This presentation provides a detailed analytical account of Debussy’s La Soiree dans Grenade and Pagodes from Estampes. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of Petals by Kaija Saariaho. The presentation covers analytical points of interest within the piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within the music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of The Introduction, The Augars of Spring, and the Ritual from Abduction from Stravinsky’s The Rite of Spring. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of The Duchess and End Titles, Mistake of Your Life, Six Years Later, and Never See Your Children again from Rachel Portman’s score to the film, The Duchess. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of the first dance from Three Dances for Two Prepared Pianos by John Cage. The presentation covers analytical points of interest within the piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on this work. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of Eleanor Rigby, Here there and everywhere, I want to tell you, and Tomorrow never knows from the album Revolver by The Beatles. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of Excerpts of Act 1 - no. 4 Queen of the Night Aria, and no. 5 Quintet, from Mozart’s singspiel ‘The Magic Flute’. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of Cloudbusting, Dream of Sheep, and Under Ice from Kate Bush’s album Hounds of Love. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of numbers 1, 3 and 5 from Ralph Vaughan-Williams’ On Wenlock Edge: On Weblock Edge, Is my team plowing?, and Bredon Hill. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This presentation provides a detailed analytical account of the first movement to Hector Berlioz’ Symphonie Fantastique. The presentation covers analytical points of interest within the work regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within the music to help prepare students to answer listening questions on this works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching.

This presentation covers key analytical content for Anouska Shankar’s Burn, Breathing Under Water, and Easy. The presentation focuses on addressing analytical points of interest within the melody, harmony, texture, tonality, articulation, dynamics, instrumentation, rhythm, metre, and tempo for each piece. Also provided is an a chronological account of analytical points of interest. This resource would be ideal for assisting students in their analytical understanding of the works, aiding with their revision, score annotations, and understanding of the works. Information is given regarding the contextual background of the work.

This presentation provides a detailed analytical account of Se Quema la Chumbamba and Alla va Candela from Familia Valeria Miranda’s album Cana Quema. The presentation covers analytical points of interest within each piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within each music to help prepare students to answer listening questions on these works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

A 30-question quiz on synonyms and expanding vocabulary designed for primary-aged children. The quiz is structured in four rounds, with each round asking a different type of question to help keep children engaged. The four rounds are as follows: Multiple-choice True or False Odd one out Sense or non-sense, multiple choice 30 questions allows for every child in a typical class to 30 to answer at least one question each. The quiz is highly interactive. To answer each question, students can physically select the answer they wish on an interactive whiteboard or computer device and that will reveal the answer. The incorrect answers will disappear to leave only the correct answer. Answers are provided for all questions. All questions are multiple-choice to make the quiz more accessible to a wider range of learning needs and levels. All questions are short and simple. Bogus options are designed to include common words with simple phonic sounds to allow younger children more independence to read for themselves. The quiz focuses on common descriptive words such as big, small, fast, slow, tall, short, happy, sad etc. to ensure that the words are more relevant and applicable to every life. This will help the quiz feed into future writing and reading activities. Colour and simple animations are used throughout to make the quiz more aesthetically engaging.

This resource is detailed fact sheets covering the key historical aspects of the Weimar Constitution 1919 - 1924 and key events the Weimar government endured in the years 1919 - 1924. Example content included within this resource is: a description of the constitution, discussion of the revolutions of above and below, the Treaty of Versailles, Spartacist Uprising, Munich Putsch, amongst others. This resource includes an extensive amount of specific factual detail. The fact sheet could either be used for teaching, as a concise but detailed account of the Weimar Constitution to be read or it could be used as a revision tool. The layout of the resource means there is scope to convert the fact sheets into flashcards.

This is a collection of 2 worksheets on the topic of expanded vocabulary. These worksheets look at alternative ways of saying “very” in descriptive writing. Both worksheets look to target different skills. First worksheet is a word-bank / thesaurus skills activity. Students are given a grid with 20 basic descriptive phrases involving the word “very” and are asked to find alternatives. There is the option to use a thesaurus should this be a desired target skill. Worksheet is presented clearly with learning intention included. Second worksheet focuses on application to sentences and writing. The worksheet includes four short descriptions with “very” phrases underlined. Students are asked to re-write the sentences with an alternative for the “very” phrases. Sentences look to target common adjectives. The content of all descriptions is designed to be applicable to real life scenarios that a student can relate too, and may need to write about in their own life. The worksheet finishes with an extension task inviting students to produce their own descriptive paragraph on a recent day out. Learning intention is typed onto worksheet. These worksheets would work well in conjunction with the available lesson on “alternative ways of saying very”, however, this is not a necessity.

This presentation provides a detailed analytical account of Vivaldi’s Concerto in D minor Op.3, No.11. The presentation covers analytical points of interest within the piece regarding the melody, harmony, texture, tonality, rhythm, metre, tempo, sonority, and dynamics to aid students in their ability to answer essay questions. Also covered is a chronological account of analytical points of interest within the music to help prepare students to answer listening questions on this works. The presentation also includes contextual information surrounding the work, including links to works of a similar style. The style of presentation is so that it could easily be converted into flashcards for revision after the presentation has been used for teaching and score annotations for example.

This resource is an extensive selection of quiz questions on British history in 1951 - 1979. The questions cover the four key topic areas of politics, economy, society, and international relations. Questions are organised are short answers, maximum one sentence answers. This quiz is ideal for quick-fire testing of student’s knowledge and factual detail. The quiz would be perfect as a starter activity to a lesson or as a small assessment.

Worksheet combining music and times tables. Solve the times table problems to crack the code and spell out the names of string instruments. 2 worksheets provided. Answers provided on a separate sheet. Great starter or plenary activity - allows for numeracy and literacy development across the curriculum. Worksheet presented in an appealing way with a musical border.

A collection of 6 fact file writing frames - one for each of the key brass instruments: violin, viola, cello, double bass, guitar, and harp. Writing frames include 6 prompter questions with lines underneath to help students structure and focus their fact file. There is space to provide an image. Prompter questions focus around key features of the instruments and their sound, history of the instruments, description of the instruments, then finish with more reflective questions, encouraging children to think creatively and form opinions. This resource is a great example of cross-curricular working, allowing students to develop knowledge on a specific topic whilst furthering their literacy skills in a proactive fashion. It combines student’s critical thinking with creative thinking and knowledge-based learning.

Worksheet combining music and times tables. Solve the times table problems to crack the code and spell out the names of brass instruments. 2 worksheets involved. Answers provided on a separate sheet. Worksheet presented in an appealing way with a musical border.