This resource is designed to be printed and laminated so that students can match techniques and quotations from TS Eliot’s poem “Rhapsody on a Windy Night”. It was designed for IB Diploma Programme English Language & Literature students (so KS5) but could be used with able KS4 students too. After completing the activity students can be given a non-laminated version of the file to keep (all techniques are aligned with the correct answers). Techniques covered include anaphora, personification, themes, and iambic rhythm. Great as a starter or main activity.

This file consists of 9 questions in relation to poems 4-6 from Simon Armitage’s Black Roses collection. (The questions are repeated twice on one page in the file for easy printing/cutting out/distribution). Students could complete these in small groups or on their own. These were devised for a sixth-form group of EAL students. However, they could be used in KS4 as well (not sure I would recommend for KS3 as the content of the Black Roses collection could be disturbing for children who are too young).

These comprehension questions on John Keats’ Bright Star sonnet were designed for (I)GCSE students studying the poem but could also be used for A Level/IB students. The 4-page pack includes a copy of the poem as well as a vocabulary matching activity, space for handwritten definitions of any other unfamiliar vocabulary, note-taking space, comprehension questions, and an optional extension task.

This resource collates multiple WW1 letters from an American soldier, deployed in France, to his father back home in the US. The ensuing activities check on students’ comprehension of vocabulary and ask them to analyse the context, audience, purpose, and stylistic elements of the text. Best for students with some confidence at doing this already but could be adapted for weaker students or students who are only just starting to develop these skills. If using the final analysis-writing activity this could easily stretch to 2-3 lessons depending on the amount of groundwork you need to lay with your students beforehand. An alternative approach could be, for instance, to carousel the reading and analysis of letters so that e.g. a small group just works with one letter.

This quiz was designed to be used in an English lesson to reinforce student knowledge of Irish history in relation to Brian Friel’s play “Translations”. However, it could of course also be used by history teachers! The quiz could be done traditionally, whereby students revise in advance and then sit the quiz on their own. However, I used it as a team game, whereby at around Easter time, the slips were cut up and hidden around the classroom treasure hunt-style. Students had to work in teams to find the slips and fill in the answers where they thought they went on the answer sheet. The first team to get a full sheet of correct answers - or the highest number of correct answers - by the end of the given time - won an Easter egg (I appreciate that edible prizes and/or the religious aspect won’t work in all schools so obviously feel free to substitute this with a reward of your choosing if needed). Ground rules worth setting include: no hoarding of slips in your team (they should be put back where you have found them so other teams can also find them…) and no using chairs/tables etc as weaponry to guard the slips you have found (yes, really!!).

These comprehension questions can be completed by students in groups or on their own, in class or as homework. They are also great revision resources and can be handy if you need to set cover work. Multiple copies of the questions are duplicated on one sheet in some cases, for ease of printing, photocopying, and distribution. The questions are designed for MA-HA students and range from identification and interpretation of techniques used (such as paradox) to encouraging students to explore issues surrounding translation, narratorial reliability, and choices of nomenclature in the novel. Motif and symbolism are also covered. Some extension tasks are included. These questions were originally developed for use by KS4 students working towards their IGCSE in World Literature. They could also be used for native French speakers, or students of IB/A Level French (although they would of course need to be translated).

This lesson was designed for KS4 and was used in English lessons to illustrate the impact of persuasive language and connotation. However, it could also be used as part of lessons in business studies/marketing. Opportunities are given for whole-class and small-group discussion, as well as for students to work alone. Students are invited to compare their initial thoughts about a brand with the brand’s mission statement, and to chart their changing impressions over the course of a lesson. Students are also able to consider the ethics of companies’ decisions behind their choices of brand name. There are some elements of the PPT which pertain specifically to the IGCSE First Language English syllabus run by CIE; however, these are not the main part of the presentation and could be easily adapted or deleted. For extension in an English lesson, there is the opportunity to discuss euphemism (especially in relation to Simpsons episode Realty Bites) - or this could be done as a separate lesson. This PPT was created for use with KS4.

This resource bundle contains 2 video clips (of Jamie Oliver and Delia Smith making a Victoria sponge), a grid for students to fill in with instances of linguistic features such as hedging and fillers, and an answer grid for the teacher. For extension purposes, the grid contains some blank lines for students to fill in any other features they believe they have spotted. The ‘cosmetic surgery or speech feature?’ game is also included along with the lesson plan.

This worksheet/activity is designed to follow on from a lesson covering the poem’s content. Once students have understood its content, the sheet can be used. The first task encourages students to match techniques found in the poem with definitions. (Students can also find examples from the poem once they are done.) Suggested follow-up activities, mentioned on the sheet, include inviting students to guess information about the poem’s time period and author, and asking students to explain why the literary/linguistic techniques are used (with sentence stems included to start them off). Aimed at MA-HA KS3 but could also be used with KS4.

This table is designed to be filled in by students to illustrate the moods and atmospheres in the novel, with techniques identified and effects explained, as well as examples given from the text (paraphrase or direct quote). The various columns could be used to differentiate between the abilities of different groups of students, or filled in by all students. The final question on the sheet could be used as extension or plenary. This was designed to be used by students of IGCSE World Literature, who were reading the novel in translation, but it could also be used by native French speakers, or by students of A Level/IB French.

