I have just started adding my plays to TES (over 400)!but this will take time! All my assemblies/class plays and guided reading scripts are on www.plays-r-ussell.com and I am happy to write on request. I have converted the entire History Key Stage II curriculum into play format - and much of the other subjects such as Science, Geography, PSHE etc. I cover events such as the Olympics and have received great feedback from teachers around the world! Writing is my passion - hope you enjoy my work!
I have just started adding my plays to TES (over 400)!but this will take time! All my assemblies/class plays and guided reading scripts are on www.plays-r-ussell.com and I am happy to write on request. I have converted the entire History Key Stage II curriculum into play format - and much of the other subjects such as Science, Geography, PSHE etc. I cover events such as the Olympics and have received great feedback from teachers around the world! Writing is my passion - hope you enjoy my work!
Amazing Women Guided Reading scripts (group readers/Readers Theater)
These 5 plays (6 speakers each) plus quizzes start by taking a look at Amazing Women from across the world and across the centuries, and then focuses on the part played by women in shaping America's history - fighting for a voice both in society and politics.
Reading time for each play is around 10 minutes. There are also quizzes - one for each, varying from 25 to 50 questions.
1.Amazing Women From Across the World: 15th - 20th century
Speakers:
Interviewer
Elizabeth I
Catherine the Great
Indira Gandhi
Eleanor Roosevelt
Joan of Arc
Sample Text:
Eleanor: Well, thank you. Though I did just what I felt was right.
Catherine: And you will go down in history as being a shining beacon of light. Course, that's what some of us set out to do - but things just didn't quite work out that way.
2. Amazing Women From Across the World: 20th Century
Speakers:
Mother Theresa
Helen Keller (Helen)
Anne Frank (Anne)
Marie Curie (Marie)
Princess Diana (Di)
Margaret Thatcher (Maggie)
3. Amazing Women in the American Women's Suffrage Movement
Speakers:
Interviewer
Elizabeth Cady Stanton
Lucy Stone
Carrie Chapman Catt
Jeanette Rankin
Alice Paul
4. Amazing Women in the American Civil Rights Movement
Speakers:
Interviewer
Sojourner Truth
Harriet Tubman
Ida Wells
Fannie Lou Townsend Hamer
Rosa Parks
5. Amazing First Ladies 31-35
Speakers:
Interviewer
Jacqueline Bouvier Kennedy Wife of John F. Kennedy
Claudia Taylor Johnson Wife of Lyndon B. Johnson
Pat Ryan Nixon Wife of Richard Nixon
Betty Bloomer Ford Wife of Gerald Ford
Rosalynn Smith Carter Wife of Jimmy Carter
American Heroes Guided Reading Scripts
This set of 5 plays (6 speakers each) and 5 quizzes dips into the lives of 30 American heroes and heroines - from the American War of Independence, Underground Railway, world of science, different walks of life such as entertainment and including children, and great Native Americans - all of whom strove against massive odds, and came out on top - an inspiration to us all.
• Heroes of the American War of Independence
Speakers:
George Washington Samuel Adams John Adams
Thomas Paine Benjamin Franklin Paul Revere
• Heroes of the Underground Railroad
Speakers:
Ex-Slaves: Harriet Tubman, Frederick Douglas and Josiah Henson
White Abolitionists: Laura Haviland, Levi Coffin and Thomas Garret
• Native American Heroes
Speakers:
Sitting Bull (Sioux leader) Geronimo (Apache warrior) Chief Joseph (Nez Perce leader)
Tecumseh (Shawnee leader) Pocahontas (daughter of Chief Powhatan)
Sacagawea (‘guide' on Lewis & Clark's trans-continent expedition)
• Heroes in Science
Speakers:
Neil Armstrong (astronaut: first man to walk on the moon)
Christa McAuliffe (teacher and astronaut)
Albert Einstein (one of the world's greatest ever geniuses)
Jonas Salk (developed Polio vaccine)
Mary Edwards Walker (first female surgeon in U.S. army)
Rachel Carson (great environmentalist)
• Heroes from Different Walks of Life: Adults from the World of Entertainment - Children - and a Folk Legend
Speakers
Jackie Robinson (Baseball)
Steven Spielberg (Movies)
Elvis Presley (Music)
Mattie Stepanek (Child poet)
Samantha Smith (Child peacemaker)
John Chapman (Folk legend)
Sample Text
Play 1 Heroes of the American War of Independence
Paine: But what always struck me about this learned gentleman - right from the very first time I met him in England - was his tremendous sense of humor!
Revere: Here! Here! I remember telling the missus, after she'd invited some friends to stay "Fish and visitors smell after three days"! And because these were Franklin's words, she threw them out the next day!
Early Colonial Times Class Play or Guided Reading Scripts
What could be worse than working all day on your play scripts - and then up all night getting an earful from your characters - telling you what you should have written? Those early colonists certainly weren't reluctant to share their views - especially if that entailed telling their creator his lines were rubbish! The only way to shut these good folk up was to let them have their say - however long it took - even if their idea of setting the record straight was strictly off the record!
