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KS2, KS3, "The Call of the Wild" Jack London, Buck's kidnap, comprehension, crr, reading, hw, cover
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KS2, KS3, "The Call of the Wild" Jack London, Buck's kidnap, comprehension, crr, reading, hw, cover

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I created this short comprehension activity for my year 7 class to be used alongside their class reader, "Love That Dog". It uses an excerpt from "The Call of the Wild" describing Buck's kidnap. Alongside the extract are ten questions focusing on vocabulary and understanding. This works as a homework but could also be used as a cover activity. Alternatively, the questions could be used to structure a guided reading session.
KS2, KS3 "The Call of the Wild" fiction extract, crr, comprehension, cover activity, hw, reading
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KS2, KS3 "The Call of the Wild" fiction extract, crr, comprehension, cover activity, hw, reading

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Created for a year 7 class as a homework to go alongside our class reader of 'Love That Dog', this is a comprehension (close reading and response) activity based on the segment from "The Call of the Wild" in which Buck fights Spitz to become top dog. There are 14 questions in total, focusing on vocabulary, inference and the effects of language. This would be a good cover activity or the questions could be used to structure a guided reading session.
KS3, KS2, John Masefield, "Sea Fever", poetry, analysis, lang, reading, personification, viewpoint
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KS3, KS2, John Masefield, "Sea Fever", poetry, analysis, lang, reading, personification, viewpoint

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Created for a year 7 class as part of a unit of work on “Treasure Island”, this lesson invites the children to explore Masefield’s poem, “Sea Fever”, identifying the speaker’s attitude towards the sea and focusing on the use of personification and other language features. The lesson uses hinge questions at key points, requiring all children to feed back with one from a choice of answers. In my classroom we use our arms to make letter shapes; you could use mini-whiteboards. At the end of the lesson, the children are asked to produce a written response focusing on Masefield’s use of personification and two other language features of their choice, explaining what’s revealed about the speaker’s attitude towards the sea (and here you could introduce or embed the idea of viewpoint). There is a separate homework available for this lesson which is a series of multiple-choice questions about the poem.
KS3, War Poetry, Anthem for Doomed Youth, Wilfred Owen, PEE, analysis, reading, close reading
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KS3, War Poetry, Anthem for Doomed Youth, Wilfred Owen, PEE, analysis, reading, close reading

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Created for a mixed ability year nine class, this powerpoint takes the pupils through the poem, initially with a focus on Owen’s redrafting - what is the effect of ‘doomed youth’ rather than the initial ‘dead youth’. Throughout the lesson the pupils are asked to consider the effect of Owen’s language choices. There is a multiple-choice question focusing on the simile ‘who die as cattle’. In our classroom, we respond by using our arms to make the letters, YMCA-style. The question could as easily be answered using mini whiteboards. The lesson takes the pupils through a model paragraph of response focusing on the effect of the ‘as cattle’ simile; they’re then asked to produce a further three paragraphs working independently. Useful as a reading assessment or as part of a unit of work on war poetry. The intention is that this lesson begins to embed the skills on which the pupils will be tested at GCSE.
KS3, Pirates, "The ballad of John Silver", John Masefield, Mood, Analysis, Reading, Writing, Script
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KS3, Pirates, "The ballad of John Silver", John Masefield, Mood, Analysis, Reading, Writing, Script

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Created for a higher-ability year 7 class as part of a unit of work on "Treasure Island" and pirates, this lesson plan takes the pupils through "The Ballad of John Silver" by John Masefield. Using images and drama to embed the idea of writing having a mood, the lesson culminates with the pupils selecting one of the verses from the poem and re-writing it in script form (model given on one of the slides), creating the same mood as the original poem.
KS3 Charles Dickens, characterisation through setting, "Great Expectations", Miss Havisham, analysis
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KS3 Charles Dickens, characterisation through setting, "Great Expectations", Miss Havisham, analysis

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Planned for a year 8 class as part of a unit of work on Charles Dickens, this lesson focuses on Dickens’s use of setting for characterisation. The extract used (a short one; printable is on slide 11); prior to that, the pupils are asked to look at the description of the Chocolate Room from ‘Charlie and the Chocolate Factory’, explaining how Dahl’s use of colour suggests the character of Willy Wonka. There is then a focus on concrete nouns and pupils are asked what these suggest about Willy Wonka - what aspect of his personality they might reflect. Having built confidence in this skill, the focus then shifts to the more challenging text - from ‘Great Expectations’. Having gone through some text marking, pupils are then asked to share what they think the setting suggests about Miss Havisham - then pick one aspect of that setting and write up an analytical paragraph. For homework, pupils are asked to describe a room that gives the reader clues as to their own character - describing the room’s colour, temperature, listing at least 3 concrete nouns and mentioning the view from the window.
"The Adventure of the Speckled Band" Lesson 2, Characterisation, Evidence, Exploding quotations
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"The Adventure of the Speckled Band" Lesson 2, Characterisation, Evidence, Exploding quotations

