Teaching Art is a feast into a of colour, line, texture, space and shape. By encouraging a visual exploration in my learning I love developing a creative approach to learning in the classroom. By encouraging different techniques and an understanding of art I hope to help students appreciate visual learning more. I hope you enjoy my uploads and can use them. Please contact me if you require any further information.
Teaching Art is a feast into a of colour, line, texture, space and shape. By encouraging a visual exploration in my learning I love developing a creative approach to learning in the classroom. By encouraging different techniques and an understanding of art I hope to help students appreciate visual learning more. I hope you enjoy my uploads and can use them. Please contact me if you require any further information.
**What is A-level Art and AS Art? **
An introduction to the Course and why should I study A-level Art?
This is to introduce students to what is A-level Art and what is required in the course. It gives examples of the components of the course and describes how to go about developing the coursework project and controlled test.
**How to approach the course? **
1, Respond to work from other artists and cultures.
2, Develop preliminary plans and sketches in preparation for further work.
3. Present and organise your thoughts in a visual and intelligible way.
4. Recognise and deal with design problems
5. Think up your own ideas.
6. Explore and use materials skilfully.
**Key Tips to complete the course? **
Examples of how to process the Personal Investigation showing the key objectives, developing ideas from artists, showing exploring materials and taking ideas through a number of processes and doing artist responses. Then developing ideas, compositional plans and artist studies to realise final concept.
Examples of Externally set task, pages from sketchbooks to show how ideas were developed to interpret the theme
Examples of possible Related Study and what topics one can develop into a written study - examples of covers of different studies to give an idea of what is expected.
This is a few slides of portrait drawings and to use as a starter activity where students can analyse the marks, lines and textures used to capture the portrait.
Students in pairs look at the lines used in the portraits and quickly analyse and describe the quality of the marks and what effect this has on the drawing.
A good way to find meaning in the marks and to get the mood of a drawing.
STEPS TO SUCCESS
To make an artwork which promotes community values and kindness
To be able to use artwork to encourage kindness
The powerpoint has a few pages of ideas that inspire ‘kindness’
Possible ideas are…
To make a poster with interesting typeface
Or
2. To make a picture illustration, combining poems and drawings or images.
Or
To make a collage or a painting or use paper craft collage
Or
To make an animation, video clip or drawing
Or
Make a fashion design
Introductory info for GCSE and A-level
A powerpoint clearly showing what is style visually but also showing how people interpret the same subject matter differently. To clearly understand what is a style?
Slides showing how style is grouped by culture, country, period, artist periods, time, and art movement.
Lots of questions and discussions about what makes a style.
Lesson Objective
To understand what is Style in Art? To develop a deeper understanding of how artists are grouped together.
To begin to analyse and question and discuss various artworks
To look at examples of elements of Art and principles of design.
To define each Art element and respond by making own interpretation
To define each Art Principle and respond by making own interpretation
Also after this a list of all the elements of art with good examples of artworks on each element. For example what is a line, shape, pattern, texture…?
A list of all the principles of Design with good examples of artworks on each principle explaining what is Balance, Rhythm, Harmony…?
Tasks are included Discussions on style and then completing an artwork for each principle and design and element of art.
Excellent introductory powerpoint for GCSE or A-level
These tasks relate to understanding the key building bricks in Art: Elements of Art and the principles of design and should give you 12 weeks of tasks for students to make two booklets.
Making a booklet on the elements of art and then one on the principles of design.
Understanding these key terms helps in enabling students to write about art and if this is completed at Key Stage 3 can be a real help at GCSE and A-level
This is a resource of examples of artists who use text in their artwork and there are some examples of artists who show movement in their work.
There is also an activity to collage a set of black and white newspaper/magazine and make your own version creatively using text to show movement.
A set of 8 slides which describe the key characteristics of Dadaism and gives some examples of their works and looks at Surrealism and gives examples of some Surrealist artists.
To use as worksheets in class where students can read about the movements and develop an understanding on the movements.