And so we have 5 sleepless nights -a mild form of torture for our poor playwright but great for us - learning all about:
1. Colonial homes
2. Weaving and spinning
3. Candle and soap making
4. Recreation
5. Religion (including education and punishment)
This Reader's Theater Class Play can be read either as a class of 30 or 25, in groups of 6 speakers; or just by a group (of 6), keeping the same characters throughout.
Sample Text
1.Colonial Homes
Speakers:
Playwright
Mother Mrs. Smith
Father Mr. Smith
Son Adam (10 years old)
Daughter Abigail (8 years old)
Grandma Granny
Mrs. Smith: (Sighing) Ah! It doesn't seem like yesterday that you were in those long petticoats!
Adam: (Hissing) Mother, please!
Granny: Oh let her be, Adam. Us mums always like reminiscing!
Mr. Smith: Though you seem to conveniently forget all that howling that came with having babies around!
Abigail: (Snorting) Just exercising our lungs!
Adam: That's right! Us babies weren't meant to feel any pain!
Granny: And so you got ignored! Quite right too!
Adam: (Sarcastically) Oh Granny, you're all heart!
Granny: Well, you had your ‘puddings'!
Playwright: (Yawning) I thought we'd covered meal times!
Mrs Smith: (Snorting) So much for thorough historical research! No, she means the padded caps babies wore to protect their heads. And they certainly needed protecting, the amount of falling over they did!
Playwright: So why did you dress them up in those ridiculous long gowns? How were they ever meant to crawl about in those things?
Events Leading up to the American War of Independence Class Play
This Class Play, on the Events Leading up to the American War of Independence, based on a class of 30, is divided up into THREE sections, with parts allocated as follows:
1. Half the class allocated parts for the first section (Boston Massacre - 15 speakers)
2. Half the class allocated parts for the second section (Boston Tea Party - 15 speakers)
3. The whole class given a final set of parts for the third (Lexington and Concord - 30 speakers)
Redcoat Rap is included with this script as an optional extra - to be recited at the beginning or end of this play.
Suitable for upper elementary/middle schools.
Sample Text
(Child walks across stage with The Boston Massacre March 5th 1770 banner)
Narrator: It was the night of March 5th 1770. Private Hugh White was on guard duty outside the Custom House in Boston. He was soon joined by a group of jeering boys who didn't seem to mind the extreme cold.
(Enter Boys 1, 2, 3 and 4 taunting guard on duty, Private Hugh White)
Boy 1: Just look at him, waltzing up and down, in his fine uniform!
Boy 2: Anyone would think he had nothing better to do!
White: I suggest you find something better to do! Be off!
Boy 3: Ooh! Is that a threat, Mr. Lobsterback?
White: You mind your tongue, young man, or ..
Boy 4: Or what, Mr. Redcoat? Or what?
White: Don't push your luck, sonny!
Boy 1: What you gonna do?
Boy 2: You wouldn't go firing on innocent civilians now, would you?
Boy 3: That sure would get you into heaps of trouble.
Boy 4: Us being mere boys
Boy 1: And unarmed. So, looks like you're stuck!
White: I wouldn't bet on it. You come another step nearer and you'll be sorry.
Boy 2: He's bluffing!
White: You reckon?
The Mayflower Set of Guided Reading Scripts or Class Play
Includes Poem – The Mayflower – written by Sue Russell
From Scrooby, to Amsterdam, to Leyden, to Plymouth in the ‘New World' - hardly the most direct route those Pilgrims could have taken (did they not have Satellite Navigation Systems in those days?!)And it was hardly ‘plain sailing' all the way when they got there - disease, harsh environment, terrible weather - certainly a disappointment for anyone out for a holiday! But after such unpromising beginnings, great things developed -including friendship with the locals, defying all fears previously harbored; and a great Thanksgiving tradition born (minus the turkeys and cranberries - let's try to stick to the facts here!)
This Class Play, written to Readers Theater format, is written in 5 parts:
1. Background
2. Mayflower Voyage
3. First Sight of Land
4. First Winter and Spring
5. First Thanksgiving
with 6 speakers for each part. The play can be used either within the classroom, reading out loud in groups of 6; or as a ‘performance' with the optional inclusion of music and a ‘Mayflower Song'.
Sample Text
1.Background
Speakers:
Narrator
William Brewster (Became religious leader of Plymouth settlement)
William Bradford (Became second governor of settlement - for 36 years)
Dorothy Bradford (Wife of William)
Richard Clyfton (Preacher - stayed in Amsterdam)
John Robinson (Teacher - stayed at Leyden)
Narrator: Our story begins in the year 1606 - in the tiny English village of Scrooby.
Dorothy: Are you men still sitting around talking?
Bradford: Indeed we are!
Robinson: We have so much to discuss, before we depart these fair shores - for Holland.
Dorothy: Are you sure it is necessary for us to make this move?
Clyfton: If it wasn't, we certainly wouldn't be doing it.
Dorothy: I mean, all that upheaval and disruption to our lives and our children's ..
Brewster: We understand just how you feel. But we have no choice.
