's Head, Pandora's Box and The Tale of Two Spinners) is available as one product - The Ancient Greek Myths Guided Reading Scripts. These scripts are also available separately as guided reading scripts, lesson plans and quizzes. Sample Text: Pasiphae: This is a tale of two cities. Aegeus: Athens Minos: And Crete. It has vile villains Theseus: A noble hero Pasiphae: A wronged wife Minotaur: And a hideous monster. Minos: It is a tale of deceit Pasiphae: Of shame Aegeus: Of murder Minos: Of revenge Aegeus: Of sacrifice Theseus: Of bravery Ariadne: Of love Aegeus: Of victory Theseus: And of terrible tragedy. Ariadne: So let’s see how this tale unfolds. Starting with the deceit. Quiz Sample 1. What was the name of the father of Theseus? 2. He was the king of which city? 3. Who was the king of Crete? 4. What was the name of his wife? 5. What was the name of their daughter? 6. What was the name of her half-brother? 7. Who would you say was a ‘vile villain’? 8. Who was the hero? 9. Who was the wronged wife?

Snow White Play cast of 6 An alternative to Brothers Grimm version This is one of a set of 'alternative' fairy tales based on those written by Brothers Grimm but re-written, just as they did! This alternative Snow White play can be used for performance or as a guided reading text. Cast of 6, reading time around 15 - 20 minutes Purchase includes: Synopsis of original fairy tale, play script, teaching input, discussion and suggested follow up activities. Other cast of 6 alternative plays: Rumpelstiltskin, Rapunzel, Little Red Riding Hood, Hansel and Gretel, Cinderella and Sleeping Beauty - Cinderella, Sleeping Beauty and this one also available as assembly/class play cast size 30 (easily adaptable up or down). Snow White also available as a pantomime - cast of 30 or 60. Sample Script Narrator: Good morning and welcome to (Enter Snow White, followed by shrieking Queen) Queen: (Angrily) Snow White? What are you doing here? Snow White: Oh! I was just about to set off into the woods with the huntsman, as you ordered. Queen: (Sweetly) Ah! That’s all right then! I just wanted to wish you a wonderful day! Snow White: How kind! I am rather looking forward to going out! Everyone says how pale I look! Queen: Exactly! Most unattractive! I’m sure a day in the woods will do you and your complexion the world of good! (Exit Snow White, waving) Queen: Ugh! Horrid ugly child! (Mirror, who has been standing silently to one side, suddenly ‘comes to life’) Mirror: Well I wouldn’t .. Queen: (Interrupting) Oh do shut up! How many more times do I have to tell you? I am the fairest of them all! Mirror: But I always give you the truth! Queen: Which I do not need to hear around the clock, thank you very much. And anyway, you’ll soon be changing your tune! Mirror: What do you mean? I can’t sing! Queen: (Rolling eyes) No, what I meant was, you will give me a different answer next time I ask you that question Narrator: (Holding up script) Oh, I think I know what that one is! Queen: And who asked you? Narrator: (Indignantly) Well, really, madam! There’s no need to be quite so churlish! I am supposed to be directing this story, you know! Queen: (Dismissively) Huh! What’s to direct? (To Audience) We all know the story of Snow White and the Seven Dwarfs, right? Narrator: Well, you may think you do. But haven’t you heard? Fairy tales are being rewritten all the time and Queen: (Interrupting) Oh really? You mean, someone might see me in a more favourable light? Narrator: Who knows? If you play your cards right who knows what might happen? Queen: Ooh. Now you’ve got me interested! You’ve no idea how tedious it is being cast and re-cast as a baddie!

