Jonah and the Whale Assembly Class play for 7 – 11 year olds - Key Stage II This is one of the Biblical Banter series. The writer, Sue Russell, has to date written three other scripts in this series, including The Creation, Adam and Eve in the Garden of Eden and Noah’s Ark. Cast of 30 - easily adaptable up or down. Duration: Speaking time around 15 minutes. This does not include a great playlist of 10 songs which could potentially double time of performance to 30 mins at least! Sample Text: (Sound of thunder and lightning) Captain: Whoah! What was that? Sailor 2: Sounded like thunder and lightning to me! Sailor 3: Oh oh! That’s not good! Jonah: (Nervously) What do you mean? Sailor 4: He means, there’s a storm approaching! Jonah: Oh, that’s all right! I’ve brought an umbrella! (All sailors laugh) Sailor 5: Er, you’re going to need a little more than an umbrella if this storm takes a hold! (Boat starts rocking furiously, as sound of raging wind gathers momentum) Sailor 6: Whoa! Hold on everyone! Sailor 7: We’re in for a rough one! Jonah: (Holding his stomach) Oh dear, I’m beginning to feel a bit queasy! Sailor 8: You’ll be feeling more than that if you don’t get a move on and help! (Everyone rushes around trying to tie things down; storm continues to get worse and worse) Sailor 1: My! This is some storm! Sailor 2: We’ve never had one like this before! Sailor 3: Something tells me someone on board has brought with them more than a little bad luck! (All sailors round on Jonah) Jonah: Who? Me? Captain: Tell me again why you wanted to join my crew on this trip? Jonah: (Spluttering) I, er, well, it’s like this Captain: Come on man, spit it out! What’s your real story? Jonah: (Sighing) OK. I suppose you deserve the truth. You see, I was running! Sailor 4: Running? Sailor 5: Away from what? Jonah: Away from my God. (All Sailors groan and clutch their heads) Captain: Well, that explains it! Had I known, I’d never have allowed you on board my ship!

Nursery Rhymes Assembly for Key Stage One Cast Size: 25 easily adjusted up or down (Class teacher taking role of Narrator) Duration: Around 5 – 10 minutes This assembly is based on 10 nursery rhymes and, as explained in the production notes, can be seen as a template - adding or replacing rhymes as you see fit. There is a longer assembly available (around 15 - 20 minutes) which has a choice of 20 nursery rhymes - this one is called Nursery Rhymes Assembly Extended Version - and this could also be used by Key Stage II or used as a combined production, between both Key Stages - i.e. as a collaborative piece. Please note: the first half of the extended assembly uses the original 10 rhyme script i.e. just adds on. Sample Text: Narrator: What is that noise? (Enter cat playing fiddle, followed by cow holding moon; dog; and dish holding a spoon) (Whole cast recites rhyme; characters acting out the lines) Hey Diddle Diddle, The cat and the fiddle, The cow jumped over the moon; The little dog laughed To see such sport, And the dish ran away With the spoon. (Exit cat, cow, dog and dish) (Everyone uncovers their ears) Narrator: Oh thank goodness for that. I mean, don’t get me wrong – we all like a little music … but not quite like that! (Enter Little Miss Muffet) (Whole cast recites rhyme; characters acting out the lines) Little Miss Muffet Sat on a tuffet, Eating her curds and whey; (Enter Spider) There came a big spider, Who sat down beside her And frightened Miss Muffet away. (Exit Little Miss Muffet and Spider) Narrator: (Cowering behind children) Has it gone? Is it safe to come out yet? Whole cast: (Sighing) Yes. The spider’s gone, Miss! (Narrator returns to her former place) Narrator: Huh! Well, that’s fine then. (Pauses) Not that I was ever scared of that wee spider! Nah – just acting along with Miss Muffet there! (Whole cast look at each other, shaking heads) Narrator: (Coughing) Any how! Moving on. (Enter Old Mother Hubbard and her dog) Narrator: Ah! A dear old lady and her wee doggie. (Whole cast recites rhyme; characters acting out the lines) Old Mother Hubbard She went to the cupboard To fetch her poor dog a bone, But when she got there, The cupboard was bare, And so the poor dog had none. (Collective sympathetic sigh from the Cast) Narrator: Oh dear! Oh we can’t have that! (Narrator rummages around in her handbag and comes up with a bone) (Narrator holds up bone to dog which bounds over to Narrator in delight, barking happily, jumping up and down, and trying to lick her face)