Bradford: If we stay here we will continue to be persecuted
Clyfton: And for what? What is our crime?
Robinson: Only that of wanting a simpler form of worship
Clyfton: One that doesn't require there to be a priest between us and God.
Extract from ‘Mayflower Song' (set to Bobby Shafto tune)
Just the Mayflower fit to sail
Things went fine until that gale
Then directions them did fail
And sent them too far northward.
Roald Dahl School Assembly or Class Play
Cast size: The small speaking cast of 6 can be increased to include the whole class by adding a supporting cast of characters taken from the five books.
September 13th is Roald Dahl Day – this year it is also his centenary. To celebrate this great writer, I, Sue Russell have written an Assembly which attempts to capture just some of the man's genius. It is just a short assembly, looking at 5 of his works - The Magic Finger, BFG, The Giraffe the Pelly and Me, Revolting Rhymes and Dirty Beasts; but in looking at these books again, I for one was reminded of Dahl's amazing ability to create the most bizarre characters, and situations .. out of nothing. He was, I think, a genius and his memory stays vividly alive through his numerous brilliant books.
The play has a small speaking cast - teacher (narrator) plus 5 students, who are asked to pick their favourite author (Roald Dahl - no surprises there!) and favourite books. These are The Magic Finger, The BFG, The Giraffe the Pelly and Me, Revolting Rhymes and Dirty Beasts. The supporting cast i.e. characters taken from these books, is left to the teacher's discretion i.e. depending on how many children there are in the class. Different 'favourites' could obviously be chosen and added to the ones 'my five' chose; and I have similarly left out extracts from the books, plus musical excerpts from the movies which could be added. This assembly can thus be expanded upon in a way to suit the individual class and their Dahl preferences. I hope I have provided a good starting point!
If you are interested in looking at more great writers from Britain, I have written a Great British Writers Assembly which, along with Dahl, features the works of C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling. A good resource to have during National Children's Book Week, 1-7 October.
Extract
Lucy: The Giraffe, the Pelly and Me.
Teacher: And why did you choose that one?
Lucy: I loved the animal characters in it, including the monkey who isn't mentioned in the title! The three of them - the giraffe, the pelican and the monkey - make up a window cleaning gang, the giraffe acting as a ladder because of his magically long neck; the pelican acting as the bucket, with his special ‘Patented beak' and the monkey acting as the cleaner.
Eurovision Song Contest Assembly or Class Play updated to 2018
Maybe this year – a few more points for Grande Bretagne?!
It's that time of year again! Get ready for the funniest show on earth! (Does anyone really take it seriously?!)
This assembly gives a quick chronological run through past winners ... and losers! How can, for example, the UK get it so right ... and yet so desperately wrong! A light hearted coverage of all UK winning songs (and runners up) plus such greats as Abba. The song list is memorable - for all the right reasons!
Cast size 30 - easily adaptable up or down.
Duration: 15 - 30 minutes (depending on number of songs chosen)
Sample Text
Music 8 Waterloo – Abba
(Whole cast plus ‘Abba representative sings song)
Narrator: Wow! What a hit that was! It certainly launched Abba into a glittering rock career!
Rock Star (‘Cliff’) (Grumbling) And as if it wasn’t bad enough - our beautiful Olivia Newton John being pipped to the post. Then it happens again the following year – this time to my mates The Shadows!
Music 9 Let Me Be the One – The Shadows
(Whole cast singing brief excerpt from song)
(Judge charging back onto stage)
Narrator: (Testily) You again!
Judge: But they didn’t win! I thought this line up was meant to be just for winners!
Narrator: (Outraged) What? And miss some of the best music? Never!
(Turning to cast) Are we agreed?
Whole Cast: (Blowing kisses at Narrator) Oh yes! Peace and happiness! We love you!
Music 10 Save Your Kisses for Me – Brotherhood of Man
(Whole cast plus Narrator sing this song)
Narrator: (Sighing) Ah! 1976! Another great win for the United Kingdom!
Salem Witch Trials Guided Reading Scripts
5 plays (6 speakers each) and 5 quizzes
Boredom, over-active imaginations and a certain flair for amateur dramatics - all fatally combined to produce one of the cruellest travesties of justice in U.S. history. 19 hangings of complete innocents, labelled as witches ... by children. Who, or what, was to blame? Sift through some very suspect evidence and draw your own conclusions, from this set of guided reading play scripts, covering the course of those infamous events.
Play 1 First Accusations
Play 2 The First Hanging (June 10th)
Play 3 Second and Third Hanging (July 19 and August 19)
Play 4 Fourth Hanging (September 22nd)
Play 5 History's Verdict - Who was to blame?
Sample Text
Betty: That's right, papa! We would never lie to you!
Abigail: We were good girls!
Sarah Good: And I wasn't? Good by name and good by nature, that was me - until you and your friends blackened my reputation.
Rev. Parris: Not so hard, from what I can remember! Begging in the streets!
Betty: And muttering threats whenever she was turned away!
Sarah Good: According to you, a mere child! Whoever heard of taking a 9 year old's word against an adult's?
