SPAG lessons can get a little flat at times. These are the worksheets I’ve designed to use with my own SPAG group. It is designed to be taught in tandem with a Dystopian Fiction SoW that ends with a reading assessment. Specifically, these lessons focus on an extract taken from Michael Grant’s “Gone” - all extracts taken from the first chapter. The aim is to develop an increased understanding of each text through the asking of more and more complex questions. The tasks can be sat as part of a lesson (I reckon they’ll take most groups between 10-30 minutes depending on the groups setting), or make ideal homework and/or extension tasks. At the moment, the resources are set up to be taught to lower set year 7 students. But, it won’t be too hard to change the tasks to more suitable ones for any set. UPDATE: I’ve included some versions that are more suited to be printed out. They have some basic RAG feedback grids on the back with some generic targets.

I used a similar approach with the Paris Anthology section and my class found it to be very useful. The issue they were having focused on incorporating enough AO1 terminology appropriately. This lesson is designed to talk them through an approach to an essay question, starting with the poetic voice, moving on to selecting relevant areas and then placing each level of language as a different starting point before exploring ideas across the language levels. It seemed to work… Hope others find this useful as a starting point.

A deconstruction of the English Language Paper 1 examination that uses Brighton Rock as a source. I’ve lifted the model material from the mark schemes and there’s FAR related targets included. Essentially, this is a lesson that can be taught either AFTER the students have sat the exam and you want them to peer/self assess, or you could change it so that that they answer a question and then mark their efforts. The Section B element is a bit of an experiment - peer marking creative writing is always a challenge. So I’ve given the students a series of yes/not/some related questions. The idea is that they “tick” the level next to the answer on a copy of the AO5 and AO6 mark schemes. Using that, they should be better able to work out where the creative writing fits. My peer marked creative writing has got much more accurate as a result of this.

A complete unit of work including source poems, videos and mp3 versions of poets reading their poems. Differentiated for higher, middle and lower ability classes (each lesson back ground has a slightly different colour for an easy visual guide), this is a unit of work I designed with my Head of Key Stage 3 hat on at my last school - an entire year group was successfully taught this unit. A real success.

Attached is a spreadsheet that does an awful lot of work for you. To summarise, it does the following: Allows for easy collation of GCSE Literature marks on a paper by paper basis AND as a whole examination Allows for easy identification of various student demagraphics - EAL, PP and so on Allows you to measure progress against students best, average and last marks across both papers Works out "how many marks" until you hit target grades for individual students Colour codes grades and marks to allow for at a glance progress checks Once you buy this spreadsheet, you will not need to get another LITERATURE spreadsheet. The document contains instructions as to how to update the spreadsheet. Oh, and if you do get this, I suggest you LOCK the individual spreadsheets ASAP: the document is set up to allow you to do this and still enter the data, you just won't be able to accidentally delete any of the coding, thus removing any brain overloads that might ensue. Happy spread-sheeting!

Numerous lessons (though as you’ll see they can be expanded/contracted as meets your need) surrounding the teaching of Phillip Pullman’s Northern Lights (a quite awesome book) to a Key Stage 3 class. I taught this unit to a top and bottom set and got a lot out of it in terms of enjoyment and successful creative writing. I will be using it as a starting point for a reading assignment with very little modification. May your daemon guide you well. ADDITION: I have adapted the material to be more focused on GCSE Language creative skills, and incorporated material drawn from the BBC series His Dark Materials. The “newer” lessons are aimed for higher ability students and deal with some more specific creative writing issues like dialogue.

I designed this for the old AQA specification. Now that the spec is obsolete, some of you might be thinking of turning those stacks and stacks of anthologies into resources for KS3 classes (we certainly are for year 9). As a result, you may find this booklet useful. The booklet is essentially a copy of the entire anthology where on the left hand side of a double page spread you have the text, and on the right hand side you have space for notes. Each story is ended with generic questions and has TWO exam questions for revision purposes. Perfect for planning lessons when you are taking an extended period of time off. Happy reading.

A text I taught to year 7 (second set) which we all absolutely loved! There are so few lessons here in comparison to my other resource bundles because we often spent large amounts of time just reading the book. The video is pretty awesome - I take no credit for creating it, I downloaded it from youtube and converted it to a format I could use. May the crows find you willing and able.

