Unique resources created by an experienced Secondary English and History teacher. These are academically rigorous resources that target children between 13 and 18 years of age.
Unique resources created by an experienced Secondary English and History teacher. These are academically rigorous resources that target children between 13 and 18 years of age.
Includes 6 weeks worth of homework activities including chapter questions, a vocabulary list (and activities) and tips for creative writing.
It steps students through an assessment task which requires students to write a short story (a transformation of a section of the novel and a preface justifying their creative decisions). Specific task details are below.
Mode/Medium: Imaginative Written short story (fiction).
Subject Matter: Throughout time short stories have captured the imaginations of both readers and listeners. A good short story will capture the interest of its audience and hold it to the end.
Purpose: To entertain and demonstrate your knowledge of the short story genre.
Task: For this task you have a choice:
1. Write an imaginative short story that creates a character or “gives voice” to a silenced or marginalised character in the novel that you have studied in class.
2. Place the character into the novel which you have studied in class. This can be at the beginning, the middle or end of a scene. For example, you might write from the perspective of someone who observed an event, assisted the protagonist or befriended them. Or you may create a new character. E.g. A new best friend for the protagonist.
Your teacher will explain what it means to “give voice” to a character in a novel. Your character must interact with the novel’s protagonist. You may change the storyline and plot to accommodate your character if you desire, however, your story must remain true to the themes and setting of the novel. (E.g. you can’t turn it into a comedy or change the country where the novel is set).
Requirements: Length is to be 400-500 words plus a 100 word preface explaining how the story is both original and imaginative.
You must demonstrate that you have a sound knowledge of short story conventions and adhere to the short story structure. You can make your story both original and imaginative in the following ways:
• Creative use of the conventions of a short story, for example a twist at the end.
• Create non-stereotyped characters that make unpredictable choices.
• Juxtapose related texts.
• Promote alternative beliefs and values through your writing.
A multifaceted lesson (PowerPoint) which encourages students to speculate about the opinions of the nurse, Juliet and Lord Capulet about events we have read thus far (in preparation for a monologue task). This has key questions to prompt this discussion. It also introduces some new terms that are important for understanding the ‘arranged marriage’ which Juliet is faced with (patriarchy, social class, feminism, liberalism). it includes a youtube clip of Baz Luhrmann’s version of the party scene which could be compared with the 2013 film. Slides also discuss language clues and how the writing style changes when the characters are feeling loving vs angry. This PPT also includes a summary of all the scenes in Act 2. It includes a video clip of the Baz Luhrmann balcony scene. It includes quotes and prompts which help students to analyse Juliet’s speech and behaviour in the “balcony scene” to better understand the pressures on her and the way they make her act.
An updated PowerPoint about Act Two which includes more key quotes and questions to check for understanding. It is designed for a unit where the only assessment is an exam at the end of the term. It includes images and clips to cater to visual learners. It focuses on key language (aesthetic) features within the play which students may like to refer to in their exam responses.
A handout - revision activity - a list of jumbled up events from this act which students have to reorganise into chronological order.
A script for the balcony scene which has been translated into modern language (more accessible for students).
Part of a set of resources created for a year 10 English class in Australia (ACARA syllabus). The other resources are also available in my store - lrigb4. Designed for use in 70 minute lessons (with extra activities as a back up if the class is advanced).
A PowerPoint which focuses on Act 3 (Scenes 2-5). To be taught after a lesson acting out the first scene (fight scene). The lesson includes a summary of each scene with key quotes and questions. Additionally, it features important historical context information that students need to know to understand the play. There is a link to an Australian performance of Juliet’s famous soliloquy (Act 3, Scene 2). This is followed by a close look at the lines of this soliloquy. Viewing Act 3, Scene 5 from the 2013 film. Important things to note from Act 3.
An updated PowerPoint which features all of Act 3 (Scenes 1-5). This lesson is designed to run over a couple of lessons. It includes more quotes from the play, checking for understanding questions (some to answer in books and some to discuss as a class) & some brain breaks (viewing activities + one game of scattergories). This lesson is designed to fit into a unit where students must complete an exam where they respond to an essay which argues that Friar Laurence is solely to blame for the deaths of Romeo and Juliet. Through studying each scene in depth, students should begin to see that a range of other characters could be referenced in their counter argument.
A handout - revision activity - a list of jumbled up events from this act which students have to reorganise into chronological order.
Part of a set of resources created for a year 10 English class in Australia (ACARA syllabus). The other resources are also available in my store - lrigb4. Designed for use in 70 minute lessons (with extra activities as a back up if the class is advanced).
Miseenscene definition and music videos to exemplify (one Coldplay and one Brittney spears).
