...also explains anapestic tetrameter! This is a lesson on a poem which describes the Assyrian invasion of Jerusalem and how God intervened to protect the holy land - Byron based this on a biblical account of a real battle. It features in the Edexcel anthology of Literature exam poems. It explores the themes of violence and conflict which can be linked to other poems taught within a unit. It's particularly useful to compare to 'The Charge of the Light Brigade' (see a lesson on this in my shop). The lesson begins by asking students to predict the story behind the poem based on some images. There is then a slide which introduces them to the story of King Sennacherib's attempt to invade Jerusalem and then another which introduces Lord Byron as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and violent imagery, as well as some more challenging devices. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which explains the poet's use of anapestic tetrameter, rhyming couplets and end stopping. I have also added a slide which offers historical facts about the Temple of Baal/Bel in Palmyra which was recently destroyed by ISIS. Although it was built a long time after the historical battle and there would have been many temples dedicated to Baal at time, it symbolised the King's culture and its recent destruction mirrors the violence in this poem and people's attitudes to ancient gods. The lesson ends with a chance for students to write independent essay paragraphs with Edexcel's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A copy of the poem with a word bank - A handout of glossary style word banks which students can stick into their anthologies - A PEA style writing frame for weaker students - Links to online videos/readings (see 'Notes' under slides).

This is a lesson on an extract from a longer poem about a young man who steals a boat and becomes afraid of the sight of a mountain in the distance which makes him return to land. It features in AQA and Edexcel's anthology of Literature exam poems. It explores the themes of isolation and fear which can be linked to other poems taught within a unit. It's particularly useful to compare to 'Remains' by Simon Armitage and 'Storm on the Island' by Seamus Heaney. The lesson begins by asking students to consider their emotional reaction to images connected to the poem and predict which themes could be explored in it. There is then a slide which introduces them to William Wordsworth as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and references to nature, as well as some more challenging features. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which introduces them to blank verses, sibilance and contrast. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - The poem with a word bank on it - A handout of glossary style word banks which students can stick into their anthologies - A set of PEA style writing frames for weaker students to use (cut into strips to stick in books) - Links to online videos/readings (see 'Notes' under slides).

This is a lesson on a poem about a Japanese pilot during the Second World War who failed in a Kamikaze mission. It features in AQA's anthology of Literature exam poems. It explores the themes of isolation in war and shame which can be linked to other poems taught within a unit. It's particularly useful to compare to 'Remains' by Simon Armitage and 'War Photographer' by Carol Ann Duffy (see my lesson on that in my shop). The lesson begins by asking students to consider what Kamikaze is and why those Japanese pilots would be an effective focus for a poem. There is then a slide which introduces them to Beatrice Garland as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and emotions, as well as some more challenging features. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which introduces them to sestets, sibilance and line length. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - The poem with a word bank on it - A handout of glossary style word banks which students can stick into their anthologies - A set of PEA style writing frames for weaker students to use (cut into strips to stick in books) - Links to online videos/readings (see 'Notes' under slides).

This is a lesson on a poem which explores the consequences of the American attacks on Vietnam during the war. It features in the Edexcel anthology of Literature exam poems. It's particularly useful to compare to 'Kamikaze' by Beatrice Garland (AQA) or 'War Photographer by Carole Satyamurti (see my lesson on this in my shop). The lesson begins by asking students to comment on Vietnamese cultures based on images presented on the slide. There is then a slide which introduces them to the Vietnam war and then Denise Levertov as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of peaceful and violent imagery, as well as some more challenging devices. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which refers to the use of anaphora, alliteration and the overall effect of the poem's layout. The lesson ends with a chance for students to write independent essay paragraphs with Edexcel's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A copy of the poem with a word bank - A handout of glossary style word banks which students can stick into their anthologies - PEA style writing frames which can be cut out to support weaker students in their essay writing - Links to online videos/readings (see 'Notes' under slides). - A separate powerpoint with 2 suggested homework activities linked to this poem. If you like this resource, please review it!

