Hero image

Carisse' A-level Music Shop

Average Rating4.58
(based on 230 reviews)

Carisse is an experienced teacher of A-level Music and Vocational Music, and is currently Head of Music at a sixth form college in the North West of England. She has examining experience in A-level Music, specifically for coursework and specialises professionally in both performance and music analysis. Carisse has also been a Subject Advisor for Pearson, examining for both the NQF Level 1/2 BTEC Award in Music and the QCF Level 3 BTEC in Music.

127Uploads

209k+Views

99k+Downloads

Carisse is an experienced teacher of A-level Music and Vocational Music, and is currently Head of Music at a sixth form college in the North West of England. She has examining experience in A-level Music, specifically for coursework and specialises professionally in both performance and music analysis. Carisse has also been a Subject Advisor for Pearson, examining for both the NQF Level 1/2 BTEC Award in Music and the QCF Level 3 BTEC in Music.
Haydn's Symphony No. 104 Movement 1 Score (ANNOTATED)
carisserooke21carisserooke21

Haydn's Symphony No. 104 Movement 1 Score (ANNOTATED)

(0)
Haydn’s Symphony no. 104, movement 1 (Adagio/Allegro) - Annotated Score. Updated resource. Eye-catching with colour-coding for different analytical aspects, including: Harmony & Tonality, Instrumentation, Structure, Texture, Melody & Rhythm, Historical Context.
Eduqas Essays: The Development of the Symphony
carisserooke21carisserooke21

Eduqas Essays: The Development of the Symphony

(0)
A collection of wider context essay notes looking at the Development of the Symphony (1750-1900). Intended for teachers to use to prepare lessons to deliver. Focus is on the wider repertoire, rather than the prescribed set works. Structure & Form Instrumentation/Orchestration Dance Music Harmony & Tonality
Motown Documentary Research Questions & Answers
carisserooke21carisserooke21

Motown Documentary Research Questions & Answers

(0)
A resource that uses the documentary “Hitsville: The Making of Motown”. Set of research questions for students to answer whilst watching the documentary. Answers for teachers also provided. Good as an introduction to Motown Soul and generally how the Music Industry works too. Takes around 3-4 hours minimum as a mini-project: 2-3 hours to watch and make notes, 1-2 hours as a class discussion. Could be used for BTEC Music (Unit 30 Pop Music in Practise) or A’level Music.
60s Soul: The Supremes, Smokey Robinson & the Miracles, Marvin Gaye
carisserooke21carisserooke21

60s Soul: The Supremes, Smokey Robinson & the Miracles, Marvin Gaye

(0)
A comprehensive guide to 60s Motown Soul, with specific focus on The Supremes, Smokey Robinson & the Miracles, Marvin Gaye. Track Analyses include: Baby Love & I Hear A Symphony by The Supremes, Tracks of My Tears by Smokey Robinson & The Miracles and I Heard It Through The Grapevine by Marvin Gaye. Analysis focuses on main musical features and characteristics of 60s Motown Soul. All information is included in 1 powerpoint resource.
80s Synthpop: Gary Numan, Eurythmics, Pet Shop Boys
carisserooke21carisserooke21

80s Synthpop: Gary Numan, Eurythmics, Pet Shop Boys

(0)
A comprehensive guide to 80s Synthpop, with specific focus on Gary Numan, the Eurythmics and the Pet Shop Boys. Track Analyses include: Cars by Gary Numan, Sweet Dreams by the Eurythmics and Opportunities (Let’s Make Lots of Money) by the Pet Shop Boys. Analysis focuses on main musical features and characteristics of 80s Synthpop. A suggested written, research/homework activity is also provided. All information is included in 1 powerpoint resource.
Haydn Symphony No. 104 Movement 4 (with some Mendelssohn) REVISION POWERPOINT
carisserooke21carisserooke21

Haydn Symphony No. 104 Movement 4 (with some Mendelssohn) REVISION POWERPOINT

(0)
A revision powerpoint on Haydn’s Symphony No. 104, Movement 4. Complete with an overview of the main musical features of each section of the work and sample exam-style questions taken from past papers and sample materials. There is also a comparison with the minor study of Mendelssohn’s Symphony No. 4, Movement 4, including some exam-style questions.
Four Decades of Jazz 1910-1950: Revision Sheets (MUSC4)
carisserooke21carisserooke21

Four Decades of Jazz 1910-1950: Revision Sheets (MUSC4)

(2)
Designed to aid revision for the AQA MUSC4 Four Decades of Jazz 1910-1950 component. Please see details below for a breakdown of the revision sheets available in this resource: 1. Comparison of Styles - Core characteristics of New Orleans, Swing, Bebop, Cool Jazz 2. Charlie Parker - Characteristics of his playing and his Contributions to the development of jazz 3. Count Basie - Characteristics of his playing and his Contributions to the development of jazz 4. Dizzy Gillespie - Characteristics of his playing and his Contributions to the development of jazz 5. Duke Ellington - Characteristics of his playing and his Contributions to the development of jazz 6. Louis Armstrong - Characteristics of his playing and his Contributions to the development of jazz 7. Miles Davis - Characteristics of his playing and his Contributions to the development of jazz
British Popular Music 1960 to Present Day: Revision Flashcards (MUSC1)
carisserooke21carisserooke21

British Popular Music 1960 to Present Day: Revision Flashcards (MUSC1)

(0)
A pack of flashcards, covering a range of different aspects of the following British Popular Music tracks: 1. The Beatles - I Want To Hold Your Hand 2. The Beatles - Being for the Benefit of Mr. Kite 3. Rolling Stones - Satisfaction 4. Pink Floyd - Another Brick in the Wall (Part 2) 5. Sex Pistols - God Save the Queen 6. Opportunities - Pet Shop Boys 7. Ghost Town - The Specials 8. Blur - Country House 9. Oasis - Roll With It 10. Arctic Monkeys - I Bet That You Look Good on the Dancefloor 11. Dido - Thank You 12. Ed Sheeran - You Need Me I Don't Need You
Four Decades of Jazz 1910-1950: Revision Flashcards (MUSC4)
carisserooke21carisserooke21

Four Decades of Jazz 1910-1950: Revision Flashcards (MUSC4)

(0)
A selection of 94 cards, each with a piece of jazz terminology or information relating to a range of material from the characteristic traits of five different jazz genres. Covering the following styles/Artists: New Orleans & Louis Armstrong (1920s), Swing/Big Band & Count Basie & Duke Ellington (1930s), Bebop & Charlie Parker (1940s), Cubop & Dizzy Gillespie (1940s) and the origins of Cool Jazz & Miles Davis (1949).