A description of Duchamp, Man Ray, Dali, Ernst and Magritte with key examples of their work.
The song In A Gadda Da Vida inspired an exhibition of work at the Tate Gallery. This powerpoint just highlights the work at the gallery and gives examples of the Garden of Eden by different artists. There is also a link to a You Tube clip of the original song.
This resource is helpful at GCSE and A-level to teach how to apply acrylic paint with a scraper, a ruler or a card to drag colours and to overlap layers of colours.
The resource has examples of Viera da Silva’s work to give to students. Students will need cardboard and a bank card and use this to apply the paint.
Students need to practise copying her work with only a bank card to create the marks.
Students need to cut the card in various sizes
This is a good powerpoint for basic foundation course on different elements of art - starting with Point - it gives you a number of exercises to explore this element as a creative element.
Lots of exercises and different artists.
An excellent starting point for A-level art looking at the basics of a mark and how this effects the negative area.
Used in a house competition where each House makes a different set of animals for Chinese New year in a different technique.
Animals in paper art, photoghrapy manipulation of animals, Painting animals, Plastic animals and paper mache artists.
Students work in groups and each group makes a different way of making a set of animals.
This is a fun activity for KS 3 Art project or an after school club.
German Art Historian, Heinrich Wolfflin in his “PRINCIPLES OF ART” (1915) isolated five opposing factors which he defined as the difference between
High Renaissance and the Baroque style. This can further relate to the contrasts in MODERN ART MOVEMENTS
There are the 5 main ways of interpreting forms with examples of the work of Heinrich Wolfflin that is:
1. painterly, linear,
2. closed, open,
3. planes and recession,
4. multiplicity, unity,
5. clearness and unclearness.
Wolfflin supports a theory on ways of analysing a painting and examples of style which he formulated between the Renaissance and Baroque style and this gives a good interpretation of the differences in ways of depicting a subject.
In the slide presentation examples are chosen to show the differences in style and hopefully students begin to understand the terminology used and begin to look at the ways different works are composed.
The styles of Wolfflin also link to modern art movements like for example, painterly characterizes the work of Pierre Bonnard, Francis Bacon, Paul Gauguin, Vincent Van Gogh, Rembrandt or Renoir.
Linear characterizes the work of Vermeer or Ingres.
The Impressionists and the Abstract Expressionists tended strongly to be "painterly”, while movements such as Pop Art or photo-realism emphasize flatness and could be referred to more as linear.
This also helps A-level students find their particular strengths and to make them reflect on what particular style they enjoy doing in their own work and gives them an excellent sense of vocabulary to use when analysing artworks and gives them an understanding of using art vocabulary when critically analysing their own and artist’s work.
Students after reviewing the following slides on Wolfflin’s theory and discussing what the differences are in style begin to formulate their own essay on style using 2 artworks of your choice.
TASK: Write an essay on two different artworks and analyse the composition and structure of the artwork in relation to the theories of style of Wolfflin. Begin to not only discuss the visual appearance of the subjects but try to relate this to the influences and background of the particular artists you choose.
This is a short visual display of how perspective developed from the early Medieval paintings through the key artists in the Renaissance: Giotto, Masaccio, Brunelleschi, Leonardo and then the Dutch artists and then to Cubism.
It shows you how artists have developed a window on a flat space through first of all basic means of overlapping, placement, symmetry and story telling and how this changed with Giotto and Masaccio (use of light and dark shading) and how Brunelleschi brought the grid and camera obscura to develop a window to the world in his paintings.
It further looks at Leonardo’s example and how he developed this linear perspective but then continues with the development of chair-scuro (light to dark shading) and their oil paint blending to continue developing the illusion of reality on a flat surface in their Still life paintings.
The presentation ends with how this has now returned to a flat surface and the surface been treated as a wall again with the work of Cezanne and his brushwork painting and underpainting to develop an illusion of space.