This is a lesson on a poem which explores the point of view of a War Photographer - not to be confused with Carol Ann Duffy's poem of the same name (AQA). It features in the Edexcel anthology of Literature exam poems. The poem, if you don't know it, contrasts the photographer's memories of taking photos of conflict in a war zone and the Ascot races. It explores the themes of violence and isolation in war which can be linked to other poems taught within a unit. It's particularly useful to compare to 'Remains' by Simon Armitage and of course Duffy's poem (see my shop for a lesson on that one). The lesson begins by asking students to consider what it would be like to be a war photographer and why they would be an effective focus for a poem. There is then a slide which introduces them to Carole Satyamurti as a poet. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and contrasts, as well as some more challenging devices. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which refers to sibilance, alliteration and how the poem develops through each stanza. The lesson ends with a chance for students to write independent essay paragraphs with Edexcel's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A copy of the poem with a word bank - A handout of glossary style word banks which students can stick into their anthologies - A PEA style writing frame for weaker students - Links to online videos/readings (see 'Notes' under slides).

This is a lesson on a poem about a War Photographer which features in AQA's anthology of Literature exam poems. The poem, if you don't know it, describes how a photographer struggles with their feelings after taking photos of conflict in a war zone. It explores the themes of violence and isolation in war which can be linked to other poems taught within a unit. It's particularly useful to compare to 'Remains' by Simon Armitage since it touches upon P.T.S.D and of course 'War Photographer' by Carole Satyamurti (see my lesson on that in my shop). The lesson begins by asking students to consider what it would be like to be a war photographer and why they would be an effective focus for a poem. There is then a slide which introduces them to Carol Ann Duffy as a poet and offers a quote about her thoughts about it as a form of journalism. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and contrasts, as well as some more challenging devices. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board and there are also some quotes colour coded as the answers. Students are then asked to think about structure and there is a slide which introduces them to sestets, internal rhyme and the 'volta' as well as explaining the rhyme scheme. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A copy of the poem with a word bank - A handout of glossary style word banks which students can stick into their anthologies - A PEA style writing frame for weaker students (to be cut into strips and stuck into books) - Links to online videos/readings (see 'Notes' under slides).

In this lesson students are asked to identify key moments from 'Lord of the Flies' and comment on how the writer explores the theme of violence throughout the story (A01, 3). The lesson starts by asking students what violence is and list all the relevant moments from the book that they remember. A slide follows with suggested ideas to discuss. Student can then in groups consider the list of quotes from across the novel on the A3 sheet attached. They can stick them in their books, annotate and highlight them and then the teacher can annotate them on the board where the class can feedback their ideas. Since there are a lot of quotes on this sheet, student may want to allocate a section to each member of the group in order to get through it all. Students are encouraged to think about the following questions: - What is Golding’s message to the reader? - What is he trying to tell us about what is happening to the boys? - The novel was published in 1954. How might these quotes link to people’s attitudes towards the world after WWII? - Some people think that the island is like a violent character itself. Do you agree? Why is this effective? Students are then asked to write essay paragraphs independently using provided sentence starters which come in 3 formats: a 'layers of meaning' approach, PEA or the 'reading ladder'. An opportunity to self or peer assess their essay writing follows this. The success criteria provided refers to the Edexcel English Literature course but can be adapted to suit your course. This lesson, as my other Literature lessons do, includes: - Links to online videos/websites (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Handouts of quotes / extracts from the text - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the text

Attached is a lesson where students are asked to identify how a writer has structured a text and comment on how that interests a reader (AO2, 3, 4). It uses an extract from 'Spies' by Michael Frayn. To start, students are asked to define the word 'structure' when we apply it to texts and as a 'challenge task' to list all the forms of structural devices that they are aware of. Slides follow with suggestions and a brief explanation of the AOs that they are assessed on by AQA in the English Language Paper 1. Students are then presented with the exam style question which in pairs they can identify the key words and suggest what the examiner is really looking for. The extract is attached with a word box and planning tasks which, after reading, students can tackle alone or with others. Other useful planning tasks follow such as colour coding structural devices and breaking down the story down into 4 stages. The lesson ends with a chance for students to write structured paragraphs in response to the question and there are sentence starters in the form of PEA attached to help. The lesson ends with a chance to self assess, referring to the success criteria for a grade 5. There is also a suggested homework task asking for student to research spies during the war and an accompanying video. This lesson, as my others, includes 'Talk for Writing' activities, pair and group tasks and differentiated tasks.

