Complement a unit on Gothic fiction and embrace the harvest season with this low-prep, standards-based research project addressing 33 topics directly and indirectly related to Halloween: ancient celebrations, holidays, and practices (Samhain, Lemuria, guising, souling, and more); more recent traditions (Guy Fawkes Night, the history of trick-or-treating, and the history of pumpkin carving); myths, legends, and superstitions (Jack O’Lantern, the Beast of Bray Road, Mothman, and more); medical conditions (“werewolf syndrome,” “walking corpse syndrome,” and “vampire disease”); historical figures (Vlad the Impaler, John Hathorne, Sarah Good, and more); and Halloween-inspired authors (Ray Bradbury, Edgar Allan Poe, Mary Shelley, H.P. Lovecraft, and more). Supporting materials—including a detailed scoring rubric—are provided. Materials are delivered in Word Document and PDF formats. Ultimately, students will perform the following tasks: Collect and classify reliable sources on an assigned topic Develop successful methods of recording information Evaluate the credibility of nonfiction texts, taking into consideration readability, date, relevance, expertise, and bias Apply conventions of MLA formatting Correctly site resources to avoid plagiarism Organize information in a cohesive manner, using a note-taking system that includes summary, paraphrasing, and quoted material Analyze, synthesize, and integrate information, generating a thoughtfully comprehensive report, free of generalities and redundancies Present information in a formal, coherent manner

Looking for high school horror story activities for the Halloween season? Looking for a text to pair with “The Black Cat” by Edgar Allan Poe or a similar narrative? Use this close reading worksheet on H.P. Lovecraft’s “The Hound” to help students go beyond general reading comprehension and develop critical thinking and literary craft analysis skills. An answer key is included. Materials are delivered in editable Word Document and printable PDF formats. By completing this close reading analysis activity, students will: Read for literal comprehension Utilize dictionaries to ensure knowledge of word meanings Infer the intended effects of the author’s word choices and narrative techniques Compare the opening paragraph of Edgar Allan Poe’s “The Black Cat” with the opening paragraphs of “The Hound” Describe tone in context Determine the functions of various passages Explore how complex characters think, behave, interact, and develop Apply knowledge of various literary devices including alliteration, euphemism, foreshadowing, imagery, personification, situational irony, and more Conduct research as needed to answer questions about plot Find similarities among the following groups: Symbolists, pre-Raphaelites, and Decadents Support claims and inferences with sound reasoning and relevant evidence Write about fiction with clarity, accuracy, and precision Come to class better prepared to discuss literature

Facilitate active participation in small-group discussions of science fiction literature with this set of literature circle materials for teaching Ender’s Game by Orson Scott Card. The following are included: a handout detailing student roles, documentation logs to hold students accountable for their tasks, and a standards-based rubric for scoring student performances. Materials are delivered in both Word Document and PDF formats. By engaging with these literature circle materials, students will do the following: Articulate key details from the story Generate open-ended questions related to the novel in order to carry out meaningful discussions with peers Respond thoughtfully to open-ended questions and others’ contributions to the discussion Document ways in which the novel is consistent with aspects of modern society Locate specific passages and/or quotations that relate to major themes and concepts such as those relating to technology, space travel, the military, and the value of independent thinking Artistically convey important information from the assigned reading Write about literature with clarity, accuracy, and precision

With this printable test covering the entirety of William Shakespeare’s The Taming of the Shrew, English teachers will be able to evaluate students’ comprehension of key characters, plot developments, and literary craft. An answer key is provided. Materials are delivered in Word Document and PDF formats. A breakdown of content follows. Part 1. Knowledge of Plot. Students will demonstrate comprehension of the following: Christopher Sly’s disruptive behavior An activity in which Christopher Sly participates Baptista’s terms for his daughters’ marriages Lucentio’s persona, “Cambio” The quality in women about which Petruchio cares most Hortensio’s persona, “Litio” Petruchio’s intentions for Katharina Baptista’s preferences to be his son-in-law Petruchio’s tardiness to the wedding Petruchio’s appearance on his wedding day Bianca’s assessment of her sister’s relationship An accident involving a horse Petruchio’s strictness Hortensio’s feelings toward Petruchio Petruchio’s eccentric behavior Hortensio’s marriage A test of the wives’ loyalty Katharina’s closing speech Part 2. True/False. Students will identify whether a statement is true or false. Questions focus on: “Cambio’s” area of expertise The nature of the relationship between Bianca and Katharina The first character to reveal his true identity to Bianca Hortensio’s dwindling affection toward Bianca Katharina’s reaction to her husband’s strange behavior Baptista’s negotiating the terms of his daughters’ marriages Baptista and Vincentio’s forgiveness of their children The false Vincentio’s reaction to meeting the real Vincentio Part 3. Quotations in Context. Students will match an excerpt with its appropriate context. Act 1, scene 1: Hark, Tranio! thou may’st hear Minerva speak. Act 1, scene 1: No profit grows where is no pleasure ta’en: / In brief, sir, study what you most affect. Act 2, scene 1: Her silence flouts me, and I’ll be revenged. Act 2, scene 1: O slow-wing’d turtle! shall a buzzard take thee? Act 3, scene 2: Go, girl; I cannot blame thee now to weep; / For such an injury would vex a very saint, / Much more a shrew of thy impatient humour. Act 3, scene 2: That, being mad herself, she’s madly mated. Act 4, scene 2: …here I firmly vow / Never to woo her no more, but do forswear her, / As one unworthy all the former favours / That I have fondly flatter’d her withal. Act 5, scene 1: Fear not, Baptista; we will content you, go to: but / I will in, to be revenged for this villany Act 5, scene 2: A woman moved is like a fountain troubled, / Muddy, ill-seeming, thick, bereft of beauty… Part 4. Application of Literary Devices. Students will be given a detail or excerpt from the drama and must determine which literary device is best reflected. Literary devices addressed include: Sibilance Allusion Hyperbole Anaphora Oxymoron Aposiopesis Idiom Metaphor Consonance Simile Onomatopoeia