Sarah Osborne: And a bored 9 year old at that, with nothing better to do than spread trouble.
Tituba: What an imagination! Nearly as vivid as those tales from the Caribbean I told!
Abigail: We certainly were a ‘captive audience'.
Rev. Parris: My poor girls! In the power of those wicked witches! If you could have seen them ..
Sarah Good: Squirming and screaming!
Sarah Osborne: Barking and howling! Oh we saw them all right - along with everyone else in those crowded trial rooms!
Tituba: What a performance! A few centuries on and you'd have got yourselves an Oscar!
Great Artists Assembly or Class Play - Key Stage I
Bruegel and Lowry Script
Cast Size - 30 - easily adaptable up or down
Duration - around 10 - 15 minutes depending on time spent on children's own artwork. (There is a section of the script dedicated to children showing and describing their own work - this section can be omitted thus reducing duration to around 5 - 10 minutes)
Sample Script
Bruegel: Oh well! Let me tell you now! I had to disguise myself as a peasant
Child 12: Why?
Bruegel: Oh so that I could see what it was like …. being a peasant!
Child 13: And what was it like – being a peasant?
Bruegel: Well, I try to show that in my paintings.
Teacher: You see, children. Up to this time, only kings and queens and people with lots of money were painted.
Narrator: Lucky for us Bruegel came along – and showed us how the poor people lived!
(Bruegel goes back to work at his easel)
(Lowry looks up from his work, and stands up)
Lowry: So did I!
Narrator: Pardon?
Lowry: I also showed what it was like to be a worker!
(Narrator walks over and holds up Lowry painting, to show cast and audience)
Child 14: (To Teacher) That’s like the pictures you showed us, Miss!
Teacher: Quite so!
Child 15: They show us how people lived in the industrial cities of England.
Child 16: Smoking factories
Child 17: Long streets
Child 18: Long people!
Narrator: Pardon?
Child 19: Oh, he means – the people look a bit like matchstick men!
Lowry: (Laughing) That was my style!
This script is one of the Famous People Series based on the lives of significant individuals in the past who have contributed to national and international achievements, comparing aspects of life in different periods. This list of ‘greats’ includes:
· Queens - Elizabeth I and Victoria
· Explorers - Christopher Columbus and Neil Armstrong
· Inventors - William Caxton and Tim Berners-Lee
· Women: (i) In Civil Rights - Rosa Parks and Emily Davison
(ii) Nurses - Florence Nightingale, Mary Seacole and Edith Cavell.
I am happy to write on alternative individuals as per my 'write on request' service - so please drop me a line on sue@plays-r-ussell.com
Teeth and Eating Assembly or Class Play
Years 3 & 4
This is one of three scripts written on ‘The Body’. The other two are:
The Skeleton and Muscles Assembly - Years 3 & 4
&
Healthy Living Assembly - Years 5 & 6
Cast of 30 - easily adaptable up or down. Duration - around 20 minutes including music choices.
Once again, our narrator has his/her work cut out, vying with a dentist, a ‘super athlete’, a ‘Sweet Gang’ and of course … a whole crowd of chattering teeth!
Sample Script:
Narrator: Good morning and welcome to our assembly on
(Sound of dentist’s drill)
(Narrator walks over to dentist, standing over patient, with drill in hand)
Narrator: (Shouting) Er, excuse me!
(Drilling stops and dentist looks round towards narrator)
Dentist: (Angrily) Yes! Did you want something? Surely you can see I’m rather busy here!
Narrator: (Huffily) I’m sure you are! But so am I! I happen to be trying to hold an assembly this morning and, well, I just can’t do that with you drilling!
Patient: (Leaping off chair) Oh that’s fine! I can always come back another day!
(Dentist places patient firmly back in the chair)
Dentist: Oh no you don’t! You are not going anywhere – not until I have finished!
(To narrator) Now, if you don’t mind
(Dentist picks up drill and moves towards patient)
Narrator: No! Stop!
(Dentist stops)
Narrator: I can give you a very good reason why you should stop what you are doing. Well, for a short time, anyway.
Dentist: Oh yes? Well, come on, then. This had better be good.
Narrator: Well, wouldn’t you agree that prevention is better than cure?
Dentist: You mean, looking after your teeth rather than me fixing them?
Narrator: Correct! And our job here this morning is to educate everyone about just that!
Dentist: Ah! Now you’re talking!
(To Patient) You might want to listen to this. It could save you future trips to my surgery!
Healthy Living Assembly or Class Play
This script was written as a complementary script to two others already written - Skeleton & Muscles Assembly and Teeth and Eating Assembly. These two were written for Years 3 & 4. This one is for Years 5 & 6.
Subjects covered: recap on all major organs, importance of good diet and regular exercise. There is also mention of what is not good for you.
Mental health is mentioned at the end of this script - as it is stressed throughout that it’s not just about ‘looking good’ - feeling good is equally important.
Cast of 30 - easily adaptable up or down
Duration: 10 minutes without any music; but lots of opportunity for expansion should a longer performance be required. This is explained in the Production Notes (namely, adding detail on ‘organ functions’ and different types of food); and the two scripts mentioned above could, with their purchase, also be used as ‘add ons’.
