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Unseen Poetry - Lesson 4 (Language)
LO: How do analyse the language used by a writer to create meanings and effects using relevant subject terminology?
A complete lesson including starter, unseen poem, exam question, model responses, plenary that explores a Paper 2-style AQA English Literature unseen poetry question based on the following poem: Edgar Allan Poe: Romance.
Powerpoint: 12 slides.
AQA English Lit Paper 2 Section C Unseen Poetry
Purpose of unit of work: To master questions 27.1 and 27.2
Form: Exam paper responses
Assessment Objectives:
AO1 - Read, understand and respond to texts, maintaining a critical style and developing an informed personal response, using textual references including quotations to support and illustrate interpretations (12 marks).
AO2 - Analyse the language, form and structure used by a writer to create meanings and effects, using relevant subject terminology where appropriate (12 marks).
AO2 - Comparison of AO2 (8 marks)
STIMULATE AND GENERATE
Focus on engagement, discussion and building cultural capital
CAPTURE, SIFT AND SORT
Sifting the outcomes from the first phase to fit where we are heading. What skills do pupils need to learn in order to be successful in the next phase?
Focus on teaching, modelling and developing key skills and processes linked to success criteria
CREATE, REFINE AND EVALUATE
More independent application of skills learnt. This is the stage that needs most differentiation and allows/enables writers to work at different rates and pitches. Self, peer and teacher review happens throughout this phrase.
Write extended responses to exam questions, provide feedback and refine work
Starter: How many differences can you list between these two birds? What could these two birds symbolise?
Key question: What is subject terminology?
Recap: Subject terminology – language techniques
Key question: Read extract from poem. What is a lyre? What is it used for? What could it symbolise? Answer: a lyre is a stringed musical instrument played by the ancient Greeks. Music played on a lyre accompanied the performance of epic poems
Unseen poem: Edgar Allan Poe: Romance. Glossary.
Exam question: In ‘Romance’, how does the poet present the speaker’s feelings about growing up? – 7 steps to understanding an unseen poem AO1 and AO2.
I DO: How do I write an analytical language? Model paragraph analysing language.
YOU DO: Use this model to help you write your own paragraph analysing language.
Plenary: Peer Assessment - Read through your partner’s response. Highlight and annotate their response to show where they have demonstrated WHAT WHERE HOW WHY. Write a brief commentary below their work in which you explain the following: What went well (WWW). What do they need to do in order to improve? (EBI).
Unseen Poetry - Lesson 1 (Interpretation)
LO: How do I develop an informed, personal interpretation supported by textual references?
A complete lesson including starter, unseen poem, exam question, model responses, plenary that explores a Paper 2-style AQA English Literature unseen poetry question based on the following poem: Robert Frost: The Road Not Taken.
These resources can be adapted for use with different poems and questions by other exam boards.
Powerpoint: 13 slides.
AQA English Lit Paper 2 Section C Unseen Poetry
Purpose of unit of work: To master questions 27.1 and 27.2
Form: Exam paper responses
Assessment Objectives:
AO1 - Read, understand and respond to texts, maintaining a critical style and developing an informed personal response, using textual references including quotations to support and illustrate interpretations (12 marks).
AO2 - Analyse the language, form and structure used by a writer to create meanings and effects, using relevant subject terminology where appropriate (12 marks).
AO2 - Comparison of AO2 (8 marks)
STIMULATE AND GENERATE
Focus on engagement, discussion and building cultural capital
CAPTURE, SIFT AND SORT
Sifting the outcomes from the first phase to fit where we are heading. What skills do pupils need to learn in order to be successful in the next phase?
Focus on teaching, modelling and developing key skills and processes linked to success criteria
CREATE, REFINE AND EVALUATE
More independent application of skills learnt. This is the stage that needs most differentiation and allows/enables writers to work at different rates and pitches. Self, peer and teacher review happens throughout this phrase.
Write extended responses to exam questions, provide feedback and refine work
Starter: ‘two roads diverging’ Which road would you take? Why? How important is the choice you make?
Key question: who is ‘in charge’ of the meaning of a poem?
Unseen poem: Robert Frost: The Road Not Taken. Glossary
Comprehension check: Show summary of meaning of the poem
Interpretation check: Focus on the feelings and the overall message of the poem. What do you think the point being made might be?
