This uses an extract from Arthur Machen’s story, written in 1914, (it is in the public domain) in which a group of English soldiers are facing a mighty German advance. There are 12 questions. The questions cover the reading skills of information retrieval, inference and explaining the effect of the writer’s methods. This task could be used for cover or for homework. Alternatively, the questions could be used to structure a guided reading activity. Suggested answers are provided - which means that this task could also be set for a student working from home who would like to do some self-assessment.

This is a straightforward worksheet using Thomas Hood’s poem, “I Remember I Remember”. The intention is that once the students have worked through the 9 questions, they will be furnished with ideas to support them in answering the exam-style question that’s printed above the title - How does the poet present the speaker’s ideas about childhood? The sheet can be used to guide paired or group discussion in class. Alternatively, it could be used for homework so that students are prepared for a timed essay in class. Planned for a year 10 class but this could be used to support an introduction to unseen poetry at key stage three.

This is a short and straightforward activity giving students an opportunity to practise and develop the skills of writing an analytical essay about an unseen poem. The poem is “Spellbound" by Emily Brontei so no issues with copyright. The first slide of the ppt has a copy of the poem and the essay question. The second slide gives students a suggested pattern for tackling the task, the idea being that they should go through each of the steps in every paragraph of their response. The third slide can be used for self/peer assessment and developing the response further.

Three straightforward writing starters planned to improve student approaches to the paper 2 writing task for AQA English Language. Each is intended to take 15 minutes although of course you could then allow more time for students to develop their initial ideas into a developed piece of writing. The first slide is merely about generating a range of ideas to support a clear viewpoint. The second and third slides extend this by reminding students to use a range of sentence types and varied punctuation.

This is a simple and straightforward powerpoint planned to support students in their preparation for the unseen poetry task for English Literature GCSE. The poem used is “The Deserted House” by Mary Elizabeth Coleridge. Slide 3 of the powerpoint is for differentiation - to support less confident students in getting to grips with the idea of the poem as an extended metaphor. This slide can be deleted for those students who don’t need it. The final slide is for peer or self assessment - or could be modified and used as a scaffold for those in need of support.

This uses an excerpt from Elizabeth Gaskell’s “The Grey Woman” which uses many of the features of the gothic genre. There are 14 multiple choice questions which could be used for flipped learning or to structure a guided reading activity. Alternatively, the questions could be used as a starting point for class discussion of the extract, for homework or for cover. Answers are provided.

This is a 20-question multiple-choice quiz on Thomas Hardy’s “Neutral Tones”. It could be used for revision, for homework after the poem has been covered in class or as a flipped learning activity so that the students read the poem and attempt the quiz prior to teaching - that way, subsequent teaching can be targeted towards gaps and misconceptions. Answers are provided so that the task can be self or peer-assessed.

This is a multiple-choice quiz with 21 questions, planned for flipped learning so set for homework before the poem was explored - in greater depth - in class. Alternatively, the quiz could be used for a consolidation homework after the teaching of the poem. You might wish to use the quiz to structure a more guided reading session of the poem as some of the questions lend themselves to further questioning and exploration. Answers are provided.

Planned for a year 8 class, this lesson looks at Dickens’s viewpoint on slums and the methods that he uses to communicate this viewpoint. The lesson begins with a discussion about a modern slum, an introduction to the idea that vocabulary gives an indication about viewpoint and questioning intended to ensure that all pupils have a secure understanding of viewpoint before they begin to look at the extract. The extract used is from “Oliver Twist” as Oliver and his employer (‘owner’), Mr Sowerberry, go into the slums to collect the corpse of a woman. The lesson uses several hinge questions to check crucial points of understanding. Wherever a question is used, the answer is given on the subsequent slide, just for clarity. For some reason, the ppt preview does not appear in the correct order. I will try to get TES to rectify this.

This lesson can be taught in two ways depending on the students’ level of confidence and the amount of scaffolding required. The resource used is Vachel Lindsay’s “The Spider and the Ghost of the Fly” which is an extended metaphor exploring the end of a relationship. More confident students can approach the task more or less straight away (after a warm-up which asks them to explore the title and furnishes some initial ideas). The task and poem are on slide 3 which is a printable but could be displayed on the screen if you’re trying to cut down on photocopying ! The idea is that students will approach the task fairly cold and then the subsequent 7 slides can be used to support an improved response, ensuring that the response is as thorough as possible. Less confident students (for whom this was planned) can work through all of the slides so that they have a wealth of ideas on which to draw before attempting their own response.

