A full lesson, including a ‘do now’ activity as students settle, an overarching session question, detailed context, scaffolded guided questions for analysis of sound, language, figurative language, structure and form. EdExcel AS/A Level English Literature Paper 3: Poetry, Section B: The Romantics

A full lesson, including a ‘do now’ activity as students settle, an overarching session question, detailed context, scaffolded guided questions for analysis of sound, language, figurative language, structure and form. Includes a Massolit llecture link, but your school will have to have a subscription to access it (but the lesson is still complete without it!) EdExcel AS/A Level English Literature Paper 3: Poetry, Section B: The Romantics

A lecture on Jeanette Winterson’s 1985 novel, Oranges Are Not the Only Fruit, used to support as a coursework text for AS/A EdExcel English Literature NEA Component. The lecture encourages students to consider several contextual points in relation to the novel, overviews key elements of postmodern devices used by Winterson, and includes some criticism to further the learners’ ideas about the text.

A full lesson, including a ‘do now’ activity as students settle, an overarching session question, detailed context, scaffolded guided questions for analysis of sound, language, figurative language, structure and form. EdExcel AS/A Level English Literature Paper 3: Poetry, Section B: The Romantics

This session overviews Julia Kristeva’s ‘Abjection’ from her ‘Powers of Horror’. The session then encourages learners to apply the theory to Frankenstein, The Handmaid’s Tale and Never Let Me Go. This session is part of a ‘Stretch and Challenge’ series I designed to run in my institution. The sessions are targeted at learners who are achieving at the very top of the cohort.

A full lesson on the poem ‘EAT ME’ by Patience Agbabi. Poems of Decade, Forward Poetry (2011) Edexcel AS/A English Literature, 2015+

Comprehensive powerpoint-led lesson on Chapters 6, 7, and 8 of Ishiguro’s Never Let Me Go (2005). Lesson includes: links to other dystopian literature concerned with censorships Concept checking questions for each chapter Close text analysis examples abd further questions Context for WWII concentration camps Analysis notes for students **Edexcel AS/A Level English Literature (2015+) Paper 2: Prose Comparison - Science and Society**

A full lesson which guides student to closely consider Chapters 9, 10 and 11 of Kazuo Ishiguro’s Never Let Me Go (2005). **EdExcel AS/A Level English Literature 2015+. Paper 2: ‘Science and Society’. **

A full lesson which guides student to closely consider Marxist and Neo-marxist readings of Chapters 4 and 5 of Kazuo Ishiguro’s Never Let Me Go (2005). Key content: Discussion of Bentham’s Panopticon A Neo-marxist reading of the Sales and Exchanges Concept checking questions for both chapters Guided essay practice, and self assessment activity **EdExcel AS/A Level English Literature 2015+. Paper 2: ‘Science and Society’. **

A full lesson on the poem Ros Barber’s ‘Material’ Poems of Decade, Forward Poetry (2011) Edexcel AS/A English Literature, 2015+

A full lesson on the poem ‘Effects’ by Alan Jenkins. Poems of Decade, Forward Poetry (2011) Edexcel AS/A English Literature, 2015+

This lesson is part of a short course designed to introduce some of the principles and skills required to teach English as a second or other language. This second lesson of the course which introduces grammar in the ESOL classroom. The lesson has been designed so it may be delivered as flipped, blended or as in class learning.

This lesson is part of a short course designed to introduce some of the principles and skills required to teach English as a second or other language. In this lesson together we will look at activities which support the productive skills, speaking and writing. Students examine why and how these skills are used in the ESOL classroom as well as a range of activities which can be used to support the development of these skills. The lesson has been designed so it may be delivered as flipped, blended or as in class learning.

This lesson introduces Tenessee Williams’ 1947 play, A Streetcar Named Desire. The lesson encourages learners to predict probable complications which may develop in the play based on an introduction to the themes, and begins an analysis of the scene opening of Scene One.

A Contextual introduction to Romanticism and Poetry Unitbook Overview for Edexcel AS/A English Literature Paper 3: Poetry.

Introduction to characterisation in drama texts using Tennessee Williams’ one act play, ‘Why do you smoke so much, Lily?’

This lesson is part of a short course designed to introduce some of the principles and skills required to teach English as a second or other language. This is the third lesson of the course which works through a series of acitivites introducing phonetics, the phonemic chart, and it’s useage in the ESOL classroom. The lesson has been designed so it may be delivered as flipped, blended or as in class learning.

This lesson is part of a short course designed to introduce some of the principles and skills required to teach English as a second or other language. This forth lesson of the course puts students in the position of an MFL student using a range of vocabulary learning activities. The lesson has been designed so it may be delivered as flipped, blended or as in class learning.

This lesson is part of a short course designed to introduce some of the principles and skills required to teach English as a second or other language. This lesson of the course demonstrates a range of activites which use popular songs which can be used to teach ESOL. The lesson has been designed so it may be delivered as flipped, blended or as in class learning.

This lesson is part of a short course designed to introduce some of the principles and skills required to teach English as a second or other language. This fifth lesson of the course overviews the Presentation, Practise, Production (PPP) model used to scaffold grammar and skills lessons. The lesson has been designed so it may be delivered as flipped, blended or as in class learning.