Exam question: In The Road Not Taken, how does the poet present ideas about making choices? Steps to understanding an unseen poem: AO1 4 steps.
Task: Show 3 different interpretations of the poem.
Which do you agree with most and why?
Discuss: Are there any comments that you disagree with? Why? Do you have your own interpretation of the poem which is different?
Plenary: Key question: who is ‘in charge’ of the meaning of a poem?
A Christmas Carol: Stave II difficult words or phrases explained in modern English
Dickens’ vocabulary can be difficult for some pupils (and, at times, teachers too!). This powerpoint lists all those words and phrases that would typically present difficulties and offers easy translations into modern English, or into language that teenagers would more readily understand.
Just display on a projector during guided reading so that pupils can look up any words they don’t understand, or even take notes in their own books if they wish.
A Christmas Carol: Stave III difficult words or phrases explained in modern English
Dickens’ vocabulary can be difficult for some pupils (and, at times, teachers too!). This powerpoint lists all those words and phrases that would typically present difficulties and offers easy translations into modern English, or into language that teenagers would more readily understand.
Just display on a projector during guided reading so that pupils can look up any words they don’t understand, or even take notes in their own books if they wish.
Verb Tenses SPaG Starters for Whiteboards Part 1
A Powerpoint with 15 Verb Tenses Starter activities for pupils to work on independently on their whiteboards as soon as they come into the lesson, while teacher is meeting and greeting, or taking the register.
Great as a settler as each starter slide is really clear, with an explanation, an example and 3 exercises to complete.
The activities could be written in exercise books too, but this series was designed as a manageable activity which pupils can write up easily on their whiteboards and hold up to show teacher once the register is taken.
Each Starter slide is followed by an Answer slide, so even non-specialists/cover teachers can confidently feedback correct answers.
Verb Tenses covered:
simple present tense
simple past tense
simple future tense
Verb Tenses SPaG Starters for Whiteboards Part 2
A Powerpoint with 15 Verb Tenses Starter activities for pupils to work on independently on their whiteboards as soon as they come into the lesson, while teacher is meeting and greeting, or taking the register.
Great as a settler as each starter slide is really clear, with an explanation, an example and 3 exercises to complete.
The activities could be written in exercise books too, but this series was designed as a manageable activity which pupils can write up easily on their whiteboards and hold up to show teacher once the register is taken.
Each Starter slide is followed by an Answer slide, so even non-specialists/cover teachers can confidently feedback correct answers.
Verb Tenses covered:
present continuous tense
past continuous tense
future continuous tense
Homophone SPaG Starters for Whiteboards Part 1
A Powerpoint with 15 Homophone Starter activities for pupils to work on independently on their whiteboards as soon as they come into the lesson, while teacher is meeting and greeting, or taking the register.
Great as a settler as each starter slide is really clear, with an explanation, an example and 3 exercises to complete.
The activities could be written in exercise books too, but this series was designed as a manageable activity which pupils can write up easily on their whiteboards and hold up to show teacher once the register is taken.
Each Starter slide is followed by an Answer slide, so even non-specialists/cover teachers can confidently feedback correct answers.
Some examples of homophones covered:
to/too/two
there/their/they’re
no/know
buy/by/bye
Dr Jekyll and Mr Hyde: Chapter 10 difficult words or phrases explained in modern English
Stevenson’s vocabulary can be difficult for some pupils (and, at times, teachers too!). This powerpoint lists all those words and phrases that would typically present difficulties and offers easy translations into modern English, or into language that teenagers would more readily understand.
Just display on a projector during guided reading so that pupils can look up any words they don’t understand, or even take notes in their own books if they wish.
Unseen Poetry - Lesson 6 (Language)
LO: How do I plan and write a response to 27.1?
A complete lesson including starter, unseen poem, exam question, model responses, plenary that explores a Paper 2-style AQA English Literature unseen poetry question based on the following poem: Thomas Hardy: The Voice.
Powerpoint: 19 slides.
AQA English Lit Paper 2 Section C Unseen Poetry
Purpose of unit of work: To master questions 27.1 and 27.2
Form: Exam paper responses
Assessment Objectives:
AO1 - Read, understand and respond to texts, maintaining a critical style and developing an informed personal response, using textual references including quotations to support and illustrate interpretations (12 marks).
