A three-lesson sequence exploring Alice in Wonderland and the ability to make inferences on character. The lesson explores annotation skills, reading strategies, inference skills, and crafting analytical responses.
Useful resources to demonstrate comparing Remains and Exposure, and Remains and Bayonet Charge, with supporting dual-coded images and a breakdown of structure analytical paragraphs. Aimed at LA/MA.
Highlight WWW and EBI (such as: lack of development on certain points/not re-reading for spelling mistakes, etc)
A lesson exploring tips and tricks to help ‘ace’ Language Paper 1, Question 5. Based on the 2019 past paper: The Sound of Thunder.
Including a follow up lesson to consolidate learning.
Q4 detailed deconstruction is also available.
All resources are formatted at the back of the PowerPoint.
Lesson Seven: Freytag’s Narrative Structure
This lesson, students will develop their understanding of Freytag’s narrative structure by exploring ‘Aschenputtel’ by The Brothers Grimm. Developing on from last week’s study of famous subversions of fairy tales, students will now move onto the structure of these texts and how this will be utilised in their end of term assessment.
Lesson Eight: Fairy Tale Settings
Using Shrek as a stimulus and pastiche of the genre, students will explore typical settings in fairy tales. To assess progress, students will complete a short baseline writing task of a setting description, which can be used in their end of term writing during the exposition.
Lesson Nine: Archetypal Characters
Building on from settings, students will explore archetypal characters in fairy tales and how writers and pop-culture challenge these stereotypes. Students will debate why it is important that we have visible challenges to stereotypes in wider society. Following on from this, students will once again develop their writing by crafting a brief paragraph on a character.
Weekly Overview: This week, students will begin to craft settings and character descriptions which can be incorporated into their own assessment response at the end of term. Furthermore, we continue to explore how and why writers subvert character, setting, and plot.
Lesson Four: Evaluating Fairy Tales
Students will develop an understanding and appreciation of how writers successfully use description in their writing by exploring crafting of writing in ‘The Ickabog’. To begin with, the lesson recaps and identifies important subject terminology. Teachers should set a quiz on any misconceptions.
Lesson Five: Famous Fairy Tale Subversions
As students have developed an understanding of fairy tales in week one, supported with their homework tasks, this week explores fairy tales and how famous writers have subverted them in the past. This lesson explores The Brothers Grimm and Charles Perault.
Lesson Six: Crafting Fairy Tale Descriptions
To identify early progress, students will describe a typical fairy tale setting using the knowledge developed from the previous lessons studying The Brothers Grimm and Charles Perault.
Weekly Overview: By the end of the week, students should be able to plan a description based on fairy tale conventions and begin to subvert expectations in the style of The Brothers Grimm and Charles Perault.
A two-part, fully resourced lesson introducing students to fairy tales, including conventions.
Lesson Two: What are fairy tales
Students will gain an initial understanding of the genre to support their homework research, which will include conventions and key-terms to be utilised throughout the topic. Students should be informed of their assessment task and informed of the skills they will need to develop over the course of this term.
Lesson Three: Fairy tale conventions
Students will explore and identify the conventions in fairy tales. This lesson should link, yet differentiate the conventions in Fantasy fiction (Term 5 SOL).
Week Overview: By the end of the week, students need an understanding of what makes a fairy tale, common conventions, different types of fairy tales, and the oral origins of the genre.
Students will craft their subverted fairy tale this week for their end of term assessment. Throughout this week, students will plan, craft, and evaluate their writing by utilising the skills and knowledge developed over the past 6 weeks.
Lesson Ten: Allegories
Students will explore allegories in fairy tales. For LA students, this can be supported with Aesop’s fables. Students will explore an article exploring why fairy tales are used to challenge issues in society.
Lesson Eleven: Personification and Symbolism
Continuing to unlock deeper meanings in fairy tales, students will explore the use of challenging devices. This lesson will explore ‘The Snow Queen’, where students will identify, analyse, and evaluate (HA) the use of personification and symbolism.
Lesson Twelve: Subverting Fairy Tales
For this lesson, students should compare an original fairy tale with The Brothers Grimm version (e.g., Cinderella and Aschenputtel). After comparing the two and identifying differences, students will practise how they can subvert a traditional fairy tale (Three Little Pigs) with class modelling.
Weekly Overview: To develop their ability to craft allegorical and sophisticated subverted fairy tales, students will explore HA techniques to develop their understanding of deeper meaning in literature.
Lesson Thirteen: Vladimir Propp and Crafting Characters (Exposition)
Students will be introduced to Propp characters and identifying these in fairy tales. Students will differentiate between heroes and villains.
Lesson Fourteen: Linear/Circular Narratives and Crafting Settings (Exposition)
This lesson, students will explore linear and circular narratives, including a close reading of ‘The Tell-Tale Heart’. Students will then begin to plan how they can subvert narrative structures in their assessment next week.
Lesson Fifteen: Advanced Features
Continuing to explore crafting of narrative, students will explore how they can build better sentences, utilise a range of punctuation, craft their vocabulary choices for effect, and incorporate high-level features in their writing.
This SOL is focused on developing writing skills through the following:
Genre
· Develop a secure understanding of Fantasy fiction and fairy tale conventions
· Develop a secure understanding of the history of Fantasy fiction and fairy tales
· Develop a secure understanding of the purpose of Fantasy fiction and fairy tales
Character
· Develop a secure understanding of archetypes (both narrative and character)
· Develop a comprehensive understanding of elements of characterisation: personality, motivation, narrative arcs, dialogue, interactions, relationships, and overall actions
· Develop a comprehensive understanding of fairy tale settings across literature
Skills
· Identifying narrative points using Freytag’s narrative structure
· Plan narrative points using Freytag’s narrative structure
· Subvert typical narrative structures for effect
· Utilise fairy tale vocabulary for effect
· Identify archetypal and Propp character types
· Craft and subvert archetypal and Propp character types
· Craft exposition using engaging narrative hooks and subverting expectations
A four-part sequence exploring reading and writing skills in crime fiction:
Crafting a setting description
Exploring locked room mystery
Making inferences on Helen Stoner
Reflecting and re-drafting