Detailed 2-page resource of analytical notes on 'Your Guide to Beach Safety' plus past questions on the extract - for use with Section B of the Edexcel IGCSE in English Language. I prepared these notes for first-teaching of the extract but also ultimately gave them to students who found them very useful for revision purposes. The notes begin by focusing on purpose, audience and tone and then focus in close detail on key linguistic and structural choices made by the writer. This helped my students to gain the in-depth and high level knowledge and skills required to score well on this section of the IGCSE exam.

Detailed 3-page resource of analytical notes on 'Touching the Void' plus a list of past questions on the extract - for use with Section B of the Edexcel IGCSE in English Language. I prepared these notes for first-teaching of the extract but also ultimately gave them to students who found them very useful for revision purposes. The notes begin by focusing on purpose, audience and tone and then focus in close detail on key linguistic and structural choices made by the writer. This helped my students to gain the in-depth and high level knowledge and skills required to score well on this section.

A display of sentence stems to help students verbalise their ideas using academic language. 65 slides in total - two 'title' slides which works well at the centre of the display and 63 different sentence stems. The sentence stems range from straightforward (e.g. 'This quotation suggests...') to complex (e.g. 'The dichotomy between [civilisation and savagery] underpins the novel'.) Lots of examples from a range of literary texts including Lord of the Flies, Macbeth, Of Mice and Men, Romeo and Juliet. Ellipses and square brackets show students where they can insert their own relevant text/character/theme. There are also definitions of key words on many of the slides, e.g. 'quotation', 'inference', implies' etc. I have had this display in every classroom I've taught in and use it every day in discussions and writing with students, to help them verbalise complex ideas and use more formal language. This translates really well into essay writing and my students also use the display as a reference point when writing. *The preview doesn't display properly - the slides are formatted properly but for some reason this isn't showing in the preview.*

A selection of resources for teaching the novel Dark Matter to Key Stage Three. The resources included are: 1. A one-page set of analysis questions for Chapters 3 & 4, with a point, evidence explain model to show students how to write analytical paragraphs. 2. A creative writing lesson focused on using pathetic fallacy inspired by Dark Matter, including a group carousel activity. There are three resources for this: Lesson Slides, A3 carousel resources for printing and a 3-page handout for students including two extracts from Dark Matter in which Michelle Paver uses pathetic fallacy and a guidance page to help students start writing. 3. A sentences lesson which uses Dark Matter to teach students how to identify and use simple, compound and complex sentences - includes lesson slides and a 3-page worksheet of sentences exercises for students to practise. 4. A whole-text analytical essay writing activity to be completed once you have finished reading the novel. This one-page handout introduces the essay to students, gives them question options to choose from and models how to plan the essay. If you have any questions, please ask!

An in-depth, 30-page knowledge organiser for the New Windmill Book of Nineteenth Century Short Stories on the Edexcel IGCSE English Literature Course. For each story, there is: 1. An overview, covering key points on characterisation, plot and themes. Links are made between the stories where relevant. 2. Key quotations 3. A list of key themes. My GCSE students found this a really useful resource once we had finished first-teaching of the collection, to help them gain a thorough knowledge of the collection as a whole and a more secure understanding of the connections between the stories. I used this for phased revision - students would revise the information for one story, complete an in-class test on it and then move on to the next. Equally, it could be used as a resource to support essay-writing.

A handout which examines A Doll's House as a problem play, and looks at the evidence for it as a feminist play and a tragedy. Includes quotations from Ibsen himself and the critic Tornqvist. A useful resource for understanding genre and meeting the context assessment objective on the OCR A Level spec.

A 7-page, in-depth guide to writing essays suitable for A Level and GCSE students. The resource includes a combination of advice and practice activities and covers the following: 1. How to re-draft essays, with strategies to make them clearer and more sophisticated. 2. Writing a hypothesis to start your essay effectively. 3. Using the passive voice. 4. A long list of sentence stems that are suitable for use across the board in literature and language essays. I originally designed this booklet for A Level writing workshops but now use it with GCSE classes as well. I find it particularly useful at the start of the A Level course, but also at any other point when you want to improve students' essay writing skills. Some of the examples used are taken from a range of essay-writing subjects, not just English, to demonstrate the fundamental principles of good essays which are applicable to a range of subjects. The guide would therefore be useful for other essay-writing subjects with the exception that most of the Sentence Stems section is most suitable for English.

