I have just started adding my plays to TES (over 400)!but this will take time! All my assemblies/class plays and guided reading scripts are on www.plays-r-ussell.com and I am happy to write on request. I have converted the entire History Key Stage II curriculum into play format - and much of the other subjects such as Science, Geography, PSHE etc. I cover events such as the Olympics and have received great feedback from teachers around the world! Writing is my passion - hope you enjoy my work!
I have just started adding my plays to TES (over 400)!but this will take time! All my assemblies/class plays and guided reading scripts are on www.plays-r-ussell.com and I am happy to write on request. I have converted the entire History Key Stage II curriculum into play format - and much of the other subjects such as Science, Geography, PSHE etc. I cover events such as the Olympics and have received great feedback from teachers around the world! Writing is my passion - hope you enjoy my work!
Grammar and Punctuation Assembly
Two camps: Grammys and Punks! Cast of 30 - easily adaptable up or down
Duration: around 10 - 15 minutes
This class play attempts to cover at least the basics of our great English Language - a pretty tough challenge!
'Coverage' includes:
Punctuation: Capital Letters Full Stops Exclamation Marks Question Marks Commas Colons Semicolons Brackets Hyphens Quotation Marks Apostrophes
Grammar: Nouns Proper Common Collective Abstract Pronouns Adjectives; Verbs Present Past Future Active and Passive Regular and Irregular Adverb; Preposition Conjunction
Sample Text
Narrator: (Growing increasingly impatient) Yes! Yes! Do please say what you’ve got to say! We do have a few more parts of speech apart from yourself to get through, you know!
Grammy 2: (Huffily) Oh very well. I’ll keep it brief!
(Punks all cheer)
Grammy 2: Well, proper nouns are really just names. (Pauses) There! Is that brief enough for you?
Narrator: Excellent! Thank you for that!
(To audience) Phew! I thought for one awful moment we were going to be stuck with proper nouns until the end of the assembly!
Next!
Grammy 3: (Bashfully) Me? Oh I’m just a common noun!
Narrator: Oh! Nothing remotely common about you I’m sure!
Grammy 3: But that’s what I’m called!
Grammy 2: That’s right! I’m proper! And he’s common!
Word: Well, there are quite a few other types, like
Grammy 4: Collective nouns – for example, a swarm of bees, a herd of sheep
Grammy 5: And abstract nouns – things you can’t hold in your hand - like anger, time
Narrator: (Looking at watch) Speaking of which, yes, I think that’s enough on nouns!
Grammy 6: (Squeaking) But hey! I might be small, but don’t forget me!
Narrator: And you are?
Grammy 6: I’m a pronoun! Very important I am!
Narrator: (To audience) Just like the rest of them!
State your business, briefly if you can!
Seven Wonders of the Ancient World Assembly
1. Great Pyramid of Giza
2. Mausoleum at Halicarnassus
3. Temple of Artemis
4. Statue of Zeus at Olympia
5. Colossus of Rhodes
6. Lighthouse of Alexandria
7. Hanging Gardens of Babylon
Cast of 30 - easily adaptable up or down
Duration - around 15 minutes reading time (not including music suggestions)
This Key Stage II Class play follows on from two other assemblies (KSI & II) on the Wonders of the Natural World - under the title of Awe and Wonder and found in the PSHE section of the website.
I, Sue Russell, decided to limit the Wonders of the 'Man-Made' World to the Seven Wonders of the Classical World as, had I based a script on modern-day wonders, the list would have been endless. I am happy to write a script based on modern day wonders but will wait on a teacher making such a request - with a list I can work from! Otherwise making an arbitrary choice of wonders is an impossible task!
Sample Text
Narrator: (Cowering) Oh, Oh! Not another unhappy god! Helios, god of the sun, am I right?
Helios: Yes, and my statue was known as the Colossus of Rhodes, built 280B.C. in the city of Rhodes, on that same Greek island, by one Charles of Lindos; and destroyed 226 B.C.
Narrator: Ah but you were so impressive – all 108 feet of you! That’s about the same as the Statue of Liberty! Certainly the tallest statue of the ancient world!
Helios: And that’s meant to make me feel better?
Narrator: Well, there was nothing anyone could have done to save you. As I think I remember hearing before, that’s earthquakes for you!
But here, let us take a look at you, Helios, god of the sun, in your prime – or rather, that of your statue!
(Narrator holds up picture of Colossus of Rhodes)
Narrator: Behold the Colossus of Rhodes!
(Helios bows and exits)
Narrator: (Consulting notes) Five down, two to go!
Heckler: (Yawning) How many did you say?
Narrator: Don’t tell me you haven’t been counting? Or is anything over five a bit of a struggle for you?
Heckler: Ooh! That’s not nice! And just to show you I am actually interested in the past, I’ll give this next one my undivided attention!
Narrator: Fine!
(To audience) Let’s hope it’s a good one!
(Enter Pharaoh Ptolemy II)
Music 7 Carl Orff – O Fortuna – Carmina Burana
Ptolemy II: Ah so you are here to admire the Lighthouse of Alexandria! Behold!
Awe and Wonder Assembly
Key Stage I (5 – 7 yrs)
Cast of 30 - easily adaptable up or down.
Duration - around 10 minutes reading time (not including music suggestions and songs). Longer performance easy - with simple addition of more information.
