Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Lawrence’s gothic psychological study has been successfully used with a Stage 5 / Year 10 class ( 15 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. [Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488) Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Hemingway’s acute psychological study has been successfully used with a Stage 5 / Year 10 class ( 15 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. [Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488) Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. These three very short stories from classic texts have been tested with a Year 8 (age 13-14) mixed-ability group.

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. [Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488) Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Mansfield’s acute social commentary has been successfully used with a Stage 5 / Year 10 class ( 15 years).

Charlotte Perkins Gilman’s famous short story broke new ground in both topic and style and is a great vehicle to introduce senior students to more sophisticated ways of analysing and evaluating texts. This 38-page resource comprises A copy of the text, in numbered sections for easy reference Questions for the story which follow Bloom’s Taxonomy of lower-to-higher order tasks A handout on different schools of theory and how they have viewed Gilman’s story, with an accompanying reading and analysis task A longer extract from the first academic article about ‘The Yellow Wallpaper’, which gets students to read academic prose, and consider formation and challenges to argument A discussion of related texts which also respond to similar ideas and themes, and a sample poem by William Carlos Williams which students can compare to Gilman’s story. A 2-page bibliography of poems, short stories, and films from which students can select their own related text A choice of six engaging creative tasks

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. [Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488) Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Maupassant’s psychological short story has been successfully used with a Stage 5 / Year 10 class ( 15 years).

This extensive set (21 pages) of student worksheets breaks Campion’s biopic of John Keats into four sections for easy viewing in class. It contains 44 high-order thinking questions which require students to engage with the text-as-film, and to consider it as Campion’s own reading of Keats’ poetry. A final question asks them to write at length evaluating Campion’s presentation of Keats’ poetry and his relationship with Fanny Brawne.

Although dystopian novel study is a firm and familiar part of high school English, an awareness of the Utopian tradition in thought and literature is just as important. Tested on a middle-ability Year 9 (14-15 years) class, this 60-page unit can be taught independently or alongside the study of dystopian fiction. This unit looks at how ideas of a perfect world grew from visions of paradise in early religion, through planned societies (focusing on Ancient Sparta), and comical visions (the medieval poem of topsy-turvy land), before appearing as a full description of a social perfection in Thomas More’s Utopia and Michel de Montaigne’s account of Brazil in the 1600s. Each section as an introduction to the concepts and context, and has a core primary text broken into manageable chunks which encourage collaborative learning. There is a variety of writing tasks throughout for students of all abilities. There is an ongoing task, based on the work of Jim Dator, for students to describe their own ideal society. The final assessment (for which the marking criteria are included) draws on this ongoing project and requires a verbal presentation of one aspect of the student’s ideal world. This unit can be taught in an English, History, Social Science, Civics, or Philosophy class.

A unit of work on seven poems by John Keats: On First Looking Into Chapman’s Homer When I have fears that I may cease to be Bright star, would I were stedfast as thou art Ode on a Grecian Urn Ode to a Nightingale To Autumn La Belle Dame sans Merci This unit is suitable for senior students in Years 10-12. It introduces them to the forms Keats used, and seven of his most famous poems. A research task with suggested reading and viewing gets students across Keats’ life and influences. ‘What is analysis?’ encourages them to think about exactly what literary analysis is, and how to go about it Explanation of the sonnet, ode, and ballad forms Explanation of Negative Capability Foray into critical reading Seven poems included with questions structured according to Bloom’s taxonomy Selection of senior-suitable essay questions

The Middle Ages are fun and fascinating period of literature which even younger middle school students can enjoy. This complete unit of work is an easy and enjoyable survey of ten different medieval genres (including courtly love poetry, advice guides to children, frame tales, chronicles, and allegories) which will engage students of a more developed reading ability. This unit was successfully tested on a high-ability Year 8 (age 13-14) group. It assumes no prior knowledge of the medieval period. Contextual introduction to the period, changes to the English language, discussion of what people read and valued. Ten short modules covering ten different text-types found in popular medieval literature. Each module includes: introduction to the text type and a discussion of where we can see it in literature and culture today; a short focus text in modern English, either translated or retold Bloom’s Taxonomy questions on the focus text Stand-alone creative writing with medieval prompts Summative thematic essay on one short text (provided) and the student’s choice of another text from the unit Teachers can use the ten modules as a complete unit or as single modules supporting a study of another text.

Gothic literature still informs many popular works of fiction, television and cinema, and the genre is still a regular part of many students’ high school literature experience. This 135-page all-inclusive unit comprises: An introduction to the values of the Gothic genre Ten modules based around a classic Gothic short story or poem, which highlight one of the ten values or conventions. Each module has an introductory discussion; complete text of the story/poem; questions based on Bloom’s taxonomy An assessment task suitable for students aged 15-16 who have well-developed reading ability A reading list of other short stories both modern and classic from which teachers can choose partner pieces for the module stories

Huxley’s famous dystopian novel is a fantastic choice for senior fiction studies. This 75-page unit of work has been tested successfully with a mixed-ability Year 11 (age 16-17) class. It focuses oin textual analysis and engagement with questions of social and political philosophy. There is a comprehensive, illustrated introduction to issues of industrialisation, sexual freedom, and political authoritarianism which affected Huxley’s world and continue to affect us. There are 80+ writing tasks of different lengths and types, which allow teachers to differentiate for a mixed-ability group. Each 3-chapter section is accompanied by an extension reading which engages with the relevant philosophical topic. Readings range from Hobbes and Rousseau on human nature to Admiral Moreel on bread and circuses. The unit can be printed for students who prefer hard copy, or presented digitally. Ten essay questions suitable for senior high schoolers can be used as the basis of assessment.