Talking about genre and target audience and the importance of branding your artist.
Viewing Pink's music video 'Just Give Me A Reason' and completing a quiz about lighting and shot sizes.
Introducing new term - cinematography and what it means.
A PowerPoint exploring the origins and evolution of film (1895-present). Information about The Seven Ages of Film and the advent of sound. Video clips from 'Singing in the Rain' which depict how film studios began to make talking pictures. Looking at the advent of colour in films with clips from The Wizard of Oz showing the use of technicolour. Information about the introduction of The American movie rating system in 1968. The phenomena of Midnight movies - with clips from the Rocky Horror Picture Show.
A PowerPoint designed to last a few lessons. It explores two key themes in Macbeth: Power and Ambition. After defining these terms it looks at specific examples from the play. It includes prompting questions to get the students thinking. It also introduces a continuum of power and how this is illustrated within the play: The seduction of power - The lust for power - The obsession with power - The seizure of power - The abuse of power - The corruption by power - The insatiability of power - The destruction resulting from the obsession and abuse of power. It also includes key quotes from the play which demonstrate this. Finally, this PowerPoint includes exam advice including how to plan for the test and structure the essay.
Defining bullying and the various types. Info about the emergence of cyber bullying, a novel example - Destroying Avalon (2006) with a summary and key quotes. A list of texts which feature bullying. A few clips from Mean Girls followed by reflection questions, a clip from Glee, The OC and The Breakfast Club followed by reflection questions.
Two PowerPoints for a 10 English class.
defines satire, introduces key terms that students need to know including hyperbole, irony and parody. Introduces Daria as an example satirical text.An example clip and viewing questions.
Defining mockumentaries. How mockumentaries use satirical elements to reflect human experience. View excerpts an example mockumentary (Summer Heights High). 3 clips and responding questions.
A student workbook for watching the film including; a synopsis, a list of characters, viewing questions, themes in the film, key quotes & what others have said about the film.
The second is annotated notes taken from Cateforis, T. (2009). Rebel girls and singing boys: Performing music and gender in the teen movie. Current Musicology, (87), 161-190,247. Retrieved from
http://search.proquest.com/docview/224870683?accountid=16285
Defining each theme and posing questions for students to consider e.g. Why do human beings have a basic need and desire to be in a group? What are the consequences of being an outcast from main groups? (both physically and mentally). Can groups affect your behavior and encourage you to engage in behaviors you might not otherwise? A list of texts which feature this theme. Clips from various teen films (mostly trailers) with questions for students to respond to post-viewing. It also explains how popular teens and unpopular teens are commonly shown.
PowerPoint 1: Defines monologue, goes through the requirements if students choose to record their monologue rather than presenting in class, prompts for what students should look for when watching Glee, post episode summary and activity,
PowerPoint 2: Explaining the monologue assessment task and requirements. Going through the structure of a monologue. Viewing a clip from Ferris Bueller's day off for inspiration. Going through expected language features.
A PowerPoint presentation which teaches students how to structure a paragraph using the PEEL acronym. This will be used by students when they write their reviews of the poems they will later read. The PPT includes the words to Kidnappers by Iris Clayton which explores some of the consequences of the stolen generation. Children are asked to write a PEEL paragraph in response to a set question. Depending on the ability level of the class this can be done independently or as a group with the teacher writing their suggestions on the board. This process is repeated for another two poems.
I have also provided a handout with the words for each poem and the questions (for students who need hard copies).
Additional resource: homework handout - a three level guide (designed to prompt higher order thinking about the topic).
1) A PPT: to facilitate learning about the use of poison gas in WW1 and the gas masks which were provided to soldiers. Some context about the poet (Wilfred Owen). Students read and annotate Dulce et Decorum Est. This is followed by questions about the tone of the poem and its intended reading. Following this, students will identify the poetic devices within the poem and evaluate their effectiveness. This is followed by a series of questions for students to answer in their books (to help them expand their analysis). This is followed by a discussion to compare this text with other WW1 poems we have already explored and a reflection activity (KWL).
2) A handout for students to complete their analysis in (which also includes the details for their homework -- to write a mini essay about Owen’s representation of war in comparison to Seeger’s)
A document with over 300 trivia questions (and answers) useful for class competitions, homeroom, school fundraisers etc. Questions include those about Australia, other nations, celebrities, popular culture texts, inventors and scientific discoveries, historical events, true or false etc
3 resources
1) A worksheet which explains the QAR strategy. It then includes a passage (excerpt) from The Time Machine followed by a series of QAR questions.
2) some posters suitable for a year 6-9 English classroom (explaining the QAR terms)
3) a PDF explaining the QAR process for teachers.
