This film is from Hunting for History available on BBC Teach. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This films is from the series 100 Years of the Women’s Movement available on BBC Teach. Radio 1 DJ Gemma Cairney traces the history of the women’s movement in Britain and discovers how women fought for equality in the workplace. Gemma meets a one hundred-year-old woman who describes how work opportunities have changed for women over her lifetime. In World War One and World War Two women did men’s jobs. Women were not paid the same as men. In 1968 women working in the Ford Dagenham car factory went on strike for equal pay and to be classed as skilled workers. Gemma meets two women who took part in the Dagenham strike. The Equal Pay Act was passed in 1970 and Gemma asks if women today are equal at work with men. Teacher Notes Give students a series photographs of women over the last 70 years (including suffragettes, CND protestors, Women’s Lib activists and suited businesswomen) and ask what we can deduce about these women. Students should then be divided into groups to research one of the women in their photograph. Place the information gathered on a timeline of change. Students should consider how far attitudes have changed towards these women in their research. Curriculum Notes This clip will be relevant for teaching History. This topic appears in OCR, Edexcel, AQA, WJEC KS4/GCSE in England and Wales, CCEA GCSE in Northern Ireland and SQA National 4/5 in Scotland. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series Emmeline Pankhurst and the Suffragettes available on BBC Teach. Sally Lindsay examines the life of the leader of the Suffragettes, Emmeline Pankhurst, and traces the people, places, and events that turned her into the leader of the ‘Votes for Women’ campaign group. Formally known as the Women’s Social and Political Union, the Suffragettes were a national organisation that fought for female voting rights when only men had the vote. In interviews with Emmeline’s descendants and expert historians, Sally learns about Emmeline’s early years in industrial Manchester and discovers more about the people and the political and social events that made her believe votes for women could only be won by military means. Teacher Notes Students could examine a number of different images of Emmeline Pankhurst and be asked to think about what each picture tells them about Emmeline Pankhurst. When watching the video students could answer the following questions: What was Emmeline’s childhood like and what impact did this have on her politically? How did her work as a registrar affect her? What was the WSPU and what was her role in it? Why do you think Emmeline Pankhurst was named the woman of the 20th century? Why is she a significant individual in History? Students could then produce a front cover for TIME magazine or write a short interview with Emmeline Pankhurst. At the end of the lesson students could be asked to consider what three key things have they learnt about her today and what surprised them the most about her life? Curriculum Notes Suitable for teaching History at KS3 in England, Wales and Northern Ireland and 3rd Level in Scotland. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series Our Greatest Generation available on BBC Teach. The story of how Dorothy Hughes came to be one of the first female Chelsea Pensioners. Dorothy came from a strict but comfortable home. Like many women, Dorothy was attracted by the thought of contributing to the war effort during World War Two. She defied her parents’ wishes for her to become a teacher and joined the army, becoming a gunner helping to shoot down German planes over London. She experienced suspicion and hostility from male gunners before eventually being accepted as an equal. Many years later, after her husband died, Dorothy decided to challenge another male institution, and applied to live at the world famous Royal Hospital Chelsea for retired British soldiers. Teacher Notes This short film could be used as part of an enquiry into the impact of World War Two on British society. Dorothy’s story could be used to help explore how far the war helped advance the role of women in Britain. Pupils could examine why Dorothy’s parents were against her decision to join the army, before considering why more women were needed to support the war effort, and the reaction of some men to the introduction of women into roles which traditionally were carried out by men. It might also be interesting to consider why women were not allowed to become Chelsea Pensioners until 2009. Curriculum Notes This short film will be relevant for teaching history at Key Stage 3 in England, Wales and Northern Ireland and third and fourth level in Scotland. