This 15-slide lesson offers students an introduction to the Gothic genre of literature. The lesson explores the origins of the genre, including the etymological root of the term, early Gothic works of literature, classic Gothic conventions, and how the genre is also featured in architecture and film. A variety of Gothic images are presented to students for discussion, and key Gothic elements - including the meaning and philosophical power of fear - are unpicked. Questions, discussion points, and tasks are included for students in this very visual lesson. This lesson is ideal for KS3 students or older pupils who are studying the genre. PowerPoint saved as PDF.

Designed to introduce a unit on World War 1 Poetry for KS3, this 22-slide lesson includes a brief outline of the Great War and aims to teach critical vocabulary. Ideas introduced include propaganda, pacifism and patriotism. Students are encouraged to think about and analyse World War 1 propaganda. Also included for analysis is the popular wartime song: ‘Your King and Country Want You’. This lesson could also be used for a general contextual introduction to World War I in History lessons.

This 30-slide lesson explores Linda Pastan’s poem, ‘To a Daughter Leaving Home’. Ideal for Key Stage 3 or GCSE pupils, this lesson deconstructs Pastan’s poem of parental anxiety and letting go, paying close attention to language, imagery, form, structure, and rhyme. Students are encouraged to think about the poem’s metaphorical and allegorical significance, and questions, tasks, and discussion points are included throughout the lesson. Biographical information about Pastan and her poetry is included. A short analytical task is included, and the lesson ends with a creative writing (poetry) activity (which could be used as a homework task). PowerPoint saved as PDF.

This 17-slide lesson explores Seamus Heaney’s famous poem, ‘Mid-Term Break’. The lesson begins by deconstructing the poem’s title, before thinking sensitively about funereal procedure and atmosphere. Heaney’s life and work is introduced to prepare students for the autobiographical nature of the poem. Key vocabulary is presented for students to produce precise and sophisticated analysis of the poem. The poem’s key themes, imagery, and symbols are deconstructed, and students are encouraged to think critically about the poem’s language, form, structure, and rhyme. The tone of the poem is considered, and multiple readings of the poem are introduced. Discussion points and questions are included throughout. A visual task invites students to identify key images associated with the poem, which works nicely as an individual or group activity. An exam-style question is included at the end of the lesson. PowerPoint saved as PDF.

This is a perfect stand-alone lesson aimed at KS3 or KS4 for thinking about how language is used every day in advertising. Have you ever thought about how many adverts you read in a day? What are the most powerful words in advertising? Are you aware of when and how advertising tries to entice you? This lesson uses a wide range of adverts to demonstrate the different techniques used by advertisers. At the end of the lesson, students are tasked with creating their own advert/brand. PowerPoint saved as PDF. 23 slides in total.

This 33-slide lesson explores Sylvia Plath’s poem ‘You’re’. The lesson provides detailed analysis of the poem and includes: biographical information about Plath, analysis of the poem’s use of language and poetic techniques, analysis of the poem’s structure, form & rhyme, as well as questions, discussion points, and tasks for students to complete. The final task at the end of the lesson is a piece of creative writing in which students write their own poem. This lesson is ideal for KS3 pupils, but could be used for GCSE too. PowerPoint saved as PDF.

This 30-slide lesson provides detailed and comprehensive analysis of Priestley’s dramatic devices throughout ‘An Inspector Calls’. Considers the role of lighting, costume, pace, entrances/exits, dramatic irony, tension, props, and much more. The clever structure of Priestley’s play is unpicked and analysed. Questions, discussion points, and tasks are included for students. This lesson is perfect for high-attaining students studying the play for GCSE. PowerPoint saved as pdf.

This 27-slide lesson explores Carol Ann Duffy’s poem ‘F for Fox’. The poem is perfect for KS3 students learning about poetic craft and technique, and is especially useful for teaching alliteration and animal/nature poetry. The lesson unpicks the narrative and key ideas behind Duffy’s poem, peppered with questions and discussion points for students. The poem is included in the PowerPoint. Brief biographical information is given about Duffy, and a glossary is provided to aid students with the poem’s vocabulary. The lesson ends with a creative writing task in which students write their own poem. This lesson could easily work with upper KS2 or even GCSE students, too. PowerPoint saved as PDF.

