Planned for a year 8 class but useful at any point in KS3, I think. This lesson focuses on the part of the story where Helen Stoner is relating the events of the night of her sister’s death. Pupils are asked to identify the mood of the segment. There is then a quick look at how foreshadowing might be used to contribute to mood (with a hinge question to ensure that all pupils know what’s meant by foreshadowing) after which pupils are asked to do some text marking to identify the language that contributes to the mood. There’s then the opportunity for some modelling to improve a response, ensuring that it explains how and why the language has the effect that it does. After which, and using the whole-class model as a guide, pupils are asked to work more independently on a different explanation.

Lesson 2 of a sequence planned for a year 8 class. This lesson focuses on looking closely at evidence to explain characterisation. The lesson is intended to get the pupils to zoom in more closely as the lesson progresses. The focus in the text is the part of the story where Helen Stoner is telling Sherlock Holmes about her family history and introduces information about her stepfather, Dr Roylott. There are prompts (in the form of questions) for the explosion of one quotation; students are then asked to work more independently to explode a second quotation, using the first as a model.

This uses an excerpt from “Dracula” in which the vampire hunters have lain in wait for Dracula who confronts, taunts and escapes them. There are 11 questions focusing on the writer’s methods and their effects with a couple on vocabulary and inference. Useful for homework or for setting as a cover activity. A useful addition to any study of the gothic horror genre. Alternatively, the question could be used for structuring a guided reading activity.

This uses the description from “Dracula” of Dracula’s ship arriving at Whitby in the midst of a terrible storm, steered only by a dead man… There are ten questions, focused mainly on the writer’s methods and their effect. This would be useful as a cover activity or for homework as part of a unit on gothic horror. Alternatively, the questions could be used to structure a guided reading session.

Created for a year 7 class as a homework to go alongside our class reader of 'Love That Dog', this is a comprehension (close reading and response) activity based on the segment from "The Call of the Wild" in which Buck fights Spitz to become top dog. There are 14 questions in total, focusing on vocabulary, inference and the effects of language. This would be a good cover activity or the questions could be used to structure a guided reading session.

Created for a higher-ability year 7 class as part of a unit of work on "Treasure Island" and pirates, this lesson plan takes the pupils through "The Ballad of John Silver" by John Masefield. Using images and drama to embed the idea of writing having a mood, the lesson culminates with the pupils selecting one of the verses from the poem and re-writing it in script form (model given on one of the slides), creating the same mood as the original poem.

Planned for a year 10 group all of whom have targets of a grade 5, this ppt leads the students through the presentation of Gerald Croft, up to the exploration of his affair with Daisy Renton. Students are encouraged to think about the method Priestley uses to link Gerald to Mr Birling, one way in which the theme of hypocrisy is explored and the way in which Gerald is used to explore the idea of different attitudes and values across generations.

This lesson uses the excerpt in which Mrs Joe is introduced. Students are asked to work through 3 of Dickens’s methods for characterisation: contrast, symbolism (specifically, the symbol of Mrs Joe’s apron) and the use of a semantic field. Through a mixture of questioning and discussion, pupils are guided through some ideas about the effect of these methods. Thereafter, they are asked to write a response to this question: Explain how Dickens uses contrast, the symbol of the apron and a semantic field to create the character of Mrs Joe. The final slide of the powerpoint is a self-assessment grid.

This is a comprehension activity - structured for increasing difficulty - with the tasks and questions divided into four sections: vocabulary, information retrieval, inference and explanation of methods. Useful for cover or for homework. Useful for a focused study of this particular section of Stoker’s novel.

This is an activity that I created for a year 7 class as part of their home learning. It uses an excerpt from Alice in Wonderland in which Alice meets the Caterpillar and a worried pigeon. There are five tasks, four for reading and one for writing. The reading tasks increase in difficulty and focus on (in turn) information retrieval, inference, analysis and evaluation. The writing task asks the children (hopefully inspired by the extract) to write a short descriptive piece, describing the landscape of a dream. Could be used for cover or set as homework.