AO2 - Analyse the language, form and structure used by a writer to create meanings and effects, using relevant subject terminology where appropriate (12 marks).
AO2 - Comparison of AO2 (8 marks)
STIMULATE AND GENERATE
Focus on engagement, discussion and building cultural capital
CAPTURE, SIFT AND SORT
Sifting the outcomes from the first phase to fit where we are heading. What skills do pupils need to learn in order to be successful in the next phase?
Focus on teaching, modelling and developing key skills and processes linked to success criteria
CREATE, REFINE AND EVALUATE
More independent application of skills learnt. This is the stage that needs most differentiation and allows/enables writers to work at different rates and pitches. Self, peer and teacher review happens throughout this phrase.
Write extended responses to exam questions, provide feedback and refine work
Starter: How do these images link? Blue dress and autumn leaves. Both blow in the wind.
Key question: what language form and structural techniques can I analyse?
Recap: AO1 and AO2
Exam question: In The Voice, how does the poet present the speaker’s feelings about loss?
Unseen poem: Thomas Hardy: The Voice. Glossary. 7 steps to understanding an unseen poem AO1 and AO2.
The Introduction: 3 sentence model.
I DO: Model introduction
YOU DO: Use this model to help you write an introduction focusing on The Voice.
SELF-ASSESSMENT: Use this model to help you improve your own introduction.
WE DO: How do I write an analytical language? Model paragraph analysing language.
YOU DO: Use this model to help you write your own paragraph analysing language.
Plenary: Peer Assessment - Read through your partner’s response. Highlight and annotate their response to show where they have demonstrated WHAT WHERE HOW WHY. Write a brief commentary below their work in which you explain the following: What went well (WWW). What do they need to do in order to improve? (EBI).
Unseen Poetry - Lesson 5 (Comparison)
LO: How do I compare language, form and structure used by writers to create meanings and effects?
A complete lesson including starter, unseen poems, exam question, model responses, plenary that explores a Paper 2-style AQA English Literature unseen poetry question based on the following poems: Grace Hazard Conkling: Cedars and Nicolaus Lenau: The Oak-Wood.
Powerpoint: 15 slides.
AQA English Lit Paper 2 Section C Unseen Poetry
Purpose of unit of work: To master questions 27.1 and 27.2
Form: Exam paper responses
Assessment Objectives:
AO1 - Read, understand and respond to texts, maintaining a critical style and developing an informed personal response, using textual references including quotations to support and illustrate interpretations (12 marks).
AO2 - Analyse the language, form and structure used by a writer to create meanings and effects, using relevant subject terminology where appropriate (12 marks).
AO2 - Comparison of AO2 (8 marks)
STIMULATE AND GENERATE
Focus on engagement, discussion and building cultural capital
CAPTURE, SIFT AND SORT
Sifting the outcomes from the first phase to fit where we are heading. What skills do pupils need to learn in order to be successful in the next phase?
Focus on teaching, modelling and developing key skills and processes linked to success criteria
CREATE, REFINE AND EVALUATE
More independent application of skills learnt. This is the stage that needs most differentiation and allows/enables writers to work at different rates and pitches. Self, peer and teacher review happens throughout this phrase.
Write extended responses to exam questions, provide feedback and refine work
Starter: Which words make the forest sound MYSTERIOUS? Which words make the forest sound SACRED?
Key question: What language form and structural techniques can I compare?
Unseen poems: Read both poems: Grace Hazard Conkling: Cedars and Nicolaus Lenau: The Oak-Wood¬ – 7 steps to read and understand
Exam question: In Cedars and The Oak-Wood the speakers describe the woods. What are the similarities and/or differences between the ways the woods are presented?
How do I structure my poetry comparison essay?: 5 steps
Task: Comparison table.
The structure of a comparative paragraph: Go through points.
I DO: Model comparative paragraph (first half).
YOU DO: Use this model to help you write the second half of the comparative paragraph.
SELF-ASSESSMENT: Check the model paragraph. Now write your own paragraph comparing form and structure. What makes this comparative paragraph successful? Use the example to help you write your own comparative paragraph about a DIFFERENT method and effect.