Sleeping Beauty cast of 6 Alternative version of the original Brothers Grimm version This is one of a set of 'alternative' fairy tales based on those written by Brothers Grimm but re-written, just as they did! This alternative Sleeping Beauty play can be used for performance or as a guided reading text. Cast size and Duration Cast of 6, reading time around 15 minutes Purchase includes: Synopsis of original fairy tale, play script, teaching input, discussion and suggested follow up activities. Other cast of 6 alternative plays: Rumpelstiltskin, Rapunzel, Little Red Riding Hood, Hansel and Gretel and Cinderella. Sleeping Beauty is also available as assembly/class play cast size 30 (easily adaptable up or down) along with Cinderella and Snow White. Snow White also available as a pantomime - cast of 30 or 60. Sample Text Narrator: (Shouting) You may want to switch your alarm off! (Queen goes over and switches it off) King: Phew! Thank goodness for that! (Sound of loud snoring from Sleeping Beauty) King: But wait! What is that awful noise? Narrator: That awful noise is your daughter! Queen: Oh dear! No wonder there wasn’t a prince in this script! King: (Tutting) Time she woke up. Queen: Oh don’t be too harsh! She is a princess, after all! And we all know how much princesses need their beauty sleep! King: (Grunting) Huh! This one more than others! Come on Sleeping Beauty! (King gives her a shake) Sleeping Beauty: (Yawning) Oh, why? Why must I always get woken up? Queen: I’m sorry, my dear. I did try and explain how much you needed your beauty sleep! Sleeping Beauty: Beauty sleep? What’s that got to do with it? King: Er well Sleeping Beauty: Were you not listening at the beginning? I, along with all the other girls out there, was not put on this earth simply to find a prince – handsome or otherwise. And now I’m awake there are going to be a few changes around here. Queen: (Gasping) But Sleeping Beauty! Sleeping Beauty: And that can be the first thing to change! My name! I care not for either Sleeping or Beauty! Just call me Frankie in future! Queen and King: (Together) Frankie?

Cinderella Play - alternative version of the original Brothers Grimm version This is one of a set of 'alternative' fairy tales based on those written by Brothers Grimm but re-written, just as they did, by Sue Russell! This alternative Cinderella play can be used for performance or as a guided reading text. Cast size and Duration Cast of 6, reading time around 10 minutes Purchase includes: Synopsis of original fairy tale, play script, teaching input, discussion and suggested follow up activities. Other cast of 6 alternative plays: Rumpelstiltskin, Rapunzel, Little Red Riding Hood and Hansel and Gretel - Cinderella also available as assembly/class play cast size 30 (easily adaptable up or down) long with Sleeping Beauty and Snow White. Snow White also available as a pantomime - cast of 30 or 60. Sample Text: Narrator: You may have a point! And maybe now, we can all take a slightly more laid back approach to life! Step Sister 1: Oh you’re talking about that exercise regime! Step Sister 2: Dragging Cinders along to the gym every day! Cinderella: Oh don’t you worry about that. Now I have my prince, I have a bit more of a reason to stay fit! Fairy Godmother: And stay away from those doughnuts Step Sister 1 & 2: (Together) Please! Cinderella: Oh no worries there. I guess that was just a case of comfort eating. I’m way happier now (pauses) and it’s not just because I have found my prince Prince: Oh really? Cinderella: Yeah. No offence but I want to stay fit for me – not for anyone else! I want to feel good – inside and out; and that means regular exercise and not binge-eating on doughnuts! I don’t need to anymore. I can see the bigger picture! Narrator: Wow! That’s amazing! (Pauses) Are you sure you haven’t been put up to this by Weight Watchers? Cinderella: (Laughing) No way! Or should I say, no weigh! Fairy Godmother: (Applauding) So good to see you haven’t lost your sense of humour, Cinders! But on a serious note, what you have just said is so important, I think we need to say it again. Right, girls? Step Sisters 1 & 2: Right, Fairy Godmother! Step Sister 1: Staying fit, staying healthy is great. Step Sister 2: But it’s not just about looking great on the outside. Cinderella: No, it’s just as important to feel good on the inside.

