This lesson explores Pullman’s use of antithesis and dramatic irony as well as recapping his use of juxtaposition. It uses drama, discussion and written tasks to deepen students understanding. Students explore the monster’s interaction with Agnes as well as the impact of Felix’s re-entrance and the dramatic irony this involves. It is intended to encourage students to connect the events and structure of the play with the ideas Pullman is exploring through it. Notes are included in the notes section of each slide to explain the purpose of key activities and to give suggested teaching ideas.

This lesson is intended to help students to explore the different perspectives of each of the characters from Act 2 Frankenstein the play and to help them to deepen their understanding of Pullman’s / Shelley’s characterisation. The lesson uses group work, guided questions and hot seating to help students deepen their understanding of Agnes, Felix and the monster and to consider their motivations and the way this scene might have changed them. The lesson ends with a reflection which connects the lesson to prior learning and key terminology. Suggestions are included in the notes section to support teachers throughout the PPT.

A resource using drama to explore Pullman’s use of structure to compare Agathe and Felix’s relationship with that of Frankenstein and his monster. Students are encouraged to use the key terms juxtaposition and soliloquy and to consider what ideas Pullman might be trying to emphasise through his juxtaposition of Act 1 and Act 2. Drama activities are based on / inspired by the RSC approach to teaching Shakespeare and are followed with discussion and written activities to reinforce the ideas they’re exploring. All slides have detailed suggestions and explanations in the notes section. If anything is at all unclear, please feel encouraged to email me for clarification. This includes two lessons which lead on from each other. The first lesson (L6 in the total scheme) looks at the interchange between Agathe and Felix and encourages students to consider the juxtaposition between this and the end of Act 1. The second lesson focuses on Agathe’s soliloquy and encourages students to think about the similarities between these characters.

A Frankenstein the Play lesson aimed at KS3 - suitable for either year 7 or year 8. Resources include a PPT, a word document and suggestions on each slide to guide teaching. Learning objective: to explore the character of VIctor Frankenstein. Lesson uses drama activities followed by a discussion and finally a written collection of ideas to guide students through exploring the character of Frankenstein. The lesson assumes that students have read the first Act of the play but could be adapted as suggested on the slides for students who have not yet read the first Act.

A lesson exploring the changing relationship between Frankenstein and Elizabeth in Act 1 of Frankenstein the Play, as well as their conflicting motivation. The lesson includes drama activities as well as discussion prompts to get students to consider the characters and Shelley’s / Pullman’s characterisation. This resource follows on from my lesson 'L2 Frankenstein the Play Act 1 - Victor Frankenstein.

Two full lessons supporting students to plan and write a diary entry written from the perspective of Victor Frankenstein at the end of Act 1 of Frankenstein the Play by Philip Pullman. The lesson starts with students recalling their knowledge from previous lessons and building on it and then uses an active game to refresh or introduce knowledge about diary writing vs journal writing. It then gives students prompts and guidelines to help them plan a response to the prompt. A simple planning document is provided for students who struggle to structure their ideas. The second lesson is for students to write their diary entry (and is mostly silent writing with reflective starter and plenary - which is why it is incorporated with the planning lesson as one resource). By the end of the two lessons, students should have carefully reflected on their knowledge of Victor Frankenstein and the key events of Act 1, they should have produced a diary entry following the more general conventions of the form and they should have reflected on their own writing skills, including their ability to take on a voice.

Resources to cover three full lessons including: Planning lesson Assessment lesson Feedback lesson Planning lesson: This includes a PPT to support students with planning their response. Students are encouraged to consider Agathe’s character and how she might reflect on the events of Act 2. A very simple, adaptable writing frame is included to support students who might struggle. Writing lesson / assessment lesson: Includes a word document which contains: The task / question / prompt Success criteria (this can be adapted to suit your setting) A simple writing frame / collection of sentence starters to support students who might struggle. Notes to the teacher. Feedback lesson A one-slide PPT which provides a list of four tasks to get students to focus on the feedback they have been given by the teacher and to implement that feedback in their work. Also includes a suggested list of whole-class feedback style strengths and weaknesses / feedback that can be adapted based on patterns you notice within your own class. This could be used as a writing assessment opportunity or simply an opportunity for the students to produce a sustained piece of writing in a low-stakes environment.

A resource introducing students to the gothic genre and outlining some of its influences. The resource includes: a basic starter to identify students’ prior learning a reading comprehension with questions discussion opportunities to deepen students’ understanding of gothic influences a four corners game for the plenary to check learning Brief notes are provided in the notes section of each slide to support teacher delivery of the resources. The reading comprehension has a separate page including suggested / example responses for the comprehension questions.

A lesson exploring how the writer’s choices shape meaning in Act 3, Frankenstein the play by Philip Pullman. The lesson uses a range of drama activities to help students to explore the linguisitic and structural choices of Act 3 and to help them to form hypotheses / inferences about the ideas that Shelley / Pullman are exploring in this scene. Starter: freeze frames to introduce the key ideas. Main: drama activities to explore the language and use of punctuation Development: discussion questions to deepen students’ understanding of the writer’s choices. Plenary: multiple choice four corners activity where students move across the room to suggest how far they agree with a statement - allowing the teacher to get a snapshot of students’ understanding of the writer’s choices and key ideas of the play. Follow up / homework: discussion / independent writing questions. This lesson also includes suggested changes for making it work for online learning.

Developing on from Act 3 of Frankenstein the play by Philip Pullman, students think of the key dilemma of whether Frankenstein should or should not create a wife for the monster. Students develop their ideas and then organise them, moving onto planning a letter from Frankenstein to Clerval. The resource includes three lessons’ worth of work: one lesson considering Frankenstein’s dilemma of whether to make the monster a wife and planning a letter to Clerval. one lesson writing a letter to Clerval (including a one slide PPT to display and a word document with task, success criteria and writing frame) one lesson reflecting on feedback (that the teacher needs to have given). This is a two slide PPT intended to support the students working independently while the teacher circulates. Skills: considering the key ideas behind the play. developing more nuanced and developed ideas and arguments. group work. organising their ideas for coherence. applying their understanding of the play to their own context. letter writing (the series of lessons assumes students are already familiar with letter writing from previous units). reflecting on and responding to feedback given by the teacher.

A resource looking at the role of structural techniques in Act 4 of Philip Pullman’s Frankenstein the play. Students complete drama activities followed by discussion exercises encouraging them to think about the significance of the structural techniques used by Pullman and how they affect us as an audience. It covers the key terms of stichomythia and the cyclical narrative. Some suggestions for adapting for online learning are also included and notes for teachers are included in the notes section of each slide to guide delivery to students.