A KS3 scheme of work which covers the first three chapters of Steinbeck's Of Mice and Men. There are a range of activities which cover both reading and writing aspects of the novel. Note that we use ipads at my school so, where they are infrequently mentioned, you could set the task as a homework or else book a computer room. Keep your eyes peeled for lessons on chapters 4 and 5 in the coming weeks.

A KS5 scheme of work (or a KS4 scheme for the more able). It covers the introductions, the Romantic genre, Walton's narrative, the first part of Victor's narrative, Byron and the Oedipus complex. The scheme is resourced with links to external websites such as the British Library and comes supplied with articles for which I claim no intellectual credit. Students can access the QR codes and hyperlinks which are given from time to time with an ipad or mobile phone.

A full lesson on Keats’s La Belle Dame covering context, form and structure, interpretations and the central theme of the poem. The resource should enable the poem to be taught effectively in a single lesson.

A lesson which focuses on the language Keats uses to present the three figures (Love, Ambition and Poesy), as well as drawing connections and distinctions between this poem and the other great odes. There is little discussion of context here, save for the initial clarification of the epigraph as my students’ knowledge of Keats’s life is already strong.

This lesson takes students through the Petrarchan sonnet form and Keats’s use of it, key context surrounding the poem and discussion / language analysis questions which focus students on its main interpretations. The language analysis task can be enacted in groups or as individual / paired comprehension. I have also included some information on Apollo and his relevance to Keats, as well as information on ‘The Camelion Poet’.

A word document booklet, which can be printed or sent to students, containing extracts from six different texts, followed by 8-10 comprehension questions. Each set of questions is followed by a creative writing extension task themed around the extracts. The extracts have been sourced from the following texts: The Wolves of Willoughby Chase by Joan Aiken The Jungle Book by Rudyard Kipling Cider with Rosie by Laurie Lee ‘Supersports High’ - an article from The Times (12.8.2012) Paddy Clarke Ha Ha Ha by Roddy Doyle The Silver Sword by Ian Serraillier The resource may be suitable for students in years 6-8 depending upon their reading ability.

The second in a sequence of lessons on dystopian fiction which builds upon grammatical skills for writing. The resource works as a stand-alone lesson too. The lesson introduces students to adverbs and adverbial phrases through the blurb of Gone by Michael Grant, getting them to identify the different types of adverbial in the text before asking them to write their own blurb or story opening in the dystopian genre. This lesson was designed for Year 7 but could work for students in years 5, 6 or 8 dependent upon ability.

A simple, highly-visual introduction to adjectives with a range of explanations and tasks for students to complete. There is also information and tasks on adjectival phrases and postmodification. The resource would make a good introductory lesson to this word class for primary age students (perhaps years 4, 5, 6) or early secondary age students who need a reminder (year 7).

Lesson 3 in the scheme of work on writing in the dystopian genre. The lesson could be used as a one-off resource but is designed to build on students’ prior knowledge of noun phrases, non-finite clauses and adverbials. The resource asks students to think about the conventions of the genre and then asks them to write their own story openings. An original exemplar story opening is included to discuss / annotate with the class, which showcases the techniques practised in the previous two lessons. The lesson has been designed for use with high-ability year 7s, but would equally be suitable for students in years 5, 6 or 8, dependent upon ability.

This is a 35-slide series of lessons for the Edexcel English Literature A level course on the poetry anthology ‘The Great Modern Poets’. The resource introduces modernism briefly and then contains individual lessons for the six poems of Robert Frost’s in the anthology: The Runaway Mending Wall Stopping by woods Mowing The Road Not Taken Out, out- Engaging YouTube videos are linked, there are a variety of discussion questions about language, form and structure and key context is provided. I have also drawn on online web articles (contained within) as a stepping-off point for discussion - mainly from the Poetry Foundation website, which I found very useful in teaching this scheme. Links to the original articles are included. Note that for ‘Out, out -’, there is only a one-slide brief for a student presentation, rather than the more in-depth, discussion-based material provided for other poems.