Attached is a spreadsheet that does an awful lot of work for you. To summarise, it does the following: Allows for easy collation of GCSE Language marks on a paper by paper basis AND as a whole examination Allows for easy identification of various student demagraphics - EAL, PP and so on Allows you to measure progress against students best, average and last marks across both papers Works out "how many marks" until you hit target grades for individual students Colour codes grades and marks to allow for at a glance progress checks Once you buy this spreadsheet, you will not need to get another LANGUAGE spreadsheet. The document contains instructions on the ARRAY tab as to how to update . Oh, and if you do get this, I suggest you LOCK the individual spreadsheets ASAP: the document is set up to allow you to do this and still enter the data, you just won't be able to accidentally delete any of the coding, thus removing any brain overloads that might ensue. I am using this at my current school and there are several other schools who are using this system with good reports. Happy spread-sheeting! PS - Yes, there is a page that reads exactly the same but for a version that caters for the AQA Literature course. The spreadsheets are different. Here's the link/address to the LITERATURE version: https://www.tes.com/teaching-resource/aqa-english-literature-data-collation-spreadsheet-aka-the-machine-11405407

I enjoy teaching this lesson in and around poetry units of work. Essentially, it demonstrates three different approaches to creating poetry, culminating in the students creating their own Shakespearean Sonnets (you'll struggle to get this done in a single lesson - I designed this for a double period). You'll need the following to complete this lesson: 2 different coloured paper types Glue Scissors The students to have prior knowledge of the Shakespearean Sonnet Form Enjoy.

3 Lessons taken from the old(er) version of the AQA English Language specification (the one where S&L counted towards the grades). I know it counts for nothing now, but it still needs to be done. These three lessons prepare a class to give a presentation OR take part in a discussion about a selected item they would save from the imaginatively named Room 202. Enjoy.

I had SO much fun with this unit of work! It helped that the TA in my class went on to become a local MP for Labour (still is as far as I can tell...). Essentially, this series of 5 lessons - which, by the way, totally went over the 5 lessons I gave myself to teach this - explores a number of different political speeches. Included in the pack are a number of transcripts - Martin Luther King's "I have a dream" speech, Alex Ferguson's farewell speech, Bush's post-911 address to the nation and the transcripts of Clegg, Cameron and Brown from the First Televised General Election Debates (heavy stuff). I was a little tentative at teaching this to a bottom set year 9 class, but they totally got on board with the debates (they tore shreds out of Brown...) and engaged well with the controlled assessment task at the end. I know that the controlled assessments are now null and void (a shame really), but the exploration of speeches might be useful to someone out there in the teaching ether...

A simple spreadsheet that is designed to track the progress of an entire KS3 cohort from Year 7 to the end of Year 9. I have LOCKED each of the TABS of the spreadsheet using the NAME OF THE TAB itself (minus the spaces and as it appears with capital letters and numbers). This will stop any of the codes being deleted accidentally. Hope this saves people some time.

A collection of resources I have used to introduce KS3 (specifically year 7) students to poetry with a view to them writing their own anthology, and exploring an unseen poem.

There doesn't seem to be much out there for DNA, which is a shame really as it's a great text to study. Attached are ALL of the DNA resources I have created; hopefully this will give you a few different ideas and starting points. This is a mish-mash of resources from three years of teaching this text across two schools. Some organising and sifting-through is needed here.

An 84 page long booklet that provides you with the following: A thematic table A section for each poem where you can find a copy of the poem, a notes page (complete with helpful guidance), generic revision and exam questions and a response page A comparative table A copy of the mark criteria I have also included the documents I used to make this just in case you want to make a different version yourself. Enjoy, and be poetic. ALTERATION: I’ve updated the resource now - found one or two typos. Also, I’ve added in a grid that allows for a variety of themes to be “graded” in terms of how present a theme is: I’ve found this to be an engaging way of getting the students to compare. Finally, I’ve added a small section at the end about the different types of poetic forms.

A unit of work I put together whilst working inside a secondary school's behavioural unit. The idea was that these lessons would develop the students ability to apply a vocabulary to emotions that they may struggle to recognise, feel, express or talk about in themselves and others. By helping them with this vocabulary, the theory was that they would be better able to reintegrate into the school environment and stay there. It had mixed results, some students showed improvements, others less so. Either way, someone out there will hopefully find this useful. The materials cover the following topics: Feeling Afraid Feeling Angry Feeling Ashamed Feeling Bored Feeling Happy Feeling Helpless Feeling Lonely Feeling Loved Feeling Sad Each "feeling" has an associated wordsearch and accompanying answer sheet. Most of these also have a whole lesson attached to them - there are some anomalies. You'll need a copy of the AQA Sunlight on the Grass anthology story "Compass and Torch" too. Some feedback would be useful folks. I've moved away from this type of work but would like to return to it - be nice to know if my ideas have worked elsewhere.

One of my old schools did a great job of communicating with their feeder Primary Schools. We would be invited in to teach the incoming Year 7s. We took this a stage further by collaboratively teaching lessons with people from other departments. This lesson is designed to be taught to Year 6 students and combines Art and English. It's quite easy to change this to meet the needs of your own school's transitional needs. You'll need to download some Manga style pictures and also, somewhat unsurprisingly, you'll need Art resources too.