I created this powerpoint as part of a home learning pack for a year 7 class but it could be adapted for classroom use. It uses Lewis Carroll’s acrostic poem spelling out the name of Alice Liddell, his muse. The powerpoint has 9 teaching slides (the tenth is merely a title slide). The start of the learning asks the pupils to do some research and find answers to these questions: Who wrote “Alice’s Adventures in Wonderland”? What is an acrostic poem? Write down an example of an acrostic poem. What is a muse? Slide 3 has some context about Carroll and the afternoon that gave rise to the story of Wonderland. Slides 4, 5, 6 and 7 use questioning to look at extracts from “Alice’s Adventures in Wonderland” with a focus on dreaming and the attitude of Alice’s older sister towards Alice, reality and growing up. Slides 8 and 9 explore the poem. Slide 10 asks the pupils to write their own acrostic poem about someone (real or fictional) who’s important in their life.

This is a straightforward multiple-choice quiz (answers provided) on Sara Teasdale's "There Will Come Soft Rains". There are 14 straightforward questions. Could be set for homework either after having studied the poem or as a pre-reading activity to identify any gaps that need particular focus in the lesson. Could also be used to structure a guided reading activity, in which case you will find that several of the questions invite follow-up questioning.

The aim of this lesson is to explore the methods Shakespeare uses to present the character of Egeus. The lesson begins with a brief prose overview of the start of of the play and then the lesson moves to focus on Egeus’s speech to Theseus. The lesson uses questioning and asks the pupils to annotate their copy of the speech as well as zooming right in on a specific quotation and exploding it (again, through prompt questioning). There is a homework - a 10-question multiple-choice quiz intended to consolidate some of the learning from the lesson.

A straightforward comprehension activity, useful for homework, for cover, for home learning - or the questions could be used to structure a guided reading session. There is a short extract from the Sherlock Holmes story, “The Five Orange Pips” and then there are 11 questions focused, in the main, on analysis and inference.

This is a straightforward comprehension activity using an excerpt from George Gissing’s letter in which he airs his views about bank holidays. There are 12 questions, answering which will ensure that the student thinks about Gissing’s viewpoint and the effects of the methods used to express this viewpoint. Could be used for homework or set as cover. Alternatively, the questions could be used to structure a guided reading or a revision session. Straightforward enough to be set for home learning.

This is a short, simple and (hopefully) straightforward powerpoint created for revision of AQA GCSE English Language Paper 2 Question 4. It’s planned to fit a 35 minute revision session and, consequently, does not require a full answer to question 4 - the intention is that the students will focus on one point of comparison which could either be written independently for greater challenge or completed as a whole-class model. It uses very short segments from two writers, one contemporary and one writing in 1882. The entire texts are not provided and the lesson is intended to revise the skill of analysis and comparison so, for my class, it was better to use short segments. If you wish to look at more of the Gissing text, it is readily available online and easy to find. There are 14 slides in total.

A straightforward lesson exploring Sassoon’s poem, “The Kiss” with questioning used to discuss the effect of the personification of bullet and bayonet. There are 8 close reading and response questions on slide 15. These could be used to structure a discussion or set for independent work. The lesson culminates with a task asking the students to draw inferences about the nature of the speaker in the poem, writing in role as a senior officer. Planned for year 9 but could be suitable to explore unseen poetry at KS4.

This could be used as a walking/talking mock exam. It’s a very straightforward powerpoint with example questions 1, 2, 3 and 4 from paper 1 of the AQA English Language exam. The powerpoint presents the questions and little more - there is some guidance to remind students how to approach question 2 and the Word document containing the extract has space on the right for students to make notes to help them answer question 3. The text used is pre-1914 so no worries about copyright infringement.

This is a straightforward comprehension activity that uses only one paragraph from “The Canterville Ghost” in which the Otis family approach Canterville Chase and there is a discernible change of mood. There are 14 questions that could be used for homework, as a cover activity or to structure a guided reading session. Works for remote learning. Suggested answers are provided although some questions will elicit a range of responses, of course.

Here, you will find 18 exam-style questions using the format and wording of the AQA English Literature GCSE exam, paper 1. The extracts used are shorter than the students will meet in the exam - slightly shorter in some cases and much shorter in others. Created for revision sessions but useful for homework, classwork or remote learning.