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Carisse' A-level Music Shop

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Carisse is an experienced teacher of A-level Music and Vocational Music, and is currently Head of Music at a sixth form college in the North West of England. She has examining experience in A-level Music, specifically for coursework and specialises professionally in both performance and music analysis. Carisse has also been a Subject Advisor for Pearson, examining for both the NQF Level 1/2 BTEC Award in Music and the QCF Level 3 BTEC in Music.

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Carisse is an experienced teacher of A-level Music and Vocational Music, and is currently Head of Music at a sixth form college in the North West of England. She has examining experience in A-level Music, specifically for coursework and specialises professionally in both performance and music analysis. Carisse has also been a Subject Advisor for Pearson, examining for both the NQF Level 1/2 BTEC Award in Music and the QCF Level 3 BTEC in Music.
70s Punk: Politics, Protest & Pogoing
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70s Punk: Politics, Protest & Pogoing

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A comprehensive unit of work on 1970s British Punk (Politics, Protest & Pogoing), looking at the historical & political context, as well as two track analyses on The Clash’s White Riot (1977) and The Sex Pistols’ God Save the Queen (1977). American Bubblgum Punk of the early 2000s (America, Angst & Alternative Dress) is then explored with a track analysis of Green Day’s American Idiot (2004), followed by a look at more recent UK Punk with references to Soft Play’s Punk’s Dead (2023). Resource consists of 4 separate powerpoints and a written assignment template. Warning: there are some potentially triggering references and images linked to 9/11. Exploration of lyrical content throughout touches on some sensitive topics. Quotes of lyrics reference explicit language.
70s Disco: Flares, Escapism & Homophobia
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70s Disco: Flares, Escapism & Homophobia

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A comprehensive unit of work on 1970s Disco (Flares, Escapism & Homophobia), looking at the historical & political context, as well as two track analyses on Gloria Gaynor’s I Will Survive (1978) and Boney M’s Rasputin (1978). Resource consists of 3 separate powerpoints and a written assignment template. There is a suggested extenstion task, looking at a Minogue track from 2015 (no resources on this one). Warning: there are some potentially triggering references linked to different socio-economic groups. Exploration of lyrical content throughout touches on some sensitive topics.