PREMISE: You’ve been summoned to the gates of the Dark Forest – a haunted woodland, home to numerous fell creatures and twisted forms. The forest shifts and twists constantly, making it impossible to map. However, you and your adventuring kin will step into this shadowy land as the fate of Easter rests upon your shoulders. The Easter Bunny has been possessed! You’re job is to find him and drive out the demon. It’s a tough job, but someone has to do it… Ok, so I kind of got carried away the whole Dungeons and Dragons thing and went and made myself an Easter Mission Pack. Also, as I had such success using my Christmas one, it felt like the right thing to do. I include a lot of literary characters and locations in this one too.Here's the full list: Hagrid Aragog Voldemort Dracula Frankenstein's Monster Willow (from Buffy) Treebeard The Watcher in the Water (From Lord of The Rings) The Balrog The Wall (from Game of Thrones) The Ringwraiths It all seems to fit together. Also, I include in this pack a whole-class presentation so you can do a guided creative writing lesson with a class or a large group. Either way, I am really looking forward to teaching this. You will need to encourage all Dungeon Masters to be creative in how they manage the conflict situations. This, is going to be great fun to teach... PS - with the whole class presentation, clicking the main background image acts as the link to the next slide via the "secret paths" without flagging it up to students. PPS - I've also included the first lesson - available for free elsewhere - otherwise it gets a bit complicated.

Four lessons that focus on improving your students abilities surrounding discussion and listening - somewhat lost art forms. Numerous discussion topics at group and whole class level.

A series of lessons designed to make sure students have a clear understanding of the “basics” and the “developed” skills and techniques required for EACH of the possible text types they could meet in Section B of the English Language Paper 2 exam. Because my lot were taught A Christmas Carol (and I was trying to kill two birds with one stone by revising this at the same time…), the tasks are all focused on writing within the world of Scrooge. To that end, they may require some editing on the part of the user - hence the reduced price.

A simple power-point designed to be used either AFTER a class has sat the AQA English Language Paper 2 Specimen Paper 2, or as part of a walking-mock style lesson where the students mark their work immediately afterwards. It’s cheap because I’ve essentially deposited the contents of the mark criteria on to the power point in such a way that the students can use it it to peer or self-assess. The resource JUST contains the power point.

A variation on a selection of lessons that I sell elsewhere. Here, the center piece is a 26 page printable workbook that runs in tandem with the power-point lessons - ideal for a Summer Term 2 unit of work where you are reluctant to give the students a new work book, and working on paper is problematic. The text is Anil (from the old Sunlight on the Grass Anthology) and there is about 12 lessons worth of material here.

Taught as part of a two teacher approach to a top set year 9 class. I focused on developing creative writing skills, with a particular emphasis on the structural components, whilst my partner teacher focused on the more traditional literature style approach. The Woman In Black was used as the stimulus for all elements of this unit and the climax is a GCSE English Language Paper 1 style task (not included in this pack as it is part of my school’s assessment pack). Overall, I found this unit to be really useful in challenging students to think about their creative writing in more than just a reactionary way. The nature of the structure focused questions align with my belief that it is always better to teach the Language Paper 1 Q3 question in the form of a structure-focused creative writing commentary at KS3 level. Hopefully this will provide you with a useful starting point for your own creative writing journey.

This resource was designed to be used after a class or cohort have sat the 2019 English Language paper 2. It’s set up to be used after a class has sat the exam and had their papers marked, but it wouldn’t take much modification to be used as part of a scenario where the students get the material, execute a preparatory strategy, answer the question and then peer/self mark. The material from the AQA mark scheme has been integrated into the PowerPoint, so students can get a sense of what level their response is before fine marking. I’ve done a few in this style and the students value them as revision tools too.

A PowerPoint designed to be used after students have sat the Section A of the AQA English Language Paper 1 for June 2019. It wouldn’t take much altering to be used as a mock exam itself. The slides are set up to show the model answers from the mark scheme so that students can peer/self assess and give actions and feedback.

My year 11s were STILL struggling with how to frame a method, so I came up with this stand alone lesson. The idea is that, having reviewed the slide where the methods are explicitly identified, the students will see that a method and a quotation are not the same thing. This was a successful lesson. UPDATE: I repeated this process with a bottom set year 10 class where I was even more specific. This was also a successful lesson, so I’ve included it.