Plenary: Peer Assessment - Read through your partner’s response. Highlight and annotate their response to show where they have demonstrated WHAT WHERE HOW WHY. Write a brief commentary below their work in which you explain the following: What went well (WWW). What do they need to do in order to improve? (EBI).
Writing Practice Homework: Sentence Demarcation - 6 Weeks
Writing Practice Homework: Sentence Demarcation - 6 Weeks
6 weeks’ worth of homework tasks including one page of learning and one page of related activities
Easy and quick to self-assess in class .
Tasks focus on the following:
Homework 1 – What is a sentence?
Types of sentences
The parts of a sentence
Complete the activities:
Find the sentences
Distinguish the clause elements
Homework 2 – How simple and compound sentences are structured
Simple sentence
Compound sentence
Complete the activities:
Simple or compound?
Compound out of simple
Homework 3 – How complex sentences are structured
Complex sentence
Complex sentence with embedded clause
Complete the activities:
Simple, compound, or complex?
Complex out of simple
Homework 4 – Punctuation to demarcate sentences
The full stop [ . ]
The question mark [ ? ]
The exclamation mark [ ! ]
The semi-colon [ ; ]
The colon [ : ]
Speech marks [“ ”]
Complete the activities:
Add punctuation to demarcate the sentences
Homework 5 – Comma Splice and Run-On Sentences
Comma splice
Run-on sentence
How to correct comma splices and run-on sentences
Complete the activities:
Correct the punctuation
Homework 6 – Colons and semi-colons
The colon and its functions
The semicolon and its functions
Complete the activities:
Put a colon in each of the following sentences
Replace the commas with semicolons
Unseen Poetry - Lesson 7 (Comparison and exam practice)
LO: How do I plan and write a response to 27.2?
LO: Exam practice: Unseen poetry questions 27.1 and 27.2
AQA English Lit Paper 2 Section C
Powerpoint: 23 slides.
Lesson includes: starter activity, lesson objective, which methods to compare recap, AO1 and AO2 recap, two unseen poems, practice exam questions, 7 steps to responding to unseen poem, comparison table, structure of introduction, model introduction, struture of comparative response, model comparative paragraph, WHAT, WHERE, HOW, WHY analysis, exam practice tasks, plenary.
Writing Practice Homework: Paragraphs - 5 Weeks
5 weeks’ worth of homework tasks including one page of learning and one page of related activities as A4 Word editable and printable booklet.
Easy and quick to self-assess in class .
Tasks focus on the following:
Homework 1 – Functional paragraphing
Functional paragraphing examples
TIP TOP
Complete the activities:
Insert the paragraphs
Correct the paragraphs
Homework 2 – Purposeful paragraphing
Purposeful paragraphing examples
Complete the activities:
Insert the paragraphs
Homework 3 – Paragraphing direct speech
What is indirect speech?
What is direct speech?
The general rules of direct speech
Complete the activities:
Insert the paragraphs
Homework 4 – Making paragraph choices
Sustain or maintain the same style
Develop
Contrast
Complete the activities:
Develop
Contrast
Homework 5 – Organising a text
Topic sentences
Sentence expansion
Complete the activities:
Add the topic sentences and discourse markers
Sentence expansion
Writing Practice Homework: Verbs - 6 Weeks
6 weeks’ worth of homework tasks including one page of learning and one page of related activities as A4 Word editable and printable booklet.
Easy and quick to self-assess in class.
Tasks focus on the following:
Homework 1 – What is a verb?
What is a verb?
Different types of verbs found in the verb phrase
Complete the activities:
Complete the clauses
Distinguish the verbs
Homework 2 – Verb tenses
Different types of verb tenses
Complete the activities:
Which tense is being used?
Turn present to past
Homework 3 – Present tense
What is the present tense?
Present continuous
Present perfect
Present perfect continuous
Complete the activities:
Correct the tenses
Homework 4 – Past tense
What is the past tense?
Past continuous
Past perfect
Past perfect continuous
Complete the activities:
Correct the tenses
Homework 5 – Future tense
What is the future tense?
Modal auxiliary verbs
Future continuous
Future perfect
Future perfect continuous
Complete the activities:
Correct the tenses
Homework 6 – Completing an action
The progressive aspect
The perfective aspect
Some special uses of aspect
Complete the activities:
Identify progressive and perfective
Match time expressions
Bundle
A Christmas Carol: difficult words or phrases explained in modern English Stave by Stave
Dickens’ vocabulary can be difficult for some pupils (and, at times, teachers too!). These powerpoints list all those words and phrases that would typically present difficulties and offer easy translations into modern English, or into language that teenagers would more readily understand.