Special guests to this class play: two superheroes - invited along to witness 'awesome' and 'wonderful' aka Nature and its superpowers - Who or what can beat a spider's artistry, a rainbow's beauty, the miracle of a butterfly and ... a great Milky Way!
Awe and Wonder Assembly/Class Play available for Key Stage II (7 – 11yrs) – on Seven Natural Wonders of the World (Grand Canyon, Great Coral Reef etc).
As a special offer, FREE with purchase of this script - a set of lovely photos taken at last year's Sensational Butterflies Exhibition at the Natural History Museum. Drop me a line at sue@plays-r-ussell.com
Sample Text:
(Enter 4 children in pyjamas)
Narrator: Looks like you lot are ready for bed!
Child 12: (Pointing up) Star gazing!
Child 13: That’s what we’re doing!
Child 14: (Sighing) They’re so beautiful!
Child 15: (To Narrator) Care to join us?
Narrator: Don’t mind if I do! What can you see?
(As Narrator is gazing upwards, children share out chocolates among themselves; Narrator suddenly realises he has been ‘duped’)
Narrator: Hey! Give me those chocolates!
Child 12: But we’re about to tell you about them!
Child 13: This one is the name of a group of stars – a galaxy!
Child 14: This one is the galaxy we live in – the Milky Way!
Narrator: (To Child 15) And this one?
Child 15: Well, this one isn’t really a star. It’s a planet – Mars!
Narrator: (Taking Mars bar) Well, I’d better have that one, then!
(To audience, aside) My favourite!
Awe and Wonder Assembly
This KS II class play is on awe and wonder – and there’s plenty of that about in the awesome world of nature!
Scoring a ‘WOW!’ proves a bit of a challenge for this particular set of children – it seems to take a lot to impress the ‘awe-full-not’ teacher who is taking the assembly!
Cast of 30 (easily adaptable up or down)
Duration - around 15 minutes not including music suggestions
This script is the first in a series of Awe and Wonder Assemblies – the second one being on Man Made Wonders – loosely based on the Seven Wonders of the World but probably with a lot more thrown in! There will be ‘parallel’ simpler scripts for Key Stage I children on this theme.
Sample Text
Narrator: So. Let us make sure this assembly is (pauses) awesome! What have you got for me?
Child 12: Well, we thought we’d start with all the most awesome places in the world.
Child 13: Aside from our school, of course!
Narrator: (Smiling) Of course!
Child 14: So, what about
(Each child in turn holds up a picture of the place they are describing)
Child 14: This great lump of rock!
Narrator: Great lump of rock? What’s so awesome about that?
Child 14: (Indignantly, to Child 10) What were you saying about adults? This lump of rock just happens to be Uluru – otherwise known as Ayer’s Rock, in Australia.
Narrator: Well, it does have a pretty amazing colour.
Child 14: Red sandstone! Formed six hundred million years ago!
Narrator: Wow!
(Whole cast cheers)
Child 10: Wow! We got a wow!
Narrator: Well, I’m not that hard to impress!
Child 14: Difficult not to be impressed by the world’s biggest monolith – that’s a single rock, by the way!
Narrator: Yes, yes. I knew that!
Child 14: And that it’s some nine kilometres in circumference?
Narrator: Hmm. Of course! I am a teacher, you know!
Child 15: Well. What about this. The Grand Canyon!
Narrator: More rocks?
Child 15: (Indignantly) Yes but these rocks form one of the deepest gorges on Earth!
Respect Assembly
Cast of 30 - easily adaptable up or down.
Duration - around 10 minutes not including music suggestions.
This PSHE class play was written for Key Stage I - the part of the narrator taken by the Class Teacher.
Other Character Assemblies, Key Stage I & II, are available from writer, Sue Russell.
Sample Text
Goldilocks: Help! Help! Save me from these vicious bears!
Mummy Bear: (Retorting angrily) Vicious bears?
Daddy Bear: (Laughing) Who? Us?
Baby Bear: We’re the victims here, not her!
Narrator: Aha! Goldilocks and the Three Bears! Now that’s an interesting tale!
Mummy: One of burglary
Daddy Bear: Break in
Baby Bear: And vandalism!
Goldilocks: Oops! That bad?
All three bears: (Together, nodding) That bad!
Narrator: Oh dear! So not only have we a total lack of respect for people
Goldilocks: Bears!
Narrator: No difference! Don’t go making things worse for yourself, young lady!
Mummy Bear: Quite! Who ever heard such cheek?
Narrator: I repeat. Not only have we a total lack of respect for people (pauses) .. and bears! But a lack of respect for other’s property as well!
(Whole cast gasps in shock)
Goldilocks: (To Bears) I’m so sorry! I should never have walked into your home
Mummy Bear: Or eaten our food
Baby Bear: Or sat on our furniture
Daddy Bear: Or slept on our beds.
Goldilocks: I am so sorry. I’ll never do it again!
(Exit Goldilocks and the Three Bears, smiling at each other)
Narrator: Well, there’s a happy ending!
Child 1: But it’s very easy to go wrong! To forget that respect thing. We do need reminding of some important facts.
Child 2: Everyone is different.
Child 3: We all look different
Child 4: We all like different things
Child 5: I like running!
Child 6: I like football!