A PowerPoint explaining the assessment task to students and what they are being marked on. This is interlaced with tips and activities for the various criteria. There are tips for writing dialogue (reviewing punctuation rules), past vs present tense, homophones etc. It also includes a list of common errors made by students in the previous year for this task.
A planning booklet for students to use to brainstorm their ideas prior to writing their short story (aka imaginative recount). It includes prompts and graphic organisers which students can work through in class and for homework.
A series of PowerPoints designed for the drafting phase of the unit. Each begins with a mini lesson with a specific focus (e.g. characterisation, juxtaposition etc.) they then focus on students writing a particular part of the narrative in the lesson (e.g. orientation) with hints, examples and reminders.
A graphic organiser for students to write their short story (imaginative recount) into.
A draft feedback form which lists common errors that students make. The teacher merely needs to highlight the feedback which applies to the student. This speeds up the drafting workload for the teacher and ensures all students are receiving consistent feedback based on the cognitive verbs prioritised in the unit.
Part of a set of resources created for a year 7 English class in Australia (ACARA syllabus). The other resources are also available in my store - lrigb4. Designed for use in 70 minute lessons (with extra activities as a back up if the class is advanced). The focus text is ‘Black Snake: The Daring of Ned Kelly’ by Carole Wilkinson.
Two PowerPoints which include scans from two picture book memoirs.
The Little Refugee (Anh Do) - It includes pre-reading questions. The powerpoint also introduces key terms for analysing these visuals: visual components of a text such as placement, salience, framing, representation of action or reaction, shot size, social distance and camera angle. Body Language – A non-verbal form of communication including facial expression, posture & gestures. Salience – a strategy of emphasis, highlighting what is important in a text. In images, salience is created through strategies like the placement of an item in the foreground, size and contrast in tone or colour. There are also comprehension questions and an explanation of things to note about the illustrations.
The Peasant Prince (Li Cunxin) - a more comprehensive lesson (for a higher class). It includes information about the author and the illustrator and the techniques she used. It introduces visual literacy techniques to look for e.g. use of colour vs black and white. Ways to describe colour e.g. vivid and muted. Colour theory - the connotations of specific colours. Describing the positioning of elements within the image (e.g. foreground & background). How to describe the settings within the story (there is a graphic organiser for them to fill in to respond to three images from the book). Nonverbal communication (explanations of body langauge and facial expression). Students have the chance to apply this to describing three figures in the book. Shot size, Angle and Mise en scene are defined and there are further activities for each of these. Other concepts are covered incuding reading path, salience, positioning, vectors, allusion, symbols and language features.
100 quiz questions which can be used for a range of games including 'around the world.'
Topics include famous texts like Harry Potter, the works of Roald Dahl, Lord of the Rings, fairy tales, nursery rhymes, Jungle Book and some Greek Mythology questions.
A lesson aimed to help shape student's understanding the lived experiences of soldiers in Vietnam. It focuses on two key texts: I was only 19 and Homecoming. The PPT includes a video of the song I was only 19 which students will listen to. They will then view key lyrics and talk about the representation of the Vietnam war in this text (including the literary devices used). After this is some information to help students empathise with what this would have been like especially for the conscripts. Some brief info is provided about 'fragging' and how the treatment the Veterans received upon their homecoming severely damaged countless veterans. It briefly looks at lyrics from Khe Sanh which discuss the experiences of a returned soldier. The remainder of the PowerPoint explores the poem Homecoming (which I ran as a separate lesson).
2) a handout with questions about Homecoming.
We will then turn our focus to the major poem for this war in our booklet (Homecoming). We will talk about the difference between these representations.
3 Resources
1) A handout with questions for the three poems in the booklet about the atomic bombing (for students to complete as revision
2) A PowerPoint which first explores survivor's recounts of the bombing. This is to help students to understand how witnessing the bombing would influence the worldview of a person and be able to explain how this would insert subjectivity into poems written by survivors. View an excerpt of a documentary on the atomic bomb (which simulates the blast and includes interviews with survivors – one of which is a poet who will be studied in the next lesson. Students will read the poem 'At the makeshift aid station' together stanza by stanza, taking time to address the questions in the prompts down the side. The significance of the reference to the cherry blossoms will be explained so that students can reflect on the effect of this symbolism. It includes some other discussion questions which will help them to think like they need to for their feature article under exam conditions...
3) A PowerPoint which analyses Takashi Tanemori’s Blades of Grass in a Dreamless Field. Information about the author and something which shaped his belief system (the bushido code). What must be understood about the author in order to best interpret the poem. There are questions, discussion points and other annotations alongside each stanza of the poem.