Just display on a projector during guided reading so that pupils can look up any words they don’t understand, or even take notes in their own books if they wish.
Bundle
Dr Jekyll and Mr Hyde: difficult words or phrases explained in modern English Chapter by Chapter
Stevenson’s vocabulary can be difficult for some pupils (and, at times, teachers too!). These 10 powerpoints list all those words and phrases that would typically present difficulties, and offer easy translations into modern English, or into language that teenagers, or English language learners would more readily understand.
In a classroom scenario, just display on a projector during guided reading so that pupils can look up any words they don’t understand, or even take notes in their own books if they wish.
Bundle
Unseen Poetry Scheme of Work (7 lessons + exam practice)
Unseen Poetry AQA English Literature Paper 2 Section C - 27.1 and 27.2
A fully resourced unit of work that explores Paper 2-style AQA English Literature unseen poetry questions based on the following poems:
Robert Frost: The Road Not Taken
William Blake:* A Poison Tree*
Christina Rossetti: A Birthday
Edgar Allan Poe: Romance
Grace Hazard Conkling: Cedars
Nicolaus Lenau: The Oak-Wood
Thomas Hardy: The Voice
Robert Frost: Stopping by Woods on a Snowy Evening
E. F. Hayward: Back to Nature
These resources can be adapted for use with different poems and questions by other exam boards.
This powerpoint bundle includes over 100 slides split into 7 complete lessons and final exam style questions 27.1 and 27.2
AQA English Lit Paper 2 Section C Unseen Poetry
Purpose of unit of work: To master questions 27.1 and 27.2
Form: Exam paper responses
Assessment Objectives:
AO1 - Read, understand and respond to texts, maintaining a critical style and developing an informed personal response, using textual references including quotations to support and illustrate interpretations (12 marks).
AO2 - Analyse the language, form and structure used by a writer to create meanings and effects, using relevant subject terminology where appropriate (12 marks).
AO2 - Comparison of AO2 (8 marks)
STIMULATE AND GENERATE
Focus on engagement, discussion and building cultural capital
CAPTURE, SIFT AND SORT
Sifting the outcomes from the first phase to fit where we are heading. What skills do pupils need to learn in order to be successful in the next phase?
Focus on teaching, modelling and developing key skills and processes linked to success criteria
CREATE, REFINE AND EVALUATE
More independent application of skills learnt. This is the stage that needs most differentiation and allows/enables writers to work at different rates and pitches. Self, peer and teacher review happens throughout this phrase.
Write extended responses to exam questions, provide feedback and refine work
Lesson objectives:
How do I develop an informed, personal interpretation supported by textual references?
How do I read, understand and respond to an unseen poem?
How do I analyse the form and structure used by a writer to create meanings and effects?
How do analyse the language used by a writer to create meanings and effects using relevant subject terminology?
How do I compare language, form and structure used by writers to create meanings and effects, using relevant subject terminology?
How do I plan and write a response to 27.1?
How do I plan and write a response to 27.2?
Exam practice: Unseen poetry questions 27.1 and 27.2
Unseen Poetry Scheme of Work (7 lessons + exam practice)
Unseen Poetry AQA English Literature Paper 2 Section C - 27.1 and 27.2
Powerpoint including over 100 slides split into 7 lessons and final exam style questions 27.1 and 27.2
Typically, lessons include: starter activity, lesson objective (linked to AOs), one unseen poem (or two for comparative lessons), glossary, practice exam questions, model responses, WHAT, WHERE, HOW, WHY analysis, pupil tasks, plenary.
Lesson objectives:
How do I develop an informed, personal interpretation supported by textual references?
How do I read, understand and respond to an unseen poem?
How do I analyse the form and structure used by a writer to create meanings and effects?
How do analyse the language used by a writer to create meanings and effects using relevant subject terminology?
How do I compare language, form and structure used by writers to create meanings and effects, using relevant subject terminology?
How do I plan and write a response to 27.1?
How do I plan and write a response to 27.2?
Exam practice: Unseen poetry questions 27.1 and 27.2