This 35-slide lesson explores the role of women in Shakespeare’s ‘Othello’. Perfect for high-attaining students, this lesson analyses how female characters are presented in the tragedy, exploring the roles of Desdemona, Emilia, Bianca and others in light of the play’s themes and Jacobean context. We consider how various female characters are presented in the play, thinking about how female transgression and disobedience threatens the patriarchal authority of the male characters, and the tragedy that ensues. Fidelity, cuckoldry, and duplicity are explored, as are the roles of key props, such as the handkerchief. Directorial choices and how these might impact our interpretations of female characters are discussed. Misogynistic language and masculine violence is also debated, while the private and public personalities of characters are deconstructed. Students are equipped with ambitious vocabulary to facilitate sophisticated analysis of Shakespeare’s characters. Questions and discussion points are included throughout for students. We consider Shakespeare’s messages and intentions, and students are provided with fascinating critical opinions from academics on the female characters of the play. This is an ideal resource for revising this key element of the play. PowerPoint saved as PDF.

These two lessons (28 slides each) explore William Blake’s companion poems, ‘Infant Joy’ and ‘Infant Sorrow’, from the ‘Songs of Innocence and Experience’. The lessons explore Blake’s radicalism and context, analysing the poems’ language, themes, form, structure, and message in light of his political protest. Questions, tasks, and discussion points for students are included throughout, including extended essays. These lessons are ideal for those studying Blake’s ‘Songs’ as part of AQA’s A level ‘Political and Social Protest Writing’ paper, but could be adapted for other purposes. PowerPoints saved as PDF. 56 slides in total.

Help students to score high marks in the hugely significant 40-mark persuasive writing question of AQA’s English Language Paper 2 (Section B). This top-band exemplar response (responding to the statement: ‘Superheroes are bad role models for children.’) always engages students with its relevance, reasoning and relatability. Layered with an abundance of lingustic techniques, sophisticated vocabulary, advanced punctuation, and coherent structure, this exemplar response is perfect for showing students how to impress examiners in this challenging part of the exam.

This top-band essay on Priestley’s presentation of Sheila in ‘An Inspector Calls’ is an excellent exemplar for students. At the end of the essay is a highlighting key for students to unpick the essay’s techniques and structure, allowing for detailed discussion of the exemplar in class. This resource is particularly useful for challenging HA pupils to reach the top bands.

This 30-slide lesson explores the character of Sir Toby Belch in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, this lesson analyses one of Shakespeare’s most iconic and riotous characters, beginning with an overview of Sir Toby’s key lines, attributes, and role in the plot. We consider Sir Toby’s role as a quintessential comic creation: his Falstaffian parallels, his festive spirit, and his role as the ‘Lord of Misrule’. Important historical and theatrical context is explored alongside Sir Toby’s character. We consider how self-aware Sir Toby is, thinking about his relationship with the audience and how he relates to Shakespeare’s stagecraft. Crucially, Sir Toby’s function as a comic character (and how he relates to other characters, including Malvolio, Sir Andrew, and Maria) is discussed. We scrutinise Sir Toby’s role in view of the Carnivalesque atmosphere of the play. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Sir Toby’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This 40-slide lesson explores the context and background of Shakespeare’s ‘King Lear’. Designed as both an introduction to the play and a revision resource for students to use when recapping the play’s context, this is a comprehensive and detailed exploration of Shakespeare’s sources and influences, as well as the play’s key themes, ideas and critical debates. Students are also equipped with important and precise vocabulary for analysing the play with sophistication. Among other key ideas, students are introduced to elements of tragedy, Jacobean ideas of kingship, Shakespearean staging and stagecraft, Christianity vs. Paganism, and the play’s preoccupation with absurdity and meaninglessness. The anonymous ‘King Leir’ is referenced along with other points about the play’s textual history, and contemporary debates around succession and the unification of Britain are discussed in detail. Images from various productions of ‘King Lear’ are included for discussion, and questions for students are included throughout the resource. The file is included here both as a PDF and PowerPoint. The latter file will not retain precise font choices and formatting.

