I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the start of Anil. As a pause for though, you may wish to consider renaming the character of Anil. Think about it...

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the start of On Seeing the 100% Perfect Girl One Beautiful April Morning. I've taken one paragraph out but don't worry, it doesn't take away from the creepiness of the narrative voice.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses sections from Compass and Torch - I've stitched together two sections and omitted the bit about the horses (for those who remember) so that the extract focuses only on the relationship between the boy and the man.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses a section from When The Wasps Drowned - it's not the start bit, but if you think about it, it doesn't really need to be.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the opening of My Polish Teacher's Tie.

An introductory unit suitable for Year 7 students - I taught it to top and bottom set (with differentiation) classes. It is designed to get kids using the basic PEE style structure to create a reading assessment-worthy response. I don't include all of the extracts I used - I photocopied straight from the texts in all honesty - but this is more than enough to get going. Hope you find this useful.

These resources assume prior knowledge on the part of the students - they will have covered the greater majority of the texts before hand. The lessons go back and fill in the gaps. I try a few different things here in terms of approach. The "Mike and Sophia" extract guide is a guided annotation lesson; I'd be interested to see how classes respond to this.

One power point per poem and some associated skills. I teach the poems in the order in which they appear in the anthology (except Tissue; I put that one at the end). I follow a pattern with the lessons and source the contextual information from the BBC Bitesize website (and a couple of other places when I get bored of them) - it makes sense as any student that misses out on something can go and find what they need relatively quickly. The material is readily available elsewhere, hence the relatively low price for so many lessons. NOTE: I have upgraded these lessons now. I’ve moved away from endorsing the PEEL style responses - the exam reports indicate clearly this is the thing to do. Additionally, I have included much more of a focus on the POWER themes. Lastly, I have used these poems as a springboard to discuss gender issues - part of this is my attempt to narrow the gender gap at the top end of GCSE English achievement by trying to get the lads to be more engaged with the material. These lessons are designed to work in tandem with my own version of the poetry anthology. At the moment, I have yet to upload the edited version but I shall do so soon. That being said, the power points wouldn’t take much editing to use them with the traditional AQA version. All of the original lessons are included just in case you are still using the PEEL method of building a response.

One lesson that focuses on getting the students to use more technical vocabulary. Another lesson that tests their understanding and hits them with an exam question at the end. All material is based upon the AQA terminology guide (not included in this pack).

Two lessons this time, both very much reliant on the students to do the contributing: hence the reduced price.

Lessons designed to engage and interest my year 10s as they step into GCSE-land for the first time. They enjoyed the analysis of the song lyrics a lot. I found that my previous classes found it very hard to engage with the poetry element. These lessons (combined with a couple of others that don't belong to me) worked well.

I had a lot of fun with a bottom set, boy heavy year 9 group with this. They took to the story well and did OK with their reading assessment. Enjoy and let me know how it goes.

First things first, let me just say that the mind that created the Escape from Kraznir SoW was not mine - wish it was though… You are not buying the SoW (though I do include it as part of the pack so you have a frame of reference), that is available freely elsewhere. What you are buying is the 7 lessons that I created from this SoW and taught to my students. Let me say this - I have never had such a reaction creatively. My gast was well and truly flabbered as to their engagement and the effort they put in. I’ve created a single power point that contains all of the other lessons too - just for those who like continuity. NOTE: I used some of the sound effects from Warcraft 2, but I couldn’t put this up here (Blizzard may have something to say about that). However, you can use your own sound effects and music as and where you see fit (I liked using the Death of Optimus Prime Music from the Transformers Movie (not the Bay versions, the original cartoon version with Unicron) over the top of the farewell aspect in Lesson 2). This is a lot of fun. I promise. Seriously… PS: If you enjoyed this scheme of work, you might be interested in the follow up unit: https://www.tes.com/teaching-resource/ks3-fantasy-creative-writing-the-return-to-kraznir-12373343

A thematic exploration of Violence within Othello - focusing specifically on Act 4. Also, the power point starts with a little revision of characters and quotations from across the play. I found this a fun lesson.

A series of lessons that I taught to top set KS4 students. Please note, the gaps between the first and fourth lessons are intentional as I had the students act out the play and answer the comprehension questions in the AQA Study Guide book.

My third lesson. This is designed to be a lesson where I as the teacher give less and the students give more of their own ideas - the group is reluctant to communicate. As a result, it is less "idea heavy" and far more task focused - you'll get a lot of markable material out of this.

My second lesson. Here, I focus almost entirely on ACT 2 SCENE 1 and Iago's soliloquies therein. The notes element of the power point pulls a lot of thinking together from across a lot of sources - you'll need these notes to flesh out the tasks. I tie it up with an exam style question at the end focusing on what we can infer about attitudes to women. Quite pleased with how this looks and how it goes.