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Teacher, classicist, poetry nut; Aristotle: 'We are what we repeatedly do".

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Teacher, classicist, poetry nut; Aristotle: 'We are what we repeatedly do".
Introductory lesson to the study of spoken language/language techniques/speeches
erinsarahherinsarahh

Introductory lesson to the study of spoken language/language techniques/speeches

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A selection of resources for a first lesson on spoken language/speeches, using Wordles and active learning - visual, audio, and movement. Lesson objective: Understand that different types of speech can be made, and identify key indicators of purpose, audience, and context. Print and laminate the Wordles and display them around the room, numbering them clearly, then work your way through the 6 presentations for the whole lesson. I have had fantastic results using this for GCSE level English Language. If the videos fail to play (they are quite big files, exported from my original Keynote into PowerPoint!), then search YouTube for the speeches: when studying the spoken word - and especially in an introductory lesson like this - it is important that pupils listen to language, and don't just read transcriptions of it. They must gain experience of pace, tone, volume, and pauses in order to analyse effective use of spoken language. (I've also made a PowerPoint of 'Just Wordles' in case the embedded videos cause problems, and you could have another window open on YouTube with the videos open in different tabs, and then just swap between the presentation and the browser - I had to do this once when the school's IT systems were playing up!) As an English teacher, I also kept these up in my classroom afterwards as inspirational posters.
Louis Sachar's Holes: understanding character starter activity
erinsarahherinsarahh

Louis Sachar's Holes: understanding character starter activity

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KS3 novel - randomly allocate a character from the novel to each pupil (or also works in pairs, depending on ability), then get them to use this worksheet to develop deeper understanding of character. A nice follow-up extension is to work this into a Speaking and Listening class presentation for Key Skill Communication assessment.
Language techniques: fact/opinion and rule of three
erinsarahherinsarahh

Language techniques: fact/opinion and rule of three

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A differentiated starter on facts/opinion when introducing language techniques (persuasion). Use the polar bear questions first, and high achievers can move on to Shakespeare (or allow pupils the choice at the start). Also includes a handout on Rule of Three. I designed this for use at KS3, but then, teaching lower-ability classes at GCSE, it came in very useful as a resource for language study in all kinds of units: multi-modal/media texts; speaking and listening writing own speeches; the study of spoken language; reading non-fiction; and functional writing.
Creative writing formats - play scripts and letters
erinsarahherinsarahh

Creative writing formats - play scripts and letters

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A pdf for handout or presentation on formal letters, and a detailed look at play scripts and how to format them, using two exemplars (one of which is from a past pupil). I have used both of these formats to differentiate GCSE English Language creative writing: for pupils who struggle with story structure, they can write a series of letters, or a letter and a reply, based upon characters they know from novels they've studied. Scriptwriting is excellent for gifted and talented pupils who find short story composition not challenging enough. Drama pupils will also benefit from the analysis in the scriptwriting section of how setting and stage directions function. This will aid GCSE and A-level pupils compose their own scripts (I adapted this from a course I taught in first-year university). For KS3 Communication, I used this letter-writing framework for final assessment on novel (so, can be adapted to mark either Reading or Writing as a Key Curriculum Skill).
Creative writing: peer evaluation
erinsarahherinsarahh

Creative writing: peer evaluation

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Two past-pupil GCSE creative writing exemplars and a detailed peer-evaluation grid. Can be used for GCSE, but I've also adapted for KS3 writing (just change the theme in the grid from 'change' to whatever applies to your unit!).
Creative writing: structure (The Hero's Journey)
erinsarahherinsarahh

Creative writing: structure (The Hero's Journey)

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A pdf to be used as a class presentation (or could be adapted to handout format!), based upon Christopher Vogler's work on mythic structures and the 12 stages of the archetypal hero's journey, to enable pupils to understand and create structure. I have illustrated each stage with examples. Particularly suited to GCSE creative writing, but I have also taught at KS3, and even used this in after-school creative writing club to compose fairytales.
Creative writing: narrative
erinsarahherinsarahh

Creative writing: narrative

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A series of resources in one presentation to teach the narrative theories of Todorov, Propp, and Barthes so that pupils can understand structure in texts. Theories are illustrated with specific examples of writing that embody Todorov's theory of equilibrium, Propp's eight character roles, and Barthes' concept of enigma. Particularly suited to English and English Language GCSE, but I have also used for GCSE Media Studies, and taught this to KS3 classes for Key Skill Communication final assessment in writing.
CCEA AS1 Poetry 1900-present Robert Frost/Seamus Heaney Poetry Comparison Grids
erinsarahherinsarahh

CCEA AS1 Poetry 1900-present Robert Frost/Seamus Heaney Poetry Comparison Grids

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A 31-page resource containing 14 poem comparison (AO4) grids for the Frost & Heaney anthology, including notes on situation of speaker (AO1), tone and poetic methods (AO2), and context (AO3) for the new CCEA English Literature specification. The grid format can be employed as a basis for first lessons on each of the poems, and should be used to gather quotations and write analysis. Alternatively, pupils may use the resource independently in order to plan an essay framework for practice exam questions. These are also extremely useful at the end of the course for revision purposes, where pupils use the class notes that they have made whilst studying AS1 to complete the grids from memory, as effective exam preparation.
CCEA AS1 Poetry 1900-present Frost/ Heaney themes of Poetic Inspiration and the Creative Process
erinsarahherinsarahh

CCEA AS1 Poetry 1900-present Frost/ Heaney themes of Poetic Inspiration and the Creative Process

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A study map each on the possible AS1 examination question themes of Poetic Inspiration ('Personal Helicon' by Heaney and 'After Apple-picking' by Frost) and The Creative Process ('The Forge' by Heaney and 'Mowing' by Frost) on the new CCEA English Literature specification. These resources should be annotated by pupils and used to produce analysis of quotations and essay plans/frameworks after studying the poems.
CCEA AS1 Poetry 1900-present Robert Frost/Seamus Heaney themes of Self Discovery and The Night
erinsarahherinsarahh

CCEA AS1 Poetry 1900-present Robert Frost/Seamus Heaney themes of Self Discovery and The Night

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A study map each on the possible AS1 examination question themes of The Night ('Had I Not Been Awake' by Heaney and 'Acquainted with the Night' by Frost) and Self Discovery ('Birches' by Frost and 'Personal Helicon' by Heaney) on the new CCEA English Literature specification. These resources should be used by pupils to locate quotations and produce analysis after studying the poems in comparison, in preparation for framing an essay plan and writing practice exam essays.
CCEA AS1 Poetry 1900-present Robert Frost/Seamus Heaney theme of Nature study map
erinsarahherinsarahh

CCEA AS1 Poetry 1900-present Robert Frost/Seamus Heaney theme of Nature study map

(0)
A study map on the possible CCEA AS1 English Literature examination question theme of Nature, which can be used as a presentation on the board to guide discussion, or adapted as a revision resource to be annotated by pupils. The theme is considered in relation to the poems Postscript' by Seamus Heaney, and 'Gathering Leaves' and 'Going for Water' by Robert Frost.