Child 7: I like reading a book!
Narrator: And that’s fine. Nothing wrong with having these differences!
Child 8: Our world would be so boring if everyone was the same!
Child 9: It doesn’t matter
Child 10: If you support Chelsea!
Child 11: Or Arsenal!
Love Is .... Assembly
This class play on Love looks at what love means to each of us.
Although it was written for Key Stage I (5 – 7 year olds) it can easily be adapted for use at Key Stage II (7 – 11 year olds) - the playlist of 10 suggested songs will be enjoyed by all ages.
For scripts specific to Valentine’s Day, check out Sue Russell’s alternative Romeo and Juliet scripts.
Cast of 25 - easily adapted up or down.
Duration - around 15 - 20 mins (potential of doubling this with all music choices)
Sample Text:
(Enter Child 10, carrying a puppy)
Music 7 Puppy Love – Donny Osmond
Narrator: Ahh! (Gestures for everyone else to go ‘Ahhh!’)
Who can resist a puppy?
(Exit Child 10 plus puppy)
(Enter Child 11, skipping)
Narrator: Wow! Great skipping! You obviously love it!
Child 11: And it’s good for me!
(Exit Child 11, smiling happily)
Narrator: Yes, any form of exercise is good for you!
(Enter Child 12)
Music 8 Can’t Stop the Feeling – Justin Timberlake
(Whole cast singing and dancing)
Narrator: And why do you love dancing so much?
Child 12: How can you not love dancing?
(Exit Child 12 smiling)
Narrator: (Trying a few moves) Well, it is good exercise!
(Enter Child 13, eating large bar of chocolate)
Music 9 Sugar Sugar - The Archies
Narrator: Hmm. I’m not sure this is quite so good for you!
Child 13: Oh, but I just love chocolate! Who doesn’t?
(Exit Child 13)
Narrator: (Rubbing tummy) Mmmm. Beginning to feel a bit hungry!
(Enter Child 14, reading ‘The Very Hungry Caterpillar’)
Environment Assembly - what can we do to help?
Cast of 30 - easily adapted up or down.
Narrator plus 29 protestors! And who would have thought our narrator would find himself ... a protestor?
Duration - around 15 minutes reading time (not including music suggestions). The length of the script can of course be easily extended by adding on more information about man's negative impact on the environment and what we can do to reduce our carbon footprints.
Sample text:
Protestor 28: We can all do something
Protestor 29: Even if it’s just in our own back yard.
Narrator: (Applauding) Ah! Now you’re making sense! You see, sometimes I think we look at the big picture
Protestor 1: (Interrupting) And feel overwhelmed?
Narrator: Exactly! I mean, we all know about global warming, the greenhouse effect, the destruction of rainforests. And I for one think, well, what can I do about it?
Protestor 1: And the good news is
Whole cast: (Shouting together) Plenty!
Narrator: Oh really? Well, you know something? I’m feeling better already!
Protestor 2: So, here’s what we can do to help and sustain our world.
Narrator: Hold on! Could you just explain what you mean by that last bit?
Protestor 2: What? You mean the bit about sustaining our world?
Narrator: Yes. If you would, please.
Protestor 3: OK. So what we mean by sustaining life on this planet is looking after it in a way or ways which will last. We’re not looking for quick fix solutions which won’t last.
Narrator: Excellent. And by ‘life’
Protestor 4: We don’t just mean that of us human beings
Protestor 5: But the life of plants
Protestor 6: Wildlife
Protestor 7: Ecosystems
Protestor 8: And habitats
Narrator: You mean like the rainforests, the poles, the deserts, the oceans
Protestor 9: Well, yes. But there are places far nearer to home that we can make a difference to now.
Narrator: (Wiping his brow) Phew! I am so relieved you said that. I was beginning to feel overwhelmed again!
Protestor 10: Let’s keep this simple!
Narrator: Oh please! That would be a great comfort to me!
Protestor 11: So, what can we do in our own back yard?
Protestor 12: Clear it up?
(Everyone laughs)
Protestor 11: You’re right! That’s a good place to start. We all have way too much rubbish!
Narrator: So how can we stop that?
Protestor 12: How about we start with recycling?
Narrator: You mean cycling … in reverse?
(Everyone groans)
Protestor 12: How about you leave the jokes to us! Though, recycling is no laughing matter. We should all be doing it.
Russian Assembly or Class Play
Cast of 30 - easily adaptable up or down
Duration - 10 - 20 minutes. (20 mins with inclusion of music suggestions and performances) Script can be further extended to include more information on the country.
As always our narrator has his work cut out ��� kicking off assembly with having to keep bolshy Bolsheviks apart from arrogant tsars. Nothing bolshy about those Bolshoi ballerinas, fortunately - but who invited that mob of unruly Chelsea supporters along?!
Normal formula of fun and laughter mixed in with a generous spattering of facts .. demonstrating just how much a country of contrasts Russia is.
This script will be adapted to include longer reference to 2018 World Cup, nearer the time.
Sample Text:
Narrator: That’s better! Now let’s see. (Looking through script) What are a load of Chelsea Football supporters doing here in my Russian assembly?
Supporter 1: Oh! Hadn’t you heard, mate?
Supporter 2: Heard? Heard what?
Supporter 3: That Chelsea Football Club is owned
Supporter 4: By a Russian!