An introductory lesson aimed at Year 7 students on dystopian writing. The resource could be used with students in 5, 6 or 8 too, dependent upon ability. The lesson begins by deconstructing the etymology of the words ‘utopia’ and ‘dystopia’ and is then made up of a series of tasks on identifying, analysing and using nouns and noun phrases in relation to an extract from The Beach by Alex Garland. At the end of the scheme, students will use their learning to write a part of a dystopian story. Two separate starter activities are included in case you would like to spread the material across two lessons. There should be enough material to do so. Other lessons in the sequence will follow as they are completed.

A wide-ranging lesson which introduces the sonnet form through creative writing and comprehension questions about Barrett Browning’s use of it. I really liked the well-known resource ‘What’s a sonnet miss?’ (a poem about how sonnets are written), but found it too inaccurate. So, I have written and included my own sonnet about sonnets called ‘What’s a sonnet sir?’. Also included are comprehension questions which focus students on language and context, as well as a simple outline for an essay on the topic of the poet’s presentation of love. I found this an engaging and accessible way to introduce the Eduqas GCSE poetry anthology to my year 9 students. However, the lesson would work for any syllabus with Sonnet 43 on it.

A full lesson centred around an extract from Suzanne Collins’s The Hunger Games with activities designed to get students to analyse how the author creates a sense of setting using a backstory and proper nouns. Students then have the opportunity to create their own backstory for a dystopia they have imagined. The resource was created as the fourth installment in a scheme of work, but could be used for a one-off lesson too. It is aimed at high-ability students in Year 7 but would work well for students in years 5, 6 or 8 dependent upon ability.

Intended as the fifth in a creative writing scheme of work on dystopian writing. However, this lesson will work independently. The resource is centred around an extract from Do Androids Dream of Electric Sheep? by Philip K Dick as an example of how students could write a persuasive advert for their own automaton - either humanoid or animal. I have included an additional starter activity as the material may take more than one lesson to cover. The resource was designed for high ability year 7 students, but could work for students in years 5, 6 or 8, dependent upon ability.

Up to two lessons’ worth of content on Wilfred Owen’s poem Exposure. This was created and delivered to a middle-ability Year 8 class and provides a number of engaging activities including: Storyboarding Descriptive writing Language analysis (focusing on the presentation of nature, not war) Diary entry imaginative writing AI generated imagery has been used in this lesson, making it very visually pleasing.

2-3 lessons worth of content on Significant Cigarettes, an excerpt from Rose Tremain’s 2007 novel The Road Home, which appears in the Edexcel IGCSE Anthology. These lessons were used to help produce the poetry and prose coursework. Students wrote on the theme of ‘identity’ in three texts. There is a wide range of activities, including guided annotation, discussion questions, analysis and practice paragraph writing. The PowerPoint is 15 slides in length, so there should be plenty for you to pick and choose from. The excerpt is not supplied with the lesson.

A lesson sequence on the excerpt ‘Beyond the Sky and the Earth: A Journey into Bhutan’ from the Edexcel IGCSE anthology. There may be two lessons worth of material here, focused on having students identify and annotate the key features of language and structure. Then, then class are divided in two and provided with tables to complete, which focus them on analysing either the presentation of the people or the place, for question 4 of Paper 1. The resource may be better used with higher ability students, as the majority of the work is student focused, relying on their thoughts and analyses and those of their partner/group. Two AI-generated images have been used for decoration.

A lesson on Kipling’s ‘If-’, which engages students with the poem’s main themes and ideas, and features of language and structure. It contains some background on the poem, information on stoicism (which seems to underpin many of the poem’s ideals), guided annotation, information on form and structure, and an exam-style question with writing frame. The lesson was designed for use with high ability students, studying the Edexcel IGCSE in Literature. The cover image was created using AI and does not reflect the appearance of the the slides in the resource. The image has been uploaded in case you would like to use it.

A full lesson on Keats’s To Sleep, covering context in detail, form and structure, tone, imagery, themes and interpretations.

A presentation which considers some advanced aspects of the context, form and structure of John Keats’s To Autumn. It then provides discussion / comprehension questions for the language in each stanza. The resource is suited for more able GCSE learners (i.e. those following the Eduqas specification) and A level Literature students who have selected Keats as their pre-1900s poet.