Sample Text:
Narrator: Ah yes! What makes a healthy body? Now, there’s a question!
Child 1: Good diet!
Child 2: Plenty of exercise!
Narrator: Sounds simple enough! (Bracing muscles) No wonder I feel so good!
(Enter Model, Athlete, Weight Trainer, Dancer and Walker – all ‘doing their thing’)
Narrator: Just look at those bodies – all so toned!
(Exit Model, Athlete, Weight Trainer, Dancer and Walker)
(Narrator looks startled)
Narrator: Oh wait a minute! I thought we were going to hear a bit more about that all-important exercise?
(Enter doctor)
Doctor: We will! All in good time! But first we should look at what’s on the inside! It isn’t just about having perfect body shape, on the outside, you know!
Narrator: (Sheepishly) Oh I know that! Huh! I’m not one to be taken in by appearances!
Doctor: I’m glad to hear it because outer beauty is by no means the whole story. It’s about feeling good as well!
(Enter Brain)
Brain: Oh, that’s way more important than anything else. If you don’t feel good, then forget it! Well, actually, on second thoughts, don’t do that because
Narrator: (Coughing) Ahem! Excuse me. I hate to interrupt you but … you are?
Brain: Oh sorry! Did I not introduce myself? Well, you see there is a reason
Doctor: (Holding his hand up for Brain to stop) Oh dear. This is the first of the body’s internal organs
Brain: (Interrupting; and tapping head) Indeed! Starting from the top!
Narrator: (Irritably) Could you just tell us your name?
Brain: Tell you my name? Well, of course, my dear fellow. I’m Brain! I’m the one in charge!
Narrator: (Hurriedly) Oh I don’t think so! Not today, anyway!
Feeling Sad Assembly or Class Play
This script was largely ‘prompted by’ Time to Talk Day Thursday February 4th - a joint initiative run by MIND and Rethink - addressing the taboo around mental health - people still tend to feel uncomfortable talking about it.
Its Children’s Mental Health Week 3 - 9 February. So I am reducing a number of my ‘mental health related’ scripts to mark the occasion
As this was written for primary schools, the language is of course simple as is the message - emphasizing that sadness is part of life, something we should all talk about and not feel embarrassed about.
I have followed this script up with one for secondary schools/adults - Good to Talk - a conversation between two people. (In 2 Speaker Scripts section of website)
Cast of 30 - easily adaptable up or down
Duration - around 5 - 10 minutes
Sample Text:
Music 1 Everybody Hurts - REM
(Children file into assembly, taking seats in order of speaking, along two rows of 15 seats, facing audience)
Narrator: Good morning and welcome to our assembly on Feeling Sad.
(Enter Clown)
Clown: Hey! What’s up, people?
(Nobody smiling)
Hey! Time to turn those frowns, upside down!
Narrator: Actually, I’m going to ask you to take your seat again.
(Narrator leads Clown back to seat)
Narrator: Fooling around, making people laugh – there’s a time and place for that. But not now.
(Clown jumps up again)
Clown: But these are children! They need to be laughing and smiling!
(Narrator patiently leads Clown back to seat again)
Narrator: No, they don’t. You see, being happy and jolly is fine. But so too is being sad.
(Clown jumps up)
Clown: But nobody wants to be sad! (Spluttering) That’s …. That’s just wrong!
(Loud sigh from Child 1)
Child 1: Oh do please sit down and perhaps we can explain.
(Clown reluctantly returns to seat)
Child 1: We are all sad from time to time.
Child 2: It’s part of life.
Child 3: It’s part of the human condition.
Child 4: And you know what? It’s actually OK to feel sad.
Child 5: Sometimes, however, we feel we have to hide our emotions.
Child 6: Pretend we’re OK – when we’re not.
Child 7: It’s much better if you’re feeling sad to share it with someone.
Robots Assembly
When is a human not a human? When is a robot not a robot? Our unsuspecting Narrator is just about to find out the hard way! As are those androids - when having a sense of humour is not enough!
Cast size: 30 (easily adjustable up or down)
Duration: around 20 minutes (depending on amount of music used)
Sample Text 1:
Music 1 – I Can Transform Ya – Chris Brown
(Children file in, sitting down in two rows of fifteen, facing the audience)
Narrator: Good morning and I am happy to introduce you to my magnificent cast
(Narrator gestures to cast to rise)
(Whole cast rises to its feet)
Whole Cast: (Robotically) Good morning! ... Very pleased to meet you!
(Narrator gestures to cast to sit)
(Whole cast sits down)
Narrator: What a well-behaved lot! (Aside to audience) I can see I’m going to enjoy this particular assembly … (pointing to cast) … on robots, in case you hadn’t guessed. Sure beats my usual task of directing noisy, badly behaved children!
Sample Text 2:
Group III: (Together) How did you guess?
Narrator: Oh, when you’ve been around children as long as I have, you come to know them pretty well.
Child 7: But they’re human aren’t they?
Narrator: Hmm. Now, there’s a question!