Supporter 1: One Roman Obramovich!
Supporter 2: One of the richest men in the world!
Supporter 3: In charge of the greatest team in the world!
(Half the cast boo and wolf whistle; and Narrator ushers supporters off before there is trouble)
(Exit Chelsea supporters)
Narrator: (Sighing) Oh dear! Nothing like lowering the tone of my assembly. It was all so lovely and cultured before that noisy lot turned up!
(Enter 2 artists, Marc Chagall and Wassily Kandinsky, setting up their easels and painting, silently)
Narrator: Ah! That’s more like it! The silent world of art! And who better to represent it than these two amazing Russian artists
Marc Chagall: (Holding up picture of The Fiddler) Marc Chagall!
Music 4 Fiddler on the Roof theme tune
(Chorus from the musical could be performed either by the artist, Chagall, or someone else in the cast)
Narrator: (Applauding) Wonderful!
(To second artist, Wassily Kandinsky) And you, sir?
Wassily Kandinsky: (Holding up Squares with Concentric Circles) Wassily Kandinsky
Narrator: And this artwork is called?
Wassily Kandinsky: Squares with Concentric Circles! Why do you look so surprised?
Narrator: (Uneasily) Oh just expecting something …er. Em
Wassily Kandinsky: (Angrily, snatching up his easel) A little more abstract?
Burns Night Assembly
Cast of 30 - easily adaptable up or down
Duration: Around 15 - 20 minutes (depending on number of music suggestions included). The assembly could be further extended by the addition of some of the poems of Robbie Burns.
Who would not want to come to this party? Well, if you're not keen on bagpipes, it could be a problem! But the guest list is pretty unbeatable - with the likes of St Andrew, William Wallace, Mary Queen of Scots, James VI, Robert the Bruce, Walter Scott plus fellow writers, Alexander Bell plus fellow scientists, John McAdam plus fellow engineers, some sportsmen, politicians (fraid so!), that oh so enthusiastic chef (no prizes for guessing what he's served up!), Nessie (of course!) and not forgetting - that guy with the bagpipes .... oh and Robbie Burns!!
This script comes with some seriously bad jokes – would definitely get the thumbs down from that other Mr Burns of Simpsons fame!
Sample Text
(Enter bagpipes player, with loud bagpipe accompaniment)
(Everyone groans and cover their ears)
Narrator: Stop! Please! I think I’m going mad!
Bagpipes player: Och! You need to chill out a little, man!
(Takes out bottle of whisky from inside kilt)
Here! Have some of this fine Scottish whisky! Nothing quite like it for lessening the old stress levels!
Narrator: (Taking the bottle and having a sip) Well as long as it means your volume levels take a corresponding dip!
Bagpipes player: Oh to be sure! If that’s what keeps you happy!
(Enter Scottish chef carrying tray of haggis)
Scottish chef: And here’s something else to warm your inners!
(Narrator takes a bite followed by a coughing fit)
Narrator: What on earth was that?
Scottish chef: Oh! Just a bit of sausage I cooked up!
Narrator: Er, something tells me you’re holding back a bit on the description there?
Scottish chef: Oh, didn’t I mention? It’s the inner organs of a sheep … cooked in the stomach of a sheep!
(Narrator has explosive coughing fit)
Scottish chef: Oh, and if you want to know what those organs are, they’re the liver, heart and lungs. Plus a little seasoning! Delicious, eh?
(Narrator continues to ‘gag’)
Bagpipes player: (To chef) Er, far be it from me to interrupt but I think we’ve had enough description!
Scottish chef: Oh very well! (Placing tray on a chair) I’ll leave it here for you all to enjoy.
(Whole cast pull faces)
(Testily) This is meant to be a Burns celebration, you know!
Other Scottish scripts available from Sue Russell. Please note: there is some duplication of content and characters in this script and the St. Andrews Assembly/Class Play.
Alice's Adventures in Wonderland Take Two - or The Trial of Alice (An alternative version)
Insolent, conceited, insensitive, stupid, cruel, dishonest .... surely not the Alice that Lewis Carroll gave us?
Read on to find out how false fiction can be in this alternative take on one of our best loved classics. In this one Alice is facing those animals she met ‘down the rabbit hole’ on her first visit – in court! See how she fares under the pressure of the justice system – Wonderland-Style!
PLEASE NOTE: This is not a re-telling of the original story.
Cast of 30.
Duration: Longer version around 20 - 25 minutes; Shorter version around 15 – 20 minutes.
Sample Script:
Alice: Now look! There’s been some terrible mistake! I’m here to be queen, not prisoner!
(Whole court erupts in laughter)
Queen: (Holding her sides) Oh dear! This really is turning out to be the funniest day of my life!
King: Totally priceless, my dear!
Alice: (Sobbing) No! No! This can’t be happening. White Rabbit will tell you it as it is!
(White Rabbit just shrugs his shoulders)
Alice: Oh no! This has got to be a bad dream I’ll wake up from in a minute!
(Alice pinches herself and then cries even more)
(Mouse, Duck and Dodo stand up)
Mouse: Oh oh! She’s making one of those lakes again!
Duck: That’s how she caught us out last time!
Dodo: Playing the innocent!
Mouse: And then scaring me to death with stories of that cat!
Alice: You mean, Dinah?
