I have just started adding my plays to TES (over 400)!but this will take time! All my assemblies/class plays and guided reading scripts are on www.plays-r-ussell.com and I am happy to write on request. I have converted the entire History Key Stage II curriculum into play format - and much of the other subjects such as Science, Geography, PSHE etc. I cover events such as the Olympics and have received great feedback from teachers around the world! Writing is my passion - hope you enjoy my work!
I have just started adding my plays to TES (over 400)!but this will take time! All my assemblies/class plays and guided reading scripts are on www.plays-r-ussell.com and I am happy to write on request. I have converted the entire History Key Stage II curriculum into play format - and much of the other subjects such as Science, Geography, PSHE etc. I cover events such as the Olympics and have received great feedback from teachers around the world! Writing is my passion - hope you enjoy my work!
Fairy Tale Pantomime
This script can either be used for performance purposes - as a pantomime, a Christmas play or an assembly - or as a set of guided reading scripts (Readers Theater) to be used within the classroom.
35 pages of fun – and extremely bad jokes!
Cast of 30 (five groups of six)
Play I SLEEPING BEAUTY
Speaker 1 Narrator
Speaker 2 Sleeping Beauty
Speaker 3 Prince (girl)
Speaker 4 Good Fairy (boy)
Speaker 5 Bad Fairy (boy)
Speaker 6 Sleeping Beauty’s Mother – the Dame
Play II CINDERELLA
Speaker 7: Cinderella
Speaker 8: Bad Sister 1
Speaker 9: Bad Sister 2
Speaker 10: Fairy Godmother
Speaker 11: Prince
Speaker 12: Cinderella’s Step-Mum alias ‘Dame’
Play III SNOW WHITE
Speaker 13: Mirror
Speaker 14: Wicked Queen/Step-Mother
Speaker 15: Snow White
Speaker 16: Huntsman/Prince
Speaker 17: Dwarf 1 Dopey/Dame
Speaker 18: Dwarf 2 Jolly
Play IV Little Red Riding Hood
Speaker 19: Little Red Riding Hood
Speaker 20: Little Red Riding Hood’s Mother
Speaker 21 Big Bad Wolf
Speaker 22: Grannie/Dame
Speaker 23: Huntsman
Speaker 24: Censor
Play V RUMPELSTILTSKIN
Narrator: Narrator
Speaker 25: Rumpelstiltskin
Speaker 26: Daughter
Speaker 27: King
Speaker 28: Miller
Speaker 29: Queen/Dame
Duration: Around 30 minutes not including music suggestions (around 5 minutes for each of 5 plays)
Sample Text:
Music 1 – A medley of Christmas songs
(Children file in, seating themselves along 2 rows of 15, facing the audience; in 5 groups of 6)
Narrator: Good morning and welcome to our pantomime
(Whole Cast stands)
Whole Cast: (In disbelief) Our what?
Narrator: You heard! I have decided that this year
Child 1: (Interrupting) No way!
Child 2: We’re always happy to come to your drama group, sir, but
Child 3: Absolutely no way are we doing panto!
Narrator: Oh yes you are!
Whole Cast: Oh no we’re not!
Narrator: There you are! I knew you wouldn’t take much persuading!
Child 4: Er, I think you just misheard. We said
Whole Cast: Oh no we’re not!
The Emperor's New Clothes Guided Reading Script
This is one of a collection of Hans Christian Andersen stories and includes Teaching Input, Discussion and Suggestions for Further Activities - i.e. ample content for a lesson. It can equally be used as a literary or PSHE resource.
It could also be used as a small play, for performance, with a few ‘tweaks’ and the addition of the music suggestions below.
Music
1. Fashion - David Bowie
2. You’re so Vain – Carly Simon
Cast of 6:
• Narrator
• Emperor
• Weaver 1 & 2
• Royal Adviser
• Street Child
Duration: Around 10 minutes reading time
Sample Text:
Narrator: (To Street Child) Apart from you, you all went along with this charade – just so as to save face? Well, really!
Royal Adviser: Yes, I know it looks bad
Narrator: It most certainly does
Emperor: But I wonder what you’d have done, especially as everyone else seemed to be going along with it?
Narrator: But couldn’t you see you were being taken for a song and a dance?
Weaver 1: It was quite funny!
