PREMISE: You are going to enter the Castle of Terror to save Santa Clause. He has been kidnapped by the evil Necromancer, Alan. His devilish plan is to suck the Xmas spirit out of Santa, and use it to power his horde of undead. He has banded together with the Orcs and Goblins of the nearby Dark Forest. They will protect him whilst he finishes his experiments. You must hurry. The fate of Christmas rests with you… A mission pack that builds on the free D6 Dungeons and Dragons lesson I created. Print this off (delete the first slide though) for students, or set it up as a power point for the Dungeon Master. All the kids I tried it with loved it. Some of the quotes: "Voldemorts stolen my nose! Give me back my Magic Dagger!" "You are the worst re-animated corpse EVER!" "I use my Staff of Uncertainty to turn you into a Gibbon." A seriously creative lesson. Enjoy. PS - I've also added the initial lesson (Lesson 1) as a starting point for the kids - gets a bit complicated otherwise.

Material I generated for the old AQA style creative writing controlled assessments - it still resonates with the new AQA Paper 1 Section B style questions (inspired by images). You'll need a copy of the film and you'll need to alter the Learning Outcomes (they are all set against the old AQA English Language Coursework criteria).

I had a lot of fun with this unit of work. The premise is simple: to explore the Shakespearean Sonnet form and to create your own Shakespearean Sonnet. There is a also a focus on spelling too. Included in this pack is a lesson I have also sold elsewhere - just saying!

I used these lessons with year 9 classes. They still adhere to the old AQA specification (they talk of bands). But, each lesson is a complete poem and will save you some work.

Old IGCSE English specification resources. Someone, somewhere, might find a way to use these...somehow.

A series of lessons that can easily be expanded out to around 12-13 lessons that do the following: Establish an understanding of the plot over 4 lessons Gets the students to act out the plot via story whooshes (you will need a summary of the play to do this - I use a copy of the play with summaries of each page and get the kids to read certain key parts of the dialogue out loud) Explore language and structure as methods Build on the ability to analyse extracts Develop a contextual understanding Rather pleased with these to be honest. Hopefully you guys will feel the same too. PS - I've chucked in a load more stuff too. Extract Analysis 3 was a lesson where I received "GOOD" for my observation. There is also a Creative Writing Lesson that may prove useful too.

Two powerpoints (both alike in dignity…); the larger of the two covers the deconstruction of an English Language Paper 2 Section A mock exam - we go through common mistakes, areas of concern and identify how to improve on what we’ve done. I’ve provided the sources too, so you could use this as the basis of a Section A walking-talking mock; the smaller powerpoint covers speech writing, an area my lot particularly struggled with. Happy hunting…

My second lesson. Here, I focus almost entirely on ACT 2 SCENE 1 and Iago's soliloquies therein. The notes element of the power point pulls a lot of thinking together from across a lot of sources - you'll need these notes to flesh out the tasks. I tie it up with an exam style question at the end focusing on what we can infer about attitudes to women. Quite pleased with how this looks and how it goes.

One power point per poem and some associated skills. I teach the poems in the order in which they appear in the anthology (except Tissue; I put that one at the end). I follow a pattern with the lessons and source the contextual information from the BBC Bitesize website (and a couple of other places when I get bored of them) - it makes sense as any student that misses out on something can go and find what they need relatively quickly. The material is readily available elsewhere, hence the relatively low price for so many lessons. NOTE: I have upgraded these lessons now. I’ve moved away from endorsing the PEEL style responses - the exam reports indicate clearly this is the thing to do. Additionally, I have included much more of a focus on the POWER themes. Lastly, I have used these poems as a springboard to discuss gender issues - part of this is my attempt to narrow the gender gap at the top end of GCSE English achievement by trying to get the lads to be more engaged with the material. These lessons are designed to work in tandem with my own version of the poetry anthology. At the moment, I have yet to upload the edited version but I shall do so soon. That being said, the power points wouldn’t take much editing to use them with the traditional AQA version. All of the original lessons are included just in case you are still using the PEEL method of building a response.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the opening of My Polish Teacher's Tie.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses a section from When The Wasps Drowned - it's not the start bit, but if you think about it, it doesn't really need to be.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses sections from Compass and Torch - I've stitched together two sections and omitted the bit about the horses (for those who remember) so that the extract focuses only on the relationship between the boy and the man.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the start of Anil. As a pause for though, you may wish to consider renaming the character of Anil. Think about it...

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the start of On Seeing the 100% Perfect Girl One Beautiful April Morning. I've taken one paragraph out but don't worry, it doesn't take away from the creepiness of the narrative voice.

I’ve found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the start of The Darkness Out There. The focus here is very much on the use of setting. UPDATE: I’ve included some rudimentary answers. You’ll still need a copy of the mark scheme.