Melissa Victoria is a former English teacher with over 15 years' experience in a variety of secondary school settings, including comprehensive and grammar schools. She provides English resources mainly for high-ability students studying for GCSE and A level (AQA).
Melissa Victoria has an MA in English from the University of Birmingham, UK.
Melissa Victoria is a former English teacher with over 15 years' experience in a variety of secondary school settings, including comprehensive and grammar schools. She provides English resources mainly for high-ability students studying for GCSE and A level (AQA).
Melissa Victoria has an MA in English from the University of Birmingham, UK.
A high-level GCSE essay for those studying Much Ado about Nothing for AQA English Literature Paper 1
The resource offers an extract from Act 2 scene 2 with an AQA-style examination question on attitudes towards Deception
There follows an essay which focuses on the question. The essay is written to a high-level for those aiming for grades 7-9 (although might help aspiring grade 6 also). The essay is around a side-and-a-half typed, meaning handwritten it would be about four sides (in keeping with high-level candidate expectations).
After the essay, there is discussion as to:
how the essay’s approach fits AQA’s ‘extract to whole’ further insight booklet on GCSE English Literature
how the essay hits AO1, AO2 and AO3.
how the essay covers higher band criteria
The resource is fully-adapatable for you to change as needed for your OWN classroom use.
Best wishes,
Englbee x
10 AQA Writing to Describe GCSE English Language Question 5 Writing Tasks with both a descriptive and a narrative question for all pictures. Variety of pictures included.
Could also be used with KS3 or any creative writing class despite being specifically designed for the new AQA English Language GCSE.
Best wishes,
Englbee x
This bundle contains two PowerPoints, one focusing upon the dramatic comedy genre, and the other the dramatic tragedy genre.
Both PowerPoints follow a similar format:
*students are introduced to the terms ‘comedy’ or ‘tragedy’
*critical interpretations
*revision of dramatic method
*paired exploration of genre-specific method
*a didactic commentary of characterisation
language and structure
Best wishes,
Englbee
A high-level revision sheet (PDF) of Andrew Waterhouse’s ‘Climbing my Grandfather’ for students aiming for levels, 6-9 in the new GCSE Literature Paper 2
The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method.
Ideas are written in a brief format rather than being too text/colour heavy to aid key learning and memory
The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades.
There are suggested links to ‘Before You Were Mine’ and evaluative questions to consider in a potential essay conclusion.
The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory.
Best wishes,
Englbee x
A fully-adaptable PowerPoint which explores ‘Climbing My Grandfather’ in preparation for the AQA Literature Examination
The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 6-9
The resource contains the following:
AQA Assessment objectives for the poetry anthology examination paper
Warm-up activity
A brief biography of Andrew Waterhouse
A link to an audio of a reading of the poem
A link to a copy of the poem (due to copyright; you can easily copy and paste into PowerPoint)
A list of high-level terminology for this particular poem as required for higher grades
A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking
A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions
A short plenary
Followed by:
Teacher notes -three slides containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Waterhouse’s use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. Use of extended metaphor, mountaineering lexis, narrative verse etc.)
NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES
The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Is there a clear structure? etc.)
Kind regards,
Englbee x
This is high-level revision sheet (PDF) of Seamus Heaney’s 'Follower’ for students aiming for levels, 6-9 in the new GCSE Literature Paper 2
The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method.
Ideas are written in a brief format rather than being too text/colour heavy to aid key learning and memory
The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades.
There are suggested links to ‘Walking Away’ and evaluative questions to consider in a potential essay conclusion.
The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory.
Best wishes,
Englbee x
Macbeth resources for high-ability pupils studying for English Literature GCSE.
Bundle contains:
An introduction to the dramatic tragedy genre with didactic and interactive tasks to help your pupils understand tragedy as a genre
A 60-page graphic organiser workbook with support for every scene. Includes information and questions on themes, genre, method and context
A 16-page study-guide which will help with teacher preparation and student revision. Includes mini essays and reflections on: gender, children, boundaries, Great Chain of Being, the Human Condition, plus notes on the dramatic tragedy genre
Eight character revision posters which focuses on how each contributes to the following six themes: gender, guilt, kingship, children, appearance and realty, and fate/freewill. Key language evidence from the text is also included.
All you need to teach Macbeth!
Best wishes,
Englbee
Nine GCSE revision posters for Shakespeare’s ‘Much Ado about Nothing’.
These posters would be useful to display in classrooms, but may find an even better purpose as revision tools.
Pupils can struggle to distil and make notes on Shakespeare; these posters offer key themes and ideas on each character with up to three relevent quotations (and references) for each.
Something to give to less-able pupils to take away and revise from. For more able, a starting point towards further revision.