Hansel and Gretel Play cast of 6 alternative version of the original Brothers Grimm version This is one of a set of 'alternative' fairy tales based on those written by Brothers Grimm but re-written, just as they did! This alternative Hansel and Gretel play can be used for performance or as a guided reading text. Cast size and Duration Cast of 6, reading time approximately 10 minutes Purchase includes: Synopsis of original fairy tale, play script, teaching input, discussion and suggested follow up activities. Other cast of 6 alternative plays: Rumpelstiltskin, Rapunzel, Little Red Riding Hood and Cinderella - Cinderella also available as assembly/class play cast size 30 (easily adaptable up or down) long with Sleeping Beauty and Snow White. Snow White also available as a pantomime - cast of 30 or 60. Sample Text Narrator: Well, you were planning on eating those two children, weren’t you? Old Lady: Those two children? Certainly not. Not at the same time, anyway! Narrator: Oh we all know about you fattening up young Hansel first. Old Lady: Well, I didn’t hear any complaints from him! (Enter Gretel) Gretel: Not when he was being fed prime joints every night – whilst I had nothing! Old Lady: Now now young lady. You know perfectly well that’s not true. Gretel: Well, you did save all the best stuff for him. Old Lady: Only so that I could fatten him up quicker. And it worked, didn’t it? Gretel: (Giggling) I suppose it did! (Enter Hansel) Hansel: What do you mean, it worked? Old Lady: Well, you were so convinced your wee bone trick would work on me Gretel: Pretending that was your finger! Old Lady: I mean. I know I’m short-sighted! But not that short-sighted! Hansel: So who ended up in the oven? We all know the trick you, Gretel, played. Old Lady: Aha! Maybe it’s you, Hansel, that should’ve gone to Spec Savers! Hansel: What do you mean? It was you Gretel that pushed her into the oven (pauses) wasn’t it? Gretel: What? Push a defenceless old lady into a red hot oven? Are you serious? Hansel: (Spluttering) But but … you saved me!

Rapunzel play cast of 6 - alternative version of the original Brothers Grimm version This is one of a set of 'alternative' fairy tales based on those written by Brothers Grimm - whom I'm guessing would by now be looking more than just a bit grim! Our play hardly sticks to the script. As with the others in this collection, the endings are just a little different! This alternative Rapunzel play (cast of 6) can be used for performance or as a guided reading text. The Wicked Witch might seem an unlikely heroine - but who else is going to accompany Rapunzel on her shopping trip? This version turns 'original' on its head giving us a truly alternative take on things. Cast size and Duration Cast of 6, reading time approximately 10 minutes Purchase includes: Synopsis of original fairy tale, play script, teaching input, discussion and suggested follow up activities. Other cast of six plays available in this series: Hansel and Gretel, Little Red Riding Hood, Cinderella and Rumpelstiltskin; Snow White, Sleeping Beauty and Cinderella are also available as assemblies, cast size 30 (easily adaptable up or down). Snow White also available as a pantomime. Sample Text (Enter Wicked Witch – Narrator gestures for audience to boo and hiss) Wicked Witch: (Angrily) Now wait just one moment! Who’s in the wrong here? (Wicked Witch points to couple) Wicked Witch: Them or me? Narrator: (Puzzled) Sorry? Wicked Witch: Oh you will be! Along with these two – or should I say, three? Father: (To Wicked Witch) How dare you threaten my wife and unborn child! Wicked Witch: (To Father) So! Just to set the record straight. Have you or have you not just helped yourself to my rampion? Father: (Spluttering) Well, I er Wicked Witch: And is this or is this not the second time you have climbed over my wall and trespassed on my property? Father: Well, um Wicked Witch: Guilty! On both counts! And not even brave enough to admit to it! So who’s the bad one now?