Oliver Twist – A Play Based on the Novel by Charles Dickens Cast of 15 speaking parts; or Cast of 30 if including non-speaking parts Duration: Around 15 minutes not including song suggestions Oliver Twist, following on from the popular Christmas Carol, is the second in a series of Charles Dickens adaptations – the others being David Copperfield, Great Expectations and A Tale of Two Cities. Suitable from age 10 upwards, this is a set of scripts written with Key Stage III in mind. I will be adding further teaching resources in the near future. It is my aim to make these great classics accessible to young people and adults alike. Whilst sticking to the original story, this one has a much happier ending for everyone; and has Fagin ‘putting our Narrator right’ on what it was actually like to live in Victorian England. Sample Text: (Enter Fagin, marching over to Narrator) Fagin: (Threateningly) Criminal classes, eh? Oh, and I suppose you’d know a lot about what it was like to live in Victorian times, would you? Narrator: (Spluttering) Well, er, now you come to mention it (pauses) no, not really. Fagin: Well, allow me to fill you in. Let’s start with how hard it could be especially if you were poor. Narrator: (Huffily) Well, I’ve no doubt there was social welfare for those who needed it. Fagin: (Exploding) Social welfare? I’ll show you social welfare! Come with me. My, are you going to have your eyes opened! Music 2 – Food Glorious Food Scene 1 The Workhouse (Fagin takes Narrator to one side as workhouse inmates line up, holding bowls and spoons, with Mr. Bumble standing at the front, ladling out the gruel; Oliver is last in line) Narrator: (To Fagin) Why are these children dressed in rags? And why are they so filthy? And what is that terrible smell? Fagin: So many questions! Well, to start with, those rags are all they have! Appearances aren’t too important when you are just trying to stay alive! Narrator: But where are their parents? Fagin: (Laughing) They have no parents! They’re all orphans. They have nowhere to go but the workhouse! (Pauses) And before you ask, that’s gruel they’re getting in those bowls! Pretty disgusting but, like I said, keeps them alive. Better that than dying on the streets. (Oliver takes his bowl and sits with the rest; then gets up and stands in front of Mr. Bumble a second time) Also available: Victorian Assembly/Class Play; and Meet the Victorians – set of guided reading scripts.

David Copperfield This is one of a series of plays based on Charles Dickens’ books, What the Dickens! • A Christmas Carol • Oliver Twist • David Copperfield • Great Expectations • A Tale of Two Cities Oliver Twist is co-narrated by the narrator and Fagin, to illustrate what life was like in Victorian England. This one, David Copperfield, is co-narrated by the narrator and Charles Dickens, drawing many parallels between his own life and that of David Copperfield. Cast of 15 speaking parts Duration: Around 15 minutes Suitable from age 10 upwards, this is a set of scripts written with Key Stage III in mind. I will be adding further teaching resources in the near future. It is my aim to make these great classics accessible to young people and adults alike*Scroll down for review. Sample Text: Scene 5 Mr. Wickfield’s House (Mr. Wickfield looking old and frail, sitting in chair, with Agnes hovering over him in concern. Uriah Heep stands to the side, looking very pleased with himself, offering Mr. Wickfield one glass of wine after another) Uriah Heep: (Refilling Mr. Wickfield’s glass with wine) There you go, dear Mr. Wickfield. Just say the word! Anything I can do to help! (Enter David, taking glass off Mr. Wickfield and glaring at Uriah Heep) David: I’ll take that, thank you very much! Uriah Heep: (Gasping) What do you think you are doing? David: Saving Mr. Wickfield and his lovely daughter, that’s what (pauses) from you! Uriah Heep: Whatever do you mean? How dare you just flounce back into our lives after waltzing off to Switzerland! Agnes: (Gasping) Ooh, Mr. Heep! David was hardly ‘waltzing off to Switzerland’ out of choice! He’d just lost his beloved wife, Dora! David: Indeed! And without your kind support, as always, Agnes, I would never have made it through that dark time! Mr. Wickfield: Ah, you and Agnes were always so close! Like brother and sister! David: But times have changed (Agnes gasps in horror) Agnes: Have I done something to upset you? David: It’s not what you have done, beloved Agnes! (Turning to Uriah Heep) Just look at what this fiend has been trying to do to your father! Uriah Heep: (Gasping) What do you mean? David: You know perfectly well what I mean! Poisoning him with all this alcohol! Just so that you can help yourself to his daughter! Uriah Heep: (Smugly) There are worse fates than being married to me, I can assure you! David: You think so? Hmm. I think we’ll agree to disagree on that one! Review: Sue Russell’s plays are faithful to their originals yet also brilliantly condensed without any loss of key material.

Great Expectations – a play based on the book by Charles Dickens This script is one of a series ‘What the Dickens!’ : • A Christmas Carol • Oliver Twist • David Copperfield • Great Expectations • A Tale of Two Cities Cast of 15 Duration: Around 15 – 20 minutes Suitable from age 10 upwards, this is a set of scripts written with Key Stage III in mind. I will be adding further teaching resources in the near future. It is my aim to make these great classics accessible to young people and adults alike*Scroll down for review. Sample Text: Narrator: This is a tale of (pauses) Great Expectations. But please don’t allow yourselves to be fooled by the title. No. Sadly this is far from a tale of high hopes and their fulfilment. This is a tale that will take you to many dark places where you will meet many dark characters. Where treachery and skulduggery lurk in every corner. Where so-called gentlemen act as complete tyrants (pauses) and where ladies, frankly do not come out much better! (Sound of ‘clanking’ from a blacksmith’s shed) But wait! What is that I hear? Aha! A sound of decency. A bright ray of light shining through all this mirky darkness. (Enter Joe) Joe: (Laughing) Did I hear someone compare my job to something bright and shining? Narrator: (Shaking Joe’s hand) You did indeed! It’s so good to meet you! Joe: And very good to meet you too, my friend! Narrator: Ah, there you go! Warm and welcoming to everyone you meet. Never an unkind thought in your head. Always thinking the best of everyone! Joe: (Smiling) Well, it doesn’t pay to carry bitterness around with you. My wife sadly carries enough for two of us – and look how happy that makes her! (Enter wife) Wife: (Shrieking) Joe? Joe Gargery? Have you not heard me yelling your name this past half hour? Narrator: (Aside to audience) And there I was thinking the ear plugs were to protect his ears from the anvil! Wife: (Rounding on Narrator) And what is your business in these parts? Narrator: And a very good day to you as well, ma’am. I was just saying to your husband Wife: (Interrupting) That good for nothing waste of time! And don’t you go wasting any more of his time! He has work to do! Isn’t that right, Joe Gargery? Joe: If you say so, oh sweetness and light! Wife: Bah! Don’t you go thinking you can sweet-talk your way around me! (Pauses as she looks around) And where’s that other waste of space, my young brother, Pip? Up to no good, no doubt! Narrator: (Sarcastically) How lovely it must be to think so well of everyone around you! Review: These plays can be used in English lessons as well as Drama class. Dickens is a wonderful writer, but the sheer length of the novels and complexity of plot lines can be intimidating for students. Sue Russell’s plays are faithful to their originals yet also

Bleak House Play adaptation Did someone, somewhere, once say ‘Where there’s a will there’s a way’? … Wrong! They obviously hadn’t read Bleak House and the case of Jarndyce and Jarndyce! This script can be used by a small group of five or a whole class of 30. With the job of narration shared by an extremely *non-neutral narrator and co-presenter who is the story’s heroine, this is a fun account of one very complicated story – don’t worry, it has been simplified! *P.S. I hope nobody in the legal profession reads this – I’ve heard slander can be costly! Cast Group of 5 or Cast of 20 - 30 There are 30 speakers in total, divided up between seven scenes. There are 13 named characters plus 6 lawyers (in the first scene) and the Narrator – i.e. 20 speakers in all. So the actual cast size is somewhere between 20 and 30 – though this number can be easily adjusted by e.g. reducing or increasing the number of lawyers – I have used 6 lawyers in the first scene just to round up the total number of speakers to 30. However, the script could be read by a group of 5, obviously adapting different roles in each scene. Duration: Around 35 minutes

The Time Machine – H.G. Wells This play can either be used for performance (Class Play or Assembly) Cast of 26 or as a set of guided reading scripts/readers theatre within the class room- 5 scenes – 6 speakers each (with the exception of Scene 4, just 2. Scene I Scientist Home – Dinner Party minus host (awaiting arrival) Scene 2 Meet the Eloi Scene 3 Meet the Morlocks Scene 4 Escape – to the end of the world Scene 5 Scientists Home – Dinner Party plus host Total Reading Time – around 30 minutes This is one of a series of ‘Quickie Classics’ – for those who wish to dip their feet without committing to total immersion! Other such ‘Quickie Classics’ include the works of Charles Dickens (including favourites such as Great Expectations, David Copperfield, A Tale of Two Cities) Treasure Island by Robert Louis Stephenson, Persuasion, Jane Austen and classic stories by Oscar Wilde including The Happy Prince and The Selfish Giant. Sample Text Scene 1 Scientist’s Home – Dinner Party minus host (awaiting arrival) Narrator Friend Mayor Medical Man Psychologist Journalist Narrator: Well, this is all very charming. But where is our host? Friend: Oh, probably still a million years away! Mayor: (Testily, looking at his watch) Well, I for one haven’t all the time in the world! Medical Man: That’s a shame! Psychologist: Did nobody warn you we might have rather a long wait? Journalist: Communication does not seem to be our host’s strong point! Friend: Well, even he cannot be in two places at once! Mayor: How very inconvenient! Medical Man: Well, as a human being, he does have certain limitations! Psychologist: Though these be physical rather than psychological limitations, I would suggest. Journalist: Same difference! Psychologist: Oh, not at all! The mind can take you places where your body could not possibly follow! Journalist: Now, that bit makes sense! Narrator: Yes, it’s a great gift to have an imagination. Journalist: A what? Oh, you mean just making things up as you go along? Yes, that too makes sense to me! Mayor: (Uneasily) I trust your interviews are carried out in a less cavalier manner? Journalist: Oh, they are. Friend: It’s just what follows that Journalist: Has a little fine tuning! Medical Man: Just as well we don’t all operate like that! Psychologist: (Laughing) Particularly in your case! Friend: (Laughing) No, we certainly wouldn’t want you taking ‘any short cuts’ on the operating table!

Queen’s Platinum Jubilee Assembly for 5 – 7-Year-Olds (Key Stage I) This script has been tweaked from the Queen’s Diamond Jubilee script reflecting the life of Queen Elizabeth II and her family, achievements etc over 70 years. Cast of 30 Duration around 20 minutes Sample Text: Music 2 National Anthem – God Save Our Queen (All stand up) Queen: (To Audience) Please be seated! (Sighing) Ah, seventy years on the throne and I’m still adored! Whole cast: (Exclaiming) Seventy? Are we that old? (Queen scowls, hands on hips) Narrator: (Apologetically to Queen) Oh no offence, Your Majesty! What we mean is Whole cast: Thank you for being our queen for seventy years! Queen: Oh that’s quite all right! I love jubilees (pauses). Now, let me think. When was the last one? Child 1: That would be your diamond jubilee in 2012 for sixty years. Child 2: There was a golden one in 2002. That was for fifty years. Child 3: And before that, a silver one in 1977. That was for twenty-five years. This is one of four scripts now available on the Queen’s Platinum Jubilee. The other three are: The Queen’s Platinum Jubilee Assembly 7 – 11 year olds (KS II) The Queen’s Platinum Jubilee assembly on the years 1952 – 2022 is an adaptation of my History of Rock n Roll assembly. This covers world events but with a musical twist (up to 34 suggested songs!) KS II The Queen’s Platinum Jubilee assembly on the English Monarchy – this being a quick gallop from Alfred to our present queen! KSII

A Tribute to Queen Elizabeth II and A Celebration of Her Life It was with a sense of shock I heard the news of Queen Elizabeth’s death, early yesterday evening, September 8th, 2022. Even though she was 96 years old, she was always there as a constant in our lives - somehow invincible, an eternal presence. And I, like many others I suspect, feel a deep sense of loss. I offer the following script as tribute to an amazing lady. Cast of 30 (easily adaptable up or down) Duration: around 15 minutes Sample Text: Speaker 24: Like at the celebration of the Queen Mother’s one hundredth birthday. What a party that was for the nation! Speaker 25: Sadly, her death followed all too soon, in 2002 with that of the queen’s sister, Margaret. Speaker 26: But then along came the 2002 Golden Jubilee – another grand celebration of fifty years’ rule – the queen at seventy-six years of age showing no signs of slowing down. Speaker 27: Then two lovely weddings! The wedding of Charles and Camilla in 2005 Speaker 28: And the wedding of William and Kate in 2011; the queen now at 85 enjoying surely one of the happiest days of her life. Narrator: It is wonderful to look back and see her beautiful smile on such happy family occasions. Speaker 29: But let us not forget what an important role she played elsewhere. For example, making that state visit to Northern Ireland, the first of its kind by a British monarch. Narrator: Indeed. Although her power as a constitutional monarch was limited, she proved a brilliant role model for our country, personifying all the best of the United Kingdom on the world stage. She was a shining example – in the case of Northern Ireland, of such qualities as reconciliation. Speaker 1: And then another celebration in 2012! This time, the Diamond Jubilee – sixty years on the throne!

Tale of Two Cities Play This is one of a series of plays based on Charles Dickens’ books, What the Dickens! • A Christmas Carol • Oliver Twist • David Copperfield • Great Expectations • A Tale of Two Cities Cast of 15 (30 including crowd in brackets) Duration: Around 25 minutes Sample Text: Judge: (To Dr. Manette) I’m afraid he stands convicted by these two, Madame and Monsieur Defarge (pauses) and you! Dr. Manette: (Gasping) What? What do you mean, me? How can this be? Judge: Are you or are you not Alexandre Manette? Dr. Manette: Well, of course, I am. Everybody here today knows that! Judge: So, can you deny writing (Monsieur Defarge hands letter over to him) this? (Dr. Manette takes the letter, reads it, gasping as he does so, and then sits down in a state of shock) Monsieur Defarge: So, enlighten us, Dr. Manette. What have you just read? (Dr. Manette sits clutching his head, in silence) Madame Defarge: Fairly conclusive evidence, I’d say! Judge: So, for the benefit of the court, I will endeavour to explain the contents of this letter. Let’s just start with where it was found. Monsieur Defarge: In cell One Hundred and Five, North Tower of the Bastille! (Whole courtroom gasps) (Sydney Carton jumps up) Sydney Carton: How can that be? This is false evidence, m’lord! Monsieur Defarge: Oh, I don’t think so, young man! You may be able to work your lawyer-magic back in England, but not here in France! Madame Defarge: Justice will be done! You see if it isn’t! This latest set of scripts, ‘dipping into Dickens’ could be used for upper KSII children (in addition to KS III – as per review below). Review: I can highly recommend Sue Russell’s plays for use with KS3 students. They are wonderful introductions to classic novels – capturing the mood and tone of the original and communicating the essence of plot and characters in a lively and highly accessible way. Students enjoy the vibrant dialogue and find scope for characterisation and the development of dramatic skills by performing them. These plays can be used in English lessons as well as Drama class. Dickens is a wonderful writer, but the sheer length of the novels and complexity of plot lines can be intimidating for students. Sue Russell’s plays are faithful to their originals yet also brilliantly condensed without any loss of key material. Many thanks to my writer-friend Jude Hayland who, when not writing, works as drama teacher and English tutor.

The Battle of Life – a play based on the original novella by Charles Dickens Cast of 15. Duration around 30 minutes Other plays I have written available off TES based on Charles Dickens’ books are: A Christmas Carol, Oliver Twist, Great Expectations, David Copperfield and A Tale of Two Cities. When I started reading this novella, I was expecting a love story – but The Battle of Life is so much more. It is not just about romantic love but love of a much deeper kind - of sibling love – between two sisters. Not widely read but I loved it! Sample Text: (Sound of music and laughter) (Enter Dr. Jeddler) Narrator: Aha! And one of the jolliest gents you are ever likely to meet! Dr. Jeddler, I was just commenting on The Battle of Life. No doubt you, as a philosopher, have something to say on the matter? Dr. Jeddler: (Laughing) Well, naturally, my good man! Though nothing too profound, you understand! I don’t take any of this stuff too seriously! Narrator: You mean, the stuff of living? (Enter Alfred, briefly) Alfred: Oh, but you should! (Aside to audience) I rather think Dr. Jeddler here may just change a little of that mindset of his during the course of this production! (Exit Alfred) Dr. Jeddler: What’s that? Yes, I thought I heard music! (Enter two musicians, and two sisters, Marion and Grace, dancing, without any inhibition) (Narrator applauds loudly when the music stops and the girls fling themselves to the ground in exhaustion) Narrator: Bravo! That was some display! Though all the better for not being a display, if you see what I mean! Marion: (Laughing) Oh we were most certainly not dancing to an audience! (Spotting audience) Oops! No offence intended to present one! Dr. Jeddler: (Coughing) Ahem! You realise the earliness of the hour? Grace: (Quickly) Oh but father! You haven’t forgotten what day it is? Marion: Somebody’s birthday? Dr. Jeddler: Bah! It’s always somebody’s birthday! What a load of nonsense – another foolish exhibition in this thing called life! (Marion pulls a face) Dr. Jeddler: Which isn’t to say we can’t celebrate the idea of this, this birthday malarkey! (To Narrator) I wouldn’t want you to think I’m some kind of kill joy! It’s just, life is such a farce, the world such a gigantic practical joke. Grace: (Taking his arm) Oh come along, father! Let’s just enjoy the day. Narrator: (To audience) Something tells me this particular philosopher has a rather simplistic view of the world … but one on which he could, nevertheless, speak for hours. Let’s not allow him that freedom! Good for Grace!

The Haunted Man and the Ghost’s Bargain Play – an adaptation of the Charles Dickens Novella Cast of 14 plus Duration: Around 30 minutes The lesson of the story is summed up by the Narrator: Maybe had we, like Mr. Redlaw, been presented with the chance of losing all mental anguish, then we may have been tempted to make the same choice as he did. But as I hope we have learned from his experience, some of the best moments in our lives come strangely from what we might see as things we would rather forget. We learn from such moments how to appreciate what has gone before or after; and so we come to understand that we need the whole picture of our lives, not just the good bits, to make us appreciate and realise what we have and who we are. Sample Text Mrs. Tetterby: (To husband) And to think I could have held hopes of a happy future with you! (Wailing) Why oh why did I ever think it would be a good idea to marry you? What possible gain did I hope to achieve? Biggest mistake of my life! Mr. Tetterby: And for me, too! You needn’t think yours was the greater sacrifice! I was undoubtedly short-changed! (Aside) Just look at this wife of mine! Talk about past your sell-by date! Fat, ageing. I should find myself another woman! Mrs. Tetterby: (Aside) Look at that husband of mine! Common-looking, small, stooped, going bald. He really doesn’t have a lot going for him! (To husband) And as for these children – they will be the death of me! And that might be sooner rather than later. Mr. Tetterby: Poor people like us shouldn’t have children – given how little pleasure they give us! Narrator: (Gasping) Are these really the same people we saw before? (Sighing) It seems we need nothing short of a miracle to reverse this unfortunate situation. (Enter Millie) (Everyone passes a hand across their foreheads; and suddenly start smiling again) Narrator: Did I just say a miracle? Could Millie be our guardian angel? Judging by the total change in atmosphere, I’d say a very definite yes! Mr. Tetterby: (Exclaiming) What was I thinking? What madness came upon me to speak to you, Sophia, my little woman, so? Mrs. Tetterby: No, but it is I who should beg your forgiveness! How could I say such things? What was I thinking? Mr. Tetterby: But, what state of mind was it to make me behave in such a way as to break your heart, with such hurtful words? This is one of a series of plays based on Charles Dickens’ books, What the Dickens! • A Christmas Carol • Oliver Twist • David Copperfield • Great Expectations • A Tale of Two Cities • The Battle of Life • The Chimes • The Cricket on the Hearth