This 36-slide lesson explores Liz Lochhead’s ‘Poem for my Sister’. The lesson deconstructs the poem’s central extended metaphor with detailed analysis of shoe metaphors and idiomatic expressions, before delving into in-depth analysis of Lochhead’s language, structure, rhyme and form. Questions, discussion points, and tasks are included for students throughout. The lesson ends with a creative writing task which could be set in class or as a homework activity. This lesson is ideal for KS3, but could work as a practice poem for KS4 too. PowerPoint saved as PDF.

This 24-slide lesson explores Boey Kim Cheng’s poem, ‘The Planners’. The lesson introduces the life and work of Boey Kim Cheng before interrogating the philosophical relationship between construction and destruction. We consider the purpose of history and discuss the concept of cultural amnesia. Students are taught about the growth of Singapore since its independence from the British Empire. Students then read the poem and delve into its language and imagery. Analysis of extended metaphor leads to exploration of form, structure, and rhyme. We think about the tone and key themes of the poem, and Boey Kim Cheng’s message in view of ever-expanding urban environments and global industrialisation. Students are given ambitious vocabulary to help them to produce sophisticated and precise analysis of the poem. Questions and discussion points are included throughout for students. An exam-style question is also featured at the end of the lesson. PowerPoint saved as PDF.

This 32-slide lesson explores Vernon Scannell’s poem ‘Nettles’. The lesson provides detailed study of the poem and includes: biographical information on Scannell, analysis of the poem’s use of language and linguistic/poetic techniques (including extended metaphor), analysis of the poem’s structure, form & rhyme, as well as questions, discussion points, and tasks for students to complete. The final task at the end of the lesson is a piece of creative writing in which students write their own poem. This lesson could be used for KS3 or GCSE pupils. PowerPoint saved as PDF.

This 27-slide lesson explores Ted Hughes’ poem, ‘Hawk Roosting’. The lesson begins with a comprehensive introduction to hawks, noting their mythological associations, biological behaviour, and linguistic connotations. Students then learn about Ted Hughes’ unsentimental depiction of nature in his poetry. The poem is explored in detail, considering how Hughes characterises the titular hawk through his language, imagery, and first-person narrative. The violent and natural imagery of the poem is unpicked. To consolidate students’ knowledge, there is an analytical writing task and a creative writing task. A high-quality model paragraph is included to help students with the analytical/essay writing task, and there is an opportunity for self-assessment. This lesson is ideal for KS3 or GCSE students. PowerPoint saved as a PDF.

This 25-slide lesson explores Elizabeth Barrett Browning’s ‘Sonnet 43’. The lesson introduces and discusses the sonnet form, noting its history and formal influence by both Petrarch and Shakespeare. This then leads to a discussion of contemporary love songs and their common features, considering the recurring ideas that love poems or songs seek to express. Elizabeth Barrett Browning’s life and work is introduced, including the significance of Christian doctrine to her life. We then read the poem and analyse its language, form, structure, and rhyme. Imagery, symbols, and methods are deconstructed, and the poem’s ‘big questions’ are debated. Ambitious vocabulary is provided to enable students to produce sophisticated and precise analysis of the poem. Questions and discussion points are included throughout the lesson. An exam-style essay question is featured at the end. PowerPoint saved as PDF.

This 30-slide lesson explores T.S. Eliot’s poem, ‘Morning at the Window’. The lesson deconstructs Eliot’s classic observation of metropolitan life and encourages students to think about urban alienation and interaction. Eliot’s language is analysed, as well as his imagery and rhyme. Students are asked to think about the differences between urban and rural life, class divisions, and what ‘windows’ represent. Questions and discussion points are peppered throughout the lesson. The lesson also includes a short analytical response task and ends with a creative writing activity (which could be set as a homework task). This is an ideal lesson for KS3 pupils, though it could be used for GCSE. A copy of the poem is also included. PowerPoint saved as PDF.