(Mouse starts screaming; other two get him to sit down)
Duck: (To King) You see what I mean?
Dodo: Ah! She’s not going to get away with it a second time!
(King gestures for both to sit down)
Alice: Get away with what?
Queen: (To King) Does it matter? Off with her head!
Alice: I was wondering when you were going to get round to saying that!
King: Oh! The cheek!
(To jurors) Please note. Offence Number one – Threatening Behaviour
Alice: But I
King: Offence Number Two – Interrupting
Alice: But that’s not fair!
King: Offence Number Three – Whingeing and complaining
Alice: Hey, wait a minute
King: Offence Number Four – Speaking out of turn
(Alice is about to say something else but White Rabbit rushes over and puts his paw over her mouth)
Queen: (To White Rabbit) Thank you! She really doesn’t know when to shut up, does she?
King: No my dear! Not at all like you!
Queen: Not at all!
Alice: Huh! That’s a joke!
Queen: (Screaming) Off with her head! Off with her head!
(King ‘calms her down’ before addressing jurors again, both scribbling away trying to keep up)
King: Make that Offence Number Five – Being Insolent and Rude and
Juror 1: Please slow down a bit.
Juror 2: We’re not used to as many offences as this!
Risk and Danger Assembly
Perhaps first thing I should point out is that this assembly poses absolutely zero risk to the general public! And I include audience and cast in that statement!
Cast of 30, duration around 10 - 15 minutes not including music suggestions:
1. Dangerous – Michael Jackson
2. Take a Chance – Abba
3. Superstition – Stevie Wonder
4. I Will Survive – Gloria Gaynor
5. Oops I did it Again – Britney Spears
This script maintains an element of fun throughout what is quite a serious theme. The Narrator certainly thinks so, armed with Health & Safety Directive! But it also looks at the lives of some of our greatest heroes - and how they had to forsake 'risk assessment' (did they have that in Horatio Nelson's day?!) in favour of sheer valour. Some great quotes - thank you Sir Winston Churchill and Sir Woody Allen, among others. Oh and of course the great Julius Caesar for providing some much needed action!
Following is feedback from customer who requested I write this script: ‘Love, love, love it thank you so much! I highly recommend Sue's Plays class assemblies. They are clever, witty and the children have so much fun performing them! Sue wrote a fabulous class assembly to meet my specific title and got it to me within one day. I was overwhelmed with Sue's quick response and attention to detail. Thank you, Phil.’
Feedback like this keeps me writing - HUGE thank you to Phil!
Sample Text:
Narrator: And you all have statues of yourselves in London, am I right?
(All nod)
Richard the Lionheart: But we didn’t all die comfortably in our beds!
Narrator: (Sighing) I just knew I could hear a but coming!
Horatio Nelson: But don’t you see?
(Passes telescope from ‘bad’ eye to good)
Ah that’s better! What was I saying?
Sir Thomas More: I think you were trying to say, none of us could have achieved what we did in our lifetimes, without taking some risks.
Narrator: (Aghast) Risks? You mean, you took more than one?
Mary Queen of Scots: (Impatiently) Of course we did! You can’t go through life all wrapped up in cotton wool
Boadicea: Even if it means you do come to a somewhat sticky end!
Narrator: Ooh! Not on this stage, please!
(Julius Caesar stumbles onto the stage, with ‘dagger in his chest’)
Julius Caesar: Et tu, Brute!
(Julius Caesar collapses in a heap)
(Tumultuous applause from the whole cast)
Narrator: (Tutting) So much for 'Famous last words'!
(Exit everyone except Narrator, moping his brow)
Narrator: Oh dear! And after all that risk assessment I did earlier today – and I still manage to get carnage on the
Stone Age to Iron Age Class Play
Cast of 30 – easily adjustable up or down
Duration: 15 to 20 minutes not including music suggestions
This is one of two scripts written by Sue Russell and was written for upper Key Stage II (9 – 11 year olds).
The second, Changes in Britain from the Stone Age to the Iron Age - also available off this website - was written as a simplified version of this one, for lower Key Stage II i.e. 7 – 9 year olds.
This script has a truly wide-ranging cast that includes a hunter gatherer, a farmer, some guys with ropes from Stonehenge, a 'Rolling Stone', a caveman, ape, cast of Ice Age, a Celt, Iron Man ... and a Narrator and Archaeologist that just can't seem to get on!
Starting 9 million years ago and running through all three 'ages': Stone, Bronze and Iron (yes, the play does take 'ages'!) this is an informative but, as usual, fun romp through history - with one long-suffering narrator!
I chose to try to explain a little about evolution and how Stone Age Man 'came about' so as to put the aforementioned Ages into context. There is a phenomenal amount of information to cover in this 'Unit' but I hope I have covered the most important changes in this class play. The guided reading scripts, which can be read in the classroom, to accompany this class play, will I hope offer a more comprehensive coverage of the subject, with the usual quizzes to assess knowledge gained.
Sample Text:
Whole Cast: (Together) The Stone Age!
Narrator: Ah! There we are! Now, that’s progress for you!
(Enter Hunter Gatherer)
(Narrator looks him up and down)
Narrator: Hmm. Well, maybe not that much progress!
(Exit Hunter Gatherer, shrugging his shoulders)
Child 9: (To Narrator, angrily) Patience! Evolution takes time! It doesn’t just happen overnight, you know!