Weaver 2: Especially when the emperor here actually turned up to try on his new clothes
Weaver 1: After having given us all that money and gold thread and
Emperor: (Interrupting) Yes, yes. Must you rub it in? Haven’t I been humiliated enough?
Royal Adviser: (Groaning) Oh, if only I had had the strength to admit to what I could see – as in, nothing! No cloth on the loom, no clothes, just air!
Emperor: And what a lot of hot air you were! Coming back telling me how wonderfully the work was progressing. How delighted I was going to be with my new clothes!
Royal Adviser: But I didn’t want to appear either unfit for my job or stupid.
Narrator: And so, you ended up being both!
Street Child: I’ll never understand grown-ups!
Other Hans Christian Anderson stories available are:
• The Ugly Duckling
(with more to come)
This Midsummer Nightmare II (alias Midsummer Night's Dream) is an extended version of the first one - Midsummer Nightmare. It includes the play Pyramus & Thisby and thus has a bigger cast and extended duration. Otherwise, it is exactly the same - sharing the same script up to Scene 6, and the same ending.
Midsummer Nightmare is, as the name suggests, just that - for its producer!
You'd think that putting on a summer camp production of A Midsummer Night's Dream would be a doddle, right? WRONG! This particular production is the stuff of nightmares - as our hapless teacher is about to find out! Never in his wildest dreams would he have imagined the consequences of falling asleep whilst reading one of his favourite Shakespeare plays.
Same story - but radically different cast - with a little help from Michael Jackson's Thriller!
Estimated length of performance: 50 minutes (depending on dancing/singing time).
User Lu Jones has written the following comment regarding "Midsummer Night's Dream alternative: Midsummer Nightmare II":
Love this quirky adaptation of one of Shakespeare's classics! The students love it as well!
Sample Text
Quince: Pyramus! Thisby! Kindly demonstrate for us how you use this worthy Wall!
(Bottom and Flute stand on either side of Snout's Wall, and make exaggerated whispering noises through the hole)
Theseus: (Appreciatively) Amazing!
Hippolyta: (Sarcastically) Awesome!
Bottom: You wait til you see us kissing!
(Flute falls over backwards)
Flute: Er, I don't think that will be necessary!
(Bottom pouting, making ridiculous ‘smirching' noises through the Wall)
Quince: Bottom! Maybe we should let the audience use just a little of their imaginations?!
Bottom: (Sulkily) OK, OK. I guess I shouldn't give them too much too early on! I don't want to overwhelm them!
Theseus: Quite so! The ladies can only take so much! Moving on ..
(Bottom and Flute back to the Wall)
Bottom: Thisby, my love!
Flute: (High pitched) Pyramus, my love love!
(To Quince, in normal gruff voice) How am I doing?
Quince: Don't stop! Remember - feminine!
(Flute flounces round to the other side of the Wall, Wall trying to block him)
Bottom: Get back! Stay on your side, remember?!
(Flute scuttles back to his side)
Flute: (Squeaking) Here I am again!
(Pauses, trying to remember his words)
Er, em. Ill met by moonlight?
Quince: Cut! Cut! We've already had that line!
Hippolyta: Oh dear! It would seem we are still attending the rehearsal!
Midsummer Nights Dream Alternative Version III
This alternative ‘nightmare’ version of Midsummer Night's Dream runs at approximately 50 minutes, has a cast of 25, and a 'wicked' choice of music! This is the third in a series of scripts written by playwright Sue Russell - the first was for a small summer camp group (of 10), the second for an expanded cast (of 17), and this third for a cast of 25. Suitable for children and adults alike - let's hope your director has an easier time of it than mine (alias long suffering teacher!)
Theseus: Are you referring to our night's entertainment, my dear?
Hippolyta: If you can call it that! From what I've heard ..
Theseus: (Interrupting) Ah, never judge a book by its cover!
Teacher: (Raising his copy of Midsummer Night's Dream, above the covers) Indeed. You can say that again! Still, nothing's going to spoil anything tonight. Just as long as I stay awake to the end!
(Bottom, bouncing onto the stage)
Bottom: And we'll sure make sure that there's no falling asleep during our amazing performance!
(Joined by Quince, Flute, Snout, Starveling and Snug)
Bottom: Or should I say, my amazing performance!
Quince: Now, now, Bottom! Remember what I said to you about team spirit!
Bottom: (Tutting) Makes it sound more like a game of soccer! I prefer to think of myself as following in the footsteps of Brad Pitt, rather than David Beckham!
