Outstanding teaching and learning resources from a Lead Teacher in English specialising in:
* Transactional Writing, * Creative Prose,
* Using creative modalities for Reading,
* Most Able,
* Well Being through English,
* Whole School Advocacy Days for Poetry, Reading, Writing, Literacy and WEllbeing
* Numeracy in English
Outstanding teaching and learning resources from a Lead Teacher in English specialising in:
* Transactional Writing, * Creative Prose,
* Using creative modalities for Reading,
* Most Able,
* Well Being through English,
* Whole School Advocacy Days for Poetry, Reading, Writing, Literacy and WEllbeing
* Numeracy in English
Take the fear out of short creative prose for the Eduqas/WJEC English Language Creative Prose Paper 1 Section B with this 550 word exemplar short story with full story arc for use as *what a good one looks like * and to adapt and borrow from to inspire similarly structured and controlled work from your students.
Celebrate International Children’s Book Day 2nd April or teach students the history of children’s books in an engaging way then create a playful leaflet inspired by a villain. Best suited to Years 4-8. Draw on prior knowledge, have a giggle, re-frame existing knowledge, add knowledge to the understanding of this literary canon and create a very modern publicity leaflet in which a children’s book villain attempts to change the public’s perception of them. 28 PPT slides with lovely graphics, challenge, differentiation, support, numeracy and wit to amuse them! Would last at least two hour lessons to complete with the leaflet task.
Invaluable resource for teaching those more nebulous skills for Grades 8 and 9. A high level exemplar response to a task on ‘Letters from Yorkshire’’ and difficult to define relationships. Compared with ‘Climbing My Grandfather’’ for the AQA English Literature Paper 2 Section B. Plenty of high level ideas ready to be learned and high level response style and also a good range of activities provided to encourage students to interact with the essay response, pick it apart, learn it, borrow the style and to encourage wider research.
Rich in applied contexts and perspectives and full use of those aspects of poems students often neglect - structure and form - the response looks at sounds (because poetry is an aural form) and both big (journey structures) and smaller structures.
Offered as a pair of resources - a framework for exploration in class and tasks and exemplar essay.
A set of response notes on themes of isolation and belonging in ‘My Polish Teacher’s Tie’ with tasks for students to complete to braoden the notes e.g. adding short quotations and blending context with personal informed response. Useful for initial learning and revision and independent work or homework.
A full fiction reading exam practice paper with Eduqas style English Language Paper 1 Section A questions.
Extract from ‘To the Lighthouse’. Fully line referenced.
Follows question pattern:
list five
impressions
how does the writer (craft language) …?
how does the writer (mood and atmosphere) …?
build argument/evaluate
Indicative content included to support marking.
High grading essay response comparing ‘Tissue’ as main poem and ‘Poppies’ as a comparison poem.
Tips on how it was planned and easy tips to elevate essays.
Examiner experienced teacher and writer created.
Offers potential for new interpretations of a complex text and also revision potential.
Need a scheme of over 65 slides that are differentiated for KS3 that introduces Shakespeare and avoids the tired old ‘research The Globe’ cliche? This is the unit of work for you. Easily several weeks of work, should you choose to teach the full sequence. Aimed at giving students a contextual grounding in Shakespearean love, looks, marriage, young people and parents, this scheme starts with Sonnet 130 and moves onto Romeo and Juliet, The Tempest, The Merchant of Venice and Much Ado About Nothing. Lively presentation and covering all Literature assessment objectives. Lots of range in tasks. Plenty of Most Able challenge as well as a good grounding in hitting KS3 levels for a solid trajectory into KS4 grades. More challenging tasks are supported with hints and tips to help students achieve.
An A3 framework grid students can use to explore extracts in class or learn the framework sequence to prepare for extract exploration in the actual examination. Gives lots of key terms as prompts as well as questions to stimulate responses to extract. Puts AO2 as the focus to allow for AO1 commentary. Has context and perspective reminders if they are relevant to your exam board.