Narrator: (Looking at his watch) I’m beginning to realise that. Now, where are we on that timeline?
Child 8: (To Narrator, impatiently) Around 2 and a half million years ago! Weren’t you listening? When man starting using stone tools! That’s why it’s called
Whole cast: (Together) The Stone Age!
Narrator: OK! We got that! But how do we know that’s when stone tools were used?
(Enter Archaeologist)
Archaeologist: (To Narrator) You asking more questions again?
Narrator: Well,
Archaeologist: (Interrupting) That’s OK! That’s why I’m hired to do my job! To give people like you evidence!
Space Assembly for Key Stage I
Cast of 30 - easily adapted up or down
Duration - 15 - 20 minutes
Fun 'romp' through Space - with astronauts and, most importantly, rocket men - who would have thought an astronaut could forget his own rocket?! All 8 planets covered - before Narrator returns to Earth!
Also available off this website: Key Stage II version of this script: The Planets. This has a lot more information - plus alien struggling to find his home planet!
Sample Text (Key Stage I Space Assembly):
Astronaut 1: (To Narrator) Hello! Are you all right?
Narrator: Oh (taking a seat) I think I just need a little break. (Sighing) All these space facts!
Astronaut 1: No worries! I’m the expert on space!
Music 5 Rocket Man – Elton John
(Enter Rocket Man 1 carrying rocket)
Rocket Man 1: (To Astronaut 1) Did you forget something?
Astronaut 1: Ah thank you! Won’t get far without my rocket, here!
Rocket Man 1: Where are you going?
Astronaut 1: To Mercury!
(Astronaut fastens helmet, taking seat in/in front of rocket)
Rocket Man 1: (Chanting) 5 4 3 2 1 Blast off!
(Exit Rocket Man 1 and Astronaut I, plus rocket, waving)
Music 6 Mercury – The Planets (Holst)
Harvest Festival Whole Class Assembly
This class assembly, written for cast of 30 (easily adapted up or down) is a kind of alternative Harvest Festival, the suggestion being the class are the crop with teachers as harvesters.
Duration around 10 - 20 minutes depending on how much music is used.
Starting with hymn 'We plough the fields and scatter' and ending with beautiful Michael Jackson song - 'We are the world, we are the children' which sums up the message behind this assembly.
Also available - another Harvest Festival script written for just 6 speakers (feathery fowl!) but with suggestions in productions notes as to how to convert this into whole class assembly.
Sample Text
Child 1: It’s easy because all you have to do is give or share whatever gift you have!
Narrator: Wait a minute! You’re losing me! (Repeating) ‘Whatever gift you have’?
Child 2: Right! We all have our own special gift to give!
Child 3: Bit like a seed in all of us.
Child 4: Sometimes that seed germinates by itself
Music 2
(Enter Child 5, singing, as ‘rock star’ – choice of ‘rock star’ track down to children)
Narrator: (Applauding) Wow! That’s some voice you’ve got!
Child 5: Well, thank you. But it wouldn’t mean anything to me unless I could share it with my fans!
(Exit Child 5)
(Enter Child 6, writing)
(Narrator walks over to Child 6, who gives notebook to him/her to read)
Narrator: Wow! How did you come up with all these ideas? What a story!
Child 6: Thank you. And it’s the fact I can share it with all my hundreds of thousands of readers that makes it so special to me.
(Exit Child 6)
Child 7: But we’re not of course suggesting we can all be rock stars or famous authors!
Child 8: Some of us, despite huge talent, may reach a much smaller audience.
Child 9: Fame isn’t everything and it is only the tiny minority that achieve it.
Child 10: Which isn’t to say we shouldn’t all strive to make the very most of whatever gift we possess.
Narrator: Ah! I see! (Pauses) By ‘gift’ you mean ‘talent’?
Child 11: That’s right! And we all have our very own special talent – even if it doesn’t bring us fame and riches!
Child 12: (Grunting and pulling a face) Hmm. That’s a shame!
Alternative Hamlet guided reading script plus lesson plan and synopses of original story and alternative
This script is a conversational piece between 6 speakers.
And is also available as part of a collection of four (with additional synopses – of the original and alternative scripts):
• Hamlet
• Macbeth
• Midsummer Night's Dream
• Romeo & Juliet
off TES and ww.plays-r-ussell.com
Sample Text:
Speakers:
Narrator
Hamlet
Claudius
Gertrude
Polonius
Laertes
Narrator: So, who’s going to tell me what really happened?
Hamlet: What do you mean? Everyone knows it was Claudius who killed my father, then married my mother, stepping into my father’s shoes as both husband and king!
Gertrude: (Sighing) Oh Hamlet! Can you still not face up to the truth? After all that has happened?
Claudius: A pity he couldn’t face up to it before!
Polonius: Just think how many lives that would have saved! Mine for one!
Laertes: And mine, plus my sister’s.
Hamlet: (Sarcastically) And those of my devoted parents? I don’t think so!
Gertrude: Oh Hamlet, what did I ever do to deserve such cruel words? What would your father have said?
Hamlet: Which one? The one you married in such joyful circumstances,… or the other, whom you married in such disgraceful haste?
Gertrude: You know full well, I meant your natural father. He was indeed a fine and noble man.