Could be displayed as A3 or made into an A4 booklet.
Your free Benedick poster can be found here: https://www.tes.com/teaching-resource/much-ado-about-nothing-benedick-poster-free-
Best wishes,
Englbee x
This is high-level revision sheet of Lord Byron’s ‘When We Two Parted’ for students aiming for grades 6-9 in the new GCSE Literature Paper 2
The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method.
Ideas are written in a brief format rather than being too text/colour heavy to aid key learning and memory
The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades.
There are suggested links to Winter Swans and evaluative questions to consider in a potential essay conclusion.
The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory.
Please note the preview shows only a small section of the revision sheet.
Kind regards,
Englbee x
A fully-adaptable PowerPoint which explores ‘When We Two Parted’ by Lord Byron in preparation for the AQA Literature Examination
The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 7-9
The resource contains the following:
PowerPoint:
AQA Assessment objectives for the poetry anthology examination paper
Warm-up activity
A brief biography of Lord Byron
A link to an audio of a reading of the poem
A copy of the poem
A list of high-level terminology for this particular poem as required for higher grades
A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking
A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions
A short plenary
Followed by:
Teacher notes -two slides containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Byron’s use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. cyclical structure, negative lexical fields etc.)
NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES
The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Is there a clear structure? etc.)
Kind regards,
Englbee x
This is high-level revision sheet of Elizabeth Barrett Browning’s 'Sonnet 29: I think of thee…’ for students aiming for grades 6-9 in the new GCSE Literature Paper 2
The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method.
Ideas are written in a brief format rather than being too text/colour heavy to aid key learning and memory
The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades.
There are suggested links to ‘Love’s Philosophy’ and evaluative questions to consider in a potential essay conclusion.
The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory.
Please note the preview shows only a small section of the revision sheet.
Best wishes,
Englbee x
A high-level GCSE essay for those studying Much Ado about Nothing for AQA English Literature Paper 1
The resource offers an extract from Act 4 scene 1 with an AQA-style examination question on the characterisation of Benedick (small amount shown in synopsis).
There follows an essay which focuses on the question. The essay is written to a high-level for those aiming for grades 7-9 (although might help aspiring grade 6 also). The essay is around a side-and-a-half typed, meaning handwritten it would be about four sides (in keeping with high-level candidate expectations).
After the essay, there is discussion as to:
how the essay’s approach fits AQA’s ‘extract to whole’ further insight booklet on GCSE English Literature
how the essay hits AO1, AO2 and AO3.
how the essay covers higher band criteria
The resource is fully-adapatable for you to change as needed for your OWN classroom use.
Best wishes,
Englbee x
Al revision sheet of Thomas Hardy’s ‘Neutral Tones’ for students aiming for levels, 6-9 in the new GCSE Literature Paper 2
The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method.
Ideas are written in a brief format rather than being too text/colour heavy to aid key learning and memory
The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades.
There are suggested links to ‘Winter Swans’ and evaluative questions to consider in a potential essay conclusion.
The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory.
Please note the preview shows only a small section of the revision sheet.
Best wishes,
Englbee x
A fully-adaptable PowerPoint which explores ‘Neutral Tones’ in preparation for the AQA Literature Examination
The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 6- 9
The resource contains the following:
AQA Assessment objectives for the poetry anthology examination paper
A warm-up acitvity
A brief biography of Thomas Hardy
A link to an audio of a reading of the poem
A list of high-level terminology for this particular poem as required for higher grades
A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking
A copy of the poem
A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions
A short plenary
Followed by:
Teacher notes - two slides containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Hardy’s use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. cyclical structure, time shift, enclosed rhyme, symbolism, unusual language collocations etc…)
NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES
The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Why? Is there a clear structure? etc.)
Best wishes,
Englbee x
It’s hard work finding quality GCSE model writing answers for AQA English Language Paper 2, and even harder work writing them yourself, especially at a high level.
Here, you will find a high-level model answer: a letter to persuade. The topic is homework.
Pupils are asked to reflect on the significance of style and genre at the end as a self-reflection exercise.
Please note the preview shows only a section of the sheet.
Best wishes,
Englbee x
A fully-adaptable PowerPoint which explores ‘Before You Were Mine’ in preparation for the AQA Literature Examination
The PowerPoint and accompanying teacher notes are aimed at high-level GCSE candidates aiming for grades 6-9
The resource contains the following:
AQA Assessment objectives for the poetry anthology examination paper
Warm-up activity
A brief biography of Carol Ann Duffy
A link to an audio of a reading of the poem
A link to a copy of the poem (due to copyright; you can easily copy and paste into PowerPoint)
A list of high-level terminology for this particular poem as required for higher grades
A pyramid of questions which moves from knowledge to evaluation as a way of stretching students’ thinking
A student sheet which can be printed off or projected onto the board to record ideas whilst working through questions
A short plenary
Followed by:
Teacher notes -three slides containing ideas for understanding the poem and its methods at a high level which you should likely read before the lesson as preparation for discussion and teaching. How much you ‘teacher-lead’ using these notes, or how much you use them to aid independent learning is up to you. Notes are not definitive, but offer good-grounding in understanding Duffy’s use of method in the poem, with detail on structure and form as well as language in order to reach higher grades (e.g. time shifts, enjambment, use of tableau, verbs, symbolism etc.)
