A close reading of Eliot’s famous poem, giving analysis of the work and a discussion of the culture and context from which Eliot wrote.

Wilde’s Gothic novel about vanity and perdition is an established favourite for senior students. Since the bulk of English literature units focus on close textual analysis, the ability to perform ‘close readings’ is essential for students of literature. This handout provides a a brief, student-friendly explanation of what a close reading actually is and how to perform it, followed by a sample close reading of the opening passage.

Comparative units are a great way to examine how the same preoccupations appear in different times, styles, and forms. This senior unit of work invites students to compare Fritz Lang’s 1927 expressionist sci-fi extravaganza Metropolis with George Orwell’s 1949 dystopian novel 1984. They consider the two texts’ handling of themes, narrative strategies, and representational techniques through a side-by-side reading and viewing of the text pairing. The unit has been designed for a 10-week term, and this resource includes: A brief list of useful websites and readings which students should research to gain a sense of the film’s context and to give them time to read the first chapters of the novel. A breakdown of the text-pairing over seven task-sheets corresponding to 7 weeks of a school term. Each week contains A nominated section of the film and novel for study Topics and questions for class discussion which students should prepare either verbally or in writing. A writing task to consolidate the week’s work The final weeks of term can be given over to an assessment task, which will be put up on this shop.

Shakespeare’s tragedy about madness and family is an established favourite for senior students. Since the bulk of English literature units focus on close textual analysis, the ability to perform ‘close readings’ is essential for students of literature. This handout provides a a brief, student-friendly explanation of what a close reading actually is and how to perform it, followed by a sample close reading of the opening passage.

Wilde’s Gothic novel about vanity and perdition is an established favourite for senior students. Many students regard essays as memorizable activities; they may disregard the question and continue to provide the same pieces of textual evidence paired with the same analytical remarks regardless of the question that evidence should address. This activity presents students with a brief piece of textual evidence and shows how it must be differently handled when answering three different questions. Students are then given another piece of evidence with which to practice, using it to answer three different questions.

Fitzgerald’s novel about ‘careless people’ and avarice in the modern era is an established favourite for senior students. This is a brief, student-friendly explanation of what a close reading is and how to perform it, followed by a thoroughly detailed sample close reading of the opening passage which models the principles of close reading.

Shakespeare’s tragedy about madness and ambition is an established favourite for senior students. Since the bulk of English literature units focus on close textual analysis, the ability to perform ‘close readings’ is essential for students of literature. This handout provides a a brief, student-friendly explanation of what a close reading actually is and how to perform it, followed by a sample close reading of the opening passage.

Lois Lowry’s novel about the value of memory and individuality in a sinister dystopia is an established favourite for late primary school / junior high school. This 31-page unit of work has been tested successfully with a mixed-ability class of 11-12 year olds. This unit focuses on close textual analysis. There is a mixture of tasks which gets students writing analytically, personally, and creatively, helping them to build up their own unique interpretation of the work, and eventually to express this in a formal essay. There is a contextual introduction to historical ideas of utopia, and a short research task where students find out about a utopian vision from another culture or time. Chapters are grouped into five sections, with each section comprising comprehsion questions, an analytical response, a personal response, and a creative response. Five age-appropriate essay questions ask students about the themes and characters in the novel.

This comprehensive set of study notes includes a solid, step-by-step commentary on the text, relevant contextual detail, and pull-boxes giving examples of criticism in ‘Essay Language’ (allowing teachers to show differentiation of tone, register and modality). There’s also a sample essay to this question: Self-discovery often involves uncovering things hidden and reconsidering things known. How is this perspective explored in The Awakening and ONE other related text? The sample essay uses The Awakening and Jane Campion’s film The Piano. Remember- if you’re going to print copies, please buy a licence for each copy. Items are priced to make this possible for all schools. Thanks for supporting our work.

Memorized essays betray a lack of confidence and an unwillingness to commit to authentic answers. Examiners have always advised students to prepare ‘talking points’ instead - a selection of ideas that they can draw on and which convey solid analysis and interpretation of the text. These talking points can be used by teachers, to focus discussion on higher-level or less-noticed features of the text and context. They also form effective student revision materials for formal assessment. Each point is supported by a piece of evidence from the text, and there are sufficient points to generate solid responses to almost any essay question. The Talking Points also model how students can articulate more complex thoughts about the text, and adduce evidence in natural and well-integrated writing.

This substantial resource provides THREE different answers to the following question: **A lie gets halfway around the world before the truth has a chance to get its pants on. **Sir Winston Churchill Use the lines above as a stimulus for the opening of an imaginative, discursive or persuasive piece of writing. In your piece of writing incorporate at least ONE example of figurative language that you have learned about through your study of the prescribed texts for Module C. There is an imaginative, discursive AND persuasive answer so that you can show students how the same idea can be turned three different ways, to answer this question. Students can read through the answers alone or you can use the resource to test their knowledge of factors involved in good exam writing and how one mode differs from the other. Each answer has a response to the (b) question, requiring students to **Explain how your writing in part (a) was influenced by what you have learned about figurative language through the study of your prescribed texts for Module C. **The (b) sections draw on ‘How to Live Before You Die’ by Steve Jobs, a prescribed text for Standard English, although no knowledge of this text is required to read or teach this resource.