Attached is a lesson where students are asked to identify how a writer has structured a text and comment on how that interests a reader (AO2, 3, 4). It uses an extract from 'I'm the King of the Castle' by Susan Hill. To start, students are asked to define the word 'structure' when we apply it to texts and as a 'challenge task' to list all the forms of structural devices that they are aware of. Slides follow with suggestions and a brief explanation of the AOs that they are assessed on by AQA in the English Language Paper 1. Students are then presented with the exam style question which in pairs they can identify the key words and suggest what the examiner is really looking for. The extract is attached with a word box and planning tasks which, after reading, students can tackle alone or with others. Another useful planning task follows where students are encouraged to break the story down into 4 stages. Suggestions for this follow on the next slide. The extract itself appears on the PowerPoint so that the teacher can annotate it on the board. The lesson ends with a chance for students to write structured paragraphs in response to the question and there are sentence starters in the form of PEA attached to help. The lesson ends with a chance to self assess, referring to the success criteria for a grade 5. This lesson, as my others, includes 'Talk for Writing' activities, pair and group tasks and differentiated tasks.

This is a lesson on a poem about the First World War which laments how soldiers died 'as cattle' without proper Christian burial in the trenches of France. It is a conflict poem which explores the themes of violence and fear in war which can be linked to other poems taught within a unit. It's particularly useful to compare to 'Bayonet Charge' by Ted Hughes and 'Exposure' (also by Owen). The lesson begins by asking students to list what they know about the poor living conditions within the trenches. There is then a slide which offers facts later referred to in the poem. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of religious references, metaphors, simile and alliteration. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board. Students are then asked to think about structure and there is a slide which introduces them to the structure of a sonnet, iambic pentameter and demonstrates the rhyme scheme. The lesson ends with a chance for students to write independent essay paragraphs using a generic success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - Links to online videos/readings (see 'Notes' under slides) - A copy of the poem with a word bank

This lesson asks students to explore the character of Macbeth across the play by commenting on the significance of quotes (A01,2, 3). It refers to the success criteria of the AQA English Literature GCSE but can be adapted for your course. The lesson starts by asking students to summarize him as a character using adjectives and then to narrow down his appearances into 5 'top' moments in order to remind them of the wider picture. Slides reminding them of these follow as well as a list of links to online videos of some of these key scenes. Since there's not always time in lessons, perhaps they can be given to students to watch as homework. Attached is a 'quote explosion' sheet of quotes that he says or that others say about him. Students can stick these across a page in their exercise book and annotate what they show about him as a character and pick out any imagery (symbolism, metaphor, antithesis, apostrophe etc). It could also be blown up to A3 size (great for displays!) A copy of this is on a slide in the Powerpoint for the teacher / students to also annotate on the board when the class gathers their ideas together. Next there is a list of 'challenge/extension' tasks which explore Macbeth as a tragic hero. A list of qualities expected in tragic protagonists is listed and students can discuss how Shakespeare used this formula to enrich the plot. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Please see my other lessons on Macbeth which explain his state of mind in more detail.

In this lesson students are asked to compare two major characters in Fitzgerald's novel, leading to an essay response. This powerpoint and attached extract provides AS students with ideas to build an essay exploring characterisation and encourages them to make links across the novel or at least the first few chapters if that's all they've read. This lesson has a reminder of AQA's AS level course structure (English Literature A -7711/2) and how students are marked in the Prose Paper 2 'Love through the Ages' which is also referred to in the essay success criteria. There is a simplified mark scheme and an essay checklist attached for students to use when they peer assess each others' essays. The checklist has 3 columns for assessment - self, peer, teacher and a box for teacher feedback - there are 2 versions of this attached so you have the choice of editing this to your needs.

