OK, taught this for the first time to a bottom set year 9 class and they all got Band 3s and above for this (save one or two) so I'm calling it a success. I claim no credit for the speeches, I&'m just putting them on here for you to use. I found that it was necessary to make the students aware about politics and political terms BEFORE launching into spoken language study. The last resource is a useful revision booklet which I use throughout KS4 as a HW booklet. Hope it is useful for you.

MASSIVE success with this scheme. Trouble is, what I can’t get on here is the music files I downloaded and threaded into the lessons. If you want to do this, use a site like keepvid.com to download some sinister music - I used the little girls song from ‘The Ring’ and a series of songs from the original QUAKE video game soundtrack (one is literally just a whisper getting louder and louder). I played these sounds over the top of the creative writing assessment and got a decent response (true, one or two of the kids MAY have nightmares…). Best of luck!

I've taught this to top set year 8 and year 9 - had more success with the year 9s to be honest, but I think this would work with year 8s further in to the year. This was a series of lessons taught over the enormous 8 week half term. Hope the resources are useful to you!

The third and final stage of my Lord of the Flies SoW. I am still adding in alternative lessons to this so expect some changes. The writing assessment focuses on a letter-in-a-bottle activity. As you can see, there is heavy emphasis on punctuation. Feedback welcome. The handwriting lesson is based upon a workbook i found on TES - I take no credit for it!

These lessons are to be ran in tandem with watching the 1963 versions of the film (not the modern version - the pilot is still alive!). You can insert these two lessons at any point in the SoW.

Here you will find the reading lessons for my Lord of the Flies SoW for the mid to higher ability (Learning outcomes measured against Levels 4 - 6). IMPORTANT: Lessons 6 and 7 use sound-clips which I couldn't upload - you will have to find suitable sound effects yourself. Please feel free to add feedback and any suggestions.

The first lesson of a SoW I have recently created to teach Lord of the Flies to Year 7. This is the first part; I refer you to the 'Following this Scheme' guide for instructions as to what to do next. Please leave feedback if you find this Scheme useful or have any suggestions to make. Look for the remaining stages on here too...

Here you will find the reading lessons for my Lord of the Flies SoW for the low to mid ability (Learning outcomes measured against Levels 3 - 5). IMPORTANT: Lessons 6 and 7 use sound-clips which I couldn't upload - you will have to find suitable sound effects yourself. Please feel free to add feedback and any suggestions.

OK - the power point (Lesson 6) is actually a FOUR hour revision session. The two other worksheets are the articles and worksheets required to complete the lesson. You'd also need mini-white boards, whiteboard pens and post-it notes to run this lesson right off. Hope this will prove useful.

A series of lessons designed to teach Year 10-11 students about Shakespeare and how he presents feelings. This unit is pointed at a controlled assessment question that focuses on how Shakespeare and the conflict poetry POETS present ideas about feelings - poetry lessons to follow.

....and here it is. The second part of a KS3 investigation into poetry. It should be noted that I have targetted these lessons specifically at LOWER ABILITY year 7's - this unit is designed to be a little harder. It should be noted at this point that these resources were created in conjunction with a team of people - i do not take credit for ANY of the word documents in BOTH resources.

The first part of a poetic investigation using all those old copies of the AQA anthology from yesteryear. The assessment is designed to focuse on RAF2,3,5 and 7. Each poem is split into two lessons; the first focusing on the cultural aspects and the second on the language. ALL of these power points are rendered in pink to allow Dyslexic students to read them without the text glaring. Second part to follow....

A series of lessons exploring a variety of different writing styles (using David Lodge's 'The Art of Fiction' as inspiration) then targetting L5,6 and 7 for EACH of the Writing Assessment Focuses. You will need a copy of the OLD AQA Anthology (The one with Limbo on the first page). Dracula, Harry Potter and the Goblet of fire, Catcher in the Rye and a copy of 'The Mysteries of Harris Burdick' Portfolio (Images can be downloaded, but it costs about £13 from ebay). TOP SET Yr 8 lessons.

To be taught following the completion of the speaking and listening side of this unit. A selection of resources geared very specifically towards the creation and improvement of a mystery story.

I made this sheet after marking a load of mock exam papers and getting frustrated at the inability of some foundation students to compare effectively. Oh yes, this is meant to be printed on A3 paper too! I have had success with foundation groups in terms of getting them to structure their responses.

These are the resources I created for teaching AS English Language - I am certain now that the spec has changed but the skills and powerpoints may be a start point for some. Hope someone out there finds these useful...

Having some great success with this continuation of the reading scheme. Inside, you will find resources to create a detective pack and lessons that will help students create and sustain characters. Really fun group of lessons!

Lessons are designed to be read alongside Sherlock Holmes: The Speckled Band. Had some good success with this scheme as a way of getting students to improve their inferential skills.

Using the PEE format I've made user friendly sheets specifically relating to Spoken Language to help students plan and structure their responses. These are useful if the students are familiar with the terminology first.

A complete powerpoint lesson exploring the way in which students can interpret the characterisation evident in Twelfth Night by William Shakespeare.