Lysander: (Laughing) I'm sure either gentleman would be equally honored - to know who was following him!
Demetrius: Of course! (Pointing at Bottom) What a fine figure of a man!
Hermia: (Crossing her brow with her hand) I grow weak, just looking at him!
Helena: (Pretending to faint) Such a man! Such a vision of ....
Theseus: (Impatiently) Yes, yes. Could we leave the amateur dramatics to these 6 players please?
Hippolyta: (Groaning) Something tells me, this is going to be one long night!
The Clothes We Wear Assembly including The Emperor’s New Clothes
Key Stage I
This class play or assembly has a look at our normal wardrobes - for summer and winter clothing plus a dip into the world of fashion. In the case of the latter, one rather important lesson delivered via the mini play within this script - on The Emperor’s New Clothes - is ‘Beware personal vanity’ - it can get you into all sorts of trouble!
Cast of 30 - easily adaptable up or down (Class Teacher as Narrator)
Duration - from around 10 minutes (not including music suggestions and ‘fashion show’ - these could easily double the performance!
KS II Scripts on Fashion/Emperor’s New Clothes also available (see below)
Sample Text:
Music 2 You’re so Vain – Carly Simon
(Enter Fashion Designer, strutting up and down, like a model on a catwalk)
Narrator: (Indignantly) Excuse me! But would you mind explaining who you are?
Fashion Designer: Certainly! I am here as a special guest today. You see, as a fashion designer I know everything about clothes!
Narrator: Oh really? (To audience) And rather less about good manners!
Fashion Designer: Well, I really didn’t think I’d need an invite! I thought you’d be delighted to see me!
(Narrator ushers Fashion Designer back to his/her seat)
Narrator: Well, of course. Here. Take a seat and then maybe we can catch up later!
(Consulting notes) Now. Where were we? Ah yes, let’s take a look at some of these clothes!
Music 3 Summer Holidays – Cliff Richards
(Enter Summer Clothes Children, 1 – 6)
Narrator: (To Summer 1 & 2)
Wow! I can see you’re all ready for the beach!
Summer 1: We certainly are! (Pointing to each article of clothing) I’m wearing a sundress, flip flops, and these glasses and hat to protect me against the sun!
Sample Text from ‘mini play’ - The Emperor’s New Clothes:
(Two scoundrels set up their looms)
Narrator: And so, all they had to do was take the money! They didn’t have to sew a stitch!
Scoundrel 2: That’s right. Just tell that emperor what he wanted to hear
Narrator: That he looked gorgeous?
(Both scoundrels nod)
Scoundrel 1: And what did that make us?
Scoundrel 2: Rich!
Peter Pan Play including A Social Commentary from J.M. Barrie
This script is for children aged 10 plus (upper Key Stage II and Key Stage III)
It uses the skeleton script of previous Peter Pan Play but adds a more serious component in the form of ‘social comments’ from J.M. Barrie.
Cast of 30 – easily adjustable up or down
Duration – Around 30 minutes for reading time. This does not include music suggestions.
Sample Text
Peter: Ah, a timely arrival, Mr. Barrie! I am
Mr. Barrie: Peter Pan, of course! I trust you are enjoying your role?
Peter: Well, I
Narrator: (Intervening quickly) Of course he is! Who wouldn’t be honoured to take the leading role?
Mr. Barrie: But wait! He doesn’t look so sure. Is there something you would like to talk to me about?
Peter: Well, as a matter of fact there is!
Narrator: (Aside to audience, groaning) Oh oh! Here we go!
Peter: You see, I think your story deserves a slightly more serious treatment!
Narrator: (Protesting) But it was intended for children!
Mr. Barrie: (To Narrator) And your point is? Are you saying children should not see the serious side of life?
Narrator: Well,
Peter: Aha! That was just what I was trying to say before you arrived! It’s time to perform a play that deals with your views, as the writer.
Mr. Barrie: (Incredulously) You mean, that isn’t already the case?
Peter: I’m afraid not.
Mr. Barrie: Well, now! Perhaps that does need changing!
(Both Peter and Mr. Barrie turn to Narrator)
Mr. Barrie: Would you, as the director of this play, be OK with (pauses) a few additions? Just some comments I might make along the way?
