Sassoon’s “The Dug Out” (in the public domain) and 10 questions which could be used for cover or homework, or to structure a guided reading activity.

This activity uses an extract from “Carmilla” (public domain text) and there are ten questions which could be used in class, as cover or set as homework. Alternatively, they could be used to structure a guided reading session. Might be of use as part of a unit on gothic literature.

A way into unseen poetry. There are questions in boxes for the pupils to work through in pairs and then an exam-style question for independent work using the ideas that have come through the discussion. Created as a cover activity; could also be used in a small group, guided reading session or for revision or homework.

This is a 20-question multiple-choice quiz on Thomas Hardy’s “Neutral Tones”. It could be used for revision, for homework after the poem has been covered in class or as a flipped learning activity so that the students read the poem and attempt the quiz prior to teaching - that way, subsequent teaching can be targeted towards gaps and misconceptions. Answers are provided so that the task can be self or peer-assessed.

This is a simple and straightforward resource using an excerpt from Sir Arthur Conan Doyle’s short story, “The Terror of Blue John Gap”. There are ten questions, focusing on vocabulary, inference and analysis. This resource could be used for homework or set as cover. Alternatively, the questions could be used to structure a guided reading session.

This straightforward task uses a couple of paragraphs of Charles Dickens’ impressions of travelling in France and there are 20 multiple-choice questions (answers provided) which could be set as homework to form part of a unit on Dickens, used for pre-reading or flipped learning or used to structure a guided reading or catch-up session.

This is a multiple-choice quiz with 21 questions, planned for flipped learning so set for homework before the poem was explored - in greater depth - in class. Alternatively, the quiz could be used for a consolidation homework after the teaching of the poem. You might wish to use the quiz to structure a more guided reading session of the poem as some of the questions lend themselves to further questioning and exploration. Answers are provided.

Planned for a year 8 class, this lesson looks at Dickens’s viewpoint on slums and the methods that he uses to communicate this viewpoint. The lesson begins with a discussion about a modern slum, an introduction to the idea that vocabulary gives an indication about viewpoint and questioning intended to ensure that all pupils have a secure understanding of viewpoint before they begin to look at the extract. The extract used is from “Oliver Twist” as Oliver and his employer (‘owner’), Mr Sowerberry, go into the slums to collect the corpse of a woman. The lesson uses several hinge questions to check crucial points of understanding. Wherever a question is used, the answer is given on the subsequent slide, just for clarity. For some reason, the ppt preview does not appear in the correct order. I will try to get TES to rectify this.

This lesson can be taught in two ways depending on the students’ level of confidence and the amount of scaffolding required. The resource used is Vachel Lindsay’s “The Spider and the Ghost of the Fly” which is an extended metaphor exploring the end of a relationship. More confident students can approach the task more or less straight away (after a warm-up which asks them to explore the title and furnishes some initial ideas). The task and poem are on slide 3 which is a printable but could be displayed on the screen if you’re trying to cut down on photocopying ! The idea is that students will approach the task fairly cold and then the subsequent 7 slides can be used to support an improved response, ensuring that the response is as thorough as possible. Less confident students (for whom this was planned) can work through all of the slides so that they have a wealth of ideas on which to draw before attempting their own response.

Planned for a year 8 class but also suitable for year 9, this is a lesson as part of a SOW on Charles Dickens. It asks the pupils to focus on establishing the writer’s viewpoint and begins with some context on the deplorable practice of baby farming. There is an image to generate understanding and ideas, followed by a non-fiction text from Benjamin Waugh (the founder of the NSPCC) in which he exposes and denounces baby farms. This text is studied in two sections. Once the pupils have worked through these texts and got an understanding of context and of viewpoint (Waugh’s writing is highly emotive and very scathing) they are then given an excerpt from “Oliver Twist” describing the parish farm run by Mrs Mann. The lesson culminates with the pupils being asked to identify Dickens’s viewpoint and then explain how the methods that he uses help to communicate that viewpoint. There is paired work and questioning along the way to get the pupils to this point.

Created for a year 11 class to try to build on their skills of analysis of unseen poetry this uses a deceptively simple poem by Whitman and guides the students through the process of analysis. With this lesson I am trying to encourage them to write about structural features for a poem that doesn’t necessarily have a wealth of language. The teaching strategies include close questioning on the title (something I find my students tend to ignore in their analysis though it is often a fruitful area for exploration), a whole-class reading of the poem (changing voice with punctuation to encourage students to notice that the whole poem is a single sentence and how the punctuation is used for emphasis), some paired discussion, spotting and beginning to explore the features and then modelling of the first paragraph of the response. The mark scheme is used to plot what’s required in the response.