This uses an excerpt from “Dracula” in which the vampire hunters have lain in wait for Dracula who confronts, taunts and escapes them. There are 11 questions focusing on the writer’s methods and their effects with a couple on vocabulary and inference. Useful for homework or for setting as a cover activity. A useful addition to any study of the gothic horror genre. Alternatively, the question could be used for structuring a guided reading activity.

Created for a year 11 class to try to build on their skills of analysis of unseen poetry this uses a deceptively simple poem by Whitman and guides the students through the process of analysis. With this lesson I am trying to encourage them to write about structural features for a poem that doesn’t necessarily have a wealth of language. The teaching strategies include close questioning on the title (something I find my students tend to ignore in their analysis though it is often a fruitful area for exploration), a whole-class reading of the poem (changing voice with punctuation to encourage students to notice that the whole poem is a single sentence and how the punctuation is used for emphasis), some paired discussion, spotting and beginning to explore the features and then modelling of the first paragraph of the response. The mark scheme is used to plot what’s required in the response.

A very matter of fact comprehension exercise based on an excerpt from chapter 19 of “Frankenstein” in which Victor ‘hides out’ on Orkney in order to create a bride for his creature. There is a focus on inference and the characterisation (in terms of thoughts and feelings) of Victor Frankenstein as he narrates this part of his story.

A basic comprehension activity on “Snow” by Walter de la Mare. There are ten questions focusing on the writer’s methods and their effect. Originally created as a homework. Could also be used as a cover activity, for exclusion work or for distance learning.

A simple and straightforward comprehension activity on Walt Whitman’s poem, “The World Below the Brine”. Questions focus on language, structure, viewpoint and ideas. There are 11 questions in total. Could be used for homework or set as cover. Alternatively, the questions could be used to structure a guided reading activity or prompt class discussion.

I created this powerpoint as part of a home learning pack for a year 7 class but it could be adapted for classroom use. It uses Lewis Carroll’s acrostic poem spelling out the name of Alice Liddell, his muse. The powerpoint has 9 teaching slides (the tenth is merely a title slide). The start of the learning asks the pupils to do some research and find answers to these questions: Who wrote “Alice’s Adventures in Wonderland”? What is an acrostic poem? Write down an example of an acrostic poem. What is a muse? Slide 3 has some context about Carroll and the afternoon that gave rise to the story of Wonderland. Slides 4, 5, 6 and 7 use questioning to look at extracts from “Alice’s Adventures in Wonderland” with a focus on dreaming and the attitude of Alice’s older sister towards Alice, reality and growing up. Slides 8 and 9 explore the poem. Slide 10 asks the pupils to write their own acrostic poem about someone (real or fictional) who’s important in their life.

This is a multiple-choice quiz (answers provided) on Christina Rossetti’s love poem, “A Birthday”. The quiz could be set for homework to consolidate students’ understanding of the poem after it’s been taught. Alternatively, it could be used as a pre-reading activity to identify any confusion or misconception so that subsequent teaching can be more precisely focused. The quiz could be used to structure a guided reading session or to open up the poem for a wider discussion.

This is a comprehension activity using a deleted segment from H.G.Wells’ “The Time Machine”, (cut from the novella but later published on its own as a short story). There are ten questions, focused on the reading skills that will be tested in the GCSE English Language exam: inference, analysis and evaluation (as well as a couple of questions on vocabulary). Could be used in class to support the development of these key skills or used as a homework or a cover activity.

This powerpoint was used very early in my teaching of ‘A Midsummer Night’s Dream’ to year 7. The overall aim is to establish whether Puck is a typical or an atypical fairy. The lesson begins with a focus on the meaning of ‘typical’, after which the pupils are asked to work together to create an acrostic poem using ideas about typical fairies. After that, the pupils are asked to work independently to write a cinquain about a typical fairy. The lesson then shifts to focus on a prose description of the fairy wood (from a re-telling of the play’s story) and the pupils are asked to identify aspects that are typical of fairies and aspects that are atypical, explaining their choices. This skill is then developed with a focus on Puck’s conversation with the fairy in which he outlines his role as Oberon’s jester. First of all, the extract is read and there is a quiz to aid understanding. Once any misconceptions have been identified and addressed through peer marking of the quiz, the pupils are asked to complete a grid explaining which aspects of Puck’s character are typical of a fairy and which aspects are atypical. Also provided is a multiple-choice quiz for homework, the intention of which is to embed and consolidate some of the learning from the lesson.

This is a simple and straightforward comprehension exercise based on a short excerpt from George Orwell’s “The Road to Wigan Pier” in which he describes Sheffield. There are ten questions, four of which invite a more developed response. This could be used for cover, for homework or home learning, to structure a guided reading activity or as a pre-reading activity to identify any gaps in knowledge and understanding prior to using the text to explore the methods whereby a writer can communicate a viewpoint.