Little Red Riding Hood Play cast of 6 – an alternative version of the Brothers Grimm version of the Fairy Tale This is one of a set of 'alternative' fairy tales based on those written by Brothers Grimm - but re-written, just as they did! These include Rumpelstiltskin, Rapunzel, Hansel and Gretel and Cinderella - all very alternative! This alternative Little Red Riding Hood play can be used for performance or as a guided reading text. Cast of 6, reading time approximately 10 - 15 minutes Purchase includes: Synopsis of original fairy tale, play script, teaching input, discussion and suggested follow up activities. Cinderella, Snow White and Sleeping Beauty scripts are also available as assemblies, cast size 30 (easily adaptable up or down) Sample Text Little Red Riding Hood: But Grandma, what big ears you’ve got! Narrator: All the better to hear you with! (Aside) Oh! This is even better than I thought! I’m an absolute natural. I can hear that phone ringing now ‘Would you be available to star in the West End next week? We’ve heard such glowing reports about ..’ Little Red Riding Hood: Hey! Wait a minute! Narrator: No! No! What about the teeth? Little Red Riding Hood: Oh! OK. Now you come to mention it, they do need a bit of a clean! Narrator: No! No! Stick to the script! Little Red Riding Hood: Oh you mean, ‘But Grandma, what big teeth you’ve got’? Narrator: (Growling) All the better to eat you with! Little Red Riding Hood: (Nonchalantly) Yeah, right! Narrator: Hey! You’re meant to scream and run away! Little Red Riding Hood: Oh really? Narrator: Can’t you see, I’m not your grandma but a wicked wolf, come to eat you? Little Red Riding Hood: Well, the wolf in the woods seemed harmless enough; and (Little Red Riding Hood removes Narrator’s mask) I’ve been to enough bad school plays to realise you’re not the real thing! (Enter Wolf, growling savagely) Wolf: Whereas I am! (Little Red Riding Hood screams) (Enter Grandmother) Grandmother: Oh really, Little Red Riding Hood! Do you have to make all this noise? Little Red Riding Hood: But there’s a wolf in here! Can’t you see? And anyway, aren’t you meant to be unwell? Grandmother: Oh that’s just your mother, making a fuss as usual. Nothing wrong with me! Wolf: Well, that’s where I’m afraid we disagree! Grandmother: (Indignantly) Pardon? Narrator: Yes, I’m with the wolf on this one!

Rumpelstiltskin play This is an alternative version of the original Brothers Grimm version. Cast of 6, reading time approximately 20 minutes Includes: Synopsis of original fairy tale, play script, teaching input, discussion and suggested follow up activities. This script can be used for performance - as an assembly/class play; or as a guided reading script with built in lesson plan (as described above). This is the first of a series of 'alternative' fairy tales written by Sue Russell - coming up: Rapunzel, Hansel and Gretel, Little Red Riding Hood, Cinderella, Snow White, Sleeping Beauty - these last three already available as assemblies/class plays, cast size 30 (easily adaptable up or down). Snow White also available as a pantomime. Rumpelstiltskin Sample Text: Narrator: Good morning. And welcome to one of our favourite fairy tales (Enter Rumpelstiltskin) Rumpelstiltskin: Rumpelstiltskin! That’s me! Narrator: A veritable fiend! Villain! Crook! Rumpelstiltskin: (Interrupting) Er, wait a minute! Are we talking about the same fairy tale? (Narrator consults his notes) Narrator: Well, I think so. Weren’t you the horrible little Rumpelstiltskin: (Interrupting) Could you be just a tiny bit less offensive? I mean, ‘horrible’, ‘little’. Aren’t there any rules on political correctness here? Narrator: (Apologetically) Oh I’m sorry. You're right (Putting script to one side) I’ll try not to follow this quite so much (Rumpelstiltskin walks over and takes a look at the script) Rumpelstiltskin: (Snorting) Pah! As I thought! Those Brothers Grimm! The way they described their characters! They’d never get away with it today! ‘Little man’ indeed! How would they like to be vertically challenged? Narrator: You know, I do sympathise with you. I think you have a right to feel the way you do! Rumpelstiltskin: Well, thank you Narrator: But that doesn’t completely excuse your behaviour. Rumpelstiltskin: (Exploding) My behaviour? What about that of the king and the girl’s own father?

