Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. There are four activities, corresponding to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding A close reading task assists development of textual analysis A writing at length task involves considering the story’s effect, mood, or technical strategies. A choice of two creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. This short philosophical story, ‘The Law of Life,’ by Jack London, is around 2800 words and has been successfully used with a Year 10 class (age 15-16).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. There are four activities, corresponding to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding A close reading task assists development of textual analysis A writing at length task involves considering the story’s effect, mood, or technical strategies. A choice of two creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. This apocalyptic short story, ‘Finis’, by Frank Pollack, is around 4000 words and has been successfully used with a Year 9/10 class ( 15-16 years).

Short stories are an effective way to illustrate the key concepts and reading strategies in the HSC Texts and Human Experience module. These short stories can be used to introduce the module, to supplement the prescribed text, as a standby lesson, or as part of an assessment task. Questions ask students to apply concepts from the rubric to the story, and sample answers on separate pages which the teacher may detach for teaching. Miriam Marshall’s ‘A Breath of Wind’ reflects on an encounter between a young white woman and an Aboriginal man. It is around 1368 words long and has been used successfully with a senior class (16-18 years).

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. There are four activities, corresponding to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding A close reading task assists development of textual analysis A writing at length task involves considering the story’s effect, mood, or technical strategies. A choice of two creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. These two very short absurdist stories, ‘To Light a Match’, by Stephen Leacock and ‘A Common Confusion’, by Franz Kafka, are around 1000 words altogether and have been successfully used with a Year 7/8 class (11-13 years).

Short stories are an effective way to illustrate the key concepts and reading strategies in the HSC Texts and Human Experience module. These short stories can be used to introduce the module, to supplement the prescribed text, as a standby lesson, or as part of an assessment task. Questions ask students to apply concepts from the rubric to the story, and sample answers on separate pages which the teacher may detach for teaching. This feminist retelling of a famous biblical story, ‘Oath’ by Anton Linn is around 1200 words long and has been used successfully with a senior class (16-18 years).

Short stories are an effective way to illustrate the key concepts and reading strategies in the HSC Texts and Human Experience module. These short stories can be used to introduce the module, to supplement the prescribed text, as a standby lesson, or as part of an assessment task. Questions ask students to apply concepts from the rubric to the story, and sample answers on separate pages which the teacher may detach for teaching. This character-driven story, ‘Bequest’, by Alan Stevenson, is around 1400 words long and has been used successfully with a senior class (16-18 years).

Short stories are an effective way to illustrate the key concepts and reading strategies in the HSC Texts and Human Experience module. These short stories can be used to introduce the module, to supplement the prescribed text, as a standby lesson, or as part of an assessment task. Questions ask students to apply concepts from the rubric to the story, and sample answers on separate pages which the teacher may detach for teaching. Helen Benedict’s ‘Binocular’ is a character-driven story about a boy’s experience after spying on a girl. It is around 2400 words long and has been used successfully with a senior class (16-18 years).

Short stories are an effective way to illustrate the key concepts and reading strategies in the HSC Texts and Human Experience module. These short stories can be used to introduce the module, to supplement the prescribed text, as a standby lesson, or as part of an assessment task. Questions ask students to apply concepts from the rubric to the story, and sample answers on separate pages which the teacher may detach for teaching. Anna Hallett’s ‘A Tempest’ is an inversion of a famous moment from Shakespeare’s The Tempest. It is around 950 words long and has been used successfully with a senior class (16-18 years).

Short stories are an effective way to illustrate the key concepts and reading strategies in the HSC Texts and Human Experience module. These short stories can be used to introduce the module, to supplement the prescribed text, as a standby lesson, or as part of an assessment task. Questions ask students to apply concepts from the rubric to the story, and sample answers on separate pages which the teacher may detach for teaching. Peter Gaskill’s story ‘Black Magic’ is about a fighter pilot attempting to make an impossible landing on a Pacific island during WWII. It is around 2226 words long and has been used successfully with a senior class (16-18 years).

Fitzgerald’s novel about ‘careless people’ and avarice in the modern era is an established favourite for senior students. These pre-reading research tasks introduce students to the Roaring 20s, and can be given as homework or group work. The four task sheets cover Long Island life; Prohibition; Cars; and Americans in WWI. They involve a link to useful online reading and knowledge-building questions which engage students briefly before they go on to close textual study of the novel. Teachers can differentiate the tasks for students of varying ability.

‘Painter of Antwerp’, by the Australian poet Rosemary Dobson, is a poem suitable for senior study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining the key themes, poetic techniques, and related texts which complement the poem for students who may study it in concert with one other text. Important points are in red. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

‘Home Burial’, by the American poet Robert Frost, has been a perennial favourite for senior study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining the poetic techniques, and related texts which complement the poem for students who must study it in concert with one other text. Important points are in red. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

‘Late Ferry’, by the Australian poet Robert Gray, is a familiar poem for senior study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining poetic techniques, and related texts which complement the poem for students who must study it in concert with one other text. Important points are in red. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

‘Diptych’, by the Australian poet Robert Gray, is a familiar poem for senior study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining poetic techniques, and related texts which complement the poem for students who must study it in concert with one other text. Important points are in red. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

'Mending Wall’, by the American poet Robert Frost, is a perennial favourite for senior study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining the poetic techniques, and related texts which complement the poem for students who must study it in concert with one other text. Important points are in red. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

'After Apple Picking’, by the American poet Robert Frost, is a perennial favourite for senior study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining the poetic techniques, and related texts which complement the poem for students who must study it in concert with one other text. Important points are in red. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

‘Fire and Ice’, by the American poet Robert Frost, has been a perennial favourite for senior study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining the poetic techniques, and related texts which complement the poem for students who must study it in concert with one other text. Important points are in red. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

‘Tuft of Flowers’, by the American poet Robert Frost, is a perennial favourite for senior study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining the poetic techniques, and related texts which complement the poem for students who must study it in concert with one other text. Important points are in red. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

‘Stopping by Woods’, by the American poet Robert Frost, is a perennial favourite for senior study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining the poetic techniques, and related texts which complement the poem for students who must study it in concert with one other text. Important points are in red. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

This is a three-part resource for students undertaking the NSW HSC Standard English Module A: Language, Identity and Culture. A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text, Contemporary Asian Australian Poets, answers the 2019 HSC question for this text choice: Poetry relies primarily on symbolism to create cultural tension. To what extent do you agree with this statement? There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form.