Students get into pairs. One partner must face the board, the other partner must face the back wall. The partner facing the board must try to describe the poetic device without actually saying what it is. The partner must guess what that poetic device is before their facing partner can move onto the next word. Students then swap places to swap roles. This starter activity lasts approximately 10 minutes. Students, especially boys, enjoy the competitive element. I've also enclosed a poetic device glossary which you may wish to hand out to students before or after the activity, depending on your group's ability, to recap some of the poetic devices.

Students are issued with a scenario and asked to represent/show the story from the perspective of any of the people numbered 1-9. They must consider their perspective carefully. Ask themselves what can they see and hear? Write a short account; write in as much detail as your perspective allows. This activity is a hands-on way of finding out how narrative perspective can alter the narration of a story. This will lend itself well to leading into a discussion about a narrator's point of view and reliability of narrators.

This is an excellent, fun and challenging quiz to do with secondary school students in an English lesson. This quiz tests students’ knowledge of children’s and teen literature. There are 52 opening lines - one for every week of the year - for students to try and identify. Students must decide which story the opening line comes from. Depending on your students’ ability, you can use the optional clues provided on each slide, available simply by clicking ‘clue’ on each slide. You can also challenge students to not only guess the story’s title but also the story’s author. There is plenty of scope for differentiation. Some notes for how to complete this activity are included in the ‘notes’ section the PowerPoint slides. Sample opening lines: “All children, except one, grow up.” - Peter Pan "Once there were four children whose names were Peter, Susan, Edmond, and Lucy." - The Lion, The Witch and the Wardrobe “I found him in the garage on a Sunday afternoon.” - Skellig "My mother drove me to the airport with the windows rolled down. It was seventy-five degrees in Phoenix, the sky a perfect, cloudless blue.” - Twilight “Sophie couldn’t sleep. A brilliant moonbeam was slanting through a gap in the curtains. It was shining right on her pillow.” - BFG The opening lines range from The Hungry Caterpillar to The Fault in our Stars. This quiz is a fun thing to do at Christmas or at the end of term, or just as part of a reading lesson to encourage students to read by engaging them in the opening lines. This quiz also offers opportunity for students to discuss which opening lines are their favourites, perhaps encouraging them to seek out the stories to read for themselves.

In this PPT are seven fantastic brain teasers. These will definitely get your tutees' brains whirring away. For example: What is light as a feather, but even the strongest man cannot hold it more than a few minutes? Answer: His breath.

An informative PPT explaining how to use speech marks correctly.

These are two little sheets to stick in the front of students' books. The 'marking key' is a simple guideline for students to understand your own little codes and markers that you use when marking their books. You would fill this in together at the start if the year by writing your own symbols on the board. The 'personal targets' sheet is for students to self-assess themselves at the start of the year. This allows you as a teacher to gauge an understanding of how the students self-assess. It is useful to look back on this at different points during the year to see whether students think they've made progress in certain areas.

This activity teachers students that good writers show us their characters rather than just telling us about them. Firstly, students look at an example of 'showing'. The example is a questionable supply teacher entering a classroom. Students are then asked to put their new-found knowledge to the test by transforming a 'telling' piece of description into a piece that 'shows' the character. This activity will last between 10-15 minutes.

This resource offers a fun way of researching WW1 context. Before the lesson print of the questions and put them into colour-coded piles. You'll need as many questions as you have groups of students. For example, if you have 6 groups, you must have 6 print-outs of the questions. You'll need 6 x yellow questions, 6 x green questions, 6 x blue questions etc. Put students in teams of 3-4 students. Students must have immediate access to a laptop or computer to be able to find the answers to the questions. You need to put the piles of questions on your desk. Issue Q1 to all groups and 1 piece of paper to all groups for them to write their answers on. Groups must find the answer to Q1, write it down on their answer sheet and then bring their answer sheet to you. If the answer is correct, you issue them with Q2, and so on until groups have found all the answers to all the questions. It is basically a race to the finish, but the answers must be of quality because you have to 'okay' them before they're issued with the next question. Students enjoy the competitive element of this task. You may wish to give the winning group a small prize as an added incentive. Discuss the contextual research once the task is over and discuss its links with the poems being studied.

Students are to work in pairs. Issue one line from the poem to each pair. Students are to analyse the language closely to try to learn about the speaker’s feelings. Motivate students by asking them to imagine their police detectives, with only one sentence of the criminal’s confession to analyse. They are to read the line deeply to consider the multiple layers of meaning. Model activity. Whole-class feedback. Students should write down what their peers say.

Students are to review the play and consider reasons, with supportive quotations, as to whether or not Macbeth should kill King Duncan. This resource is taken from my KS3 Macbeth SOW which you can buy from my shop.

