Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
Use this with our FREE Introduction to Short Stories two-page handout.
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
Bierce’s classic story has been successfully used with a Stage 5 / Year 10 class (15 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
Use this with our FREE Introduction to Short Stories two-page handout.
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
Dick’s comic short story has been successfully used with a Stage 5 / Year 9 class (14 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
Use this with our FREE Introduction to Short Stories two-page handout.
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
O.Henry’s comic and touching short story has been successfully used with a Stage 5 / Year 9 class (14 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
Use this with our FREE Introduction to Short Stories two-page handout.
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
McHugh’s comical story has been successfully used with a Stage 4 / Year 7 class (11-12 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
[Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488)
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
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A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
Poe’s classic horror story has been successfully used with a Stage 5 / Year 10 class ( 15 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
[Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488)
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
Ross’s very short horror story has been successfully used with a Stage 4 / Year 7 class ( 11-12 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
[Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488)
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
Tanizaki’s classic horror story has been successfully used with a Stage 5 / Year 10 class ( 15 years).
Higher-order questions for each chapter of Orwell’s novel, and essay-style questions for each of Parts I, II, and III. Many of the chapter questions require close reading of a selected passage, and help students build a bank of quotes and concepts for essays.
This worksheet introduces students to an important element of poetry: symbolism. It can be taught as a stand-alone lesson or as part of a wider study of poetry, and contains
a one page-explanation of the device or technique
at least two poems for easy differentiation
writing tasks for each poem following Bloom’s Taxonomy of lower- to higher-order questions
This worksheet introduces students to an important element of poetry: rhyme and rhthym. It can be taught as a stand-alone lesson or as part of a wider study of poetry, and contains
a one page-explanation of the device or technique
at least two poems for easy differentiation
writing tasks for each poem following Bloom’s Taxonomy of lower- to higher-order questions
This worksheet introduces students to an important element of poetry: personification. It can be taught as a stand-alone lesson or as part of a wider study of poetry, and contains
a one page-explanation of the device or technique
at least two poems for easy differentiation
writing tasks for each poem following Bloom’s Taxonomy of lower- to higher-order questions
This worksheet introduces students to an important element of poetry: theme - in this case, cats and their relationships with men. It can be taught as a stand-alone lesson or as part of a wider study of poetry, and contains
a one page-explanation of the device or technique
at least two poems for easy differentiation
writing tasks for each poem following Bloom’s Taxonomy of lower- to higher-order questions
This worksheet introduces students to an important element of poetry: imagery. It can be taught as a stand-alone lesson or as part of a wider study of poetry, and contains
a one page-explanation of the device or technique
at least two poems for easy differentiation
writing tasks for each poem following Bloom’s Taxonomy of lower- to higher-order questions
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
[Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488)
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
Mansfield’s acute social commentary has been successfully used with a Stage 5 / Year 10 class ( 15 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
Use this with our FREE Introduction to Short Stories two-page handout.
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
H.P. Lovecraft’s classic cosmic horror story has been successfully used with a Stage 5 / Year 10 class ( 15 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
Use this with our FREE Introduction to Short Stories two-page handout.
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
Lawrence’s gothic psychological study has been successfully used with a Stage 5 / Year 10 class ( 15 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
[Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488)
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
Hemingway’s acute psychological study has been successfully used with a Stage 5 / Year 10 class ( 15 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
[Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488)
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
These three very short stories from classic texts have been tested with a Year 8 (age 13-14) mixed-ability group.
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
[Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488)
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
Application questions ask students to apply their knowledge of literary or rhetorical technique
Analytical questions interrogate the story’s effect, mood, and construction-strategies.
Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
Maupassant’s psychological short story has been successfully used with a Stage 5 / Year 10 class ( 15 years).
Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson.
Use this with our FREE Introduction to Short Stories two-page handout.
Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference.
There are four activities, corresponding to Bloom’s taxonomy of lower- to higher-order tasks.
A comprehension question checks knowledge and understanding
A close reading task assists development of textual analysis
A writing at length task involves considering the story’s effect, mood, or technical strategies.
A choice of two creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively.
This character-driven short story, ‘The Old Man at the Bridge’, by Ernest Hemingway is around 800 words and has been successfully used with a Year 7/8 class (11-13 years).