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Lesson 2 of a sequence planned for a year 8 class. This lesson focuses on looking closely at evidence to explain characterisation. The lesson is intended to get the pupils to zoom in more closely as the lesson progresses. The focus in the text is the part of the story where Helen Stoner is telling Sherlock Holmes about her family history and introduces information about her stepfather, Dr Roylott. There are prompts (in the form of questions) for the explosion of one quotation; students are then asked to work more independently to explode a second quotation, using the first as a model.
KS4, KS3, Lit, Unseen poem, analysis, close reading, "Drought" Wiliam Henry Ogilvie, personification
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KS4, KS3, Lit, Unseen poem, analysis, close reading, "Drought" Wiliam Henry Ogilvie, personification

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This lesson was planned for year 9 as they work on the skills that they’re going to need for GCSE. The lesson uses “Drought” by William Henry Ogilvie and takes the pupils through what we mean by a writer’s methods with a specific focus on personification. The lesson leads the pupils towards this question: In “Drought”, how does the poet present ideas about the speaker, Drought?" This lesson would also work at KS4, particularly in the early stages of teaching the response to the unseen poetry question.
KS3, KS2, poetry, creative writing, W.H.Davies, "Leisure", close reading, analysis, effect
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KS3, KS2, poetry, creative writing, W.H.Davies, "Leisure", close reading, analysis, effect

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Created for a year 8 class but suitable at the top of KS2 as well as KS3, this lesson uses the poem “Leisure” by William Henry Davies and asks the pupils to update the poem for their own context. Prior to that, however, the pupils are asked to explore and comment on the effect of the long vowel sounds and the simile used in the poem, being able to explain what is Davies’ message in the poem. My own class worked in pairs to create their own poems and I was genuinely impressed by many of the outcomes! They seemed to find that matching their ideas to Davies’ structure worked as a scaffold.
"An Inspector Calls" - the role of Gerald.
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"An Inspector Calls" - the role of Gerald.

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Planned for a year 10 group all of whom have targets of a grade 5, this ppt leads the students through the presentation of Gerald Croft, up to the exploration of his affair with Daisy Renton. Students are encouraged to think about the method Priestley uses to link Gerald to Mr Birling, one way in which the theme of hypocrisy is explored and the way in which Gerald is used to explore the idea of different attitudes and values across generations.
KS3 Dickens "Great Expectations" Mrs Joe Characterisation Symbolism Semantic Field Contrast
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KS3 Dickens "Great Expectations" Mrs Joe Characterisation Symbolism Semantic Field Contrast

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This lesson uses the excerpt in which Mrs Joe is introduced. Students are asked to work through 3 of Dickens’s methods for characterisation: contrast, symbolism (specifically, the symbol of Mrs Joe’s apron) and the use of a semantic field. Through a mixture of questioning and discussion, pupils are guided through some ideas about the effect of these methods. Thereafter, they are asked to write a response to this question: Explain how Dickens uses contrast, the symbol of the apron and a semantic field to create the character of Mrs Joe. The final slide of the powerpoint is a self-assessment grid.
"A Midsummer Night's Dream" KS3 Shakespeare Egeus 'Full of Vexation come I' Characterisation
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"A Midsummer Night's Dream" KS3 Shakespeare Egeus 'Full of Vexation come I' Characterisation

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The aim of this lesson is to explore the methods Shakespeare uses to present the character of Egeus. The lesson begins with a brief prose overview of the start of of the play and then the lesson moves to focus on Egeus’s speech to Theseus. The lesson uses questioning and asks the pupils to annotate their copy of the speech as well as zooming right in on a specific quotation and exploding it (again, through prompt questioning). There is a homework - a 10-question multiple-choice quiz intended to consolidate some of the learning from the lesson.
Charles Dickens "Oliver Twist" chapter 19 description of Fagin CRR Comprehension Test HW Cover
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Charles Dickens "Oliver Twist" chapter 19 description of Fagin CRR Comprehension Test HW Cover

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This is a comprehension activity based on the description of Fagin scuttling through the darkness to Bill Sikes. The Word document is editable so you can tailor the questions to suit the ability level of your class, if necessary. There are ten questions, some of which require extended answers, so this would be a useful activity for a cover lesson. Alternatively, the questions could be used to structure a guided reading activity.
KS3, Charles Dickens, "Great Expectations", Characterisation, Appearance, Symbolism, Close reading
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KS3, Charles Dickens, "Great Expectations", Characterisation, Appearance, Symbolism, Close reading

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Planned as part of a SOW for year 8 - a unit on Charles Dickens with a focus on characterisation - this lesson looks at Pip’s first visit to Satis House (chapter 8 of ‘Great Expectations’) and the first description of Miss Havisham. The aim of the lesson is to infer and deduce from description. Pupils are asked to explore the symbolism of colour, looking at the connotations of the colour used in the description of Miss Havisham. Their attention is drawn to the noun ‘lustre’ - this is used later to model a paragraph of analysis. Teaching strategies used are questioning, paired discussion and modelling.