This 36-slide lesson explores the character of Feste in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most complex comic characters, beginning with an overview of his key lines, attributes, and role in the plot. This then leads to analysis of Feste’s name, key vocabulary that we might use to describe him, and how his role as a jester grants him special privileges and licence. Important historical and theatrical context is explored alongside Feste’s character, and we look at the development of Shakespeare’s ‘Fools’ across his plays. Feste’s relationship with music and song is analysed, as well as his engagement with the play’s fascination with disguise when he becomes ‘Sir Topas’. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Feste’s character relates to the key themes of the play and is central to the comedy of ‘Twelfth Night’. We look at how Feste interacts with other characters in the play, such as Malvolio, and compare him to Viola in his liminal and transgressive state. The Carnivalesque atmosphere of the play is analysed in light of Feste’s character. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Feste’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This series of four lessons on Roald Dahl’s ‘Lamb to the Slaughter’ breaks the story into four extracts and four distinct but interconnected lessons. Lesson 1: 16 slides Lesson 2: 16 slides Lesson 3: 14 slides Lesson 4: 16 slides Each lesson contains key questions and tasks relating to the story. Students are encouraged to think about Dahl’s suspense, characterisation, and use black humour. Key vocabulary is introduced and Dahl’s structure is dissected, with students making predictions and debating what might happen next as the story progresses. The nature of Mary Maloney’s marriage is discussed, as is the significance of her pregnancy, and the symbolic use of the leg of lamb in her infamous crime. At the end of the fourth lesson, we think about how Dahl uses the story symbolically and allegorically to comment on attitudes to gender in the 1950s. Questions, discussion points, and tasks are included for students. There are multiple tasks to strengthen analytical writing (with clearly structured model paragraphs included), and more creative tasks are featured, too, including diary entries and newspaper writing. Copies of all four extracts are included in this resource. There are at least 4 lessons here, but - depending on the pace of your classes - this could be stretched into more. This series of lessons is ideal for KS3. PowerPoints and extracts are saved as PDFs.

This 38-slide lesson explores the character of Olivia in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most complex female characters, beginning with an overview of her key lines, attributes, and role in the plot. This then leads to analysis of her name, key vocabulary that we might use to describe her, and how there may be more than meets the eye to Olivia’s excessive mourning. Important historical and theatrical context is explored alongside Olivia’s character, and we consider the debates around how subversive and ‘proto-Feminist’ Shakespeare’s presentation of Olivia really is. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Olivia’s character relates to the key themes of the play and is central to the comedy of ‘Twelfth Night’. We look at how Olivia interacts with other characters in the play and debate modern interpretations of whether homoeroticism is integral to her character. Her connection to Queen Elizabeth I is considered, and the Carnivalesque atmosphere of the play is analysed in light of Olivia’s character. Questions, discussion points, and essay questions are featured throughout. Two exemplar paragraphs are included, too. Students are encouraged to consider Olivia’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This top-band descriptive writing exemplar is a perfect model for those studying AQA GCSE English Language. Based on Question 1B, where students must complete a 40-mark piece of creative writing, this exemplar on a dark forest and a mysterious man is ideal for teaching structure, narrative, language, vocabulary, punctuation, and much more.

This resource includes a top-band exemplar piece of creative writing about the touching relationship between an old man and a dog. As per Section B of AQA’s English Language Paper 1 (worth 40 marks), this creative writing is a response to an image, which is also included here in a PowerPoint. Students could read, annotate, and discuss this response either before or after trying to produce a story of their own from the image. The creative writing exemplar could equally be used as a model to other GCSE pupils not studying the AQA syllabus.

This 34-slide lesson explores the character of Viola in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most complex heroines, beginning with an overview of her key lines, attributes, and role in the plot. This then leads to analysis of her name, key vocabulary that we might use to describe her, and how her role as a cross-dressing protagonists compares to other Shakespearean comedies. Important historical and theatrical context is explored alongside Viola’s character, and we consider the debates around just how ‘proto-Feminist’ Shakespeare’s presentation of Viola really is. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Viola’s character catalyses other key events in the play and is central to the comedy of ‘Twelfth Night’. We look at how Viola interacts with other characters in the play and debate modern interpretations of whether homoeroticism is integral to her character. The role of twins in other Shakespearean plays is considered, and the Carnivalesque atmosphere of the play is analysed in light of Viola’s character. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Viola’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This 43-slide lesson explores the character of Malvolio in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most famous and complex characters, beginning with an overview of his key lines, attributes, and role in the plot. This then leads to analysis of Malvolio’s name, key vocabulary that we might use to describe him, and how his ‘gulling’ threatens the comic spirit of the play. Important historical and theatrical context is explored alongside Malvolio’s character, and we look at how Shakespeare uses him to satirise Puritanism. Using Elizabethan debates surrounding acting and its influence, we think about how Malvolio functions as a metatheatrical symbol of anti-theatricality. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Malvolio’s character relates to the key themes of the play and is central to the comedy of ‘Twelfth Night’. We look at how Malvolio interacts with other characters in the play, the vivid imagery used in his gulling, and how his famous ending might be interpreted from a range of critical lenses. The Carnivalesque atmosphere of the play is analysed in light of Malvolio’s character. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Malvolio’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

A top-grade essay analysing aspects of comedy in Act I Scene I of Shakespeare’s ‘Twelfth Night’. This resource is aimed at those studying the Aspects of Comedy paper for AQA English Literature at A level.