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is taken from The Story of World War One with Jeremy Paxman available on BBC Teach. Jeremy Paxman visits the Royal Gunpowder Mills in Essex to tell us about the million women who were employed in making munitions during World War One, and the dangers they faced from explosions and exposure to chemicals. We hear about the huge increase in the quantity and speed of production as a result. We see archive footage of the millions of British women who entered the workforce during World War One, taking part in a social revolution by making munitions and replacing absent men in their jobs. We hear about the huge demand for workers to make the munitions being rapidly used up in this new industrial war. When David Lloyd George became Minister for Munitions in May 1915, he decided to recruit huge numbers of women to make up the shortfall. We see photos and archive footage of women working in factories, fields, as bus conductors and firefighters. Teacher Notes KS3 Use as a starter and example for a research project into local history featuring women in WW1. Draft two speeches by David Lloyd-George, first in 1914 trying to encourage women to work then another in 1918 celebrating their contribution. KS4 GCSE/ National 5/Higher Use as part of a discussion about the greatest consequence of women in the work-place. Was it the social impact or the help towards victory that was the most significant? Curriculum Notes This clip will be relevant for teaching History. This topic appears in at KS3 in England, Wales and Northern Ireland and OCR, Edexcel, AQA and WJEC/Eduqas GCSE/KS4 in England and Wales and CCEA GCSE in Northern Ireland. It also appears in National 5 and Higher in Scotland. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series A-Z of Religion and Beliefs available on BBC Teach. Is God male, female, or both? This playful, fully animated summary takes students on a journey across religions and through history, exploring the fundamental role of the feminine in religion. Hindu goddesses take centre stage as manifestations of the universe’s essence, and the role of enlightened female beings is also shown as central to Tibetan Buddhism. After delving into the importance of female energy in Christianity, the short film introduces students to a very ancient lady, which many believe to be the mother of all religions and beliefs. Teacher Notes You could ask your students to research Hindu goddesses and discuss their relationship to Brahman. Students could discuss whether the Christian, Jewish and Muslim God can have a gender, and research the role of goddesses in ancient animistic religions. Curriculum Notes This short film will be relevant for teaching KS3 Religious Studies in England, Wales and Northern Ireland and 3rd and 4th Level Religious and Moral Education in Scotland. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series Children at Work available on BBC Teach. Presenter Hazel Lindsey travels from England to West Africa, to investigate the use of child labour on cocoa plantations in Ghana. She travels to the village of Akyem Ofoase, about five hours from the capital Accra, to meet young cocoa pickers and find out what their life is like. Here she meets 11–year-old Patrick, who shows her the nursery where he grows cocoa plants which he hopes to sell to farmers. Hazel is also taken to the cocoa plantation owned by Patrick’s uncle, where she interviews child workers. Poor rural families rely on children to work picking cocoa pods with machetes. This is dangerous work, where injuries from the sharp machetes are common and the danger of snakebites is always present. Hazel discovers children who enjoy working together and who have aspirations of a better future through education. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from The world, my stuff and me available on BBC Teach. An exploration of globalisation using a teenager’s ‘stuff’ as a starting point. There’s interaction with a real teenager combined with a short animated clip that explains how jeans are involved in the world economy. The young woman is challenged to understand how her jeans are made, and what she, as a consumer, can do to address the negative impact of jeans production on workers and the environment. The term ‘globalisation’ is introduced in the context of understanding how many countries are involved in making jeans. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This is film is from the series What makes me, me? and other interesting questions available on BBC Teach. This animated film is an exploration of the concept of identity using the story of the Ship of Theseus, made famous by British philosopher Thomas Hobbes. This adaptation of Peter Worley’s ‘The If Machine’, encourages children to consider the meaning of identity and explores personal memories, experiences and the soul. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series Growth Mindset available on BBC Teach. Meesha and Lucas are in a maths lesson. Meesha is happy to take on the challenges set by the teacher, but Lucas is more reluctant. Meesha has a growth mindset. She believes intelligence, talent and ability are open to change. So she believes she can get better at maths. This means she tries, puts in effort and works hard to master the learning. Lucas has a fixed mindset. He doesn’t believe he can get better at maths. He thinks you’re either good at maths or your not. And he is definitely not good at maths. Lucas and Meesha make different decisions about their learning because of their different mindsets. As time goes on, Meesha and Lucas talk. Meesha explains that you can change your mindset - and she encourages Lucas to do this. Gradually, Lucas starts to think in a different way. He starts to think that he can do maths, that he can get better. As he changes his mindset, so Lucas changes his behaviour. He starts to have a go, to keep trying and to persist. We see him improve his maths skills as a result. Meesha and Lucas demonstrate the differences between a growth mindset and a fixed mindset. They show how each one influences your thoughts, actions and behaviours. And they also show that anyone can develop a growth mindset, no matter who they are. Teacher Notes This could be used as an introduction to growth mindsets and a fantastic tool for helping learners reflect on how they think about learning and their own potential to develop. Curriculum Notes This clip is suitable for teaching PSHE/Modern Studies at KS2 in England, Wales and Northern Ireland and 1st and 2nd Level in Scotland. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series The Brain Lab available on BBC Teach. The film talks about what happens in our brains when we feel strong emotions such as anxiety, fear and anger. Clinical psychologist Dr Hazel Harrison uses an analogy of the brain being like a house, with different types of people living on each floor, to explain what is happening in our brains when we feel strong emotions. Through animation, we see what happens in our brains when these emotions take over and we ‘flip our lids’. She talks us through how we can carry out some practical exercises to help ‘get our lids back on’ so that we can connect with our thinking brain and make sensible decisions. ‘Flipping the lid’ is a concept based on the work of Dr Dan Siegel and Tina Payne Bryson. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series Divine Women available on BBC Teach. Bettany Hughes outlines the background to the debate on whether women should be priests or bishops. She discusses the arguments against women becoming priests with Catholic writer, Joanna Bogle. Next she visits Father Scott Brodeur who trains men for the priesthood at the Gregorian University in Rome. They discuss the role of women in the early church as outlined in one of Saint Paul’s letters. Father Brodeur demonstrates the essential role of women in the early church and the equality of men and women in Christianity. Bettany then visits the Catacombs of Saint Priscilla. Here we are shown evidence for women as priests and leaders in the earliest days of Christianity. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series Making the News available on BBC Teach. Tina Daheley looks at what fake news is and gives students a guide to determining which stories are fake and which can be relied on. She talks to Megha Mohan, a senior broadcast journalist from BBC News, who helps her separate genuine and fake news. They show how deliberately misleading stories are often presented as real news stories and unpick some of the reasons why fake news exists. The main drivers of money-making, influencing readers’ opinions and satire are explored with a look at stories about high profile people. Several examples of stories that appear to be from trusted sources are shown and the problems with these stories are discussed. They then look at some of the fake news stories that appeared around the time of the 2016 US presidential election campaign that were shared on social media. They discuss how features of genuine news stories are used in fake news, such as headlines, photos, and the names of news providers. Advice is given about searching online for the news providers and finding an example of the same news story on a credible news site. Fake news can be convincing and Daheley explores how we can avoid being lured in by false stories. A group of young people are shown a sequence of fake and real news stories and they attempt to sort them. They discuss the importance of logos, trusted news sources, bias and language. The young people also talk about the trustworthiness of news stories and fact checking and how the use of quotations and opinions can make a story seem more convincing. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series Digital Literacy available on BBC Teach. Due to the sensitive nature of the subject matter, we strongly advise teacher viewing before watching with your pupils. Using a real life story, this short film looks at the negative effects that social media can have on our mental wellbeing. It explains what is attractive about social media and the way that it can seem to work to provide external validation for an individual’s choices and actions. The film presents a true story that talks through some of the extreme consequences of using social media, as well as the positive uses of online activity. It emphasises the highly-curated nature of social media and online representations and reinforces the ways that young people can control how they interact with the online world. The top tips section at the end should provide useful take-away points for students. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series How to think like a computer available on BBC Teach. The practicalities of how to stay safe online are explained through everyday activities. A teenage girl, Ada, is sitting next to her friend CH (Computer Head). CH starts going through Ada’s purse and here we begin to learn keywords such as malware and phishing. We also learn about the dangers of putting images on social media and how quickly those images can spread beyond our control. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is taken from the series Ask Lara available on BBC Teach. In this animated film, Gabriel wins six tickets to the national basketball finals for himself and his friends. At the same time, Tony comes across a mummy themed ‘shoot-em-up’ game on the internet and becomes hooked. He finds himself so obsessed with the game that he pretends to be sick so that he can stay at home and play uninterrupted. When Akira tries to help she ends up hooked too. Their obsessive behaviour leads to them missing the basketball finals. Meanwhile, Gabriel, Monica, Lara and Deon are having a great time at the game. Sad that their friends didn’t come to the game, the group show Akira and Tony what they missed out on. Devastated, the pair realise how obsessive their internet gaming has become and promise to spend their time more constructively from now on. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series Let’s Do Maths available on BBC Teach. In the home of the Measures family, Dad is making pancakes by following a recipe for 4 people, making enough for one pancake each. The doorbell rings and two neighbours arrive. They are offered a pancake and then everyone else wants another one. Dad must work out what quantities he will need to make enough mixture. Three questions follow that ask him: to double the recipe; to work out quantities needed for six people, and finally to solve the problem of how to make twelve pancakes using 20ml of maple syrup and how much will then be left from a 375ml bottle. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series The Eichmann Show available on BBC Teach. Due to the sensitive nature of the subject matter, we strongly advise teacher viewing before watching with your pupils. The televised trial of Adolf Eichmann brought to a global audience many of the previously unknown horrors of the Holocaust. On 11th December 1961, Eichmann, sitting impassive and unemotional, was pronounced guilty of all charges against him and sentenced to death. But how far can responsibility for the Holocaust be attributed to Eichmann? Was it right to blame Eichmann for it all? This short film explores the background to the Nazi paranoia about a Jewish conspiracy to take over Germany and Eichmann’s responsibility for the ‘de-Jewification’ of Germany leading up to World War Two. Historian, Professor David Cesarani examines the evidence, analysing how Eichmann presented himself as hapless, with no choice, following orders, and it was not for him to question the instructions of the ‘big bosses’. However, he eventually gave away his personal hatred for the Jewish people under the pressure of cross-examination. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series Your World available on BBC Teach. A lively exploration of two children’s lives on opposite sides of the world. Talia, 9, from Mossley, Greater Manchester tells us what it’s like to live in a town that experiences all weather types but where the weather is generally quite mild. She explains that what she likes to do depends on what it’s like outside: playing the piano when it rains and having snowball fights when it snows. In contrast, Khynaan, 9, from Townsville, Australia, goes to the beach on Christmas day and wears sunscreen all year round. During cyclone season, his family takes various precautions, taping up the windows and staying inside. Talia’s family also have to take weather related precautions, using pots and pan to catch the water coming through a leaky roof. As well as the weather, we learn what it’s like to live where they do and how it affects their aspirations, their hobbies, the food they eat, the wildlife they encounter and why, for very different reasons, they both want to stay living in the same place when they’re older. Together they illustrate the cultural and geographical differences and similarities of these two distinct places. The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.

This film is from the series A Question of Faith available on BBC Teach. Three young people - a Muslim, an atheist and a Christian - attend a Muslim wedding ceremony. They find out about the ways the bride and groom symbolise their love and respect for each other. They are surprised at some aspects of the ceremony. In the group discussion after the wedding, the film explores whether or not marriage is as important as it used to be. It also explores the pros and cons of a religious ceremony and a secular ceremony? The purpose of BBC’s content is to inform, educate and entertain. As such, students, teachers, schools, and other established educational bodies may utilise such content for educational purposes via an ERA Licence. Without an ERA Licence, reasonable use of the content (for the purposes set out above) may still be possible, however; any such use must be in line with the BBC’s Terms of Use. Whilst this is not an exhaustive list, when using and or sharing BBC Education content, you must comply with the BBC’s Terms of Use and where relevant, YouTube’s terms and conditions, ensuring that: a) there aren’t any advertisements on or around the BBC content; b) there aren’t any charges for access and or charges associated with the content (clearly stating that the content is free to access); and c) you do not state or imply (in any way) that there is a relationship and or any endorsement from the BBC to you. We ask that you read the said terms before using any of BBC’s services. When you use BBC’s services and content, you’re agreeing to the BBC’s terms of use.