Hamlet: So why did you swap him for this rogue? This devil? This murderer?
Laertes: You really didn’t think much of your new father, did you, Hamlet?
Hamlet: Huh! And what about yours? Nothing very noble about his snooping around, finding out mischief wherever he could! Just a question of time before that proved his undoing!
Polonius: You really do have the most bitter heart! None of us ever bore you any malice. I do wonder where all that inner poison came from – that so poisoned your soul.
Hamlet: Well, there was plenty of the real stuff around! Like what killed my father, for example!
Claudius: How many more times do you have to be told – it was an accident. There was no foul play.
Narrator: I think we need to look at this pretty carefully, as it is this matter of guilt upon which the whole story hinges. It was always my understanding that Hamlet was the hapless victim, driven by revenge for the murder of his father.
Claudius: But that’s just it! There was no murder! It was all in his head!
Hamlet: Well, you would say that, wouldn’t you?
Narrator: So where is your proof, Hamlet? It had better be good or you’ve got a lot to answer for!
Sleeping Beauty Assembly
This 'alternative' version has a cast size: 12 upwards. This is the number of main speaking parts; but with the addition of ‘courtiers’ the cast size can easily be increased upwards.
Duration: Around 20 minutes.
This is a truly alternative version of Sleeping Beauty – with a ‘Wicked’ Fairy who hates anything ‘nice’; a king and queen ‘at loggerheads’, a princess destined not to win a prince (of any description), and as usual, a despairing narrator – given the impossible task off pulling of yet another ill-fated assembly! It can be used for PSHE - as it strongly reinforces the importance of saying Thank You; or it can be used in Literature (as an example of an alternative text) or as a play to put on at Christmas.
Sample Text:
King: One hundred years? Seems a little O.T.T.!
Queen: One hundred years? But that means I’ll be dead when she wakes up!
Sleep Fairy: Oh, you don’t need to worry about that! You will all fall asleep together. And wake up together!
King: (Spluttering) But! But! What about Man. United? Are they going to be asleep too?
Sleep Fairy: Er, no..
Queen: And what about Eastenders? How can I possibly catch up on one hundred years’ worth of episodes?
Narrator: (Sarcastically) Oh dear! And what if World War Three breaks out? Oh, but I guess that pales into insignificance alongside football teams and soaps!
Beautiful Fairy: Oh, you can always come to me for those. (Delving into cosmetics bag) Now, let me see. I have lavender scented, or un-perfumed if you prefer …
Narrator: (Exploding) No, I don’t prefer! Here we are, discussing the future of the world – and all you can think about is …… cosmetics?
Sleep Fairy: (Clutching head) For some strange reason, that headache of mine doesn’t seem to be getting any better. Perhaps it’s a little peace and quiet that I need! You (turning to King and Queen) should be happy that you’ve got off so light! You’re not going to die, are you? I‘m going to leave now – before I change my mind!
(Exit Sleep Fairy)
Narrator: Well, really! These fairies are just so – touchy!
King: That’s women, for you! ‘Course it’s left to us men to do what’s practical. Like banning all spinning wheels in the kingdom!
Queen: (Hugging King) Oh, dearie! How very clever of you!
Clever Fairy: I was just about to make that suggestion myself!
Good Fairy: Well, it was good of you to let him have his moment of glory.
(Aside) I strongly suspect he won’t have many more!
Butterfly photos
I have added these photos (89 of them!) as I think they would be a really good resource for teachers and students studying butterflies.
I took the photos at an amazing exhibition 'Sensational Butterflies' which was housed in a temporary greenhouse outside the London Natural History Museum this summer (July 2016). I had spent the previous week writing Butterfly scripts for PSHE (KS II) and it was just fate that took me to the museum that day, totally unaware that I'd be greeted with yet more butterflies! I have since written a script on the Butterfly's Life Cycle - KS I.
I did start labelling the butterfly photos - but decided having got up to about Butterfly No 75 that there were just too many 'I wasn't sure about' - I do not pretend to be a butterfly expert! And a lot of butterflies are remarkably like others - give or take a dot or two! I will try to get the butterflies in my photos formally identified - next time I go to a Butterfly Farm or exhibition. Of course, if anyone out there wants to take on this task for me, more than happy to hear from you, and thus pass this info onto my customers.
Likewise, the photos are in no particular order - just in order of download (the caterpillar and pupa are a few photos in).
The photos are there to be enjoyed - to be used for display or other purposes (I was quite pleased with the level of detail I achieved using my very 'standard' camera and you can actually identify features like the proboscis which would be useful for 'parts' identification).
So enjoy (no sample text given!)
Great Mysteries of the World Assembly
In the hands of the great Sherlock Holmes, how can there be so many great mysteries of the world still unsolved? Read on!
Cast of 30. Reading time around 10 minutes.
Mysteries (7):
• King Arthur
• Building of Ancient Egyptian Pyramids
• Stonehenge
• Lost Minoan Civilization
• Eldorado
• Loch Ness Monster
• Bermuda Triangle
Sample Text:
(Silence ensues as Narrator, Sherlock Holmes and Dr. Watson await next ‘mystery’)
Narrator: (Impatiently) Next!
(More silence)
(Narrator looks through his notes in agitation)
Narrator: Now, let’s see. That Minoan Civilization! Where have they got to?
