A 12 page help guide for GCSE music students to guide then through composing a theme and variation piece.
This focusses on how to develop the melody, texture, rhythm, metre and harmony.
Musical examples are given for each musical development method.
Up to 7 lessons worth of material to encourage practical musicianship.
Differentiated resources for different instruments in order to create an ensemble performance of Don’t Stop Believing. There are at least 3 tasks for each instrument and the music is also annotated with note names or without.
There is also a Sibelius 6 file which can be adapted to suit other instrumentation.
The wow word sheet has 3 levels of differentiation and introduces students to musical language by describing the musical features of the song - this works well as a starter and provides a suitable worksheet for students to revise from for an end of unit listening test.
A introductory unit with differentiated powerpoint and resources to support students in composing a pop song chorus or verse using music technology. This is a series of lessons (minimum 3 to complete effectively).
Students are taken through a chord sequence, bass line, drum kit part and vocal melody all with differentiated tasks.
There is also a composition guide with step by step instructions so students can complete the tasks at their own rate.
A lot of push your thinking ideas are included which would allow students to achieve higher grades.
1-2 lessons fully analysing the second subject and coda of Beethoven’s Sonata in C minor.
Summary of the 2nd subject is available (with Sib 6 file) and a summary of all 3 main themes (1st/2nd and transition).
All pp is differentiated with success criteria and analysis questions encourage students to work independently on the score (all answers are on pp and harder questions are in pink).
This is part of a set of pp that analyse the full work.
Jingle Bells and We Wish You a Merry Christmas into 6 differentiated tasks.
The bundle includes music with notation and without and also guitar tablature to allow performance on another instrument.
A music test based on classical music to test student’s understanding of musical language and identifying key features.
Answers and links to the pieces are provided.
A resource to support students aiming for high marks on question 9 of the Edexcel GCSE Music examination. There are 10 points per set work which students can revise from which aim to either link to the genre, link to characteristic features of the piece/genre or explain WHY the composer chose a certain aspect.
This has been used with a cohort of students for revision and half of the cohort achieved 9 or above /12 on the essay question.
8 Revision posters/flashcards which cover all 8 of the set works for the Edexcel Music GCSE:
Bach, Beethovem, Queen, Purcell, Star Wars, Wicked, Afro Celt, Samba
Each poster summarises the key features of melody, instrumentation, structure, texture, harmony/tonality and rhythm and tempo. As well as key features there are also links to context and bar numbers with evidence.
These are ideal for students to use as revision.
A resource which compares the set work of Wicked to 2 other pieces in preparation for the essay question (question 9). The scores for the unfamiliar pieces are attached. The links to audio are on the pp along with ideas and plans for each of the 2 questions. This could take 2 lessons (along with writing the essays) or be the preparation for an assessment or homework.
There is differentiated success criteria which shows students how to access higher bands.
3-5 lessons which revise the Beethoven set work-Sonata in C minor.
Lesson 1 focuses on the key features of the movement and categorises the musical elements into the main features of the piece e.g. piano and sonata form. The lessons is differentiated with success criteria and has answers included. This also focuses on the main musical elements and how you would describe them in an essay. This would take more than 1 hour long lesson.
Lesson 2-3 focuses on the extended answer for Question 9 in the exam by picking out the main features for all the musical elements and trying to explain them to ensure AO4 is achieved in the answer. Lesson 3 also focuses on wider listening and uses 3 example piece from different time periods (sheet music provided).
There is also a document with a summary of the Beethoven movement on just over 2 sides of A4 with the main features students need to know for the exam (this is in prose). There are 20 differentiated questions where answers can be found in the text. Ideal for revision lesson, homework or a cover lesson. Answer are provided.
Differentiated resources which aid students in developing the rhythm of an original idea. This was originally used over 3 lessons with a sixth form class but could also be used with GCSE students.
Students must firstly define rhythmic development methods (definitions provided). They must then identify how this looks by using musical examples.
The gold task then asks students to apply at least one method to their own composition.
All worksheets are in word so they can be further adapted in order to differentiate for your students.