Students are shown a collection of objects on the screen. They have two minutes to try and remember them all without writing them down. After the two minutes they must write down as much as they can remember. They are then able to see their age equivalent test score. For example, if they remember 10 objects, then they have the memory of an 8-year-old.

The first sentence of an article (often printed in bold, or capitals, or a larger font) is called the topic sentence, as it introduces the main topic/subject of the article. It aims to give you the whole story in one go – who, what, where, why and when. Explain that it’s imperative that a writer is clear, concise and correct in their topic sentence. Issue Topic Sentences to pairs of students. Ask them to write down the five Ws and see how many their topic sentence answers. Students will see how concise the topic sentence is, and what questions have been left unanswered. After 5 minutes, ask students to swap their topic sentence with another pair and do the same. Discuss: How well were the topic sentences written? How could they have been improved? (PW) Display PowerPoint. Ask students to use the facts displayed to have a go at writing their own topic sentence. Show students the sentence written in the Daily Mail article (slide 3). Discuss how they’ve focused on the mother at the start of the sentence. Students to swap their topic sentences with a partner to see whether it answers the 5 Ws. This resource is taken from my KS3 English Newspaper/Journalism SOW which you can buy from my shop.

A simple straight-forward starter for capital letters. Students learn where to use capital letters before correcting sentences where capital letters have not been used.

This PPT takes students through five stages of writing their own ballad. It uses the ballad 'Frankie & Johnny' to model the different features of a ballad. This is a creative writing task that could be used as a writing assessment.

Students to correct these commonly mixed-up idioms. This activity could lead into a lesson about the origin of idioms and why idioms are part of the English language.

Issue sets of these cards to groups or pairs. Students are to sequence them in the correct order. Great as a quick starter activity to get students thinking about the order of events in the play. Extend the task by asking students to find quotations to accompany all or some of the events.

Issue the worksheet to students and ask them to identify whether the line comes from Shakespeare or a contemporary singer. After 5-10 minutes, go through the answers using the soundtrack to show which lines are from contemporary singers. The exercise proves to students that contemporary singers use similes, metaphors and other poetic techniques in the same way Shakespeare did.

GREAT 10-MINUTE STARTER TO CEMENT THE FOLLOWING KEY TERMS AND THEIR DEFINITIONS: Alliteration Emotive language Tag line Left side third Cover line Imperative Superlative Sky line Pun Masthead Second person pronoun Interrogative Hyperbole Central image Use of numbers Connotation INSTRUCTIONS FOR ACTIVITY: Cut out these dominoes and laminate them (optional). Give individuals or pairs one domino, including you, the teacher. You begin by reading out the definition on the yellow side of your card. The student who has the term on the blue side of their card that matches with your definition then puts up their hand and says their term out loud. They then read aloud the definition on the yellow side of their card. All class members will have to listen carefully to see if their term matches with the definition they’ve just heard, and so the game continues until it goes full circle, every student has spoken, and you eventually hear the definition that matches with the term on the blue side of your card. Essentially, you’re playing a large game of dominoes, where students have to match key terms with definitions they hear. Depending on your group’s knowledge/ability, you may work altogether to match up the terms with definitions, or, alternatively, you may decide to play this as an actual dominoes game on the floor. This is a great 10-minute starter that really helps students to remember key terms and their definitions.

Readers want to consume the news as quickly as possible; they don’t want to excavate nuggets of meaning from mountains of words. The news needs to be written clearly, concisely and correctly – THE 3 BIG C’s. Illustrate with the following: Write on the board ‘FRESH FISH SOLD HERE’ The fishmonger had a sign which said ‘FRESH FISH SOLD HERE’. The fishmonger had a friend who persuaded him to rub out the word FRESH – because naturally he wouldn’t expect to sell fish that wasn’t fresh; to rub out the word HERE – because naturally he’s selling it here, in the shop; to rub out the word SOLD – because naturally he isn’t giving it away. And finally to rub out the word FRESH – because you can smell it a mile off. Using the same principle, you can ask students which words they could remove and why. Explain that vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a machine has no unnecessary parts. This doesn’t mean that the writer should make every sentence short, or avoid all detail. It just means that every word should TELL. Issue Wasteful Words sheet. Discuss the example; check understanding. Students to complete the sheet by giving the sentences a good butchering. Students to to try to make the sentences crisper, shorter and more to the point. The underlined words indicate where wasteful words are being used. After activity, ask students to complete the following sentence in their book. Writers have to be economical with language when writing the news because… This resource is taken from my KS3 English Newspaper/Journalism SOW which you can buy from my shop.

Fun little starter to get students thinking. They're asked to look at 8 different objects and try to group them into pairs and explain their reasons why. Students can work individually, in a pair or in a group depending on their ability.