Roald Dahl School Assembly or Class Play
Cast size: The small speaking cast of 6 can be increased to include the whole class by adding a supporting cast of characters taken from the five books.
September 13th is Roald Dahl Day – this year it is also his centenary. To celebrate this great writer, I, Sue Russell have written an Assembly which attempts to capture just some of the man's genius. It is just a short assembly, looking at 5 of his works - The Magic Finger, BFG, The Giraffe the Pelly and Me, Revolting Rhymes and Dirty Beasts; but in looking at these books again, I for one was reminded of Dahl's amazing ability to create the most bizarre characters, and situations .. out of nothing. He was, I think, a genius and his memory stays vividly alive through his numerous brilliant books.
The play has a small speaking cast - teacher (narrator) plus 5 students, who are asked to pick their favourite author (Roald Dahl - no surprises there!) and favourite books. These are The Magic Finger, The BFG, The Giraffe the Pelly and Me, Revolting Rhymes and Dirty Beasts. The supporting cast i.e. characters taken from these books, is left to the teacher's discretion i.e. depending on how many children there are in the class. Different 'favourites' could obviously be chosen and added to the ones 'my five' chose; and I have similarly left out extracts from the books, plus musical excerpts from the movies which could be added. This assembly can thus be expanded upon in a way to suit the individual class and their Dahl preferences. I hope I have provided a good starting point!
If you are interested in looking at more great writers from Britain, I have written a Great British Writers Assembly which, along with Dahl, features the works of C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling. A good resource to have during National Children's Book Week, 1-7 October.
Extract
Lucy: The Giraffe, the Pelly and Me.
Teacher: And why did you choose that one?
Lucy: I loved the animal characters in it, including the monkey who isn't mentioned in the title! The three of them - the giraffe, the pelican and the monkey - make up a window cleaning gang, the giraffe acting as a ladder because of his magically long neck; the pelican acting as the bucket, with his special ‘Patented beak' and the monkey acting as the cleaner.
Midsummer Night’s Dream Assembly or Class Play
This version of A Midsummer Night's Dream is directed, as a school assembly, by William Shakespeare's own son, Hamnet. Written for cast of 16-30, running time approx. 40 minutes, this play follows the original plot, but has some interesting twists along the way. And as if four confused lovers isn't enough to contend with on stage plus some very non-cooperative fairies - our poor director, Hamnet also has his playwright father to deal with!
Sample Text
Helena: You are teasing me! You still love Hermia!
Lysander: How can you say such a thing? How I do repent, the tedious minutes I with her have spent!
Helena: Lysander! This is not the time for bad poetry! Stop your teasing now!
Lysander: But why would I not change a raven for a dove? Please, Helena! Come with me now! Let us leave hideous Hermia! Believe me (looking over at the snorting Hermia), you'd be doing me a big favor!
Helena: (Sarcastically) So romantic! Men! Who'd have them?
(Helena storms off)
Lysander: Hmm. I can see I may need another trip to that Charm School! (Turning to Hermia) I've hung around with this one quite long enough. What did I ever see in her? What a sight! I'm off to honor Helena and to be her knight!
(Exit)
(Hermia wakes, screaming, from a nightmare)
Hermia: Lysander! Help me! My worst nightmare ... (Frantically searching through suitcase) Please don't say I've left my make-up bag behind?
Other Shakespeare scripts written by Sue Russell:
Assemblies:
• Macbeth
• Different Midsummer Night’s Dream alternative ‘Nightmare’ versions!
• Romeo & Juliet – Valentines Assembly
• Romeo & Juliet in Love … Well, weren’t they?
Guided Reading scripts:
• Shakespeare Plays (8 mini condensed versions)
• Set of 4 alternative Shakespeare scripts - Hamlet, Macbeth, Midsummer Night's Dream and Romeo & Juliet (incl. detailed synopses and lesson plans)
• Alternative Hamlet script plus lesson plan
• Alternative Macbeth script plus lesson plan
• Alternative Midsummer Night's Dream script plus lesson plan
• Alternative Romeo & Juliet script plus lesson plan
Alternative fairy tales – Cinderella and Sleeping Beauty – which are in the PSHE section of the website.
Plus
• Take a Book – Different Genres of Writing Assembly
• Great British Writers Assembly. This short small cast assembly - 6 speakers (with adaptations for whole class) focuses on the writers *Roald Dahl, C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling and their books.
• Roald Dahl Assembly