Child 8: But, they laugh and cry, don’t they?
Child 9: Weren’t we convincing enough?
Child 10: We laughed at all the jokes
Child 11: We even laughed in all the right places!
Child 12: We cried during that soppy song
Child 13: Real tears!
Child 14: We showed all the emotions you humans go on about!
Child 15: So where did we go wrong?
Child 1: I think we can answer that.
Child 2: No human child, with half a brain, would find those particular jokes funny!
Child 3: Truly lame is what they were!
If by Rudyard Kipling Assembly or Class Play
Cast of 30 - easily adaptable up or down.
Duration - around 10 minutes not including music suggestions.
Unlikely as this may seem but this classic poem by Rudyard Kipling manages to bring together 20 readers and 8 rappers - along with one somewhat incredulous Narrator and poet!
This assembly includes both original material and ... well, who can argue that the rappers aren't themselves a pretty original lot - to say nothing of the material they produce!
If the language of the original If seems a little dated now, take heart from what can still be gleaned from it, in the right enthusiastic hands!
Sample Text
Rapper 4: So I think it’s fair to say
Rapper 5: It’s all a bit iffy!
(All rappers laugh)
Narrator: Now, now people! A little respect for our great poet here, if you please!
Rapper 6: Oh! Absolutely no disrespect intended, bro!
Rapper 7: No, we were just making the point that none of what we are about to say is a given!
Narrator: Pardon?
Rapper 8: It’s all about making your own choices.
Rapper 1: Nobody can make you good!
Rapper 2: That has to come from you!
Rapper 3: And that’s not always easy!
Rapper 4: Take that first couple of lines
(Narrator points to Reader 1)
Reader 1: If you can keep your head when all about you
Are losing theirs and blaming it on you
Rapper 4: Sound familiar?
Rapper 5: In this crazy world where everything has to be ‘now’, how many people do you know who can stay calm under pressure?
Other poems converted into plays by Sue Russell:
• Smugglers Song – Rudyard Kipling
• The Highwayman – Alfred Noyes
Also available – a large collection of alternative Shakespeare and fairy tale scripts plus
• Take a Book – Different Genres of Writing Assembly
• Great British Writers Assembly. This short small cast assembly - 6 speakers (with adaptations for whole class) focuses on the writers *Roald Dahl, C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling and their books.
• Roald Dahl Assembly
Midsummer Night’s Dream Assembly or Class Play
This version of A Midsummer Night's Dream is directed, as a school assembly, by William Shakespeare's own son, Hamnet. Written for cast of 16-30, running time approx. 40 minutes, this play follows the original plot, but has some interesting twists along the way. And as if four confused lovers isn't enough to contend with on stage plus some very non-cooperative fairies - our poor director, Hamnet also has his playwright father to deal with!
Sample Text
Helena: You are teasing me! You still love Hermia!
Lysander: How can you say such a thing? How I do repent, the tedious minutes I with her have spent!
Helena: Lysander! This is not the time for bad poetry! Stop your teasing now!
Lysander: But why would I not change a raven for a dove? Please, Helena! Come with me now! Let us leave hideous Hermia! Believe me (looking over at the snorting Hermia), you'd be doing me a big favor!
Helena: (Sarcastically) So romantic! Men! Who'd have them?
(Helena storms off)
Lysander: Hmm. I can see I may need another trip to that Charm School! (Turning to Hermia) I've hung around with this one quite long enough. What did I ever see in her? What a sight! I'm off to honor Helena and to be her knight!
(Exit)
(Hermia wakes, screaming, from a nightmare)
Hermia: Lysander! Help me! My worst nightmare ... (Frantically searching through suitcase) Please don't say I've left my make-up bag behind?
Other Shakespeare scripts written by Sue Russell:
Assemblies:
• Macbeth
• Different Midsummer Night’s Dream alternative ‘Nightmare’ versions!
• Romeo & Juliet – Valentines Assembly
• Romeo & Juliet in Love … Well, weren’t they?
Guided Reading scripts:
• Shakespeare Plays (8 mini condensed versions)
• Set of 4 alternative Shakespeare scripts - Hamlet, Macbeth, Midsummer Night's Dream and Romeo & Juliet (incl. detailed synopses and lesson plans)
• Alternative Hamlet script plus lesson plan
• Alternative Macbeth script plus lesson plan
• Alternative Midsummer Night's Dream script plus lesson plan
• Alternative Romeo & Juliet script plus lesson plan
Alternative fairy tales – Cinderella and Sleeping Beauty – which are in the PSHE section of the website.
Plus
• Take a Book – Different Genres of Writing Assembly
• Great British Writers Assembly. This short small cast assembly - 6 speakers (with adaptations for whole class) focuses on the writers *Roald Dahl, C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling and their books.
• Roald Dahl Assembly
Second World War Guided Reading Scripts
(World War II Assembly also available plus collection of scripts on the First World War including one on Remembrance Sunday)
5 plays (6 speakers each) and 5 quizzes
Play 1- Background Speakers: Winston Churchill, Neville Chamberlain, Hitler, British Child, German Child, Jewish Child
Churchill: And who was the master mind behind it?
