This presentation is on George Eliot’s novel Middlemarch. It gives an outline of George Eliot’s life and focuses on the themes of politics, feminism, and religion that Eliot explores in Middlemarch. This is an ideal resource for university and A Level students working on George Eliot, Middlemarch, and Victorian Literature. It includes quotes from literary critics and reviewers useful for essays on Dorothea’s feminist and political ambitions & constraints within the novel. This presentation is useful as an introduction to Middlemarch’s themes.

This resource is aimed at undergraduate university students and A Level students aiming to gain high grades in English Literature. The question is focused on Dystopian Literature and takes George Orwell’s 1984 as its example. With a step-by-step guide, the resource answers the question: To what extent does dystopian literature reflect the society in which we live? By focusing on George Orwell’s 1984, debate the relevance of dystopian literature. It includes guidance on how to: ** Write an introduction, main body, and conclusion Develop an argument Make detailed points Quote literary critics Use footnotes Reference Compile a bibliography** The resource explains how to write an essay and also provides examples through a sample essay.

This resource is designed to help students write a close analysis essay on Mary Shelley’s Frankenstein, focusing on Victor Frankenstein. The extract and question have been taken from a recent A Level English Literature past paper. The resource goes through the extract line-by-line to explore the themes of **suffering, ambition, responsibility, isolation, Gothic literature, and the Romantic Sublime **in the novel, Frankenstein. The text has been annotated with helpful advice, literary criticism, context, and quotes. It also includes a full sample answer. This resource will be useful for students who need to practice close textual analysis, and/or are working on Frankenstein: The Modern Prometheus.

This presentation is on Hard Times by Charles Dickens. It is aimed at ALevel and undergraduate level university students exploring the work of Charles Dickens, the Industrial Revolution, and/or Victorian literature. The slides focus on how Dickens explores issues surrounding the Industrial Revolution in Hard Times. With particular focus on Dickens’s views on the rights of workers during Victorian Britain, this presentation draws on literary criticism to debate the two philosophies of that time: Utilitarianism (John Stuart Mill) and Political Economy (Adam Smith). The is resource also contains: key quotations, discussion points, and quotes from literary critics (including Mikhail Bakhtin). Perfect for preparing an essay on themes surrounding Dickens’s representation of the lower-class workforce in his novels, especially Hard Times.

This presentation explores Shakespeare’s The Merchant of Venice. With clear character discussions, analysis of themes, quotes, and contextual information, it is an ideal teaching and study resource for anyone studying The Merchant of Venice. It contains: a plot summary; contextual information about Shakespeare’s decision to set the play in Venice; a discussion of racial prejudice (especially from Antonio towards Shylock); character studies of Shylock, Jessica, and Portia; a discussion on the idea of value, and details from three notable performances of the play. The last slide contains a quiz with 10 questions focused on details from the play.

This presentation is aimed at GCSE English literature students studying J. B. Priestley’s An Inspector Calls. It contains in-class activities as well as homework questions. It focuses on the idea of social responsibility in the play and also helps students to understand the importance of stage directions and set. A great resource for anyone teaching or studying An Inspector Calls at GCSE level.

This quiz is designed for GCSE and AS/A Level English literature students studying the National Curriculum with any exam board. There are 10 rounds with several fun, interactive activities. There are picture rounds, word-jumbles, famous quotes, true-or-false, word-wheel, and emoji-plot questions. Some of the texts include: Macbeth, Romeo and Juliet, The Great Gatsby, Of Mice and Men, Harry Potter, Jane Eyre, Pride and Prejudice, poetry etc. The answers are provided in the ‘notes section’ on the powerpoint. There are a total of 80 points to be won. Enjoy!

This document contains a sample answer aimed at GCSE students looking at Shakespeare’s tragedy, Macbeth. It focuses on Shakespeare’s presentation of Lady Macbeth’s guilt in Act 5 Scene 1 of Macbeth. This is a great revision aid for students studying Macbeth and will also help students to work on their essay writing. It makes use of literary terminology and contains close textual analysis.

This presentation on Shakespeare’s Hamlet explores the main themes - revenge, death, madness, power, corruption - of this play. It refers to Aristotle’s writings on tragedy to explore what makes the play a revenge tragedy. It then explores Ophelia’s madness and death in detail, referring to scholarship and close scene analysis. This powerpoint is useful for GCSE, A Level, and undergraduate university students focusing on Shakespeare’s Hamlet.

This presentation looks at theatre and nation, specifically the Irish Theatre tradition. It looks at the history of Irish theatre and focuses on comments by W. B. Yeats and the Abbey Theatre. Concepts such as gender politics and the mother nation are explored in relation to Marina Carr’s play The Bog of Cats… The powerpoint includes close analysis of scenes from the play, quotes from notable scholars, and comparisons between Carr’s work and that of John Keats and Samuel Beckett. This powerpoint is useful for anyone studying nation and theatre, Irish theatre, and Marina Carr’s drama.