This 23-slide lesson explores the character function of Jacob Marley in ‘A Christmas Carol’. Paying close attention to Dickens’s language, imagery, themes and context, this thorough presentation considers how Marley’s Ghost is used to convey the author’s message and how the character functions as a catalyst for Scrooge’s metaphorphosis. Questions, tasks, and discussion points are included for pupils. An extended essay question is included at the end. This lesson is ideal for those studying the text for GCSE, but could be easily adapted to suit KS3 pupils. PowerPoint saved as PDF.

This 24-slide lesson is the perfect analytical summary of Boxer’s character function in Orwell’s ‘Animal Farm’. Students are encouraged to consider Boxer’s purpose within the novella and how he links contextually to the allegory of corrupted Communism. Emphasis is placed on his stupendous strength, tragic naivety, and exploitation. There are discussion points and questions posed for students to answer either individually or collaboratively. At the end of the PowerPoint is an extended essay question for students to answer (either in class or as a homework activity). This lesson (which could easily be split into multiple lessons) is ideal for GCSE students but could also be used to challenge high-attaining KS3 pupils. PowerPoint saved as PDF.

This 21-slide lesson explores Robert Hayden’s poem, ‘Those Winter Sundays’. The lesson considers the connotations evoked by the title before teaching students about Hayden’s life and work. Students then read the poem and are encouraged to think about information that can be inferred by ‘reading between the lines’ of the poem. The poem’s language and imagery is deconstructed in view of what it suggests about the relationship between the speaker and their father. We consider what is ‘unspoken’ in the text and what the reader might deduce from this. Students are encouraged to reflect on the ambiguity of the poem’s ending before considering the overall form, structure, and rhyme. The poem’s key themes are discussed, the tone is considered, and ambitious vocabulary is presented to students to allow them to produce sophisticated and precise analysis of the poem. Questions and discussion points are included throughout the lesson, and an exam-style question is presented at the end. PowerPoint saved as PDF.

This 17-slide lesson explores Stevie Smith’s poem, ‘Not Waving But Drowning’. Students are asked challenging but important questions about how conscious we are of the feelings of those around us - our family, friends, and even neighbours, colleagues, and acquaintances. We discuss the nature of Smith’s poetry - her recurring themes, styles, and subject matter - before reading her famous poem. We think about how the poem might be read as an allegory, reflecting on important ideas surrounding mental health and compassion. The language, imagery, structure, and rhyme of the poem are then deconstructed in detail. Students explore the poem’s key themes, and ambitious vocabulary is introduced to facilitate sophisticated analysis. At the end of the poem, an exam-style question is included. Please note: this poem (and lesson) explores some mature themes regarding mental health. PowerPoint saved as PDF.

This 22-slide lesson explores Mervyn Morris’ poem, ‘Little Boy Crying’. The lesson explores Morris’ life and work before asking key questions related to parenthood, children, and perspective. The poem’s language, form, structure, and imagery are deconstructed, with close analysis of Morris’ methods. We consider the poem’s key themes and ideas - including masculinity and violence - and think about how Morris’ choice of narrative tone and style informs the poetic vision. Ambitious vocabulary is included to aid students with sophisticated analysis. We also consider philosophical questions raised by the poem. An exam-style essay question is featured at the end of the lesson. PowerPoint saved as PDF.

This 20-slide lesson offers a comprehensive introduction to print journalism. In this lesson, students reflect on the trustworthiness of the news and their engagement with it. They learn what ‘journalism’ means and explore its different written forms, thinking about how it has adapted and evolved in the modern world. Students learn how to write journalistically, thinking about style, layout, and form. We consider the role of the ‘front page’ and analyse some examples, learning about the specialised vocabulary for describing different aspects of front pages. Students learn about the main printed newspapers of the UK - noting differences between broadsheet and tabloid - and we reflect on the angles, agendas, and demographics to which each newspaper is adhering. Students are also encouraged to reflect on their engagement with international news, and we ask important questions about what makes us ‘interested’ in a journalistic story. We also ask whether there is a place for printed journalism in the modern world, and if we are experiencing the ‘death of print’. The lesson ends with a research task for students to look up and define key journalistic terms. This is an ideal lesson for introducing students aged 10+ to print journalism. PowerPoint saved as PDF.