Sherlock: Er, I think that’s just the point! You see, they disappeared around 1450 BC.
Narrator: What do you mean, disappeared?
Sherlock: (Mimicking waving a wand) Vamoosh! Gone!
Narrator: OK so can we lose the crazy wizard act? Or did Arthur leave his Merlin behind?
(Enter Arthur Evans)
Arthur Evans: Well, luckily for us, much of the great palace at Knossos remained so we can at least find out lots about how the Minoans lived.
Narrator: And you are?
Arthur Evans: Archaeologist, Arthur Evans!
Sherlock: Ah, an earthy detective!
Arthur Evans: Yes, you could say that! Not afraid to get my hands dirty!
Watson: All that scrabbling around in the ground – not quite my cup of tea!
Arthur Evans: Ah but the rewards are great! To unearth all 1,500 rooms of that Minoan palace – to say nothing of the fact that Crete is a delightful Greek island on which to vacation!
Sherlock: Hmm. I guess it beats the dirt and grime of our Victorian back streets!
Arthur Evans: Indeed. And such a lovely climate. You know
Narrator: (Interrupting impatiently) Gentlemen! Gentlemen! We are not here to discuss possible holiday destinations! What I want to know is, what happened to the people who built and lived in this great palace that you speak of?
PSHE Guided Reading Scripts (Readers Theater) and Stories - Key Stage II
I. How the Butterfly Lost his Bad Temper
II. How the Butterfly Lost her Dissatisfaction
III. How the Butterfly Lost his Vanity
IV. How the Butterfly Learned to Fly
V. How the Butterfly Learned to Fly Higher
Based on Life Lessons:
1. Appreciate what you have
2. Stop ‘wanting’/looking for more
3. Recognising that external beauty is not everything
4. Just do it!
5. The importance of striving/realising your potential
Each story is followed by the guided reading script, then the discussion/question and answer session.
The stories and guided reading scripts are 5 – 10 minutes in length. Total reading time: around an hour
The 5 guided reading scripts have 2 speakers each – total of 10 altogether.
Sample Text - Guided Reading Script
Butterfly: Me too! To think what I used to be like! Thank goodness I met you!
Snail: And it was the best day of my life when I met you!
Butterfly: And to think how rude I was to you? I still can’t believe you didn’t just walk – sorry, slide – off!
Snail: And miss out on the best friendship of my life? Oh, I don’t think so!
Butterfly: But you couldn’t have known that at the time?
Snail: Well, no. But then some things, indeed most things, take time. And that’s a good thing!
Butterfly: Yes, my flitting certainly allowed no time for appreciating what I had – or what I might have, if I only stopped still long enough to see it!
Sample Text - Story
At which point that bad-tempered butterfly paused, quite suddenly; and didn’t move an inch – something unheard of for him.
And then, just as suddenly, that bad-tempered butterfly let out a great cry of joy, followed by these words.
‘Wow! My life is indeed amazing! I can fly! I have sunshine in my wings! I ..’
But at that point the bad-tempered butterfly’s expression changed from total delight to …. Well, something closely akin to sadness.
‘Forgive me. I can’t help but look at you and think – you have, well, nothing’.
The Queen’s 90th Birthday Party Assembly
Special half price to celebrate Her Majesty's Big Day!
Whilst 'gracing this assembly' with her presence, the 'party lady' seems just a little reluctant to join in the festivities. So what can our narrator and supporting cast do to change this situation?
Well, did someone say it was Her Majesty's 90th birthday? Then, let's hear it for those 90 reasons to celebrate!
Sample Text
Music 1 Rule Britannia or Land of Hope and Glory
(Cast files in with Music 1 in background; all take their seats)
Music 2 National Anthem – God Save Our Queen
(All stand up)
Queen: (To Audience) Do be seated! Ah, how wonderful to be surrounded by my loyal subjects on my birthday! 90 years! Not bad, eh?
Narrator: Well, some of us haven’t been around quite that long, your Majesty! But we are here today to celebrate your birthday with you!
Queen: Oh I wouldn’t worry too much about that!
Narrator: Oh? And why’s that?
Queen: (Wistfully) Oh I don’t know. Once one has had as many birthdays as one has ..
Narrator: You mean, you’re bored of birthdays?
Queen: Well, I’m not quite the party creature I used to be!
Narrator: Nonsense! And you know what? That’s what we’re here to prove to you today!
Queen: Oh really! Well ..
(Queen looks uncertain, shaking her head)
Narrator: (To Cast) OK. Time to make Her Majesty’s day!
Queen: (Sighing) You can try ..
Narrator: Well, with ninety reasons to celebrate your birthday I don’t see how we can go wrong!
Whole cast: (Exclaiming together) Ninety?
Narrator: You heard! Ninety! And if we’re going to fit those ninety into the next (looks at watch) fifteen minutes, we’d better get a move on! Off we go!
Queen: Well, you don’t mind if I make myself comfortable on this here throne?
(Queen ‘settles herself comfortably’ onto throne)
Queen: Ah that’s better. Do start!
Narrator: Well, there are quite a few perks to being Queen, I think you’ll agree?
(Queen nods)
Child 1: For starters, you get to have two birthdays a year! Can’t be bad! That’s your real one on 21st April and another official one in June!