This presentation explains how to interpret a performance. It provides useful quotes about performance analysis and illustrates how thinking about drama is different to thinking about poems or novels. The presentation explores the impact art has on the world around us and considers what makes a performance a work of art. It also focuses on the role the audience has on the interpretation of a play.

This presentation explores F. Scott Fitzgerald’s famous novel, The Great Gatsby. The slides outline its publication, reputation as ‘The Great American Novel’, and themes such as corruption, the American Dream, class, nostalgia, and love. An in-depth character outline depicts all of the major characters with reference to the themes associated with their actions/role in the novel. Three slides are dedicated to close textual analysis of important moments/themes in the novel. The scholarship of Sarah Churchwell is referred to and there are also suggestions for further reading. This powerpoint is useful for A Level and undergraduate students looking at The Great Gatsby.

This presentation looks at Oscar Wilde’s An Ideal Husband. It outlines the key themes of the play: suffrage, gender differences, sexuality, class conflict, Victorian society, and aestheticism. There are lots of sections for close analysis, as well as interesting biographical information relating to Wilde’s imprisonment. The presentation then explores the role of women in 19th century society, focusing on The New Woman in fin de siècle literature. The final slide contains a practice exam question with useful pointers and quotes from scholars and theatre critics such as Michael Billington.

This presentation explores John Milton’s Paradise Lost. It discusses Milton’s poetic form (blank verse), as well as issues regarding gender, free will, and religion. Sandra Gilbert’s discussion of Eve’s fall is outlined for some useful secondary criticism. There are also extracts (from Books 9 and 10 of Paradise Lost) with helpful pointers for close textual analysis and ideas that will prompt further discussion and exploration. The final slides recommend further reading, offer later poetic responses to Eve’s plight, and also encourage critical engagement with early scholarship on Milton’s epic poem. A great resource for A Level students and undergraduates.

This presentation looks at the history of the English Language in Ireland through the drama of Brian Friel. It contains several extracts for close scene analysis and discusses the play in relation to its major theme: the colonisation and dominance of the English Language (tradition vs modernity). The slides also cover the history of the Abbey Theatre and several quotes from the playwright himself (Brian Friel), the poet Seamus Heaney, and critics such as Desmond Rushe. The last two slides outline Claude Lévi-Strauss’ ‘hot and cold societies’ theory and then look towards Welsh identity, mentioning the play Mother Tongue by Roger Williams.

This presentation is about Sarah Kane’s exploration of National Identity in her infamous play Blasted. Each slide contains quotes, images, factual information, and videos about Sarah Kane and In-Yer-Face Theatre. The powerpoint focuses on extracts from Blasted that examine human frailty, compassion, brutality, and powerlessness. It asks how Kane manages to evoke compassion through violence and uses the theory of Susan Sontag and the history of the Bosnian War (1992-1995) to unpick the relationship between the Soldier, Ian and Kate in the play. There are also many ‘thinking points’, including a video discussion of the (un)ethical nature of Kane’s drama and theorist Hanna Arendt’s ‘Reflections on Violence’.

This presentation highlights some of the major shifts in recent theatre history that have become significant moments for the recognition of women’s playwrighting and theatre making. With examples from Judy Chicago’s Feminist Art Program, the first Women’s Theatre Conference, critic Michelene Wandor’s influential study of sexual politics in the theatre, and women’s theatre groups from the 1970s, the slides trace the history of women’s playwriting. The powerpoint then focuses on the work and influence of Caryl Churchill, especially her play Vinegar Tom. Critics like Janelle Reinelt and Elin Diamond are also quoted in a clear, easy to follow manner. A final slide contains some recommended reading suggestions.

This presentation looks at Ibsen’s drama focusing on his major play: Hedda Gabler. The sildes offer detailed information on and colourful examples of the historical context, gender politics, and themes of Ibsen’s drama. The powerpoint then examines Hedda’s character with links to short videos of performers such as Ruth Wilson discussing playing the role and what makes Hedda tick. This presentation is useful for anyone interested in Ibsen’s drama, feminism in his work, and performing his tragic heroine: Hedda Gabler.

This presentation focuses on theatre during the 1960s and Postmodernism. It is useful for anyone interested in the artistic trends and socio-political events of the '60s. It refers to the work of Patrice Pavis to discuss the shift of focus from the actor to the spectator and then looks at ‘Off-Off Broadway’ performances. Jerzy Grotowski’s ‘Poor Theatre’, The Living Theatre, The Open Theatre, and Robert Wilson’s productions are looked at in turn. The Wooster Group moves the presentation forward to explain Postmodernism with reference to the ideas of Jacques Lacan, Jean-François Lyotard, Fredric Jameson, and Baudrillard.

This presentation outlines the shift in drama from Realist to Symbolist to Modernist forms of theatre. It uses work by Chekhov, Maeterlink, and Beckett to illustrate the differences between representational and Avant-Garde playwrighting and scenography. The explanation of Ferdinand de Saussure’s semiotics is supported by examples form Luigi Pirandello’s Six Characters in Search of an Author. The presentation also covers the work of Ionesco and Tom Stoppard when discussing the Theatre of the Absurd (a term coined by Martin Esslin).