An 8-page workbook on the treatment of women in Romeo and Juliet. The first page contains a summary of key points about the role of women in the play, contextual information and societal expectations of noblewomen. The booklet then focuses on Juliet, Lady Capulet, The Nurse, Romeo, Friar Laurence and Lord Capulet. For each character, students are asked to find and analyse evidence for relevant events and relationships. For example, the Lady Capulet section asks students to look at: Her relationship with Juliet, including her limited involvement in her day-to-day upbringing; her relationship with the Nurse and her relationship with Lord Capulet. This could be used as a first-teaching resource or as a revision resource. It can be differentiated through different roles in group work - asking less-skilled students to find evidence and more-skilled students to analyse it.

This lesson introduces essentialism and teaches students how to write an effective thesis/introduction to a comparative essay on essentialism and The Bloody Chamber. Designed for the OCR A Level English Literature comparative literary studies module. The resources include a fun 'odd-one-out' starter on stereotyping and essentialism, to be followed by discussion, a resource which clearly explains essentialism, a model thesis comparing two gothic texts (The Fall of the House of Usher and The Tell-Tale Heart) for students to read and dissect, a comparative essay question on essentialism and The Bloody Chamber and a paired activity in which students write a thesis in response to this question. The full essay is then written for homework. This lesson works well early-on in the A Level course as it gives students confidence in how to approach a comparative essay.

A detailed but compact A3 reversible revision resource for A Level students studying Angela Carter and The Bloody Chamber. One side of the sheet focuses on context and the other side on critics and theoretical approaches, both key Assessment Objectives on the OCR new linear A Level. The theoretical approaches covered are feminism, post-modernism and pyschoanalysis and a list of key critical quotations is provided. The context side includes a summary of source texts, a reminder of the text's artistic influences, a number of quotations from Carter herself, taken from her letters and essays, and information on other key Carter texts The Sadeian Woman, Fireworks and The Passion of New Eve. My Sixth Form students found this resource extremely useful for revision as the contextual and critical knowledge required for the exam can seem overwhelming - this brings it together in one place.

A 2-page quotation revision resource on key motifs and symbolism in Romeo & Juliet. The quotations are grouped as follows: - Fire & Heat Imagery - Light & Dark Imagery - Stars Motif - Infection & Disease Motif - Religion & Pilgrimage Imagery - Graves, Death & Corruption Imagery Includes 27 quotations in total so is useful for focused revision; each quotation is briefly contextualised within the play. It is designed to engage students and make them feel that quotation-learning is achievable. This could be used as a homework or in-class resource as part of exam preparation or as an essay-writing prompt. It provides a realistic number of quotations for middle and lower ability students to focus on for these key motifs. For higher ability students, it can form part of a wider quotation revision programme. Revision can also be differentiated by the number of sections that students are given to learn.

A double-sided A3 quotations revision resource for Romeo and Juliet, organising key quotations by theme and character. Characters run down the side of the table and themes run across the top. Where a quotation is relevant to both a theme and a character, it is included in the relevant square. 44 of the 88 squares are filled with one or often numerous quotations. The other squares are blank for students to fill in their own additional quotations as part of the revision process. The characters covered are: Romeo, Juliet, Lady Capulet, Lord Capulet, The Nurse, Friar Lawrence, The Montagues, Mercutio, Benvolio, Tybalt and some quotations from minor characters and the Chorus. Themes covered are: Love & Sex, Fate, Death, Conflict & Reconciliation, Parent/Child Relationships, Friendship, Youth & Age, Marriage (linked to women's roles). My students said that they found this a useful and detailed overview of key quotations which helped them to make connections between themes and characters in their revision.

14 questions on the short story 'Napoleon and the Spectre' by Charlotte Bronte based on SOLO Taxonomy principles. The questions are designed to be done after a first reading of the story to check and develop students' understanding of the plot, context and characters in a phased way. They are divided into sections of 'Unistructural', 'Multistructural', 'Relational' and 'Extended Abstract' going from basic, building-block knowledge of the story to abstract connections to contemporary ideas and writing. Students choose a starting point appropriate to their current skill and knowledge level; equally, they could work in differentiated groups, with each group taking a set of questions to answer. Students might need to conduct some research in order to answer some of the questions. Designed for teaching of the New Windmill 19th Century Short Stories on the Edexcel IGCSE.

