Four differentiated lessons looking at the following Victorian themes: Darwin’s theory of evolution, Lombroso’s theories of physiognomy, duality of man, respectability and reputation, Science versus Religion. Analysing a selection of extracts from Jekyll and Hyde with support / stretch and challenge in each lesson. Suitable for Y7 to Y9. Good preparation for KS4 context if Jekyll and Hyde is a text for study at GCSE

This is a booklet that can be used to analyse the characters of Beatrice and Benedick in the following key scenes of Much Ado About Nothing: Act 1 Scene 1 Act 2 Scene 1 & 3 Act 3 Scene 1 Act 4 Scene 1 Act 5 Scene 2 & 4 Each Act’s tasks should take approximately two lessons, giving around 10 hours of tasks to complete. Thorough investigation into their characters through extracts from key scenes and related tasks. Possible assessment question provided, taken from an AQA’s English Literature Paper 2.

A copy of the poem with some questions for students to answer. Teacher copy with answers provided.

Two female poems looking at the use of Nature in poetry of WW1 to contrast perspective. Falling Leaves looks at the futility of war and A Girl’s Song looks at how difficult it can be to accept a loved one has died. Both poets deliver these ideas by personifying nature. Starter is a fill in the blanks activity then looking at Cole’s actual language choices. Then, look at A Girl’s Song using a table to infer how natural imagery shows the poets ideas. Plenary is a paragraph comparing their use of nature to show attitudes towards death in war.

Complete lesson for students to consider the pros and cons of having the death penalty. Pros - examples of 2 killers from different countries, one of whom was given the death penalty and another who wasn’t. Cons - story of a man who was wrongfully convicted and spent over 20 years on death row with serious consequences to his life. Final task is to plan for an essay debating the pros and cons.

This resource contains reading and writing activities based on three extracts from Narnia and one from Jamaica Inn. The final activity is not extract based but requires students to imagine what the firey world of Muspelheim (Norse Mythology) might have looked like before considering how they might describe it. I have included differentiated versions too which include edited and shorter versions of the extract and slightly easier task requirements. Easy to adapt and print off.

LA KS3 - GOES THROUGH WHAT A RECIPE IS AND HOW ZEPHANIAH HAS USED METAPHOR IN HIS POEM. INCLUDES A WORD BANK AND A WRITING FRAME FOR A BRIEF ANALYSIS OF METAPHOR. PUPILS THEN ASKED TO WRITE THEIR OWN METAPHOR POEM OF BRITISHNESS.

Aimed at KS3, this scheme takes you through the morning after a girl called Ellie disappears from her home in the night. There is a village meeting, a bag found at the station containing items that Ellie has lost (giving possible clues to her disappearance), a group effort to put up missing posters, mime to the Beatles’ track She’s Leaving home and much more. Students really enjoy this scheme. Hope you do too!

Here is something that is hopefully a bit different. I have provided information and images on 5 capital cities, from which pupils have to describe them using a range of methods. I have included a WAGOLL and an overview of what is expected for each task. The capital cities here are: Athens, Madrid, Paris, Washington DC and Moscow. Easily adaptable and can be printed off as separate worksheets or as a booklet. Suitable for KS3. I have included differentiated versions of all worksheets plus the overview.

This lesson looks at the context of Emmeline Pankhurst’s speech in Connecticut, 1913, which aimed to persuade the audience to support women’s suffrage. Focuses are on militaristic language, as well as other rhetorical devices and a plenary task comparing her speech for women’s rights with that of Emma Watson. Both speeches are included with this resource.

Two lessons Lesson 1 - Unseen lesson on ‘The Road Not Taken’ by Robert Frost- includes a copy of the poem, questions for pupils to answer / facilitate discussion with suggested answers. Consideration of structure / form (see ppt slide notes) and ending with a question asking what the poet’s thoughts are about life. Set of ‘clear’ criteria given from AQA markscheme for pupils to follow in their response. Really nice poem and links nicely to the Paper 1 Q5 practice. Lesson 2 - idea of using a scene as a way in to description e.g. thinking about bigger ideas such as Autumn being a metaphor for change or an ending. Includes example of planning, skills focus and an example paragraph to use for discussion before pupils write their own. Perfect for current Y10.

THIS LESSON COMPARES HELENA’S JEALOUSY OF HERMIA IN ACT 1 WITH HERMIA’S JEALOUS OF HELENA IN ACT 3 SCENE 2. THE EXTRACTS CAN BE USED TO EXAMINE THEIR CHANGING FRIENDSHIP AND TO EXAMINE SOME OF THE METAPHORS USED TO INSULT EACH OTHER.

Some lesson tasks / ideas for the first 13 chapters of the novel, looking at characters and themes.

Part Two of the introductory unit: Literature Through the Ages A further 8 lessons with pupil anthology (two separate ones for just core texts and then all texts), CPD booklet and knowledge organiser. Pupils will build on their knowledge from Part One of the unit to cover the following extracts: Daphne & Phoebus - Hesiod The Seven Pomegranate Seeds - Horowitz The Ramayana - retold by Donald A Mackenzie The Odyssey - translated from Homer Adventures of Sir Lancelet - Malory The intention of this unit is to provide students with some knowledge of how stories originated, came to be written down and how some of those same stories have been retold and developed over time, such as Horowitz’s re-telling of a popular Greek myth, in our unit. Students should understand that there does not have to be one single version of a ‘story.’ Some may have originally been made up to explain mysteries about the world and to enable humans to understand their place within it. Stories are constantly evolving and shaped by their social and historical influences. We can see, for example, that the concept of the Underworld has been around for centuries. Students will study the Underworld described in the Renaissance period by Dante, as a way of teaching his readers to live purer lives on Earth, but we can also enjoy its imaginative appearance in Rick Riordan’s modern ‘Percy Jackson’ tales. We can introduce the concept that, historically, the female figure has been presented as temptress and the cause of human suffering, an idea developed in ‘the Serpent’s Deception’ and Homer’s ‘Odyssey’, or later subverted in Le Morte d’Arthur, where the female is weak and in need of a chivalrous male to save her. We can see stories as a reaction to the beliefs and fears of society at the time. Shelley’s Frankenstein can be interpreted as a reaction to society’s distrust of the advancement of scientific experimentation. Running through all these stories is a series of symbols that capture a society’s values, beliefs and fears. Through the identification of symbolism in these stories, such as the snake in Serpent’s Deception, Daphne & Phoebus and Le Morte d’Arthur, it is hoped that our Y7s can learn to become confident in spotting symbols in future stories they read and have the confidence to critically evaluate the significance of them, in relation to their own contextual experience and a knowledge of literature throughout the ages.

Ten slides containing carefully selected evidence from the play that students can learn and apply to a variety of potential exam questions. Each slide puts the quotation into context and contains a brief analysis with relevant methods and terminology in bold. Easily editable to remove explanations for just the quotation and image for display. The same resource is available for An Inspector Calls, Blood Brothers and A Christmas Carol in my shop.

34 slides of activities to pick out key scenes, themes, characters and methods of Volume 1. These activities focus on chapters 1-18 of the novel and look at the theme of marriage, social status and key characters. Other focuses are critical interpretations such as marxist theory. Austen’s methods (dramatic irony, comedy, character foils, juxtaposition, pathetic fallacy, free indirect discourse etc) along with key moments in the plot. Very useful for teachers going through the novel for the first time to facilitate note taking for future revision purposes.