2-3 lessons focused on unfamiliar listening of the Baroque and Classical genres and focus on key terminology in the questions (Qu 8 on the exam). All pp is differentiated with success criteria.
4 questions - 1 with a score and extension questions for target grade 8/9 students.
1x question includes a short score and becomes the focus for an essay question comparing to Beethoven.
PP includes answers and breaks them down into AO3 and 4 possibly answers to encourage top mark essay writing skills and content.
Differentiated resources which aid students in developing the harmony of an original idea. This was originally used over 3 lessons with a sixth form class but could also be used with GCSE students.
Students must firstly define harmonic development methods (definitions provided). They must then identify how this looks by using musical examples.
The gold task then asks students to apply at least one method to their own composition.
All worksheets are in word so they can be further adapted in order to differentiate for your students.
Resources for 2 lessons or 1 lesson and a homework based on music for ensemble (jazz and blues).
Students must define terminology associated with jazz and blues and then categorise this onto a summary sheet (answers on the pp).
There are also 3 listening questions with answers with you tube links on the pp. One of these is based on the longer answer format and firstly ask students to make notes on each section (a hint sheet is available) and then put this into continuous prose to be marked according to a SAMS mark scheme.
Differentiated tasks are including for all stages of the lesson.
Resources based on music for ensemble (classical chamber music).
Students must define terminology associated with chamber music and then categorise this onto a summary sheet (answers on the pp).
There is also an emphasis on the difference between baroque/classical/romantic music and what students could spot in a score reading question.
There are also a listening question with answers with you tube links on the pp.
Differentiated tasks are including for all stages of the lesson.
Differentiated resources which aid students in developing the harmony, rhythm, melody and texture of an original idea. Each set of resources was originally used over 3 lessons with a sixth form class but could also be used with GCSE students.
Students must firstly define development methods for each of harmony, rhythm, melody and texture (definitions provided). They must then identify how this looks by using musical examples.
The gold task then asks students to apply at least one method to their own composition.
All worksheets are in word so they can be further adapted in order to differentiate for your students.
An overall list of development methods is also provided to be used either as a quick test or a summary.
A complete resource to introduce and teach a full analysis of the Eduqas AoS1 set work for first examination 2022 ‘Bach’s Badinerie’.
There are two lessons which introduce the set work ‘Bach’s Badinerie’ by giving an understanding of Baroque music, the composer, instrumentation and the larger suite Badinerie is taken from.
This leads into a full analysis of section A (and a summary) and section B (and a summary).
All resources have graded success criteria for each task and are therefore fully differentiated. The worksheets ensure students annotate their scores with all necessary information and are differentiated according to target grade.
Homework ideas are provided as well as criteria for any performing of the piece you may wish to do.
Where answers are required they are on the PPs.
A scheme of learning with differentiated success criteria for each lesson and ideas for differentiated homework. 2 possible homeworks are also attached.
This is based on Eduqas GCSE chamber music.
30 quick fire questions for Bach section B
30 quick fire questions for Africa (verse 2 and chorus 2)
Easy to use for homework and last minute revision for the exam.
Radar assessment grids which have been tried and tested for key stage 3 music lessons.
Each radar links to a set scheme of work (which can be found within the resources for HMBEnglishresources1984).
The statements are linked to a 1-9 grade and the original ideas have also been added so you can adapt any of the statements to suit your schemes of learning.
The radars can be used in conjunction with the follow schemes of work.
https://www.tes.com/teaching-resource/classical-music-ks3-scheme-of-work-11455998
https://www.tes.com/teaching-resource/key-stage-3-film-music-scheme-of-work-11459117
https://www.tes.com/teaching-resource/pop-music-stand-by-me-differentiated-scheme-of-work-and-instrumental-parts-11425325
https://www.tes.com/teaching-resource/gcse-music-pop-music-composition-11743886
https://www.tes.com/teaching-resource/world-music-scheme-of-work-11743958
https://www.tes.com/teaching-resource/blues-music-scheme-of-work-11743949
https://www.tes.com/teaching-resource/key-stage-3-film-music-scheme-of-work-and-resources-performing-composing-arranging-and-listening-11459123