Thirty-five high-level reading questions and ten essay questions for students reading Kazuo Ishiguro’s masterly study of ambiguity and self-fictionalisation in post-war Japan. The questions are designed to draw students’ attention to Ishiguro’s mastery of language strategies and his handling of Masuji Ono’s deceptions, fictions, and shifting portraits. Can be used together with the Talking Points and sample essay (https://www.tes.com/teaching-resource/resource-12365546) available as a bundle. here

The story of the Trojan War is foundational to European literature and thought. Rosemary Sutcliffe’s retelling makes the epic accessible to younger students. It rewards close study in junior high-school English because of Sutcliffe’s rich figurative language, vivid character portraits, and seamless blending of the many tales of Troy. This 96-page unit comprises: An introduction to Troy, Homer, the Iliad, and the story’s importance - with student research activities. A 4-6 page worksheet for each chapter (19 chapters) with an explanation of the relevant concept to the story, questions for the chapter, and a visual learning exercise using a famous art-work which depicts the events. Essay questions suitable for 11-13 year olds A summative creative writing task Questions require higher-order thinking skills and encourage writing at length and reading widely to support growing knowledge. Students’ knowledge of the canon of European literature and art should grow considerably over the term with this unit.

An understanding of the early period of the English language is novel and exciting for junior high schoolers. This unit of work introduces them to the Anglo-Saxon period and provides a gentle, easy and fun overview of what English language and literature once looked and sounded like. The focus text is Michael Morpurgo’s Beowulf, an excellent version of the heroic poem retold for children and young adult readers. The unit strives to remind students and teachers of all cultural and language backgrounds of their contribution and membership of the worldwide Anglophone community. Written as a combined unit of work and worksheets, teachers only need to purchase Morpurgo’s Beowulf to teach this unit! The unit includes lessons on: Our Language Family Runes, Gods, and the Northern Heritage Kennings, Riddle Poems, and Gnomic Poetry The First Hero: Michael Morpurgo’s Beowulf (focus text) The Hero’s Journey: Overcoming the Monster The End of Old English Where is Old English today? Practice assessment task Assessment task suitable for ages 11-13

19th century poetry regularly makes the top ten poems in public surveys, and much of our conception of what makes ‘good’ poetry was shaped by poets like Tennyson, Browning, Rossetti, and Arnold. This period formed the emotional and social attitudes which linger today – even in post-modern texts which claim to have moved beyond them. While the Romantics were read by the literati, the poets in this unit formed the core of public poetry consumption. An understanding of this period is essential for students who will read Edwardian and Modernist literature in later terms, by showing them what these writers and artists reacted against. This activity comprises four poems by Walt Whitman and Emily Dickinson with questions which require students to make a close analysis and interpretation suggestions for extension reading to extend their knowledge of the poets a creative writing task which helps them to engage laterally and personally with the ideas in the poetry.

Victorian poetry regularly makes the top ten poems in public surveys, and much of our conception of what makes ‘good’ poetry was shaped by poets like Tennyson, Browning, Rossetti, and Arnold. This period formed the emotional and social attitudes which linger today – even in post-modern texts which claim to have moved beyond them. While the Romantics were read by the literati, the Victorian poets in this unit formed the core of public poetry consumption. An understanding of this period is essential for students who will read Edwardian and Modernist literature in later terms, by showing them what these writers and artists reacted against. This activity comprises two poems by Matthew Arnold and Gerald Manley Hopkins with questions which require students to make a close analysis and interpretation suggestions for extension reading to extend their knowledge of the poets a creative writing task which helps them to engage laterally and personally with the ideas in the poetry.

Victorian poetry regularly makes the top ten poems in public surveys, and much of our conception of what makes ‘good’ poetry was shaped by poets like Tennyson, Browning, Rossetti, and Arnold. This period formed the emotional and social attitudes which linger today – even in post-modern texts which claim to have moved beyond them. While the Romantics were read by the literati, the Victorian poets in this unit formed the core of public poetry consumption. An understanding of this period is essential for students who will read Edwardian and Modernist literature in later terms, by showing them what these writers and artists reacted against. This activity comprises two poems by Elizabeth Barrett and Robert Browning with questions which require students to make a close analysis and interpretation suggestions for extension reading to extend their knowledge of the poets a creative writing task which helps them to engage laterally and personally with the ideas in the poetry.

Victorian poetry regularly makes the top ten poems in public surveys, and much of our conception of what makes ‘good’ poetry was shaped by poets like Tennyson, Browning, Rossetti, and Arnold. This period formed the emotional and social attitudes which linger today – even in post-modern texts which claim to have moved beyond them. While the Romantics were read by the literati, the Victorian poets in this unit formed the core of public poetry consumption. An understanding of this period is essential for students who will read Edwardian and Modernist literature in later terms, by showing them what these writers and artists reacted against. This activity comprises two poems by Kipling and Hardy with questions which require students to make a close analysis and interpretation suggestions for extension reading to extend their knowledge of the poets a creative writing task which helps them to engage laterally and personally with the ideas in the poetry.

Victorian poetry regularly makes the top ten poems in public surveys, and much of our conception of what makes ‘good’ poetry was shaped by poets like Tennyson, Browning, Rossetti, and Arnold. This period formed the emotional and social attitudes which linger today – even in post-modern texts which claim to have moved beyond them. While the Romantics were read by the literati, the Victorian poets in this unit formed the core of public poetry consumption. An understanding of this period is essential for students who will read Edwardian and Modernist literature in later terms, by showing them what these writers and artists reacted against. This activity comprises two poems by Lear and Carroll with questions which require students to make a close analysis and interpretation suggestions for extension reading to extend their knowledge of the poets a creative writing task which helps them to engage laterally and personally with the ideas in the poetry.