Chamberlain: Why Hitler, of course!
Hitler: But only because you sat back and let me. How feeble you were! Why did you think I started building up the German armed forces? I started my war preparations way back in 1933. You had plenty of time to stop me before we all went to war in 1939!
British child: OK, so he misread the signs!
German child: I'd say it was more a case of weakness! Not like our leader - he didn't need anyone's permission. He just got on with it.
Jewish child: He did that all right! He didn't waste any time trying to wipe out a whole race!
Play 2 The Course of War 1939-45 Speakers: Neville Chamberlain, Adolf Hitler, Winston Churchill, Stalin, Roosevelt, Emperor Hirohito of Japan
Roosevelt: Brave words. But you took a huge risk, you Brits, going it alone.
Stalin: Yes, it wasn't long before France was defeated, joining the rest of Europe in Nazi occupation.
Churchill: Well, Germany did only have 2 true friends - Italy and Japan, making up the Axis Powers.
Play 3 Evacuation Speakers: Evacuee 1, 2, 3, 4, 5 & 6
Evacuee 6: And then being lined up just like animals at an auction!
Evacuee 1: Course, the smart rich city kids were the first to be chosen.
Evacuee 2: And guess who was the last? Just because I wasn't catwalk material!
Play 4 The Blitz - Air Raid Speakers: Air Raid Warden, Mother, Father, Grandad, Child 1 & 2
Air Raid Warden (sighing): I can tell tonight's going to be a very long one! You come with me, Grandad, and I'll take you to the best party in town!
Grandad: Now that's more like it! Why didn't you say? Will there be anybody else there?
Air Raid Warden: Just a few! Around 200,000 - is that enough for you?
Grandad: You mean a rave! Ooh yes! With lots of dancing?
Play 5 War-time Life Speakers: Mother, Father, Child, Sailor, Wren, Anne Frank
Father: And fat was something you were very unlikely to be! But hey! We were all in the same boat!
Sailor: Not with me, you weren't. You thought you had it tough. Huh! You should have tried being at sea.
Wren: I did! In the Women's Royal Naval Service. Forget the seagulls! Us wrens were far more highly trained!
Second World War School Assembly or Class Play
What was the Blitz? What was it like to be an evacuee? What did Morrisons have to do with bomb shelters? Why did Americans call the first 6 months the ‘phoney war’?
(Also available, set of 5 guided reading play scripts, with quizzes - Background/Beginnings of War, The Course of the War, Evacuation, the Blitz and War-time Life/Rationing; plus a collection of First World War scripts - Remembrance Day Assembly, First World War Assembly and First World War Poets Assembly)
SAMPLE TEXT
Second World War or World War II Assembly
Evacuee 5: I was lucky. Although I got separated from my brother, I was looked after by a very kind couple .. and didn’t want to go back to the grimy old city I’d left.
Evacuee 1:I was so home sick. But my Mum said she could only visit once a month.
Evacuee 2: I wanted to go home too. But it was for our own safety.
(All walk off. Sound of bombs and air raid siren. Air Raid Warden rushes on).
Warden: (grabbing child): Quick! It’s an air raid! If you’re not quick, you’re dead! Get yourself into a shelter now!
Narrator: Yes, once those sirens went on, you really didn’t want to be out in the open. Best be (pointing at 2 adults and 2 children under table) snuggled together, indoors, under your Morrisons Shelter.
Mum (brandishing Morrisons bag).
Two for one, this week only!
________________________________________
TEACHING ‘COVERAGE’
6. Unit 9 Second World War Assembly
(i) Whose was to blame?
(ii) Timeline: 1914 – 1945
- Origins in First World War
- Chamberlain’s Appeasement Policy
- Fates of different countries
- Battle of Britain
- Blitz
- V.E. Day
- Hiroshima/Nagasaki
- V.J. Day
(iii) Who was involved (location on map)
(iv) Evacuees
(v) Air Raids/Shelters
(vi) Recreation
(vii) Rationing
(viii) Role of Army, RAF and Navy
(ix) Women’s role
(x) Anne Frank
(xi) Remembrance Sunday (In Flanders Fields)
(xii) Today’s World Situation (United Nations)
(xiii) Lessons learnt.
MUSIC
1. Land of Hope and Glory
2. Run rabbit, run rabbit, run run run
3. Dad's Army theme
4. Pack up your troubles
5. Imagine -John Lennon
Islam Assembly or Class Play
Cast of 30 - easily adapted up or down
Duration - around 10 minutes reading time, not including music at beginning and end
This assembly on the Islamic faith tells the story of Muhammed and gives a brief outline of Islamic beliefs.
It is delivered by a Narrator plus speakers numbered 1 - 29. This script would be a useful supplement to the Baghdad: Early Islamic Civilisation script - as a description of Islam as a religion - with accompanying message of peace and respect for all learning.
Sample Text:
Narrator: Good morning and welcome to our assembly on Islam.
Let’s start with what Islam means.
Child 1: Islam is the Arabic word for submission.
Narrator: I’m guessing, submission to a god?