14 questions on the short story 'Country Living' by Guy De Maupassant based on SOLO Taxonomy principles. The questions are designed to be done after a first reading of the story to check and develop students' understanding of the plot, context and characters in a phased way. They are divided into sections of 'Unistructural', 'Multistructural', 'Relational' and 'Extended Abstract' going from basic, building-block knowledge of the story to abstract connections to contemporary ideas and writing. Students choose a starting point appropriate to their current skill and knowledge level; equally, they could work in differentiated groups, with each group taking a set of questions to answer. Students might need to conduct some research in order to answer some of the questions. Designed for teaching of the New Windmill 19th Century Short Stories on the Edexcel IGCSE.

Three sets of questions on the short stories 'News of the Engagement', 'The Unexpected' and 'Hop Frog' from the New Windmill collection. The questions are designed to be done after a first reading of the story to check and develop students' understanding of the plot, context and characters. There is a combination of comprehension and analysis questions. This would make an effective classwork, homework or flipped learning task if you asked students to read the story independently before completing the questions. Designed for teaching of the New Windmill 19th Century Short Stories on the Edexcel IGCSE.

Nine comprehension and analysis questions on the short story 'The Nightingale and the Rose' by Oscar Wilde requiring in-depth, critical responses. The questions are designed to be done after a first reading of the story to check and develop students' understanding of the plot, characters and themes. This is a useful classwork or homework resource. Designed for teaching of the New Windmill 19th Century Short Stories on the Edexcel IGCSE.

• 8 Week, 24 Lesson Scheme designed for teaching or revision of GCSE-level fiction reading skills. The scheme was created specifically for AQA English Language GCSE Paper 1, but may be useful for schools doing other exam boards. It aims to develop whole-text reading skills from the outset. • The scheme predominantly focuses on responding to reading questions, but there are some linked writing lessons in which students plan/create their own fiction texts. • Week 1 and 8 are set aside for baseline and final testing using exam-board papers of your choice, hence the resources included start at Week 2 and finish at Week 7. • The texts are taken from the AQA Anthology ‘Telling Tales’ and the AQA Paper 1 Reading Support Booklet, or are included as individual extracts. I cannot include the AQA Anthology or Reading Support booklet here for copyright reasons, but the anthology is available for order free of charge here for schools doing AQA. The reading support booklet is available online as a PDF here: https://filestore.aqa.org.uk/resources/english/AQA-87001-RSB.PDF • The texts/extracts covered are: 1. My Polish Teacher’s Tie (Helen Dunmore); 2. Paddy Clarke Ha Ha Ha (Roddy Doyle). 3. Goldfinger (Ian Fleming); 4. Bring Up the Bodies (Hilary Mantel); 5. Remarkable Creatures (Tracy Chevalier). 5. I’m the King of the Castle (Susan Hill). 6. The Thirty-Nine Steps (John Buchan); 7. Chemistry (Graham Swift); 8. Birdsong (Sebastian Faulks). 9. Spies (Michael Frayn). 10. The White Tiger (Aravind Adiga). 11. The Awakening (Kate Chopin – Extra Challenge Reading). • Assessments: Baseline Paper 1 assessment (your choice); 2 teacher assessments with 2 D.I.R.T lessons; 2 peer/self-assessments; final Paper 1 Exam (your choice) • The D.I.R.T lesson is planned into the scheme for the lesson after the teacher assessment; however, this is a ‘floating’ lesson and there is flexibility in when it is delivered to accommodate marking. It should be delivered within 4 lessons of the assessment to ensure timely feedback. The D.I.R.T lesson will include both structured and independent tasks. • There is a focus on mastery of whole-text reading skills and technical writing skills. Interleaved activities are planned to prepare students for the independent reading requirement, the creation of their own non-fiction texts, as well as the SPaG element of the AQA GCSE qualifications. There are a number of fluency activities. • Homework is inbuilt but is called Independent Study and is designed to be challenging. It is an essential element of the scheme and linked class activities are based upon independent study tasks. The aim is to improve students’ independent study skills, reform their view of ‘homework’ so that they understand its central role in their learning and significantly improve the rate and quality of completion. • Teaching instructions & differentiation suggestions are contained within the notes of the PowerPoint slides.**