This resource includes two comprehensive lessons for analysing William Blake’s ‘Holy Thursday’ poems from the Songs of ‘Innocence’ and ‘Experience’. The first 28-slide lesson covers ‘Holy Thursday’ from ‘Innocence’. The second 32-slide lesson covers ‘Holy Thursday’ from ‘Experience’. Both lessons include detailed explorations of the poems’ language, context, imagery, structure, and ideas, especially in relation to Blake as a protest writer and critic of institutionalised systems of power. We think about Blake’s role as a Dissenter from the Church of England, and his use of recurring symbols (such as children) throughout the ‘Songs’. The image of Ascension Day in the ‘Holy Thursday’ poems is analysed, reading the poems as Blake’s critique of ecclesiastical hypocrisy and his attempt to understand the extent of the poverty to which he bore witness. Crucially, both lessons work in tandem to read both versions of the poem alongside one another, exploring Blake’s collective message through ‘Innocence’ and ‘Experience’. Blake’s singular poetic voice and ironic tone are also deconstructed, and we consider how the poems relate to 18th century children’s literature. Questions, tasks, and discussion points are featured throughout. Both lessons end with comparative essay questions. These lessons are ideal for those studying Blake as a ‘protest writer’ with AQA at A level, but could easily be used for any KS5 study of the ‘Songs’. *This resource is new and updated in March 2021. PowerPoints are saved as PDFs.

This is a top-band exemplar essay analysing how marriage is presented in ‘The Farmer’s Bride’ by Charlotte Mew and ‘Singh Song!’ by Daljit Nagra. These poems are studied as part of AQA’s ‘Love & Relationships’ cluster at GCSE and this question and answer reflects the question style of the exam. Exam question paper is also included.

This 43-page workbook is a thorough and comprehensive unit of work analysing poems about animals. The workbook contains various tasks and questions for a variety of animals, prompting students to consider how the poems interact with cultural stereotypes and how poets have used language and form to great effect. There are 12 poems included in this workbook. Poets featured include Ted Hughes, Chinua Achebe, Elizabeth Bishop, Carol Ann Duffy and Marianne Moore. At the end of the booklet is a project for students to complete. This workbook is easily adaptable and teachers can study each poem at their own discretion and in their own manner. Some poems are more complex than others and so teachers may wish to differentiate accordingly. Pupils could work on this unit in class or independently at home. The workbook is designed for use at KS3 but could be easily adapted to specific needs and preferences.

These two lessons are perfect for analysing William Blake’s two ‘Chimney Sweeper’ poems from the 'Songs of Innocence and ‘Experience’. Both lessons contain detailed explorations of language, context, themes and ideas, especially in relation to Blake as a protest writer. Each stanza is deconstructed individually, and questions/tasks are included for students, including comparative and extended essay questions. These lessons are ideal for those A level students who are analysing Blake’s poetry as part of the AQA Political and Social Protest Paper, but easily adaptable for other exam boards too. The lesson on the ‘Chimney Sweeper’ of ‘Innocence’ is 36 slides in length. The lesson on the ‘Chimney Sweeper’ of ‘Experience’ is 26 slides in length. Two PowerPoints (saved as PDF) included.

A booklet featuring 25 poems for students to practise analysing ‘unseen poetry’ for the AQA GCSE Literature exam. Each poem is accompanied by a question emulating the style of AQA’s exam questions. Some poems are coupled together to allow comparative essays, as per the final question of the exam. Poets include Armitage, Blake, Heaney, Larkin, Plath, Sassoon and Whitman.

This lesson includes three resources designed to teach Tatamkhulu Afrika’s harrowing apartheid poem ‘Nothing’s Changed’. Included is a PowerPoint with some background on Afrika’s life and Apartheid, and questions on the poem; a copy of the poem with contextual notes (as per Section A of the AQA exam); and a top-band exemplar response to a Section A question. This final resource is a detailed and sophisticated essay analysing Afrika’s poem. These resources are perfect for those studying POLITICAL AND SOCIAL PROTEST WRITING at A level with AQA, but could be adapted to teach the poem in a broader context.