Using a format that proved successful in the KS4 arena, I’ve adapted the thinking to apply to an AQA English Language P1 Q2/P2 Q3 style task that would fit for a higher ability top set KS3 class. The approach is to initially read the extract then to specifically identify concepts that relate to a language focused task, followed be explicitly identifying language based methods and incorporating into a response.

Similar to a lesson I posted on A Christmas Carol. After a bit of a warm-up, the crux of the lesson is focused on establishing concepts then explicitly showing students HOW to identify methods - again, some still confuse quotations and methods - before pointing them at an exam question. UPDATE: I repeated this lesson a few weeks later with a different extract, but backing off a notch in terms of explicitly identifying methods.

A useful little resource that can be a starter/plenary element in your lessons. The spreadsheet generates ten randomly selected true or false statements from a bank of over 260. Each of the power and conflict poems is covered and there is the scope for you to add in your own or edit the statements that are there. I released this to my year 11s as a revision tool and they found it very useful. Additionally, I have included a blank copy of the spreadsheet so you can create your own ToF statement generator.

I designed this spreadsheet to track a bunch of the elements I needed to keep an eye on within the Head of Year role. Remember, hide the columns you don’t need and write comments to keep a fuller track of details. A watered-down version of each area is available to see on the top sheet. Also, you can add/modify the menus The areas are as follows: CONTACT TRACKER: Designed to keep track of meetings and phone calls from class room teacher all the way up to governors. TARGET TRACKER: Similar to contact tracker but it allows for you to track a set of targets. I’d log the target in a comment and then enter a new target should I need to do so. OUTSIDE AGENCIES TRACKER: The original reason I set the spreadsheet up. Allows for you to see who has interactions with an agency (e.g. Early Help) and track your contact with them. BULLYING/INCIDENT TRACKER: Accounts for identification of incident, investigation and follow up. You can then log the action. TOILET/TIME OUT PASS TRACKER: Allows for you to monitor when a pass was set up and keep a check of how frequent it is used. You’ll need to copy some of the sections to expand. Not a spreadsheet for the faint hearted, but you’ll only ever need THIS spreadsheet. EDIT: Hello. I’ve included an updated version of this spreadsheet. I’ve used it over the year and, whilst I have found it to be REALLY useful, there were some issues with ordering things and the information becoming corrupt. So, I’ve made a new one that uses the students admission numbers as a starting point. The spreadsheet offers the same features as the one above, but with the following additions: YEAR TRACKER: Tells you clearly how many FSM, PP, Early Help, CIN and many other categories of students you have in one go. PASTORAL TRACKER: Allows you to track form issues, social issues and a variety of other elements. My intention is to make the spreadsheet available to my Year Team so they can check in on the status of their form members. More importantly, you can re-order things and it won’t screw up the data. The spreadsheet is designed to import information from Bromcom on the initial entry page, but it’s easy enough to fill in using other starting points.

This is quite possibly, the coolest thing I've ever tried out. The premise is as follows: a debate between two students (or teams) where four referees observe. The referees score what they see and a winner is announced at the end. Now add in entrance music a la pro-wrestlers (think the Rocky Theme, We Will Rock You etc.) and run it on an open evening and I promise you this - you will have EVERY parent in at some point to see what is going on. I've run this at SIX parents evenings now and the same thing happens every time - all of the kids rock up to watch. I set it last time round where the Deputy Head took on the winner of the students (a year 9 girl). They packed the place out to see who won . The debate topic "Batman vs Superman" (serious stuff this). Needless to say, she wiped the floor with him (in a totally professional way). You'll need to be the promoter/commentator/ring side referee - this can be exhilarating and exhausting! Try it.

Need a quick lesson? Look no further. A whole lesson based around Roger McGough's "The Lake" - I know it can be found online elsewhere, but I include it here for convenience's sake. Perfect for when you need to fill that irritating cover lesson with something meaningful.

A unit of work I did not design, but these are the lessons I created to teach it. The lessons focus on The Tempest and Othello. These lessons were designed to be taught to a bottom set Year 9 class with more interest in staring out of the window than exploring the linguistic delights of the Bard. However, once I started to Story Woosh the plays, the analytical lessons became much more productive.