Child 2: One god – Allah!
Narrator: And the origins of this religion?
Child 3: The religion started AD 610 when Muhammed heard the word of God through the Arch Angel Gabriel.
Narrator: And where was this?
(Child 3 holds up map of the world)
Child 4: (Pointing to Saudi Arabia) Here, in Saudi Arabia, in the city of Mecca.
Narrator: And this Muhammed – tell us a bit about him.
Child 5: He was born AD 570, at Mecca.
Child 6: His family were very poor and he was orphaned at an early age.
Child 7: However, he became rich as a caravan leader
Narrator: (Looking puzzled) Why would you need to lead a caravan? Don’t you just pull them behind your car?
Child 8: No, not that kind of caravan. These were camels, led across the trade routes, carrying goods to be sold at market.
Narrator: Aha! Camel caravans! Now I get you! Back to Muhammed!
Also available from Sue Russell: An assembly on the Baghdad Early Islamic Civilisation
&
Baghdad Early Islamic Civilisation Guided Reading Scripts:
5 scripts, 6 speakers each, plus quiz for each script.
Approximately 5 minutes reading time for each (not including the quiz)
1. When?
2. Where?
3. The Story of Muhammed
4. Beliefs of Islam
5. World Religions
Baghdad Early Islamic Civilisation Guided Reading Scripts
5 scripts, 6 speakers each, plus quiz for each script.
Approximately 5 minutes reading time for each (not including the quiz)
1. When?
2. Where?
3. The Story of Muhammed
4. Beliefs of Islam
5. World Religions
An assembly on the Baghdad Early Islamic Civilisation is also available from Sue Russell plus
An Assembly on Islam which tells the story of Muhammed and gives a brief outline of Islamic beliefs
Sample Text
Script 1: When?
Narrator: So. When does the story begin?
Child 1: Well, I suppose you could say it started with Muhammed.
Child 2: He was, after all, the founder of Islam.
Narrator: Dates?
Child 3: Muhammed was born around 570 AD.
Child 4: Islam began in 610 AD when Muhammed became Allah’s messenger
Child 5: His prophet.
Narrator: And what was his mission?
Child 5: To deliver the Qur’an or the Word of God.
Narrator: Aha! So that was how Islam began. Now let’s talk about how it spread.
Child 1: Well, Muhammed himself died in 632 AD
Child 2: But his followers continued to spread the message of Islam.
Narrator: You mean, Muslims?
Child 3: Correct. And today there are over one thousand million!
Narrator: But let’s not gloss over the history that quickly! I want to hear all about that Golden Age!
Child 4: Ah! You mean up until the 14th century?
Child 5: Yes. Shame about those Mongol invaders, destroying pretty much everything they could lay their hands on.
Child 1: Which included that amazing city of Baghdad!
Baghdad Early Islamic Civilization Assembly
Cast size: 30 - easily adaptable up or down as, besides the Narrator, the speaking parts are just numbered 1 - 29.
Duration: Around 15 minutes reading time (not including music suggestions)
This assembly is intended as a celebration of learning and toleration. And it is to this end that the focus is on the work of the individual scholars, working in unison in Baghdad, during this Golden Age.
Included is a brief comparison of ‘East and West’– comparing London and Baghdad.
Also available from Sue Russell:
• Baghdad Early Islamic Civilisation Guided Reading Scripts
5 scripts, 6 speakers each, plus quiz for each script.
Approximately 5 minutes reading time for each (not including the quiz)
1. When?
2. Where?
3. The Story of Muhammed
4. Beliefs of Islam
5. World Religions
And
• An Assembly on Islam which tells the story of Muhammed and gives a brief outline of Islamic beliefs
Sample Text:
Music 1 Golden Years – David Bowie; or Imagine – John Lennon
(Children file in, taking places along two rows of 15, facing the audience)
Narrator: Good morning and welcome to our assembly on
Whole cast: (Together) Baghdad and Early Islamic Civilisation
(Child 1, 2 and 3 stand up with 3 banners: Golden Age, Learning and Tolerance)
Narrator: Aha! And when was this Golden Age?
Child 1: It was between the seventh and thirteenth centuries. That is, around six to twelve hundred A.D.
Narrator: That’s a long time (looking towards Child 2 and 3) to be learned and tolerant!
Child 4: Oh. You’d be surprised what mankind is capable of when the conditions are right!
Narrator: (Looking at cast) Well. I think we need to find out what these ‘conditions’ were, don’t you?
(Narrator ushers Child 2 and 3 with banners Learning and Tolerance to front of ‘stage’)
After all, aren’t Learning
(Child 2 waves banner)
And Tolerance
Child 3 waves banner)
Two of the most important ingredients to a happy and stable society?
Child 4: And a happy and stable school!
Child 5: Yes, we (gesturing to cast) have all learned a huge amount about the importance of Learning and Tolerance
Child 6: Just by doing this assembly!
Narrator: How so?
Child 7: Well, we’ve learned all about this amazing civilisation that we knew nothing about before
Child 8: And we’ve learned how it actually was, and is, possible to work together for the greater good.