In this lesson students are asked to explore how Golding uses patterns of imagery within 'Lord of the Flies' in order to explore the sinister nature of the boys and the island itself. The lesson starts by asking students to consider how the boys would feel after arriving at the island and the challenge task asks them to consider why Golding chose the island as the setting at all. As a warm up, students are then asked to consider 2 quotes from the first chapter in pairs and list any techniques used and the effect of those comments. A slide follows with suggested ideas to discuss. Student can then in groups consider the list of quotes from across the rest of the novel attached.They can stick them in their books, annotate and highlight them and then the teacher can annotate them on the board where the class can feedback their ideas. Students are encouraged to think about the following questions: - What is Golding’s message to the reader? - What is he trying to say to us about what is happening to them? - The novel was published in 1954. How might these quotes link to people’s attitudes towards the world after WWII? - Some people think that the island is like a character itself. To what extent do you agree? Students are then asked to write essay paragraphs independently using provided sentence starters which come in 3 formats: a 'layers of meaning' approach, PEA or the 'reading ladder'. An opportunity to self or peer assess their essay writing follows this. To follow this, there is an exemplar essay about the island which students can peer assess in order to think again about the targets that they can set themselves. They can annotate this essay within their books and compare it to their own efforts. I've also added it to the powerpoint for class feedback annotations. The success criteria provided refers to the Edexcel English Literature course but can be adapted to suit your course. This lesson, as my other Literature lessons do, includes: - Links to online videos (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Handouts of quotes / extracts from the novel - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the text

Attached are some resources for students to use in groups in order to make a magazine. This would be perfect for year 7 and 8 since from this age students need to be encouraged to read a wide range of non fiction texts in preparation for GCSE and magazines are a good place to start. I would suggest that you provide piles of different types of magazines for them inspect and scrutinize such as ones based on music, fashion, teen girl, cars, football/sport and gaming. Within their groups, students can assign roles and each student can plan and design their own page. Since I can't share images of front covers or pages from real magazines, I have left boxes on some of these planning sheets blank so that students can stick their own in to demonstrate their decision making. I have made these resources into PDFs so that the text boxes don't shift. The resources attached include: - Magazine Planning Sheet (a sheet to record their group's initial decisions) - Front Cover Analysis Sheets (provides space to stick examples and thinking prompts) - A suggested questionnaire for students to distribute or an exemplar which students can build on - Design a Contents Page - a planning resource - Design a Front Cover - a planning resource - Design a Letters or Problem Page - a planning resource - Design a Product Review - a planning resource - Page Templates - boxed sections to place text and images - Planning an Advert - a planning resource - Spellings - suggested spelling lists which can be adapted - Write a Feature Article - a planning resource.

This lesson asks students to explore the character of Lady Macbeth across the play by commenting on the significance of quotes (A01,2, 3). It refers to the success criteria of the AQA English Literature GCSE but can be adapted for your course. The lesson starts by asking students to summarise her as a character using adjectives and then to respond to images portraying her actions in key scenes. They are then to narrow down her appearances into 5 'top' moments in order to remind them of the wider picture. Slides reminding them of these follow. Attached is a 'quote explosion' sheet of quotes that she says or that others say about her. Students can stick these across a page in their exercise book and annotate what they show about her as a character and pick out any imagery (symbolism, metaphor, antithesis, apostrophe etc). It could also be blown up to A3 size (great for displays!) A copy of this is on a slide in the Powerpoint for the teacher / students to also annotate on the board when the class gathers their ideas together. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Please see my other lessons on Lady Macbeth which explain her role within key scenes in more detail - one of which has an exemplar essay which students can annotate to improve their performance in the exam.

This lessons asks students to plan how they could write convincingly in role, using persuasive techniques to develop their ideas whilst referring to their knowledge of the play Macbeth. The lesson is good writing practice for AQA English Language Paper 2, section B and of course the Literature Paper 1. Students would need to know the whole play in order to complete this task. The lesson starts by asking students to list persuasive devices (I have used the DAFOREST acrostic here but you could change to which ever you use). They are then asked, initially in pairs, to plan for the following task: Imagine you are Lady Macbeth. You have been put on trial for the involvement in King Duncan’s murder. You must convince the judge that you were not responsible for the murder… It was all your husband’s fault! There is a slide which suggests some ideas and a planning sheet to help them articulate their ideas using the devices discussed previously. This could be taught across two lessons (1 to plan and 1 to write it). There is an opportunity to either peer or self assess the plan or the written argument at the end of the lesson which refers to the exam's success criteria.