Be Inspired Class Play or Assembly Since releasing this originally as a New Year Script I have ‘tweaked’ it to produce another script so that it can be used any time of the year – not just in January. This made more sense to me as we all need inspiration all of the time – not just once a year; and other times, such as the beginning of the academic year in September are just as important. This could thus be used as a Back to School script; and so there are now three versions of the script: • Be Inspired New Year Assembly (the original script) • Be Inspired Assembly • Back to School Be Inspired Assembly Cast Size 30 – but this number can easily be adapted up or down. Duration Around 20 minutes. The performance can be extended by the addition of more jokes and poetry. Sample Text: Music I – I’m So Excited – Pointer Sisters (Whole cast ‘dances’ in, seating themselves along two rows of fifteen seats, facing the audience) Narrator: (To cast) Are we all feeling inspired, that is the question? (Everyone cheers) Narrator: Now, that’s how I like to start an assembly! Lots of enthusiasm, zest, passion Child 1: Yes, yes, we get all that! But where are we going with all this good feeling? Narrator: Well, I’m kind of hoping its going to last (pauses) at least until …tomorrow? Child 2: (Shaking head) Ooh, I wouldn’t count on it. I mean, a lot can happen in a day! Narrator: I know it’s a lot to ask but, well, it’s good to have things to aspire to – however long for! As to how we’re going to achieve such a goal Child 3: (Interrupting) Oh, that’s simple. We just have to get inspired! Child 4: We’ve been doing some research and we’ve come up with some pretty inspirational stuff! Narrator: (Clapping hands) Excellent! Then, take it away! Child 5: So, it’s all about behaving in the right way every day of our lives. Narrator: (Aside to audience, incredulously) Every day? Seriously? That would have to be seen to be believed! Child 6: I know. It seems like a tall order. So we thought we’d start with just one month! Maybe this one! You have to start somewhere!

Persuasion This play can either be used for performance (Class Play or Assembly) Cast of 30 or as a set of guided reading scripts/readers theatre within the classroom- 5 scenes – 6 speakers each Duration Around 20 minutes reading time. Inclusion of discussion time will add on around another 10 minutes. This ‘Quickie Classic’ was written as a precis of the original book into a 30 minute reading/discussion session. The principal characters, guided by a narrator, effectively talk us through the story – with, of course, a few of their own opinions thrown in! Other ‘quickie classics’ in this series include such writers as Charles Dickens (classics and Christmas novellas), Orson Welles (The Time Machine), Robert Lewis Stephenson (Treasure Island) and Oscar Wilde (The Happy Prince, Selfish Giant etc). Sample Text Scene I/Chapter I Background Cast of 6 Narrator Anne Sir Elliot Lady Russell Mr. Shepherd Captain Wentworth Narrator: So, let’s start with a little background to this story entitled Lady Russell: (Interrupting) Persuasion! Narrator: (Huffily) I’d appreciate you not interrupting me, madam. Lady Russell: Oh, but I can tell everyone all there is to know! Narrator: Undoubtedly, madam. But I don’t think anyone here will be in a hurry to take any advice from you. Sir Elliot: Whatever do you mean? I’ll have you know that Lady Russell was my late wife’s greatest friend and I would never hesitate to follow any advice she might give. Narrator: And therein lies the problem! We should always question other’s advice even when it’s totally well intentioned as in the case of Lady Russell here. Anne: Well-intentioned doesn’t make it right, as I discovered to my cost! Capt. Wentworth: But you were just nineteen years of age. Don’t be so hard on yourself. Anne: But taking that advice cost us seven years of being together! Capt. Wentworth: It’s true. We should never have let anything come between us. But that’s water under the bridge now, my dear. Mr. Shepherd: And you weren’t to know you weren’t being given the very best of advice.

The Old Curiosity Shop – a Reader’s Theatre Adaptation of Charles Dickens’ Novel Cast of 6, Duration around 20 minutes Sample Text: Narrator: Good morning! Grandfather: And a very good morning to you! Welcome to the Old Curiosity Shop! Tell me, what priceless items of curiosity can I interest you in, today, sir? Quilp: (Sneering) Priceless? I’d say just about anything you have to say is priceless! Nell: What a vindictive, cruel man you are, Mr. Quilp! Kit: In such stark contrast to you, dear Nell! Quilp: Ooh, I’m beginning to feel nauseous, already! Dick: What is it about pure goodness that you find so hard to stomach, Quilp? Quilp: Just that! Pure goodness – ugh! Enough to make anyone feel nauseous! Grandfather: To you, maybe, Quilp! But then, thankfully, most of the rest of mankind don’t think and feel like you do. Quilp: You know, for once, I am going to have to agree with you. I am in a league of my own (pauses) and proud of it! Nell: How can you be proud of (pauses) Quilp: (Interrupting) Let me help you! Evil or just plain badness, will they do? Swiveller: We all know full well the depths of your depravity! Quilp: (Gleefully) Ooh! I like it! Do go on! This adaptation of Dickens’ novel was written for a small cast suitable for Reader’s Theater or guided reading and is intended as an introduction, facilitating access to a wonderful novel which, time allowing, should be read in its entirety. A synopsis is provided, which gives a sufficient understanding of the plot in order to enjoy their assigned characters. The script has been given a different ending –happier and more optimistic than that of the original novel. This twist was done in order to give certain a second chance – even if their redemption is only partial and possibly temporary – it does, after all, take time to change from bad to good! It seemed only fair that, if Dick Swiveller was given this chance at redemption, so too should Quilp. But maybe that’s for others to decide. The writer prefers a happy ending, which is rather more typical of Dickens’ other works, and feels there is a lot to be said for giving everyone a second chance. This is one of a collection of scripts based on the novels of Charles Dickens. The following are all available both as ‘performance plays’ (with music, stage directions etc) and Reader’s Theatre scripts. • Oliver Twist • Great Expectations • David Copperfield • A Tale of Two Cities • Nicholas Nickleby • Bleak House • Hard TImes

Hard Times adapted to Readers Theatre from the original Charles Dickens Novel Cast of 12 Duration around 15 minutes Sample Text: Narrator: And so, we come to Dickens’ shortest novel! Cast: (Cumulative sigh of relief) Narrator: But you needn’t think I’m going to let you off that lightly! Cast: (Grunts, mutterings) Narrator: No. We still have a story to tell. Mr. Gradgrind: And characters to portray. As they were, of course. Nothing fanciful Louisa: (Groaning) Or even, dare I say it, imaginative. Perish the thought! (Sighing) Father, I thought we had dealt with this! Sissy: We have! All of us! But old habits die hard, am I right, Mr Gradgrind? Tom: (Excitedly) Die Hard, did I hear you say? Oh, I’m definitely up for that! Blackpool: Hey! Calm down, fella! I don’t think Sissy meant that amount of action! Mr. Sleary: What a shame! I’ve always said a lot needs shaking up around here! Bounderby: And some of us don’t wish this to turn into a total circus! Harthouse: (Sarcastically) Oh very droll! Though coming from you, it was bound-to-be! Bounderby: Touche, Mr. Harthouse! Always trying to out-do me! You’re right, Miss Sissy – some habits do die hard, very hard. Mrs. Peglar: Well, we are going to try to put things to right, today, are we not? Rachel: Yes, I thought that was the whole point of this tale. Mrs. Sparsit: What, changing the way people behave? Narrator: Indeed, Mrs. Sparsit. Mrs. Sparsit: You mean, setting our houses in order? Oh, I’m first-class at that! Narrator: (Sighing) You may be a first-rate housekeeper, Mrs. Sparsit. But I do believe there are certain ways of yours that we could happily do without? Bounderby: Like learning to mind your own business! We could start with that one. Mrs. Sparsit: (Exclaiming) So that the likes of you could get away with Bounderby: (Interrupting) Being a little economic with the truth? Well, yes, I suppose Mrs. Peglar: I’ll second that! Fancy denying your own mother? Tom: And making up all those lies about your childhood? Rachel: Well, that’s rich, coming from you who didn’t think twice about framing my friend, Stephen Blackpool, for something he never did! Tom: Someone had to take the blame and, well, he was just a Hand! Narrator: A Hand, you say? Meaning? Mr. Gradgrind: Ooh allow me. I just love definitions! This is one of a collection: • Oliver Twist • Great Expectations • David Copperfield • A Tale of Two Cities • Nicholas Nickleby • Bleak House • The Old Curiosity Shop All adapted to Readers Theater – most also available as performance plays. Christmas novellas are currently in play format (will shortly be revised to Reader’s Theater – in the meantime, easily ‘tweaked’!): • A Christmas Carol • The Battle of Life • The Chimes • The Cricket on the Hearth • The Haunted Man and the Ghost’s Bargain

Circus Assembly for Key Stage One Cast of 30 - easily adaptable up or down. Role of Narrator taken by Class Teacher. Duration: 10 - 15 minutes This script is suitable for both upper and lower Key Stage I. Whereas the first half is on the history of circuses, there are lots of jokes to cheer up our Sad Clown for younger children in the second half - plus ample opportunities for ‘the performance of a lifetime’! This script is a kind of template - it can be used for any size class and be expanded to any length of time. Oh, and did I mention Health and Safety?! Sample Text: Fire breather: Look at what fire breathers do! (Fire breather breathes out fire) (Everyone gasps and applauds; Narrator rushes on with fire extinguisher) Narrator: Hey! Health and safety! Health and safety! Stop this now! Sword swallower: And then there’s my act (holding up sword) Narrator: (Intervening quickly) I have no idea what you intend doing with that sword – but not here, not now! Sword swallower: But I was only going to swallow it (pauses) like this! Narrator: (Shrieking) Stop now! That’s way too dangerous! (Whole cast groans) Sad Clown: You see? Always some health and safety spoilsport around these days to ruin our fun! (Circus juggler walks up and down, juggling) Narrator: Now, that’s more like it! Plenty of skill, no danger! (Stilt walker walks up and down) Narrator: (Applauding) Bravo! (Contortionist and ‘Strong man’ perform, Narrator watching anxiously) (Everyone gasps and applauds; Narrator rushes on with First Aid Kit) Narrator: This really won’t do! What have I said about health and safety? (Lion roars loudly)

Winter Olympics Class Play or Assembly 2022 – A History of the Winter Olympics from 1924 to 2022 This is one of a collection of Winter Olympic resources which include a set of Guided Reading Scripts, again on the history of the Games; an Ode or Performance Poem, and a quiz – all updated to 2022. This Winter Olympics 2022 Class Play takes us all the way from the very first Winter Olympics in 1924 to Beijing 2022. Cast of 30 (plus – a lot of doubling up for this one plus plenty of props!) Duration around 20 minutes not including music suggestions. Packed with fun and information! Sample Text Child 25: 1992, France! Germany won most medals this time! Child 26: 1994, Norway! The first Winter Olympics to be held in a different year from the Summer Olympics, setting the future pattern – the two Games taking place two years apart. Russia won most medals this year. Child 27: 1998, Japan! First time snowboarding takes place! (Enter snowboarder, nearly knocking Narrator over with board he’s carrying) Narrator: Ouch! (Furiously)What is it with you winter athletes? Can’t you watch where you’re going? First time for snowboarding, eh? If I had anything to do with it, I’d make it the last! Now, go! (Exit snowboarder) (Sighing) I think I’m just about done! What with being run over by crazy speed skaters and lugers; knocked around by men with big boards…Now if I had my way, we’d just stick to that lovely peaceful figure skating …. (Enter two figure skating couples, shouting at each other and pushing each other around) Narrator: Hold it! Hold it! What’s going on here? These cannot be figure skaters, surely?

Arthur and the Knights of the Round Table Class Play or Assembly Cast of 30. Duration around 10 minutes. This script starts with a look at the Code of Honour which those Knights of the Round Table were supposed to follow and demonstrate in their actions. But Knights, like the rest of us, are merely human as pointed out by our learned friend/wizard – Merlin. This script attempts to highlight that nobody - not even the great King Arthur - is perfect; but that that shouldn’t stop us from trying to be modern Knights – at least in as far as their aspirations! The second half of the script has a brief resume of The Sword in the Stone plus a mention of some other key moments in the Arthurian legend. Sample Text Knight 10: (To King Arthur) You taught us that all men were born equal. Knight 11: And that we should always respect ourselves and others, as equals. King Arthur: That was the idea behind the Round Table. That no one should think himself superior to another. Knight 12: Nobody should get airs above their station. Meekness and humility are two shining virtues we should all aspire to. Knight 13: We should be kind Knight 14: Gentle Knight 15: And merciful Mordred: Doesn’t sound very ‘knightly’ to me! King Arthur: Which is why you should be listening and learning. It takes more than sheer brawn to be a true knight! Knight 16: Yes, be prepared to fight for justice King Arthur: But being brave is only good if it is done for the right reasons! Knight 17: You have to know right from wrong Knight 18: And fight for those who can’t defend themselves. Mordred: (Muttering) Doesn’t sound very heroic to me! King Arthur: But that’s just it! It’s not about playing the hero, looking all dashing and chivalrous! Knight 19: That’s plain vanity! Nothing noble and courageous about that! Mordred: (Spluttering) But Knight 20: (Sighing) You have to be patient. Knight 21: Courteous. Treat others as you would wish them to treat you. Knight 22: Harbour no envy. Knight 23: Commit no murder. Mordred: Oh, here we go. I wondered when that was going to come up. Knight 24: To have honour you have to fight on the side of truth. Mordred: And who are you, any of you, to say what that is? Merlin: (Sighing) Ah me! And this is where it all gets so complicated. None of us are perfect. We all get drawn into temptation – that’s life. King Arthur: But we can at least try to abide by certain rules of conduct. Ones that are not going to harm others. And if we succeed at just a few of these, then we are on the right path.

A Collection of Seven Fairy Tales, adapted to Reader’s Theater, originally written by Brothers Grimm, and given a wee twist by Sue Russell. *As explained below, these scripts are available separately – but together, this collection offers a 60% discount. Rumpelstiltskin Rapunzel Little Red Riding Hood Hansel and Gretel Cinderella Sleeping Beauty Snow White These plays each have a cast of 6. Reading time varies between 10 – 15/20 minutes. With synopsis, teaching input, discussion and suggestions for further activities. *These scripts are available as separate plays (without Readers Theater adaption i.e. with music suggestions and stage directions). Sample Text from Rumpelstilskin: Narrator: Good morning. And welcome to one of our favourite fairy tales Rumpelstiltskin: Rumpelstiltskin! That’s me! Narrator: A veritable fiend! Villain! Crook! Rumpelstiltskin: (Interrupting) Er, wait a minute! Are we talking about the same fairy tale? Narrator: Well, I think so. Weren’t you the horrible little Rumpelstiltskin: (Interrupting) Could you be just a tiny bit less offensive? I mean, ‘horrible’, ‘little’. Aren’t there any rules on political correctness here? Narrator: (Apologetically) Oh I’m sorry. You’re right. I’ll try not to follow this script I have here, quite so much Rumpelstiltskin: Here! Let me take a look at that! (Snorting) Pah! As I thought! Those Brothers Grimm! The way they described their characters! They’d never get away with it today! ‘Little man’ indeed! How would they like to be vertically challenged? Narrator: You know, I do sympathise with you. I think you have a right to feel the way you do! Rumpelstiltskin: Well, thank you Narrator: But that doesn’t completely excuse your behaviour. Rumpelstiltskin: (Exploding) My behaviour? What about that of the king and the girl’s own father?