NEW: THREE PAGE LESSON PLAN ON HOW TO USE EACH SLIDE INCLUDING KEY QUESTIONS, LEARNING AND OUTCOMES
The lesson presumes that some previous learning has taken place on what language, form and structure mean, and that students have a good level of understanding of what questions they should ask of poems in order to explore them (e.g. when was it written? how might that influence language choices? is there a specific form? what relevance is the form? how is the poem’s narrative structured? Is there a clear structure? etc.)
Kind regards,
Englbee x
A high-level revision sheet (PDF) of Cecil Day-Lewis’ ‘Walking Away’ for students aiming for levels, 6-9 in the new GCSE Literature Paper 2
The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method.
Ideas are written in a brief format rather than being too text/colour heavy to aid key learning and memory
The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades.
There are suggested links to ‘Follower’ and evaluative questions to consider in a potential essay conclusion.
The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory.
Please note the preview shows only a small section of the revision sheet.
Best wishes,
Englbee x
This is high-level revision sheet of Charlotte Mew’s ‘The Farmer’s Bride’ for students aiming for grades 6- 9 in the new GCSE Literature Paper 2
The revision sheet is laid out in sections with minimal graphics to allow effective revision of ideas and method.
Ideas are written in a easy format rather than being too colour-heavy to aid key learning and memory
The method focus is rooted in structure and form as well as language choices in order to hit higher band criteria. Only a few choices for each as AQA stresses depth as opposed to breadth to achieve top grades.
There are suggested links to ‘Porphyria’s Lover’ and evaluative questions to consider in a potential essay conclusion.
The sheet is not definitive, and students should have a much deep knowledge of the poem from class studies; however, it will help as an aid for themes and methods regarding the second, unprinted poem in the examination in which they will need to draw on their memory.
Please note the preview shows only a small section of the revision sheet.
Kind regards,
Englbee x
A high-ability knowledge organiser for Much Ado about Nothing for AQA GCSE English Literature
Offered as a PDF
This is a high-ability revision tool (aspiring grades 7-9) which presumes students are competent already with the basic structure of the plot and basic character roles.
The knowledge organiser has two sides which can be copied back-to-to-back on A3 or simply put on your school’s intranet .
Side one offers analysis on the following four sections:
Characters as concepts (11 characters) with significant key quotations and act/scene
Significant Elizabethan contextual factors including: legitimacy, marriage, religion, humanism and patriarchal hegemony
Significant themes including: constructive/destructive/self deception, love and marriage, transformation and gender (with act/scenes as relevant)
High-level key vocabulary to help discuss the play conceptually
Side two offers analysis of method specifically dramatic comedy devices:
Metadrama, deception and artifice
Self-reflexive language / metalanguage
Pairs and Parallels (structure)
‘Happy’ endings
Green World
If you are new to teaching Much Ado about Nothing at a high-level, this would be a great tool for you as a teacher also to use as a planning aid and way into the text before giving to students for revision.
I hope you find it useful.
Best wishes,
Englbee x
A scheme of work for Enduring Love by Ian McEwan. Written originally for an outgoing specification for AQA A Level English Literature B. 25 PowerPoints in total covering each chapter.
It offers a strong starting point for fine-grained analysis of literary method , whilst also focusing upon complex philosophical questions explored in the text.
Included in each lesson: Five narrative method slides, one each on - narrative voice, setting, structure, form and language. Some slides more detailed than others depending on importance of method to each chapter. There are prompts for discussion and exploration of significance of each method with quotations if relevant. Advanced Level students will benefit from the prompts without being ‘spoonfed’. Teachers new to Enduring Love will find studying the slides for each chapter in advance, before reading, will help them focus upon the methods McEwan uses in the novel and aid teaching preparation.
Later slides focus on debate questions, focusing less on method, and more on the philosophical ideas raised by the text within each chapter.
The PowerPoints should be used as starting points for further discussion and analysis by advanced level students. Could be used for undergraduate also.
Free prereading lesson here: https://www.tes.com/teaching-resource/enduring-love-by-ian-mcewan-pre-reading-lesson-11916185s
Best wishes,
Englbee