Outstanding teaching and learning resources from a Lead Teacher in English specialising in:
* Transactional Writing, * Creative Prose,
* Using creative modalities for Reading,
* Most Able,
* Well Being through English,
* Whole School Advocacy Days for Poetry, Reading, Writing, Literacy and WEllbeing
* Numeracy in English
Outstanding teaching and learning resources from a Lead Teacher in English specialising in:
* Transactional Writing, * Creative Prose,
* Using creative modalities for Reading,
* Most Able,
* Well Being through English,
* Whole School Advocacy Days for Poetry, Reading, Writing, Literacy and WEllbeing
* Numeracy in English
Suitable for KS2, KS3 and lower ability KS4
VERSATILE—SUITS ANY FICTION
Encourages evaluative thinking
Encourages knowledge of character development
Encourages evidence finding skills
Encourages comparison of character across or within texts
Encourages knowledge of character beliefs, qualities, world views and values
Includes:
Worksheet template
Partial worked example of a KS3 novel to exemplify how the activity can be used
Certificate for students to award once they’ve evaluated the character developments
Follow up activity to encourage AO1 informed personal response and evidence and AO4 quality of expression.
The ‘BEFAFTAS’ Awards Activities for Charting Character Development
A light-hearted but fully effective set of activities that take some of the ‘grind’ out of tracing character development.
This activity is like an award for an aspect of a character that changed the most dramatically from the before (the start of the story) to the after (the end of the story) the ‘BEFAFTA’ Award. Or, you could compare which character out of all the characters in a novel or fiction changed the most over the course of a story to ascertain who wins the ‘BEFAFTA’ Story-Lifetime Achievement Award!
The resource preview is presented as a series of samples of permutations of how this self-reflective tool can be used. Full resource on purchase has the mastersheet within it.
The ‘Head, Heart …’ tool has been uniquely developed by me as part of my educational practice over the last ten years as a creative consultant and outstanding classroom educator and training deliverer.
A generic tool to use during or after any learning sequence for junior students right through the secondary years and any CPD that you deliver or mentoring that you do.
It aims to help you and your students understand what they are learning, how they are feeling about their learning, what they would like to change about the learning and what they think will help them in their next or future learning experiences.
Based on the whole learner experience, not just who they are in their heads today, the tool helps the teacher get a deeper understanding of who their learners are, how they are responding to learning and the teaching and how they are shaping their learning futures.
Enables teachers or trainers to open discussions on emotional well-being, cognition and learning to learn as well as build resilience and manage expectations.
Simple for students to engage with and quick to administer either as mini-plenaries or as end of lesson or end of learning sequence plenaries.
Potential for building vocabulary to name and separate thinking from feelings and emotions and learn to assert and voice their experience to build increasingly positive experiences in the future.
Ways to use the ‘Head, Heart …’ Self-Reflective Tool:
• As a basis for ‘voxpops’
• Self-reflective tool
• Quick tests of the ‘temperature’ of your teaching for your self-refection
• Student voice
• Building future learning/career aspirations
• Advocacy for the skills used in English and English Literature
• Plenaries and mini plenaries
• Imagining the experiences of others (empathy work and understanding characters
Who and what the tool is suited to:
• Suits teachers and learners at KS2, KS3, KS4 and KS5
• Suits evaluation of CPD delivery
• Suits anyone in a mentoring role
A high grade exemplar for ‘The Darkness Out There’ and ‘Chemistry’ that not only supplies content for students but shows a possible style for high grade answers. There are activities to lift Grades 5 and 6 into the uber grades of 7, 8 and 9. Two hour’s worth of teaching and learning included here.
Take the fear out of short creative prose for the Eduqas/WJEC English Language Creative Prose Paper 1 Section B with this 550 word exemplar short story with full story arc for use as *what a good one looks like * and to adapt and borrow from to inspire similarly structured and controlled work from your students.
Celebrate International Children’s Book Day 2nd April or teach students the history of children’s books in an engaging way then create a playful leaflet inspired by a villain. Best suited to Years 4-8. Draw on prior knowledge, have a giggle, re-frame existing knowledge, add knowledge to the understanding of this literary canon and create a very modern publicity leaflet in which a children’s book villain attempts to change the public’s perception of them. 28 PPT slides with lovely graphics, challenge, differentiation, support, numeracy and wit to amuse them! Would last at least two hour lessons to complete with the leaflet task.
A full fiction reading exam practice paper with Eduqas style English Language Paper 1 Section A questions.
Extract from ‘To the Lighthouse’. Fully line referenced.
Follows question pattern:
list five
impressions
how does the writer (craft language) …?
how does the writer (mood and atmosphere) …?
build argument/evaluate
Indicative content included to support marking.
High grading essay response comparing ‘Tissue’ as main poem and ‘Poppies’ as a comparison poem.
Tips on how it was planned and easy tips to elevate essays.
Examiner experienced teacher and writer created.
Offers potential for new interpretations of a complex text and also revision potential.
An A3 framework grid students can use to explore extracts in class or learn the framework sequence to prepare for extract exploration in the actual examination. Gives lots of key terms as prompts as well as questions to stimulate responses to extract. Puts AO2 as the focus to allow for AO1 commentary. Has context and perspective reminders if they are relevant to your exam board.