Cubism and its multiple viewpoints show how Art has now returned to a wall and Braque and Picasso’s work show how they have now fractured space and how the importance of creating an illusion of space on a 2D surface was not a priority but instead it was the overall meaning and idea that is important.
These are lists of words and pictures to match. There is also a definition, an explanation of the pictures.
Use this in the classroom in a Medieval Fantastic creature / Bestiary project where you get students to research the images of their own - or use the images provided with the lists to play a game in the classroom.
This is a source to show students various art styles and examples of artists who do interesting portraits.
It starts with Frida Kahlo and then goes through all the important portrait artists like Rembrandt, Frans Hals, Van Gogh, Picasso and then takes through a number of other artists with interesting styles, Hundertwasser, Gary Hume, Chila Burman, Sonya Boyce, Leger, Picabia, Dali and much more.
To be used as presentation to introduce students to artists who paint portraits in different styles.
Could be printed out as laminated sheets for students to see different portraits.
Examples of Cubism showing the close up detail of markmaking and analysis in the works of the Cubists. By developing their painting into textural surfaces with sharp lines to mimic the Cubist analytical works.
There are examples of Cubist works with reference to mark-making in the cubist shapes and using tones. Adding scraping paint with combs, and making paint textural marks to create a variety of mark-making effects.
This powerpoint links with Cubism No.1 Cubism No 2. and Cubism No 3 and No 5.
A fun project for students to learn about the Art Nouveau Artist Gustav Klimt and to do their own interpretation using patterns to make their hair.
Students are asked to firstly read about Klimt and to answer questions.
Secondly students are asked to practice doing Zentangle patterns and look at the patterns of Klimt
Finally students take a photo of themselves or anyone else and paste this in an interesting position on their paper and begin to draw the Gustav Klimt patterns.
TASK:
Paste a picture of yourself, friend, family member and interpret the patterns of Klimt around the face.
Making hair-styles or clothes using Klimt’s patterns.
STEPS TO SUCCESS
On an A5 paper paste a picture of a person and draw Klimt patterns making a dress or hair around the face. Look at the examples on the sheet.
On your paper firstly divide the areas using lines into shapes around the photo of your face/head and begin to do Zentangle patterns in the shapes.
Use a pencil or a pen and try to draw light and dark contrasts.
Try to make patterns in the shapes. Use the video clip to help with making zentangles.
This powerpoint focuses on further gaining an understanding of Cubism and its use of multiple viewpoints.
Students analyse Analytical examples of Cubism and write this in their book and refer to different key terms to use in Cubism like, multi-faceted, layering, multi-viewpoints, fragmented, geometric shapes. Terms are given ready to print and examples of analytical works ready to print.
Students are also shown how Picasso simplifies and stylises his subjects.
There are examples of some celebrity pictures where students need to break this up into geometric shapes and re-collage the shapes on an A4 paper.
This is a c omposition to trace and where students will need to paint in a further lesson, compose an outcome to paint and analyse into a cubist analytical painting.
Students to gain an understanding of Analytical Cubism and how to fragment a picture into geometric shapes
To make a collage of a famous celebrity artist and to complete presentation on Cubism in books.
After this task students simplify this collage into a tracing of collage getting ready to paint this into simplified shapes. See Cubist No.3.
SUMMARY OF THE FULL PROJECT BELOW
This is a series of powerpoints 5 lessons for students to learn to paint a Cubist painting using a celebrity picture and complementary colours. Students to gain an understanding of Analytical Cubism and how to fragment a picture into geometric shapes and then learn to paint it in complementary colours. Students then further develop this into a 3D sculpture and make a construction mobile cutting a copy of the painting into shapes.
This explains when Cubism came about, the key facts about the movement and a description of Synthetiic and Analytical Cubism
There is firstly a brief summary of the key points about Cubism and examples of the three key artists, Picasso, Braque and Gris.
There is a clear explanation of the key points of Cubism and the style.
There are examples of Cubist works.
Students to copy out key facts about Cubism in their book and discuss the movement in general.