A very matter of fact comprehension exercise based on an excerpt from chapter 19 of “Frankenstein” in which Victor ‘hides out’ on Orkney in order to create a bride for his creature. There is a focus on inference and the characterisation (in terms of thoughts and feelings) of Victor Frankenstein as he narrates this part of his story.

A basic comprehension activity on “Snow” by Walter de la Mare. There are ten questions focusing on the writer’s methods and their effect. Originally created as a homework. Could also be used as a cover activity, for exclusion work or for distance learning.

A simple and straightforward comprehension activity on Walt Whitman’s poem, “The World Below the Brine”. Questions focus on language, structure, viewpoint and ideas. There are 11 questions in total. Could be used for homework or set as cover. Alternatively, the questions could be used to structure a guided reading activity or prompt class discussion.

I created this powerpoint as part of a home learning pack for a year 7 class but it could be adapted for classroom use. It uses Lewis Carroll’s acrostic poem spelling out the name of Alice Liddell, his muse. The powerpoint has 9 teaching slides (the tenth is merely a title slide). The start of the learning asks the pupils to do some research and find answers to these questions: Who wrote “Alice’s Adventures in Wonderland”? What is an acrostic poem? Write down an example of an acrostic poem. What is a muse? Slide 3 has some context about Carroll and the afternoon that gave rise to the story of Wonderland. Slides 4, 5, 6 and 7 use questioning to look at extracts from “Alice’s Adventures in Wonderland” with a focus on dreaming and the attitude of Alice’s older sister towards Alice, reality and growing up. Slides 8 and 9 explore the poem. Slide 10 asks the pupils to write their own acrostic poem about someone (real or fictional) who’s important in their life.

This is a straightforward, multiple-choice quiz on Robert Graves’ “Two Fusiliers”. There are twenty questions. Answers are provided. This could be set as homework once the poem has been studied in class. Alternatively, it could be used for flipped learning, to identify any gaps in knowledge and understanding prior to a lesson on the poem. The questions could be used to structure a guided reading session and spark discussion.

This is a multiple-choice quiz (answers provided) on Christina Rossetti’s love poem, “A Birthday”. The quiz could be set for homework to consolidate students’ understanding of the poem after it’s been taught. Alternatively, it could be used as a pre-reading activity to identify any confusion or misconception so that subsequent teaching can be more precisely focused. The quiz could be used to structure a guided reading session or to open up the poem for a wider discussion.

This multiple choice quiz has answers provided and there are 21 questions on Robert Graves’ poem, “The Leveller”. This could be used for flipped learning or pre-reading so that gaps in knowledge and understanding can be identified and then made the focus of subsequent teaching. Alternatively, the questions could be used to structure a guided reading session. Useful for homework or home learning.

This is a comprehension activity using a deleted segment from H.G.Wells’ “The Time Machine”, (cut from the novella but later published on its own as a short story). There are ten questions, focused on the reading skills that will be tested in the GCSE English Language exam: inference, analysis and evaluation (as well as a couple of questions on vocabulary). Could be used in class to support the development of these key skills or used as a homework or a cover activity.

This powerpoint was used very early in my teaching of ‘A Midsummer Night’s Dream’ to year 7. The overall aim is to establish whether Puck is a typical or an atypical fairy. The lesson begins with a focus on the meaning of ‘typical’, after which the pupils are asked to work together to create an acrostic poem using ideas about typical fairies. After that, the pupils are asked to work independently to write a cinquain about a typical fairy. The lesson then shifts to focus on a prose description of the fairy wood (from a re-telling of the play’s story) and the pupils are asked to identify aspects that are typical of fairies and aspects that are atypical, explaining their choices. This skill is then developed with a focus on Puck’s conversation with the fairy in which he outlines his role as Oberon’s jester. First of all, the extract is read and there is a quiz to aid understanding. Once any misconceptions have been identified and addressed through peer marking of the quiz, the pupils are asked to complete a grid explaining which aspects of Puck’s character are typical of a fairy and which aspects are atypical. Also provided is a multiple-choice quiz for homework, the intention of which is to embed and consolidate some of the learning from the lesson.