LESSON 5-8: This 4 lesson power point concludes the ‘RIPTIDE’ MUSIC UNIT (8 lessons in total) and is remastered/ brought up to spec with the more recent format of my resources.
-Women in the msuic industry and hyper-sexualization
-Dexconstruction of 4 key women in the music industry against key representational terms.
-Post-feminism
-Toxic masculinity
-Femininity
-Post-Femininity
-Masculinity
-Masculinist
-YOU’VE BEEN FRAMEWORKED: An in-depth analysis of ‘Riptide’ against Van Zoonen.
-Social Justice
-#METOO movement and zietgeist
-Rape culture in popular culture with a case study of Disney princesses
-Visual breakdown of key frames against key terms/ representational content covered with additional support slides of things studnets may have missed in feedback.
-YOU’VE BEEN FRAMEWORKED: An in-depth analysis of ‘Riptide’ against bell hooks.
-Intersectionality and otherness
-Wokeism and it’s cultural/historical menaing with audio/visual support materials
-Virtue signalling.
-YOU’VE BEEN FRAMEWORKED: An in-depth analysis of ‘Riptide’ against David Gauntlett.
-Breakdown of the 2022 past question with support materials and tips:
Question 1 is based on both of the following:
• the audio-visual resource – an advertisement for ActionAid (2018)
• the set music video you have studied – Riptide (2013).
- Compare how the representations of gender in this ActionAid advertisement and the Riptide music video convey values and attitudes. [30]
In your answer you must:
• consider the similarities in how representations of gender convey values and attitudes
• consider the differences in how representations of gender convey values and attitudes
• make judgements and draw conclusions about how far the representations of gender relate to social contexts.
-Question written with peer assessment/supporting materials.
PLEASE ALSO CONSULT NOTE SECTION OF POWER POINTS FOR ADVICE, DELIVERY NOTES AND FURTHER READING/RESOURCES. PRINTABLE WORKSHEETS IN POWER POINT ARE INCLUDED AS WELL AS THEORY/FRAMEWORK SLIDES AT THE END OF THE POWER POINT.
THIS RESOURCE INCLUDES A FRAMEWORK SHEET DESIGNED TO BE SET DURING/ AT THE END OF THE UNIT.
NOTE: I am following EDUQAS Teaching Model 1 in my teaching/ SOW and my school operates a two year A-Level; AS (YEAR 12) AND A2 (YEAR 13). Moreover, some of the tasks in lesson and for H/W are dependent upon owning the EDUQAS AS/ A2 Revision Guides/ Mark Dixon’s ‘Media Theory for A Level: The Essential Revision Guide’
I DO NOT OWN THE COPYRIGHT TO VIDEOS THAT ARE EMBEDDED WITHIN THE POWER POINT AND ANY MENTION OF ‘FROM THE FACT SHEET’ IS COPYRIGHTED MATERIAL FROM THE EDUQAS FACT SHEETS)
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