This comprehensive set of study notes includes a solid, step-by-step commentary on the text, relevant contextual detail, and pull-boxes giving examples of criticism in ‘Essay Language’ (allowing teachers to show differentiation of tone, register and modality). There’s also a sample essay to this question:** How do the texts you have studied depict the emotional and intellectual responses provoked by a discovery? In your response, refer to your prescribed text and ONE other related text. ** The sample essay uses Michael Gow’s Away and Robert Cormier’s short story ‘The Moustache’.

Study guide with questions and activities for every scene in the play, with plenty of room for written responses. The guide contains activities which can be differentiated for strong and weak students and allows teachers to make use of technology through video-diary activities which students can complete using an iPad or mobile phone (this can, of course, be changed to a handwritten diary task). You can also purchase an images-only powerpoint on the representation of Jews in Medieval and Renaissance Europe which can be used to show how the issue of anti-Semitism began and continues today. Suitable for a broad range of students from middle school.

Euripides’ Alkestis makes a great introduction to Greek tragedy, with its highly engaging story of a woman who volunteers to die in place of her husband. This unit was taught to a Year 9/10 (ages 15-16 years) mixed-ability class and can be taught with any good modern translation of the play. The 54-page unit comprises: An introductory lesson on Greek tragedy Lessons on the seven scenes of Euripides’ play, with questions which encourage lateral thinking, contextual reading, creative response, and comparison with other short texts These short texts are provided (modern poetry and short stories) An assessment question which requires students to write persuasively A selection of questions for other long-form responses NB If you buy this unit and would like to use the same play text as our class used, drop us a message and we’ll share it with you at no charge. We used George Theodoridis’ free translation (copyright to Theodoridis and the poetry in translation website. We have simply split Theodoridis’ text into seven scenes for ease of teaching.

This resource comprises two different sample answers to the 2019 HSC Advanced English Module C question, which gave candidates a short paragraph from a novel and asked them to continue the piece. Candidates had to evoke a particular emotional response from readers, and could continue in an imaginative, persuasive, or discursive mode. The first sample answer shows how the prompt paragraph could be continued in an imaginative/discursive vein, drawing on techniques from both modes and evoking a response of shock from the reader. The second sample answer shows how the prompt could be continued in an imaginative/persuasive vein, also drawing on techniques from both modes and evoking a response of amusement and surprise from the reader. While the first answer continues the passage on the same level of fictiveness, the second answer treats the passage as a framed text and explicitly analyses it within the response. Check out more creative writing resources at https://thecraftofwriting.org/

Bundle Description TALKING POINTS: Memorized essays betray a lack of confidence and an unwillingness to commit to authentic answers. Examiners have always advised students to prepare ‘talking points’ instead - a selection of ideas that they can draw on and which convey solid analysis and interpretation of the text. These talking points can be used by teachers, to focus discussion on higher-level or less-noticed features of the text and context. They also form effective student revision materials for formal assessment. Each point is supported by a piece of evidence from the text, and there are sufficient points to generate solid responses to almost any essay question. The Talking Points also model how students can articulate more complex thoughts about the text, and adduce evidence in natural and well-integrated writing. SAMPLE ESSAY: This is a three-part resource for students undertaking the NSW HSC Standard English Module A: Language, Identity, and Culture A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text, The Castle answers the 2019 HSC question: Film relies on dialogue to create cultural tension. To what extent do you agree with this statement? There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form.

Shakespeare’s tragedy about madness and family is an established favourite for senior students. Ten senior-level essay questions offer a choice of arguments about character, theme, language, and context, and a sample essay responds to the question: King Lear is enduringly relevant because it shows us that when we suffer from distorted perception we need others’ care, not their exploitation. Does this satisfactorily explain the relevance of the play?

Bundle Description TALKING POINTS: Memorized essays betray a lack of confidence and an unwillingness to commit to authentic answers. Examiners have always advised students to prepare ‘talking points’ instead - a selection of ideas that they can draw on and which convey solid analysis and interpretation of the text. These talking points can be used by teachers, to focus discussion on higher-level or less-noticed features of the text and context. They also form effective student revision materials for formal assessment. Each point is supported by a piece of evidence from the text, and there are sufficient points to generate solid responses to almost any essay question. The Talking Points also model how students can articulate more complex thoughts about the text, and adduce evidence in natural and well-integrated writing. SAMPLE ESSAY: This is a three-part resource for students undertaking the NSW HSC Standard English Module B: Close Study of a Text. A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text, The Truman Show, answers the 2019 HSC question: Literature reinforces or challenges our understanding of ordinary situations. Discuss this statement, making detailed reference to your prescribed text. There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form.

TALKING POINTS: Memorized essays betray a lack of confidence and an unwillingness to commit to authentic answers. Examiners have always advised students to prepare ‘talking points’ instead - a selection of ideas that they can draw on and which convey solid analysis and interpretation of the text. These talking points can be used by teachers, to focus discussion on higher-level or less-noticed features of the text and context. They also form effective student revision materials for formal assessment. Each point is supported by a piece of evidence from the text, and there are sufficient points to generate solid responses to almost any essay question. The Talking Points also model how students can articulate more complex thoughts about the text, and adduce evidence in natural and well-integrated writing. SAMPLE ESSAY: This is a three-part resource for students undertaking the NSW HSC Advanced English Module B: Close Study of a Text. A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text, An Artist of the Floating World, answers the 2019 HSC question: An exploration of unreliability, ambiguity, and contradiction. To what extent does this view align with your understanding of An Artist of the Floating World? There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form.