In this lessons students will be able to explain how a poet explores particular contexts within a poem and discuss useful quotes in order to prove their ideas (A01, 2, 3). The poem is part of AQA's anthology of Literature exam poems. The poem, if you don't know it, illustrates Agard's anger at the inadequacy of teaching of black history taught in schools and how certain figures are still unknown by many. It is a conflict poem which explores the themes of prejudice and ignorance which can be linked to other poems taught within a unit. It's particularly useful to compare to 'The Émigrée' by Carol Rumens and 'Tissue' by Imtiaz Dharker. The lesson starts with asking students what context is. The next few slides introduce them to key words relating to colonialism as well as some facts about the British / European occupation of Agard's homeland, Guyana. There are also some facts about the famous black people he lists: Toussaint L’Ouverture, Nanny of the Maroons, Shaka the Zulu, etc. This background information will help them contextualize his feelings which are presented in the poem. In pairs, they're asked to use the WPSLOMP acrostic to annotate the poem and there is a slide with it on to be presented on the board. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - Essay PEA styles sentence starters writing frames for weaker students. - Links to online videos/readings (see 'Notes' under slides).

In the lesson students are asked to create an interesting gothic style villain to use in their creative writing (AO5.1, 5.2). I put this lesson together for a year 9 scheme of work which referred to the AQA English Language marking criteria but the success criteria can be adapted beyond a level 3 so that it's more demanding for a year 10/11 class. To begin students are asked to consider Count Dracula's past (see the other lesson I did on him although it's not vital to use to do this lesson). This leads to a discussion about how important a villains' back story can be and whether they are sympathetic to readers at all. For this I have provided a link to the 'Dracula Untold' trailer which explores this idea. Next to get their creative juices flowing these are 2 slides with images of villains on them - students can work in pairs to write descriptive sentences about them using a list of key skills ranging from adjectives, similes to harder ones such as oxymoron and adverbs. Next students are asked to make up a gothic-style villain of their own and write a profile of them. The lesson ends with a chance to peer assess a partner's and offer advice on how their character plan could be improved.

In this lesson students are asked to explore what a reader expects from a villain and explain how one is portrayed in an extract (AO2, 3 + 4) I put this lesson together for a year 9 scheme of work which referred to the AQA English Language marking criteria but the success criteria can be adapted beyond a level 3 so that it's more demanding for a year 10/11 class. Students are asked to consider what a villain is and what conventions they usually follow with the gothic horror genre. As a challenge task they can consider whether they're always so complicated. After the starter, the class can can feedback and a list of 5 main features can be collated on the next slide. Next there is a slide which introduces Count Dracula which states some basic facts about him referring to the original novel by Bram Stoker and a link to a video clip. Next students can stick the attached extract into their books which describes Dracula's appearance and in pairs they could highlight key quotes and annotate it with their ideas. On this sheet there is a word box which defines any archaic language. The lesson ends with a chance for students to write independent essay paragraphs with the AQA English Language GCSE success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills.

In this lesson students are asked to analyse and explain how a writer constructs an effective story opening (AO2 + 4). I put this lesson together for a year 9 scheme of work which referred to the AQA English Language marking criteria but the success criteria can be adapted beyond a level 3 so that it's more demanding for a year 10/11 class. Students are asked to consider what a narrator and a narrative voice is and then how many ways a story can be told. There are a series of slides which explain 1st, 2nd and 3rd person narrative including any complicated options within those. Attached is an thriller / horror style extract they can then stick in and in pairs they can decide which narrative it uses. The next step is to consider how the writer interests the reader generally and students are asked to colour code the following devices: emotive vocab, similes, metaphors and effective punctuation. As an extension there are question boxes around the extract asking students further questions which in some cases refer to structure and how the story is developed. The answers for this activity are revealed in the next few slides when students can feedback their ideas to the rest of the class. The lesson ends with a chance for students to write independent essay paragraphs with the AQA English Language GCSE success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills.