Created for a year 7 class as a homework to go alongside our class reader of 'Love That Dog', this is a comprehension (close reading and response) activity based on the segment from "The Call of the Wild" in which Buck fights Spitz to become top dog. There are 14 questions in total, focusing on vocabulary, inference and the effects of language. This would be a good cover activity or the questions could be used to structure a guided reading session.
Created for a year 9 class, this is a lesson on Wordsworth’s “Upon Westminster Bridge” which asks the students to identify the viewpoint expressed in the poem and then explore features of language and structure that help to convey that viewpoint. Also attached here is a multiple-choice quiz that I originally created as a homework to be used after the lesson in order to consolidate the learning.
Created for a more able year 8 class, this is a lesson on the description of Gradgrind from the start of “Hard Times”. The aim is to link Dickens’s use of language and structural features to his viewpoint. The lesson is scaffolded so that there is a grid for the pupils to complete explaining what they can infer about Gradgrind from the language used to describe him (there’s also a little bit on the Victorians’ belief that character could be gauged from facial features). After having completed the grid, the pupils then look at the longer excerpt and work more independently on an extended answer - though they can use the structure of their response in the grid to plan and guide that answer.
Created for a year 7 class as part of a unit of work on “Treasure Island”, this lesson invites the children to explore Masefield’s poem, “Sea Fever”, identifying the speaker’s attitude towards the sea and focusing on the use of personification and other language features. The lesson uses hinge questions at key points, requiring all children to feed back with one from a choice of answers. In my classroom we use our arms to make letter shapes; you could use mini-whiteboards. At the end of the lesson, the children are asked to produce a written response focusing on Masefield’s use of personification and two other language features of their choice, explaining what’s revealed about the speaker’s attitude towards the sea (and here you could introduce or embed the idea of viewpoint). There is a separate homework available for this lesson which is a series of multiple-choice questions about the poem.
Planned for my year 9 class as part of a unit of work on Journeys, introducing the skills and tasks of English GCSE, I have also used this with a year 10 group as we begin to tackle the unseen poetry question for English Literature. It uses Shakespeare’s sonnet 50 and is an opportunity to explore the sonnet form as well as the poet’s use of language and structural features.
A 14-slide powerpoint, taking the students through the Inspector’s final speech with a focus on the features of language and structure used in the speech and an analysis of their effects. Planned for my mixed-ability year ten class, this lesson does emphasise that the Inspector is a vehicle for Priestley’s ideas and messages in the play.
Created for a mixed ability year nine class, this powerpoint takes the pupils through the poem, initially with a focus on Owen’s redrafting - what is the effect of ‘doomed youth’ rather than the initial ‘dead youth’. Throughout the lesson the pupils are asked to consider the effect of Owen’s language choices. There is a multiple-choice question focusing on the simile ‘who die as cattle’. In our classroom, we respond by using our arms to make the letters, YMCA-style. The question could as easily be answered using mini whiteboards. The lesson takes the pupils through a model paragraph of response focusing on the effect of the ‘as cattle’ simile; they’re then asked to produce a further three paragraphs working independently. Useful as a reading assessment or as part of a unit of work on war poetry. The intention is that this lesson begins to embed the skills on which the pupils will be tested at GCSE.
Created for a higher-ability year 7 class as part of a unit of work on "Treasure Island" and pirates, this lesson plan takes the pupils through "The Ballad of John Silver" by John Masefield. Using images and drama to embed the idea of writing having a mood, the lesson culminates with the pupils selecting one of the verses from the poem and re-writing it in script form (model given on one of the slides), creating the same mood as the original poem.
Created for my year nine group as part of a non-fiction SOW on journeys, this uses Scott’s diary and focuses on the pupils using their skills of inference to link Scott’s feelings to his use of language. The lesson culminates with the writing of a P.E.E response.
Planned for a year 10 group all of whom have targets of a grade 5, this ppt leads the students through the presentation of Gerald Croft, up to the exploration of his affair with Daisy Renton. Students are encouraged to think about the method Priestley uses to link Gerald to Mr Birling, one way in which the theme of hypocrisy is explored and the way in which Gerald is used to explore the idea of different attitudes and values across generations.
Aim - link characters’ names to the play’s themes.
Powerpoint encouraging the students to explore the significance of the names Eva Smith and Daisy Renton and including a focus on the name of Inspector Goole.
Aim: to comment on the effect of some of Owen’s specific language in “Anthem for Doomed Youth”.
Lesson plan originally created for year 9 to develop their skills of writing a P.E.E structured answer, exploring the effect of Owen's language choices in the poem. Includes an opportunity for a whole-class model answer which then forms the basis for some independent responses.
Powerpoint presentation looking at emotive language and linking the use of emotive language to Priestley’s intentions. Students are asked to write using emotive language with picture prompts that echo Priestley's attitudes. Students are then asked to explore Priestley's use of emotive language, linking it to his message in the play.