This would make a good revision activity for A Midsummer Night’s Dream, or is useful if you need to teach the play within a short space of time or need to set cover work. It is aimed at high-ability KS3 but could also be used with KS4. The extracts used focus on the moments that show Oberon realising Puck’s mistake, and fixing the problem. The extracts do not deal with other extracts/themes from the play. After reading the extracts (which I would recommend doing aloud, whether as a class or in small groups), there are questions for the students to complete (which could also be done in a carousel or other format if you prefer, or students can sit down and write). A short glossary is provided.

Students can work in teams or alone to find quotes that show how Lloyd feels about Dinah (or the other way around), and write these into the evidence column on the chart. In the explanation column they should explain what this tells us. An extension question is also provided to stretch and challenge your more able students. Aimed at KS3.

This resource consists of an article written in the Independent in 2011, plus accompanying comprehension questions which I created. It was originally used with EAL 6th-formers but could be used throughout KS4 and KS5, not just in English but also in politics lessons. The questions range from asking students to define extremism and terrorism, encouraging student understanding of policy-making, and inviting student opinion on aspects of policy.

This resource is a great introduction to descriptive writing for students in Years 8-9. It uses Mark Haddon’s “The Curious Incident of the Dog in the Night-Time” as a stimulus but you could adapt this to suit any text where the character finds a journey difficult. The PPT should get you through a minimum of 2 lessons depending on your students’ abilities. It goes through the basics of getting students to name the five senses and to talk about journeys they have completed, before progressing to finding textual evidence for why Christopher finds his journey to London difficult and planning/creating their own piece of descriptive writing based on a journey. Opportunities for peer assessment are also included.

This unit plan for The Great Gatsby is aimed at students aged 14+. While many ideas will suit abler students more, it is ultimately made accessible to all with differentiation suggestions included. The unit should take around 4 weeks to complete (based on the idea of 4 x 55-minute lessons per week), but this may vary depending on your class' ability. Also included is an extension task regarding the reference to the 'Platonic conception of himself'.

These Persepolis resources focus on Criterion A of the IB English A: Language and Literature courses, deepening students’ ability to understand and interpret texts through the use of Persepolis 1: p146-147. The Powerpoint is based on a template from SlidesGo, so there are some extra/superfluous generic slide templates included that haven’t been used, but the presentation makes the aims of the lesson clear for students and includes cutt.ly links to Quizlets and a digital version of the attached worksheet of comprehension tasks (which students can view, download and make copies of). The Powerpoint includes differentiated ways in which students can share their responses (Twitter, write on the whiteboard, or tell you in person). The comprehension tasks worksheet is also differentiated, offering 4 levels of tasks that encourage students to explore both explicit and implicit meanings inherent within the text. This allows students choices as to which tasks to complete. Finally, the answer grid enables them to type their responses rapidly alongside each question.

This 16-lesson (4-week) unit plan for Alain-Fournier's novel, Le Grand Meaulnes, explores characterisation, setting, themes, techniques, and text-to-self connections, as well as the context of the author's life and the influence of these on the text. The unit is enhanced by the usage of other fictional and non-fictional texts, such as The Great Gatsby and articles from The Economist. Pupils consider the links between style, context, content and purpose. They also create their own directed writing task based on the story, which is designed to demonstrate empathy and their understanding of plot and character, as well as command of authentic language appropriate to the text. The unit plan was designed for use with students of IGCSE World Literature, but could also be adapted for other (I)GCSEs in literature, as well as (I)GCSE, IB French B, or A-Level French.

PLEASE NOTE: These lesson plans pertain to the ‘old’, outgoing Lang/Lit course (final exams in 2020). While a lot of the material will still be usable in the new course (first exams 2021), please bear this in mind when purchasing and, subsequently, using the plans yourself (whether as written or to make your own). Thanks for your understanding! This file contains at least 50 hours of lessons pertaining to Part 1 (Language and Cultural Context) of the English A: Language and Literature IB program. This would normally last you at least one academic year when taught alongside a minimum of 2 IB set texts (based on a schedule of 4 hours a week at standard level, with a supplementary hour per week at higher level). Topics include spoken language, censorship, translation, metalanguage, and historical and geographical contexts. Texts used include Charles Dickens’ A Christmas Carol, Amy Tan’s Mother Tongue, Marcel Proust’s In Search of Lost Time, and Jonathan Swift’s A Modest Proposal. Tasks are differentiated and activities are suggested to support students in TOK and with their extended essay, as well as to support you in the event of your absence from school. Extra resources can be supplied upon request at no extra charge to support you as far as possible. Created by an experienced IB teacher and examiner.

This Wuthering Heights unit is designed for students aged 16-18. The lesson plans are not fully developed with objectives etc but these should be implicitly clear and give you the freedom to adapt them for your own class. The lesson plans are based on the idea of virtually all reading being done in advance of the lesson taking place. Many lessons are supported by Powerpoints, but not all are.

This 16-lesson (4-week) unit plan for Henrik Ibsen's play, Hedda Gabler, explores characterisation, setting, themes, techniques, and text-to-self connections, as well as theatrical movements and practitioners and the influence of these on the play, and is enhanced by the contrasting cultures of production and reception via study of historical context. Pupils consider the links between style, context, content and purpose. They devise their own adaptation of the play to form a 1-hour staged reading of the production.