Fairy Tales Assembly for Key Stage I (Numerous alternative fairy tale plays available for Key Stage II) This assembly or class play is based upon the following fairy tales: · Sleeping Beauty · Cinderella · Snow White and the Seven Dwarfs · The Three Little Pigs · Goldilocks and the Three Bears Cast of 30 (easily adaptable up or down) Duration Around 10 minutes reading time (without inclusion of music suggestions) Quite an eye-opener this one - for our narrator, at least! It would seem you really can’t judge a book by its cover - well, certainly not when you're dealing with these fairy tale characters! Sample Text: Music 6 Who’s Afraid of the Big Bad Wolf (Wolf suddenly jumps out from hiding, bringing cheerful singing to an abrupt halt) Wolf: (Grinning) Ha! Not so full of yourselves now, huh? Little Pig 1: (Hiding behind Little Pig 3) You don’t frighten me! Little Pig 2: (Hiding behind Little Pig 3) You can’t bully us! Wolf: (Laughing) Oh really? (Wolf lets out a huge growl and all three little pigs ‘run for their lives’) Wolf: (Laughing) Whose afraid now? Narrator: Now, that really wasn’t very nice of you! Wolf: (Repeating, incredulously) Nice of me? Whoever heard of a nice Big Bad Wolf? Narrator: But you’re not really big and bad, are you? Wolf: Of course not! But (pointing to the audience) I have to keep this lot happy, don’t I? Narrator: You mean, being big and bad is what is expected of you? Wolf: Of course! It’s all an act! Narrator: (Clapping) Well, you’re very convincing! And (looking at audience) I for one am mighty relieved he’s not as bad as you all think he is! (Wolf shakes hands with narrator, growls savagely at audience, and exits) Narrator: Ah! I do so love happy endings! Me still being alive, that is!

General Election Assembly - Who should be our next prime minister? 6 weeks to go … and bored with the General Election already? Then this assembly is your perfect tonic! As for our narrator, who would envy their task of choosing a prime minister - from a class of 30?! The choice? Football stars, movie stars, rock stars ..... and a whole lotta girl/boy attitude between the Spice 'lot' and a certain Direction! Somebody needs to tell them about equality - and who better than .... S Club 7?! This is a very light hearted look at the coming election. The ‘possible candidates’ are a selection of celebs – chosen purely for entertainment sake. For a more serious ‘take’, the script could be adapted to include a far more serious list of people either now or in the past e.g. Gandhi, King, Mandela, Mother Theresa etc. Likewise, whilst dealing with the current topic of the election, this script could be used for citizenship because of its PSHE component – this latter could be extended by adding a section on ‘What would you change if you were prime minister?’ Duration: 10 – 15 minutes reading time; around 20 – 30 minutes including music suggestions. Cast of 30 - easily adapted up or down; and characters may be replaced by children’s own choices. Sample Text Child 1: I think David Beckham should be prime minister! Child 2: Nah! It’s got to be Lionel Messi! Child 3: No! Wayne Rooney has my vote! Child 4: Rubbish! It’s got to be Cristiano Ronaldo! Narrator: (Blowing whistle) Excuse me! Since when did any of these footballers know anything about politics? They might be pretty good at running up and down a pitch, but running a country? I don’t think so! (Exit Child 1, 2, 3 and 4) Narrator: Next! (Enter ‘athlete’ – Child 5) Child 5: I’m here representing the world of athletics! I’d vote for Jessica Ennis! Narrator: (To audience, sighing) What is it with kids and sport? (To Child 5) Yes, I can see why you might think Ms Ennis would set us all a fine example Child 5: A prime role model! An inspiration to us all! Narrator: Yes, yes. I totally agree! But there is a difference between running along those tracks Child 5: In record times! Narrator: And, …..let me finish…., running the country! (To audience) Am I having a moment of déjà vu or didn’t I just say that a very short while ago? (To Child 5) Anyway. Thank you … but no thank you! (Exit Child 5) Music 3 Theme music from Doctor Who